This collection consists of manuscript materials for the novels from SF and fantasy author Clarke, including outlines, drafts, notes, and submission packages. Also included is the final version of Clarke's master thesis, an unpublished novel of magical realism entitled Light Pollution.

The materials in the Clarke Collection are entirely digital.

This collection consists of a domestic version of the export script dated January 17, 1963, for the British science fiction movie The Day of the Triffids (1962), written by Gordon and based on the famous 1951 novel by John Wyndham.

This collection consists of the manuscript with handwritten edits of the story "AFC", by Karl T. Pflock, published in Fantasticin September 1973, accompanied by a typewritten blurb.

This collection consists of a number of items of Texas A&M University memorabilia, that display images, and lines of dialogue from the Star Wars cinematic universe. These items were sold in the fall of 2015 at the University Bookstore at the Memorial Student Center (MSC), as part of the nationwide landslide of publicity surrounding the December 2015 release of the film Star Wars: The Force Awakens.

Items in the collection include T-shirts, pennants, stickers, decals, and beverage coolers, among others.

This collection consists of an example of H. Rider Haggard's (Sir Henry Rider Haggard) autograph, dated 1889 and written on stationary reading "Ditchingham House, Bungay" (Haggard's home in Suffolk), together with a carte de visite of Haggard, printed by Newsboy in New York, Undated.

This collection consists of manuscripts and related materials from noted science fiction and fantasy author Michael Moorcock.

This collection consists of the so-called 'foul matter' from John Brunner's 1984 novel The Tides of Time. Materials include a signed letter of authentication from Brunner, dated May 11, 1989; and the corrected proofs from the novel, signed on the first page by Brunner and containing copyedits made by the author.

_The Tides of Time_was published by Ballantine Books/Del Rey in 1984, and concerns the lives of two people trapped on a deserted island who awake each day having lived different lives in different times.

This collection consists of a group of thirty issues of The Argonaut (1879-1889) containing twenty-three science-fiction stories by Robert Duncan Milne, some in two or three parts. References to "Moskowitz" indicate his edition of eleven stories by Milne, Into the Sun (West Kingston, RI: Donald M. Grant, Publisher, 1980). Eighteen of the stories in this lot were not published in Moskowitz's edition and have never been reprinted, to the best of our knowledge.

The time period covered in this lot is 1879 to 1889. The Argonaut was generally printed on good, non-pulpy paper and, barring abuse, remains in good condition and can be handled with due care without fear of crumbling paper. The Argonaut was a weekly literary newspaper published in San Francisco starting in 1878 and running well into the 20th century. It contained political commentary as well as departmental reviews of books, drama, food, fashion, etc. Ambrose Bierce wrote weekly columns during the first two and a half years of its existence. The editors had a penchant for weird and fantastic fiction and published such material by W. C. Morrow, Emma Frances Dawson, Robert Duncan Milne and a host of other minor authors, as well as offering translations of European material in this vein. Milne was evidently popular among The Argonaut readers, for his stories are often featured on the front page.

This collection consists of one typed manuscript (17 leaves) by Godwin, for his 1955 story "You Created Us".

This collection contains the original handwritten manuscript for Lee's 1976 novel Don't Bite The Sun, the first in her two-book Four-BEE series (a sequel to the book, Drinking Sapphire Wine, was published in 1977). Lee wrote the novel when she was 21, though it was not published until some years later.

The manuscript, in addition to the text of the novel, contains several illustrations from Lee, a description of the novel's structure, a name guide for the use of the manuscript's typist, and a list of chapter lengths. A 2014 note from Lee on the first page notes that the first few pages of the manuscript (the Prologue) are missing.

Also included is a photocopy of the typescript (with handwritten edits) of Lee's 2010 short story collection Disturbed By Her Song, published by Lethe Press. Along, with Lee, Esther Garber, and her half-brother, Judas Garbah is credited as the authors of the work. Garber and Garbah were supposedly French writers from the mid-20th-century whom Lee claimed to be channeling when she wrote the pieces.

This collection consists almost entirely of correspondence from Ray Bradbury regarding submissions and publishing during Bradbury's early career, 1939-1950s. Most of the letters were written to Erle Korshak, founder of Shasta Publishers, but some of the correspondence is both to and from Ted Dikty, Shasta's managing editor and a well-known SF anthologist.

There are a few later pieces of correspondence, dating from the 1980s.

