This collection consists of materials from fan, fanzine writer, and vidder 'Morgan Logan', primarily relating to her main fandom of _Starsky & Hutch._Materials include fanzines, DVDs of fanvids, CDs containing _Starsky & Hutch_images, examples of fan art, and additional fannish materials.

The collection also contains a number of objects and ephemera, including several _Star Trek_action figures from 1974 and a set of action figures from Stargate: Atlantis.

Much of the content of this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested.  Almost all of the fanfic in the Logan Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks (referred to as "gen"). All items are to be considered "slash" unless otherwise noted.

This small collection includes 11 letters from Maurice Bailey, 6 photos from Stanley C. Jordan, and 18 photos of other African Americans serving in the armed forces during World War 2 in two theatres Naples and Marseille France.

The collection is of a black soldier from Chemung County, New York, named Maurice M Bailey (1906-?). There are 11 letters he wrote to his sister Beatrice Craig, who lives in Harlem. Enlisting at the age of approximately 36 on May 27, 1942, Maurice M Bailey was a Private in the Branch Immaterial or General Officers branch of the Selectees during World War II. At the time of enlistment, Maurice M Bailey was single, with dependents, stood 70 inches tall, weighed 179 pounds, and had an education level of 2 years of college. He landed in Oran in April 1943 as part of the 99th Quartermaster Company RHD and was a baker. Before the war, he was an electrician. His service number was 32344461. He refers to Mussolini as "their famous spaghetti boy Mussi". He describes his stay in Naples, where high-ranking fascists stayed. He describes being on guard duty in Oran during an axis air raid. He cares for his sister deeply, who is not well, and he talks about his plans when he gets back and the things he misses. Noteworthy is his generosity towards his sister, and when he sees how pricey everything is in Naples he prefers to give his money to her.

All the letters are from his service overseas during the war. His pay was only $5.30. He comments "Time heals all wounds. Even war.". He goes on "I must mention how a colored USO show here brought the house down when the girl from Brooklyn sang "Not now baby I'll tell you when". She really was a scream. Why even I fell for the jive and I am not a hip cat". These are just samples of what he has written. Interesting content on both war and reflections of his home by an African-American serving in North Africa, Italy, and France.

Also included are 6 photos from a black soldier named Stanley C Jordan (1921-?) who was a trombone player with the 1333 Eng. Regiment band in World war 2. The photos show Jordan participating in the victory day parade in Marseille France on May 9, 1945. Jordan enlisted when he was 21 on December 21, 1942. At the time of enlistment, he was single, with dependents, stood 70 inches tall, weighed 139 pounds, and had an education level of 4 years of high school. He came from Baltimore, Maryland. His service ID was 33390589.

Also included are 18 photos of African Americans serving in the armed forces during World War 2, in both theatres. Photos from Camp Ellis in Illinois, some photos have descriptions on the reverse.

This collection consists of manuscript drafts, copyedited manuscripts, and galley proofs of all of Martha Wells' novels, as well as a number of other materials that include program books from many science fiction and fantasy conventions.

The March 2017 Addendum contains mostly media-related materials, particularly from the television show _Hercules: The Legendary Journeys_and the _Star Wars_films.

This collection consists of various materials related to American fantasy author Lloyd Alexander, including a few pieces of correspondence, a number of Christmas cards illustrated and signed by Alexander, informational brochures, invitations, and miscellaneous items.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection consists of numerous typewritten manuscripts of short stories and novels from science fiction author K.D. (Kathy Diane) Wentworth. Among other works, included is the manuscript for Wentworth's 1994 novel Moonspeaker, the first in her "House of Moons Chronicles" fantasy series.

This collection contains several manuscripts and related material (such as story notes) from works by Joe Lansdale early in his career.

