This collection includes a T-shirt and a watch bracelet from the Aggies United event held on December 6, 2016.

This collection consists of a number of proof pages for the Buck Rogers comic strip, December 14, 1959 - April 3, 1960. The proofs contain both the comic pages themselves and typewritten scripts for each strip.

The comic strips are illustrated by George Truska, who drew the strip from 1959 until the end of its original run in 1967.

This collection consists of issues from the comic book continuation of the television shows Buffy the Vampire Slayer and Angel, both created and produced by Joss Whedon. Included are the issues for the final two story arcs of Buffy Season Eight, for the story arcs in Season Nine and Ten, and for the beginnings of Season Eleven. Season Nine and Season Ten are divided into two separate story strands, one following Buffy and her friends as they adapt to post-Sunnydale and post-Season Eight life in San Francisco, the other chronicling the ongoing adventures of the ensouled vampire Angel and Buffy's rival Slayer, Faith.

There are also issues of two mini-series that were published as part of Season Nine, which follow the adventures of the characters Spike and Willow, respectively. In addition, there are several issues of an additional Buffyverse comic mini-series from Dark Horse, this one exploring the development of the character Illyria (who figured in the television show Angel).

A collection of comic books from the new series from Marvel Comics, Captain Marvel and Ms. Marvel.

The first is written by Kelly Sue DeConnick and details the adventures of superhero Carol Danvers, the former Ms. Marvel who in 2013 assumed the name, Captain Marvel. The second series is written by G. Willow Wilson and explores the story of young Kamala Khan, a Muslim American girl who acquires superpowers and adopts the name Ms. Marvel out of tribute to Danvers. Ms. Marvel, as a Pakistani-American, is the first Muslim superhero in an American comic book to have her own title.

The collection includes issues from the post-Secret Warscycle of stories concerning the two heroines.

Artists vary between individual issues of both series.

This collection consists of selected Sunday comic strips (12 in number) from the comic strip John Carter of Mars, based on the series of novels about Carter by Edgar Rice Burroughs. All are from 1942 and encapsulated and backed on board.

The strip was written and illustrated by Burroughs' son, John Coleman Burroughs, and ran from 1941-1943.

This collection consists of reel-to-reel audio recordings, audio recordings on tape cassette, and digitized recordings of these materials, of interviews conducted on the Science Fiction Radio Show, which ran from 1980-1983. The show was created by David Carson, Keith Johnson, and David Crews and originally broadcast from Odessa College (in Odessa, TX) starting in June 1980. Carson and Johnson had proposed a science fiction course for the college, and when it was denied, they turned instead towards developing a radio show as a way of bringing their interest in science fiction to a wider audience.

Starting in the spring of 1982 (after a hiatus beginning in Fall 1981) and proceeding through the last broadcast on December 31, 1983, the show was syndicated for national broadcasting by the Longhorn Radio Network in Austin. This helped give the show a nationwide following.

The Science Fiction Radio Show conducted interviews with a wide variety of significant personalities over its run, including Stephen R. Donaldson, Gordon R. Dickson (and his about-to-be-published novel The Final Encyclopedia), Philip Jose Farmer (just as he was concluding his Riverworld series), Hal Clement, Theodore Sturgeon, Howard Waldrop, C.J. Cherryh, Poul Anderson, Terry Carr, L. Sprague de Camp, Michael Whelan, Roger Ebert, Jim Henson (interviewed during the production of his film The Dark Crystal), and many others. Some shows were also dedicated to specific subjects, including computers, L. Frank Baum, and science fiction music.

Over the course of its life, the show conducted 81 interviews, most of them lasting 1-2 hours. The Longhorn Radio Network estimated that between 100,000 - 200,000 people listened to the show every week.

The collection includes a few recordings made from other sources than the Science Fiction Radio Show.

This archive includes a full run of the publication to date to date, including the master copies of several issues. There are some additional publications and ephemera.