This collection consists of "cutting continuity" scripts for two science fiction film serials produced by Republic Pictures, Undersea Kingdom (1936), and Flying Disc Man From Mars (1950). Both serials had 12 episodes, the scripts for all of which are in the collection.

"Cutting continuity" scripts were not so much as screenplays in the traditional sense of the primary documents that are used to construct a film, as transcriptions of the final filmed product that were sent to the Production Code Administration (the self-regulating Hollywood agency that from 1934-1968 examined and judged movies for their content), to state censors, or to exhibitors.

This collection consists of the typed manuscript (21 leaves) for Leinster's short story "Honeymoon on Dlecka", published in Fantastic Universe, July 1955.

This collection consists of two typed manuscripts (with corrections) of Philip Jose Farmer, including his Hugo Award-winning novella Riders of the Purple Wage (1967) with a signed cover letter to Harlan Ellison and Larry Ashmead and which was originally published in Harlan Ellison's groundbreaking anthology Dangerous Visions.
The manuscript "Sketches Among The Ruins of My Mind" (1973) signed by Farmer in August 1986, is accompanied by a 1972 letter from Harry Harrison containing suggested edits to Farmer's story.

The collection consists of carbon copies for the typed manuscripts Mer-Cycle (154 leaves) and Mer-Cycle, Part 2 (136 leaves).

This collection contains the manuscript of a Diary found in the St. Louis Zoo. Typed, 16 leaves, carbon copies, signed by the author.

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

This collection contains a Star Trek program guide, scripts, and a prospectus.

This collection consists of the manuscript for Fox's short story A Witch in Time, published in September 1973. The manuscript is typed, 22 pages with an additional 2-page blurb.

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

A collection of materials made to commemorate the opening of the 2013-2014 Cushing Library exhibit on the work of George R. R. Martin, entitled "Deeper Than Swords". The exhibit opened in March 2013.

The collection includes four portraits of characters from A Song of Ice & Fire, in acrylic on canvas, painted by Evangeline Owen for the exhibit.

This small collection consists of one letter from Dunsany to Min Winwar, May 1, 1953, in which he comments favorably on her new book.

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

This collection details some of Heinlein's interactions with Shasta Publishers and with Playboy Enterprises.

The Shasta Publishers' correspondence, primarily from 1945-1958, provides insights to the dealings of Heinlein with an early specialty publisher of science fiction, and to one of the first science-fiction specialty publishers. The Playboy correspondence covers some contractual issues and providing insight on the methodology of creating a "Playboy Interview," including the "caboose," a two-page typescript addendum to the 1969 Playboy interview. The letters reference Heinlein's trip to Chicago, and to the Playboy panel in 1984.

This collection consists of documents relating to the publication by the science fiction and fantasy small press Underwood-Miller, Inc., of a number of works by or relating to the noted science fiction author Philip K. Dick. The works Underwood-Miller published that are documented here include Dick's In Pursuit of VALIS: Selections from the Exegesis (1991), and the series The Selected Letters of Philip K. Dick.

Materials in the collection include correspondence, production documentation, galleys, typescripts, and photocopies of much of Dick's correspondence used in assembling the Selected Letters. Also included are a few media publications related to Dick and his work.

This collection consists of two copyedited manuscript anthologies: one, Little Deaths: 24 Tales of Sex and Horror (1995), edited by famed genre editor Ellen Datlow; and another, The Green Man: Tales from The Mythic Forest (2002), co-edited by Datlow and Terri Windling as part of Viking's Mythic Fiction series. The latter work won the 2002 World Fantasy Award for Best Anthology.

This collection consists of the manuscript for Pumilia's radio play "The Case of the Martian Minister" (typed, 11 leave), produced for the Houston Science Fiction Society.

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

This collection (also known as the Moorcock Life Collection) consists of a wide variety of materials, including manuscripts, proofs, and notes for a large number of Moorcock's works; convention materials; assorted periodicals, newsletters, and other publications; photographs; and many other items. This collection covers the range of Moorcock's literary and artistic career.

This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.

This collection consists of various card/board games and role-playing game modules and gamebooks (separately cataloged) collected by MSC Nova, the now-defunct Texas A&M University student group devoted to tabletop gaming. Also included are some various objects relating to the organization.

This collection consists primarily of manuscripts, proofs and galleys for a number of works by SF author Gould, including both novels and short stories. It also includes several typescripts for works not written by Gould, including several volumes of the George R.R. Martin-edited _Wild Cards_shared universe novels.