This collection consists of documentation relating to the life and editorial/bibliographical career of Everett Franklin Bleiler (1920-2010), including correspondence, subject files, notebooks, files documenting Bleiler's editorial reviews of works for Dover Publications, and other materials.

All materials dating before 1938 are photocopies of originals.

Series I: Correspondence, includes letters exchanged between Bleiler and such literary luminaries as Jacques Barzun, Anthony Boucher, Jack Chalker, August Derleth, L. Sprague De Camp, Philip Jose Farmer, James Gunn, A. Langley Searles, and Colin Wilson. There are also numerous letters to and from Bleiler's friend Martin Gardner.

Series II: Subject Files, and Series V: Other Materials, both consist of various subject files. The former were alphabetically organized in boxes into distinct subject files at the time of processing, whereas the latter were distributed throughout the collection in no particular arrangement.

Series III: Potential Publications Files, consists of individual reviews by Bleiler of works being considered for publication (or republication) by Dover Publications, for whom Bleiler worked in various capacities from 1955-1978.

Series V: Other Materials, includes, among other items, issues of the notorious pro-Nazi newspaper The Free American and Deutscher Weckruf und Beobachter, from the German American Bund. It is unknown when, why and how Bleiler acquired these, although we know he had no connection of any kind to the Bund.

Series VII consists of numerous 3 1/2 ' floppy disks, containing files that were created in various versions of Microsoft Word.

(C000015)

This collection includes correspondence to and from Clareson on his research, his science fiction journal editorship and related matters; manuscripts of some of Clareson's work, including a study of Robert Heinlein, as well as Understanding Contemporary American Science Fiction: The Formative Period (1990) and an unpublished biography of Charles Reade; research files for Clareson's study of John Wyndham; audio cassettes of interviews, panels and other appearances by Clareson; slides used by Clareson in his classroom work; and some miscellaneous materials. Also included are several awards that Clareson won for his professional work.

Several additional boxes contain research materials used by Clareson in the writing of his work The Heritage of Heinlein: A Critical Reading of the Fiction. Clareson died before he could complete the work, and it was ultimately finished and published by Joe Sanders in 2014. The materials include the manuscript for the book, as well as some original correspondence from Robert A. Heinlein, and copies of some of Heinlein's novels with notes by Clareson.

The correspondence contains letters from Lois McMaster Bujold, Harry Harrison, and James Tiptree, Jr.

This collection contains a number of strips from the long-running Tarzan comic strip, based on the famous books by Edgar Rice Burroughs. Most of the strips were simply clipped from newspapers, including the Detroit News,  and then put in folders. Others have been encapsulated onto stiff boards.

This collection consists of typescripts of several of Binder's novels with most including the author's corrections and accompanying carbons, and a number of short stories with most corrected including carbons and in some cases tearsheets from the magazines in which the stories initially appeared, corrected and with continuation sheets for expansion into full-length books.

In addition, there are close to 300 business and personal letters, photographs, postcards, and other files including broadcasting projects, non-fiction articles, letters and critiques from literary agents and publishers, materials on Space World, and several folders of unfinished manuscripts. Unusual "picture cards" featuring text and photographs on postcards are included.

Excluding duplicate carbons, letters, etc., there are approximately 2,300 pages (mostly 11 x 8.5-inches) of typescript with a total of about 575,000 words. Many of Binder's letters are on letters received or on the backs of manuscript or script fragments.

This collection consists of the diaries and journals kept by Andre Norton between 1930 and 2004, a few months before her death. The diaries record Norton's life experiences, thoughts, and notes on her writing and writing process.

The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

This collection contains a large collection of reference materials relating to science fiction and fantasy author Andre Norton, assembled by Norton researcher Joseph Goldin. Materials include book reviews (both of Norton's work and those written by Norton herself in her capacity as a librarian at the Cleveland Public Library), essays, interviews, and other articles. They are drawn from newspapers, fanzines, secondary reference works, and prozines, among others.

With one or two exceptions, all of the materials in the collection are photocopies of the originals.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

An archive of documents from the Robert E. Howard file of John D. Clark. Includes correspondence, manuscript (including drawn maps of Howard's Hyborian Age universe, and published material relating to the 1950s republication of Conan the Barbarian stories.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection consists of selected Sunday comic strips (12 in number) from the comic strip John Carter of Mars, based on the series of novels about Carter by Edgar Rice Burroughs. All are from 1942 and encapsulated and backed on board.

The strip was written and illustrated by Burroughs' son, John Coleman Burroughs, and ran from 1941-1943.

This collection contains various materials from noted fan and fanzine publisher Francis Towner Laney (1914-1958). Materials include a number of letters between Laney and fellow fanzine publisher A. Langley Searles, as well as an unbound copy of Laney's 1948 Ah! Sweet Idiocy!: The Fan Memoirs of Francis T. Laney.