Self-described as "the magazine Margaret Atwood warned you about," referencing Atwood's famous dismissal of science fiction as "rockets, chemicals and talking squids in outer space," Space Squid is a science fiction/humor 'zine published in Austin, Texas.

This collection consists of fanworks produced and gathered by fans of the Klingon culture from the Star Trek franchise. Materials include fanzines, art, club newsletters, and other objects of creative expression.

Klingons represent an active subset of the larger Star Trek fan community, and have been so for several decades. Klingon fans are particularly visible because of their frequent involvement in often-elaborate cosplay (that is, the use of costumes and accessories to represent specific characters, often personae created by the participants themselves).

The Klingons are an aggressive race of humanoid warriors, first seen in the Star Trek: The Original Series episode "Errand of Mercy" (1967). The Klingons started out as major adversaries of the U.S.S. Enterprise crew, Starfleet and the United Federation of Planets. However, as the Star Trek franchise began expanding in 1987 with the debut of Star Trek: The Next Generation, Klingons evolved from enemies into uneasy allies, and numerous episodes of TNG and later Star Trek series were devoted to exploring aspects of Klingon culture. They continue to occupy a major position in the overall Star Trek universe.

Klingon fandom is most notable for its adoption of the Klingon language. Klingon is a real (albeit artificially constructed) language with its own system of grammar, structure and rules of pronunciation. It was originally created by linguist Marc Okrund in the mid-1980s for the Star Trek films and was adopted into later iterations of the television franchise. Klingon has been expanded on by interested fans and language hobbyists to the point where a number of literary works have been translated from English to Klingon. Many Klingon-related fan creations are written at least partially in the Klingon language, and it is not uncommon for dedicated fans to speak it amongst themselves.

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection contains a number of strips from the long-running Tarzan comic strip, based on the famous books by Edgar Rice Burroughs. Most of the strips were simply clipped from newspapers, including the Detroit News,  and then put in folders. Others have been encapsulated onto stiff boards.

The Texas Aggie Countryman was a Texas A&M College monthly publication created in 1930 by students at the Texas A&M College Press. It is one of the first student-run publications at Texas A&M.

An archive of documents from the Robert E. Howard file of John D. Clark. Includes correspondence, manuscript (including drawn maps of Howard's Hyborian Age universe, and published material relating to the 1950s republication of Conan the Barbarian stories.

This collection consists of materials relating to the production and performance of The Intergalactic Nemesis (originally created 1996) and its sequels. The Nemesis adventures, created by Austin, TX-native Jason Neulander, are billed as "live-action graphic novels," combining the visual medium of comic books with elements of radio play and traditional stage performance. During the stage show, panels from the comic series are projected on a large screen, while three actors perform the voices for all the characters, a Foley artist performs the sound effects (as in traditional radio shows), and a pianist performs the soundtrack.

The collection includes various drafts of the Nemesis spinoff novel Blood Sacrifice, by Neulander, along with various publicity materials relating to performances of Nemesis and its sequels; posters; copies of the published Nemesis graphic novels, comic books, CDs and DVDs, and digital recordings of broadcasts and rehearsals.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection contains fifteen portrait photographs of Texas A&M College students. The photographs were given to A. H. Neighbors by other classmates also graduating in the Class of 1911, and one portrait from a member of the Class of 1913. Only one of the photographs has yet to be identified. Also included is the letter accompanying the photographs when mailed to the Ex-student Association from A. H. Neighbors, Jr. in 1976.

This collection contains speeches from Ward during his time as Educational Director of the National Cottonseed Products Association.

This collection contains materials from the literary and musical (both traditional and filksong) career of Dr. Ada Palmer. Materials include manuscripts from Palmer's science fiction and fantasy novels (published and unpublished), as well as papers, graphics, and other files relating to Palmer's singing activities, most notably as the director of the noted filksong group Sassafras.

A significant portion of the collection includes materials such as con badges, program books, etc., from a number of science fiction and anime conventions at which Palmer has been an attendee, a panelist, a guest performer, and/or an administrator (i.e, Cosplay Coordinator at Anime Boston).

