This collection consists of six typed letters, all sent from author Robert Silverberg to science fiction historian and editor Sam Moskowitz. The letters cover a period of 17 years, starting in 1951 when Silverberg was 16 years old and editor of the fanzine Spaceship, responding to a request from Sam Moskowitz for back issues of the fanzine as well as a subscription. The casual and friendly letters discuss a variety of subjects, including issues with the fanzine, payment for books bought from Moskowitz, and Moskowitz' lawsuit against Ted White (which Silverberg askes to be left out of).

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.

This collection (also known as the Moorcock Life Collection) consists of a wide variety of materials, including manuscripts, proofs, and notes for a large number of Moorcock's works; convention materials; assorted periodicals, newsletters, and other publications; photographs; and many other items. This collection covers the range of Moorcock's literary and artistic career.

This collection consists of materials relating to the 1956 A. E. Van Vogt novel Empire of the Atom, including the original typescript, galleys, and correspondence related to the book's publication and review.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection details some of Heinlein's interactions with Shasta Publishers and with Playboy Enterprises.

The Shasta Publishers' correspondence, primarily from 1945-1958, provides insights to the dealings of Heinlein with an early specialty publisher of science fiction, and to one of the first science-fiction specialty publishers. The Playboy correspondence covers some contractual issues and providing insight on the methodology of creating a "Playboy Interview," including the "caboose," a two-page typescript addendum to the 1969 Playboy interview. The letters reference Heinlein's trip to Chicago, and to the Playboy panel in 1984.

This collection contains various materials from noted fan and fanzine publisher Francis Towner Laney (1914-1958). Materials include a number of letters between Laney and fellow fanzine publisher A. Langley Searles, as well as an unbound copy of Laney's 1948 Ah! Sweet Idiocy!: The Fan Memoirs of Francis T. Laney.

This collection consists of selected Sunday comic strips (12 in number) from the comic strip John Carter of Mars, based on the series of novels about Carter by Edgar Rice Burroughs. All are from 1942 and encapsulated and backed on board.

The strip was written and illustrated by Burroughs' son, John Coleman Burroughs, and ran from 1941-1943.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection consists almost entirely of correspondence from Ray Bradbury regarding submissions and publishing during Bradbury's early career, 1939-1950s. Most of the letters were written to Erle Korshak, founder of Shasta Publishers, but some of the correspondence is both to and from Ted Dikty, Shasta's managing editor and a well-known SF anthologist.

There are a few later pieces of correspondence, dating from the 1980s.

An archive of documents from the Robert E. Howard file of John D. Clark. Includes correspondence, manuscript (including drawn maps of Howard's Hyborian Age universe, and published material relating to the 1950s republication of Conan the Barbarian stories.

This collection consists of documents relating to the publication by the science fiction and fantasy small press Underwood-Miller, Inc., of a number of works by or relating to the noted science fiction author Philip K. Dick. The works Underwood-Miller published that are documented here include Dick's In Pursuit of VALIS: Selections from the Exegesis (1991), and the series The Selected Letters of Philip K. Dick.

Materials in the collection include correspondence, production documentation, galleys, typescripts, and photocopies of much of Dick's correspondence used in assembling the Selected Letters. Also included are a few media publications related to Dick and his work.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

This collection consists of "cutting continuity" scripts for two science fiction film serials produced by Republic Pictures, Undersea Kingdom (1936), and Flying Disc Man From Mars (1950). Both serials had 12 episodes, the scripts for all of which are in the collection.

"Cutting continuity" scripts were not so much as screenplays in the traditional sense of the primary documents that are used to construct a film, as transcriptions of the final filmed product that were sent to the Production Code Administration (the self-regulating Hollywood agency that from 1934-1968 examined and judged movies for their content), to state censors, or to exhibitors.

This collection contains a large collection of reference materials relating to science fiction and fantasy author Andre Norton, assembled by Norton researcher Joseph Goldin. Materials include book reviews (both of Norton's work and those written by Norton herself in her capacity as a librarian at the Cleveland Public Library), essays, interviews, and other articles. They are drawn from newspapers, fanzines, secondary reference works, and prozines, among others.

With one or two exceptions, all of the materials in the collection are photocopies of the originals.

This collection consists of the diaries and journals kept by Andre Norton between 1930 and 2004, a few months before her death. The diaries record Norton's life experiences, thoughts, and notes on her writing and writing process.

The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

This collection contains a number of strips from the long-running Tarzan comic strip, based on the famous books by Edgar Rice Burroughs. Most of the strips were simply clipped from newspapers, including the Detroit News,  and then put in folders. Others have been encapsulated onto stiff boards.

This collection consists of typescripts of several of Binder's novels with most including the author's corrections and accompanying carbons, and a number of short stories with most corrected including carbons and in some cases tearsheets from the magazines in which the stories initially appeared, corrected and with continuation sheets for expansion into full-length books.

In addition, there are close to 300 business and personal letters, photographs, postcards, and other files including broadcasting projects, non-fiction articles, letters and critiques from literary agents and publishers, materials on Space World, and several folders of unfinished manuscripts. Unusual "picture cards" featuring text and photographs on postcards are included.

Excluding duplicate carbons, letters, etc., there are approximately 2,300 pages (mostly 11 x 8.5-inches) of typescript with a total of about 575,000 words. Many of Binder's letters are on letters received or on the backs of manuscript or script fragments.

