This collection consists of the personal papers, manuscripts, memorabilia, and other associational material of science fiction and fantasy author George R.R. Martin.

Martin has also deposited as part of his collection a growing assortment of books, including his own work in various editions and translations, as well as works that he has edited or to which he has contributed. A bibliography of these books is available from the Reading Room upon request and items from that list are available for consultation.

This collection contains materials from science fiction D.L. (David) Young, relating to the creation and publication of his novel _Soledad,_a post-apocalyptic tale that is the first volume in Young's _Dark Republic_series.

Materials include notes, proofs, media material, final electronic versions of the novel, and production documentation. The materials in this collection are entirely digital, existing in several different software formats.

This collection consists of materials created for the "Dream Gathering" festival held on November 2-3, 2018, at the Jesup Memorial Library in Bar Harbor, ME. The festival was created to celebrate the 20th anniversary of the publication of the epic fantasy novel Green Rider by then-Maine resident Kristen Britain in 1998, as well as the release of the latest volume in her series, The Dream Gatherer.

The Dream Gathering featured a reading and book talk from Britain herself, presentations by Green Rider composer Kristina A. Bischoff and photographer Madeline Shayne, displays of fanmade artifacts, cosplay, a virtual tour of Britain's archives at Cushing Memorial Library & Archives, and general fannish socializing.

This collection contains short story entries made by Texas A&M students in the Annual Science Fiction and Fantasy Creative Writing Contest, co-sponsored since 2017 by the Department of English and Cushing Memorial Library & Archives.

Entries include Winners, Honorable Mentions, and all other entries.

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

unprocessed

This collection consists of two large leather account books from the old store owned and operated by David Verplank Ackerman and James McMiller that was at Washington-on-the-Brazos, Texas. The account book labeled "ledger" [box 1] dates from 1855 to 1865 and lists the accounts of individuals while the other one labeled "journal" [box 2] records the chronological expenses beginning in April 1854 and ending in January 1861.

Artificial collection of Corp of Cadets Unit photos

This collection contains a transcript from the student strike in 1908.

This collection contains the works of Robert F. Smith pertaining to his work over the early history of A&M College called "Brief Sketch of A&M College". Included are his notes, rough drafts, and his original manuscript written in pencil, "History of the Agricultural and Mechanical College", 1895.

Newsletter/paper produced by the College's Publicity Department that gives general new of campus happenings and announcements.

This collection consists of manuscripts and related materials from noted science fiction and fantasy author Michael Moorcock.

This collection pertains to Ernesto Mejia-Sanchez, who was a major Nicaraguan diplomat, poet, scholar, and critic whose papers are primarily in Spanish. Materials include photographs, correspondence, writings, publications, newspapers, course writings, and research materials from archives and libraries around the world.

These two volumes documents feature the personal and political reminiscences of journalist William S. Robinson and were edited and published by his wife in 1877. In the first edition, the first volume was expanded to two with extra illustrations (142 portraits and 53 autograph letters from prominent Americans of the time). Writing as “Warrington,” the journalist was especially noted for his reform positions and radical anti-slavery voice. The portraits and views represent a wide range of 19th-century American historic events, sites, and public figures.

This collection was intentionally developed, pulling together political documentation and radical writings of people of African descent from around the country.

The collection contains a letter written by J. B. Rayner announcing a forthcoming visit to Edna, Texas, dated October 19, 1900 (envelope included), and a handbill announcing Rayner's talk on October 27, 1900.

This collection contains over 100 items, primarily books that are cataloged and available via the Libcat system. The manuscript and drawings are also cataloged and available via the Libcat system.

This collection consists of an illustrated mailer postmarked New Orleans, and hand-addressed to Toledo OH, containing 18 accordion-folded 6in x 4in color photos purporting to show (stereotypical happy variety) black life in the south, with two songs, "Dixie Land" and "Dixieland for M" printed on the inside of the mailer with a cypress tree on one side of the fold and a photo of a black man and woman next to the address label.

These were reproduced from hand-tinted black and white originals. Postcard-size images, but double-sided without space for messages.

This collection includes over 11 different groupings of approximately 1 to 10 issues in each grouping. The latter half of the collection includes illustrations of African and African Americans in European periodicals.

These comics were created in countries that were ruled by colonial powers in Africa, namely Italy, France, Belgium, and Spain. The comics are both individual copies and bound volumes with numerous copies. They date from around 1926 to 1973.

This collection encompasses a number of resources obtained with the support of A&M's Africana Studies Program.

Box 1, Teaching Aids, consists of chromo card albums that were published in continental Europe by various companies to garner support for the continuation of the control over colonies across Africa and Asia. Also, many of these albums intend to educate on the natural resources of the colonies and their indigenous inhabitants.

Box 2, Cards and Chromo Albums, consists of cards produced by various European companies that depict the African lifestyle and diaspora. Some cards also depict many stereotypes widely held by mainland European society. Also included are albums that may have been intended to educate the collector on topics such as the fauna of Africa, and the practice of hunting.

Box 3, Oversize Items, consists of more Chromo trade albums, teaching aids, ballots, and posters.

This collection was developed for Africana Studies scholars interested in research on the continent of Africa. The materials consist of African publications between circa 1959-1965 from countries that include Zambia and parts of East Africa.

This collection consists of a photo scrapbook with six small charcoal images that depict African-American life in the rural south with an unrelated pictorial on-lay on the upper cover, all tied together with string.

Original black students' association charter. Authored by Ken Lewallen and Antwine Jefferson in Fall 1967-68.

The collection contains over 100 rare letters, autograph quotations, and photographs from 50 major figures in the American antislavery struggle, including several rare autographs from key British abolitionists. Many of the individuals noted provided selfless support, financially, morally, and wrote on behalf of the abolishment of the 'peculiar' institution of slavery. Some of the well-known abolitionists include Henry Ward Beecher, Blanche K. Bruce, William Channing, William Lloyd Garrison, Joshua R. Giddings, the Grimke sisters, Gerrit Smith, Thaddeus Stevens, Charles Sumner, and Lewis Tappan, one of the leading financial supporters of the Amistad Africans.

The collection contains photographs and newspaper clippings of these 50 prominent abolitionists.

This scrapbook contains progress photographs and news clippings of the construction of Kyle Field in 1929.

This collection contains photographs from an exhibit entitled "Juarez Without the Myth."

This collection contains three scrapbooks, one of which belonged to Irene Claghorn, filled with photographs and mementos dating from the early 1900s through the 1940s.

This collection includes correspondence between Williams and Wall, as well as photographs, original drawings, etchings (some showing cancelled plates), newspaper clippings, postcards, books, exhibition notices, and other Walliana. The letters concern Wall's printmaking and publishing activities and provide a unique glimpse into his personal and professional concerns.

The collection contains numerous self-portrait etchings of Wall and etchings of his friends, correspondents, and subjects of his writings. Wall's personal stationery contains a variety of etchings, drawings, and self-portraits. Much of this material has been captured in oversized scrapbooks that were reconditioned, re-boxed, and professionally conserved by Carrabba Conservation, Inc. Additional information on conservation treatment of the collection can be found in the Bernhardt Wall control folder.

The collection is an assortment of newspaper clippings, articles about cowboys and ranch living, copies of programs, pamphlets for symposiums and articles written by Kelton himself.