This collection contains the genealogical history of the Affleck family, compiled by Thomas Dunbar Affleck (son of I.D. and Mary Hunt Affleck). Four members of the Affleck family are highlighted in detail.

Beginning with Thomas Affleck, covering 1824 to approximately 1872 and consists of typed copies of his personal and business correspondence, horticultural information, photographs, recipes, information on his plantation Glenblythe, articles, and various published materials such as Southern Rural Almanac.

Next is his son, Isaac Dunbar (I.D.) Affleck, a Civil War veteran who served. with Terry's Texas Rangers. This set contains the original letters sent to his parents while serving in the War, photos, and bits and pieces of information collected regarding Texas History [these are in poor -condition].

Mary Hunt Affleck's (married to Isaac) collection consists of many poems, keepsakes, and memorabilia regarding her tenure as Poet Laureate of Texas and member of the Daughters of the Confederacy.

Included is a short, but important collection of Anna Marie Affleck, daughter to I.D. and Mary Hunt Affleck. At the age of 12 [circa 1898] Anna Marie made a pressed-flower book that catalogs 203 different flowers from Washington County.

The last section of this collection is comprised of short histories of various other family members (notably, Jane Long); there is also historical information of United States history regarding pre-Civil War, the Civil War, and post-Civil War; and two handwritten manuscripts by Thomas D. Affleck regarding Jack Hays and the Hays' Texas Rangers.

This collection includes the organization's development materials, bylaws, minutes, correspondence, programs, newsletters, and 1st Friday programs in print and digital formats.

Created in 1991, this African American organization has as its mission to serve as a vehicle through which African Americans are fully recognized as contributing members of Texas A&M University, its local system components, and the community-at-large.

The African American Professional Organization's goals are to:

• Provide assistance and support to Texas A&M African American students, faculty, staff, and citizens in the community.
• Assist and advise Texas A&M on issues related to the enhancement of African American faculty, administrators, staff and students, and community citizens.
• Develop a political initiative to monitor, interact, or intervene with legislative bodies at local, state, and national levels relative to African American issues and concerns.
• Work with the myriad of African American and other organizations who aspire to "speak to" and "speak for" African American people on African American issues at Texas A&M and the Bryan-College Station community.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection contains letters and greeting cards to and from A. R. (Albert Richard) Moses during his time in the military. Most of the greeting cards are from the Christmas/New Year season or for his birthday.

This collection contains nine handwritten letters from Alfred Tennyson and one handwritten letter from Emily Tennyson. Also included is the poem "A Welcome", the lower half of a letter with Tennyson's signature, and the dated and signed portion of a document that Tennyson signed as a witness on August 1, 1862.

This collection contains account ledgers, employee rosters, and a couple of photographs from the Texas A&M A-C Network Calculator Lab. Also included are multiple news articles regarding the lab.

This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.

Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.

Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.

This collection consists of AAUW publications, the president's records spanning the organization's forty-year history, and information regarding the branch's involvement in supporting the Bryan Day Care Center, as well as four scrapbooks.

Association publications include the newsletter from the local branch, as well as journals, newspapers, and bulletins published by the national and international parent organizations. Included in the president's records are branch reports, rosters, financial information, and correspondence. Also present are minutes and other records pertaining to the Bryan Day Care Center and the AAUW's contributions to it. In addition, one file in the collection contains a brief history of the local organization, beginning with its inception in 1948 and reviewing important milestones of each year up to 1980.

These records consist of minutes from the American Vocational Association Board meetings from 1976-1977.

This collection consists of materials chiefly relating to the professional relationship between legendary F&SF author Andre Norton, and Walker and Company editor Mary Elizabeth Allen. Materials include correspondence (typescript signed) from Norton to Allen, a copy of the uncorrected proofs for the 1992 Allen-edited anthology All Hallows' Eve (featuring the Norton story "The Nabob's Gift"), contracts for Allen signed by Norton, a signed outline of Norton's story "Horn of Herne" addressed to Allen, and photocopied descriptive material by Norton about her Witch World.

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.