A collection of letters to and from Robert E. Howard, from circa 1920-1936, with miscellaneous Howard items, copies of magazines featuring Howard stories, and books containing Howard stories and novels. Also included are a number of items relating to films based on Howard's works.

This collection includes correspondence to and from Clareson on his research, his science fiction journal editorship and related matters; manuscripts of some of Clareson's work, including a study of Robert Heinlein, as well as Understanding Contemporary American Science Fiction: The Formative Period (1990) and an unpublished biography of Charles Reade; research files for Clareson's study of John Wyndham; audio cassettes of interviews, panels and other appearances by Clareson; slides used by Clareson in his classroom work; and some miscellaneous materials. Also included are several awards that Clareson won for his professional work.

Several additional boxes contain research materials used by Clareson in the writing of his work The Heritage of Heinlein: A Critical Reading of the Fiction. Clareson died before he could complete the work, and it was ultimately finished and published by Joe Sanders in 2014. The materials include the manuscript for the book, as well as some original correspondence from Robert A. Heinlein, and copies of some of Heinlein's novels with notes by Clareson.

The correspondence contains letters from Lois McMaster Bujold, Harry Harrison, and James Tiptree, Jr.

This collection consists of a group of thirty issues of The Argonaut (1879-1889) containing twenty-three science-fiction stories by Robert Duncan Milne, some in two or three parts. References to "Moskowitz" indicate his edition of eleven stories by Milne, Into the Sun (West Kingston, RI: Donald M. Grant, Publisher, 1980). Eighteen of the stories in this lot were not published in Moskowitz's edition and have never been reprinted, to the best of our knowledge.

The time period covered in this lot is 1879 to 1889. The Argonaut was generally printed on good, non-pulpy paper and, barring abuse, remains in good condition and can be handled with due care without fear of crumbling paper. The Argonaut was a weekly literary newspaper published in San Francisco starting in 1878 and running well into the 20th century. It contained political commentary as well as departmental reviews of books, drama, food, fashion, etc. Ambrose Bierce wrote weekly columns during the first two and a half years of its existence. The editors had a penchant for weird and fantastic fiction and published such material by W. C. Morrow, Emma Frances Dawson, Robert Duncan Milne and a host of other minor authors, as well as offering translations of European material in this vein. Milne was evidently popular among The Argonaut readers, for his stories are often featured on the front page.

This collection consists of documentation relating to the life and editorial/bibliographical career of Everett Franklin Bleiler (1920-2010), including correspondence, subject files, notebooks, files documenting Bleiler's editorial reviews of works for Dover Publications, and other materials.

All materials dating before 1938 are photocopies of originals.

Series I: Correspondence, includes letters exchanged between Bleiler and such literary luminaries as Jacques Barzun, Anthony Boucher, Jack Chalker, August Derleth, L. Sprague De Camp, Philip Jose Farmer, James Gunn, A. Langley Searles, and Colin Wilson. There are also numerous letters to and from Bleiler's friend Martin Gardner.

Series II: Subject Files, and Series V: Other Materials, both consist of various subject files. The former were alphabetically organized in boxes into distinct subject files at the time of processing, whereas the latter were distributed throughout the collection in no particular arrangement.

Series III: Potential Publications Files, consists of individual reviews by Bleiler of works being considered for publication (or republication) by Dover Publications, for whom Bleiler worked in various capacities from 1955-1978.

Series V: Other Materials, includes, among other items, issues of the notorious pro-Nazi newspaper The Free American and Deutscher Weckruf und Beobachter, from the German American Bund. It is unknown when, why and how Bleiler acquired these, although we know he had no connection of any kind to the Bund.

Series VII consists of numerous 3 1/2 ' floppy disks, containing files that were created in various versions of Microsoft Word.

(C000015)

This collection contains manuscripts, correspondence, books, magazines, and other material related to Lansdale's writing career, circa 1989-2003.

This collection contains manuscripts and associated materials from John W. Campbell Award-nominated science fiction and fantasy author Stina Leicht. Also included are convention materials from various cons attended by Leicht, as well as correspondence, notebooks, and assorted other materials.

The Payne Harrison Collection consists primarily of manuscripts, notes, and related material for Harrison's novels and other written works (including an unproduced screenplay, Arrow Storm). There is also a considerably large subject file consisting of news articles, government documents, and other materials that Harrison used in research for his works.

Also in the collection are a number of photographs and slides depicting trips Harrison made (to England and to Japan, among other places), as well as various aircraft and other military subjects. (Some photographs are held in the Subject File.)

This collection consists of a photocopy of the manuscript for Wilson's 1988 novel Memory Wire.

This collection consists of comic books, mostly from the 1980s into the early 1990s. Included are well-known titles published by both Marvel and DC Comics, as well as Image Comics, Dark Horse Comics, and a large assortment of independent comic book companies no longer in existence.

Some of the well-known series included in the collection are Superman, Batman, Captain America, the Fantastic Four, the Avengers, X-Factor, X-Men, Spider-man, the Justice League of America, Teen Titans, Ghost Rider, Iron Man, Alpha Flight, the Incredible Hulk, the Punisher, Thor, Wolverine, Youngblood, and Weapon X.

The collection consists of carbon copies for the typed manuscripts Mer-Cycle (154 leaves) and Mer-Cycle, Part 2 (136 leaves).

This collection contains the manuscript of a Diary found in the St. Louis Zoo. Typed, 16 leaves, carbon copies, signed by the author.

This collection consists of the typescript (9 pages) for the story "Women’s Chorus", by Pinkwater. The date of composition is unknown.