Works include the 1989 World Fantasy Award-nominated horror novel The Drive-In (1988); the short story Night They Missed The Horror Show (1988), which won the Bram Stoker Award for Superior Achievement in Short Fiction; On The Far Side of the Cadillac Desert With Dead Folks (1989), which won both the 1989 Stoker Award for Superior Achievement in Long Fiction and the 1989 British Fantasy Award for Best Short Fiction; and two short stories involving Batman, "Subway Jack" (1989) and "Belly Laugh, or The Joker's Trick or Treat" (1990).

This collection consists of documents, daybooks, and photographs pertaining to the life of Jay Martin Poole, whose dedication to academic libraries brought him to Sterling C. Evans Library at Texas A&M University for many years, working as both library administration and a librarian consultant. The majority of the collection are letters written and received by Poole, both personal and professional. Another large portion of the collection contains daybooks and agendas, in which Poole kept an extensive log of his daily activities from 1963 to 1993. Jay's librarian background has given us an incredibly informative record of his life, his personality, and his experiences. A few significant topics and references represented in the collection are the GLBT community, collection and bibliographic services, CHOICE Magazine, academic librarian work, Texas A&M University, Sterling C. Evans Library, the University of Texas at Austin, The College of Santa Fe, Univerisity of California at Irvine, and genealogical records.

This collection contains manuscript material from author Beth Cato, including materials from her first novel, the steampunk fantasy The Clockwork Dagger, which was published in 2014.

This collection contains materials from and relating to author, editor, and disability advocate Elsa Sjunneson. Materials include examples of Sjunneson's writing, including her juvenilia, and audiovisual recordings of her school dramatic work and performances.

This collection consists of the manuscripts and associated materials, that document the life and career of award-nominated science fiction and fantasy writer Kay Kenyon. Materials in this collection include typescripts, drafts, notes, summaries, and correspondence.

The Robert I. White Papers are almost entirely concerned with a set of court cases whose background and context began life in early 20 thcentury Europe, where a penniless amateur artist named Adolf Hitler honed his art skills as well as his political magnetism and influence. They then move through Hitler’s rise to national power and his tyrannical grip over Germany, which ended after an unimaginably brutal war and the liberation of Europe’s suffering peoples by Allied armies in 1945. The scene then shifts to the United States, to which four watercolors painted by Hitler and a valuable archive of photographs taken by one of his few friends, Heinrich Hoffmann, were removed by the U.S. Army to the victorious United States as seized spoils of war.

In Texas a man named Billy F. Price, interested in Hitler’s artistic life and career, then joins forces with the wife and children of Hitler’s friend to have the seized materials returned to them, claiming that the U.S. government acted illegally. Robert I. White, of Houston, was Price’s lawyer in the resulting litigation. The case – which evolved into a number of separate actions - spent over 20 years meandering through different federal courts from Texas to Washington, DC before Price and his fellow litigants were finally turned down in their final appeal by the Supreme Court in 2009.

The White Papers chronicle the journey of Price and the Hoffmann heirs’ case from its beginnings in 1982, when the plaintiffs first requested the return of the Hitler watercolors from U.S. Army custody, to 2004. They consist primarily of the legal documentation generated for and by the lawsuit, including briefs, depositions, exhibits, motions, pleadings, orders, and writs. Also included are files of supporting correspondence. Audio-visual materials in the collection include audiotapes of phone conversations and witness depositions, videotapes of witness dispositions, and photographs.

The collection is divided into series based around the individual numbered cases. An additional sub-series, Series IIIA, consists of specific physical exhibits that were used in the initial case, Civil Action H-82-3712.  Note that documents recur in multiple series, because they were used as pieces of evidence or sources of background information for different cases.

One box of materials contains bound volumes of White's legal and other notes made durng his undergraduate and law school education.

This collection contains manuscripts, field notes, photographs, and audio recordings of Dr. Thomas’s work as an anthropologist in Mexico.

This collection consists of a number of manuscripts and manuscript materials from the work of urban fantasy and vampire fiction writer P.N. Elrod.

This collection consists of manuscripts, drafts, and related correspondence from science fiction writer Emily Devenport. The collection includes materials from Devenport's short stories and her novels (including those written under her pen names Lee Hogan and Maggy Thomas).