This collection details some of Heinlein's interactions with Shasta Publishers and with Playboy Enterprises.

The Shasta Publishers' correspondence, primarily from 1945-1958, provides insights to the dealings of Heinlein with an early specialty publisher of science fiction, and to one of the first science-fiction specialty publishers. The Playboy correspondence covers some contractual issues and providing insight on the methodology of creating a "Playboy Interview," including the "caboose," a two-page typescript addendum to the 1969 Playboy interview. The letters reference Heinlein's trip to Chicago, and to the Playboy panel in 1984.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.

This collection contains over 100 letters and postcards, most written by science fiction fan writers and editors regarding amateur writing and publishing, largely related to Psychotic (later Science Fiction Review), a fanzine published by Richard E. Geis from July 1953 to October/November 1955.

The correspondence includes letters from influential science fiction fans and fanzine editors of the period: Terry Carr (6 letters, 1 postcard), Harlan Ellison (2 letters, 1 postcard), Marion Zimmer Bradley (1 letter), Robert Silverberg (2 letters, 1 postcard), Ron Smith (editor of Inside, one of the more important fanzines of the 1950s) and others, as well as a letter from pro editor Samuel Mines (accompanied by drafts and carbon copies of fan letters from Geis to Mines critiquing material published in Startling Stories), and a typed letter on FBI letterhead from J. Edgar Hoover.

This collection consists of six typed letters, all sent from author Robert Silverberg to science fiction historian and editor Sam Moskowitz. The letters cover a period of 17 years, starting in 1951 when Silverberg was 16 years old and editor of the fanzine Spaceship, responding to a request from Sam Moskowitz for back issues of the fanzine as well as a subscription. The casual and friendly letters discuss a variety of subjects, including issues with the fanzine, payment for books bought from Moskowitz, and Moskowitz' lawsuit against Ted White (which Silverberg askes to be left out of).

This collection consists of the original typescript of Arthur C. Clarke's short story, "Jupiter Five", written in 1951 and first published in the May 1953 issue of the magazine IF: Worlds of Science Fiction. This typescript is the setting copy for the magazine publication and has been copy-edited by editor Larry T. Shaw and the author. It also includes two layout sheets with design notes and paste-in illustrations.

This collection contains the typed manuscript for Tucker's 1954 novel Wild Talent, as well as the original typescript and page proofs for Tucker's 1974 novel Ice and Iron.

This collection contains research materials relating to the author Marion Zimmer Bradley (1930-1999), collected by Dr. Marijane Werdsman of Texas Tech University. The materials were collected as part of a prospective biography of Bradley that Werdsman had intended to write, but the project fell apart when accusations arose in 2014 that Bradley had sexually abused her daughter Moira when Moira was a child.

Most of the materials were obtained from various Internet websites, and include materials relating to Bradley, to her fantasy world Darkover, and to the various online fan communities devoted to Bradley and her work.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection includes an assortment of manuscripts and correspondence of Isaac Asimov, including short stories, novels, non-fiction, and correspondence with publishers. The segment on the submission of "Stay, Oh Fleeting Moment," a nonfiction piece on time and the subsequent correspondence, internal documentation of Playboy editors and readers, and the rejection of the article providing an informative look at the working of a major magazine.

This collection contains materials to the business and fannish career of Houston-area fan and con organizer Larry Taylor. Included in the collection are numerous fanzines, most of them from fans and fan associations in Texas in general and the Houston area in particular; program books, flyers, advertisements, and other documentation relating to genre conventions, including Collegecon '80 and Collegecon 2, cons at the University of Houston that Taylor helped run as a UH student; materials relating to Taylor's media company; and miscellaneous other materials.

The Lisa Tuttle Collection consists of books, manuscripts, galley proofs, and magazines tracing the storied career of science fiction, horror and fantasy writer Tuttle.  The collection is a work-in-progress, with additions from the author as they become available.

This collection consists of a number of proof pages for the Buck Rogers comic strip, December 14, 1959 - April 3, 1960. The proofs contain both the comic pages themselves and typewritten scripts for each strip.

The comic strips are illustrated by George Truska, who drew the strip from 1959 until the end of its original run in 1967.

This collection consists of materials related to Arthur C. Clarke's sales of stories and other pieces to Playboy Magazine. The collection includes a group of 27 typed letters and 7 autograph letters, mainly between Clarke and editor A. G. Spectorksy, internal Playboy memoranda, and correspondence from Playboy. Also included are typescripts (marked as setting copy) for 4 short works of fiction and 8 nonfiction pieces by Clarke.

This collection consists of administrative and business files from Victor Gollancz, Ltd., one of the most important publishing companies in 20th-century Great Britain. Gollancz published the works of many science fiction authors, including, notably, Arthur C. Clarke.