This collection contains newsletters put out by the Texas Agricultural Extension service (TAEX) on various topics including but not limited to dairy farming, livestock, poultry, landscaping, entomology, community resources, and improvement, economic development, events, county government, crops, weather, and the Texas 4-H.

This collection consists of the following materials:

• Meeting Minutes of Executive Committee and Board of Directors November 1985 - November 1989
• Agreement 1987, 1988
• 1988 Bylaws
• Bonds
• Correspondence 1985-1988
• Governing Policy
• Governor's MOU
• HARC in the News 1987-1988
• Staff Meeting 1986-1987
• Strategic Plan

This collection includes the published proceedings for the Daughters of The American Revolution Texas Society's Annual State Conference.

This collection contains the contents from the scrapbook created by Becky Brewer, Mary Helen Davis, Myrtle Decker, Edna Thomas, and Alice Stubbs from the Bryan Chapter of Women in Construction.

This collection consists of yearbooks from the Daughters of The American Revolution (DAR) Texas Society's William Scott Chapter in Bryan, Texas. Each yearbook beginning with 1949-1950, covers the fall and following spring. From 1967 to 1977 the yearbooks covered a two-year period with some containing an Addenda yearbook. Within most of the yearbooks, handwritten notes can be found along with a news clipping or two, membership cards, and receipts for membership dues. On covers of many of the yearbooks. Bylaws from 1951 and 1981 are also included along with two yearbooks from the Robert Henry Chapter of Bryan, Texas.

These papers consist of newspaper clippings containing information on income tax reform bills, vocational agriculture, and the Grass Roots Tax Revolt, reprints of the "Straight Talk" editorials from Farm and Ranch magazine, the author's copy of the 1958 third edition of the book Straight Talk, pamphlets, and newspaper articles relating to Tom Anderson.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

The archives consist of photographs, publications, correspondence, and reports on the early history of RESI under the directions of its first two directors, Dr. Gail E. Thomas (1991-98) and Dr. Mitchell F. Rice (1999-2004). The institute was founded in 1991 and established to highlight Texas A&M University's strengths and academic leadership in research relating to the study of race and ethnicity and their various dimensions (e.g., intersections with class, gender, and sexuality; past, present, and future relevance to issues of education, immigration, politics, culture, and health).

This collection consists of seven boxes containing the following:

• Departmental information reports and unnumbered publications (1972-1973) - two 5" boxes
• Shrimp Farming, Staff and Student News (1972-1976), and Ranch Management Software of Texas Rancher -two 5" boxes
• Aggie Rodeo (1999, 2001), and NIRA Rodeo 17th Annual Souvenir Program (May 12-14, 1996) - one 2.5" box
• History and Development of Agricultural Economics Department at Texas A&M College (1924) - one, 2.5" box

This collection consists of the diaries and journals kept by Andre Norton between 1930 and 2004, a few months before her death. The diaries record Norton's life experiences, thoughts, and notes on her writing and writing process.

This collection reflects the years of fannish interest and collecting done by Frank, a fan from Philadelphia, PA. Most of the collection documents Frank's interest with a particular subset of Star Trek fandom - Klingon culture. Items from this fandom include fanfiction, club newsletters, reference works, calendars, and several pieces of realia such as Klingon-themed jewelry.

The collection also contains several examples of fanzines from general Star Trek fandom and from several other fandoms. There is also one box of professionally published books - on Klingons and Star Trek, as well as several academic monographs on fan studies.

Aside from these, there is one additional major component to the Frank Collection. Frank collected a large number of songbooks containing so-called "filksongs". Filksinging is a venerable fannish activity - it can be generally described as science fiction-related folk music, and is frequently performed at conventions and other fannish get-togethers. The Frank Collection contains both filk songbooks and CD recordings of Frank's original filksong cassette tapes.

Unprocessed.

This collection is UNPROCESSED.