The materials in this collection specifically document Gollancz' relationship with Clarke over a period of nearly 40 years, during which Gollancz published many of Clarke's most important novels - including The Hammer of God, Imperial Earth, and the three sequels to Rendezvous With Rama as well as many of Clarke's nonfiction works. Materials include correspondence (including from Clarke himself), contracts and agreements, administrative documentation, and dust jackets from numerous works of Clarke.

Overall the collection provides a window into the relationship between an author and his publisher, and the ways in which they interact to produce a finished literary product.

The Southern Fandom Press Alliance (SFPA) is a regional amateur press association (APA) generally based in the Southern United States, but with notable membership from other regions.  SFPA was formed in 1961, with Bill Jennings serving as the first Official Editor.  The first mailing was in September 1961, consisting of 76 pages of contributions.  The APA grew in both members and page count, with a record 100th mailing that contained over 1400 pages.  Guy Lillian served the APA as the Official Editor for a number of years. (C000009)

The collection also includes various mailings from the Los Angeles Science Fantasy Society (LASFS) APA, which first began publication in 1976 and was still being published as of 2013.

Finally, there are some additional fanzines in the collection, published independently of SFPA or LASFS.

The Media Fanzine Collection is comprised of numerous pre-Internet fan-produced publications that document their involvement in a particular fandom. Fandoms are based around media productions such as movies (i.e. the Star Wars film series) or television shows (i.e. Star Trek in its various iterations). Although traditionally most media fandoms involve productions from the science fiction and fantasy genres, there are numerous exceptions.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Media Fanzine Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

Slash and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content. Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures. (s) indicates slash material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

The October 2016 Addendum includes several "friend books", tiny zines used by pre-teens and teens in the 1970s and 1980s as a way of finding other like-minded fans in the pre-Internet era. Some "friend books" were sized small enough to fit into an international envelope (2-3 inches), and consisted of no more than a few pages. The covers were pages cut from magazines or advertisement and were stapled or taped into a booklet shape. Many were multi-fandom, but some focused on single fandoms like Star Wars. Fans would write their name and address, and list their interests. The book would then passed along to the next fan. When the booklet was filled it was to be mailed back to the original fan. Often times questions were asked (ex: Who is your favorite Star Wars character?)

There are several additional items, including materials from genre conventions, ads and flyers, professional publications that relate to various fandoms, and various items of printed realia. The Christina Pilz February 2024 Addendum contains a number of fanzine advertisements and documentation devoted to fanzine and fanfic productions.

Sub-Series 1 of the Georgia Barnes Addendum contains maps of the Star Trek universe, and has therefore been filed with other items in the Maps Of Imaginary Places Collection.

Audio-Visual Materials

The collection also contains non-print materials. There are a significant number of fanvids in the collection (and the fandoms for those vids are noted in the finding aid). There are also several DVDs that contain recordings of fanfiction podcasts, from a number of different fandoms.

On Star Trek

Since 1966 there have been 5 non-animated television iterations of the television franchise Star Trek. Each one has its own dedicated fandom (although certainly many Trekkers are fans of multiple series), and each one has a generally accepted denotation. Those denotations are used in this collection, as follows:

Star Trek [TOS] refers to the original series(1966-1969).

Star Trek [TNG] refers to Star Trek: The Next Generation (1987-1994).

Star Trek [DS9] refers to Star Trek: Deep Space Nine (1993-1999).

Star Trek [VGR] refers to Star Trek: Voyager (1995-2001).

Star Trek [ENT] refers to Star Trek: Enterprise (2001-2005).

On The Professionals Circuit Archive:

There are several boxes of fanfiction from The Professionals Circuit Archive. The Circuit Archive is a singular form of fannish creative association, that for The Professionals fans actually predates the creation of more typical zines. In a standard fanzine distribution, a fan or group of fans will write, edit and publish a fanzine, and the publication will be printed and made available for sale. With The Professionals fandom, things began much more informally. Fans would place their stories 'on the circuit'. That is, they would write their stories and then produce photocopies; the copies would then be circulated among one another via standard mail. In time, certain fans began collecting copies together into 'circuit libraries'. Interested fans could become members of these informal lending libraries, and would receive titles on request, which they could read and /or photocopy and then return to the library. Although, in time, The Professionals fans began producing zines in the same ways that other fans did, much of the fanfiction remained (and remains) on the circuit.

By the late 1980s, two large circuit libraries were in place: one in Great Britain, and another in the United States. They enjoyed considerable overlap in their contents, but because of geographical distance and the informality of circuit distribution did not duplicate each other. In the early 1990s, as zines started entering the electronic era, fans began working to convert the vast number of paper stories into an electronic format that would encourage and increase access (as well as help preserve the much-used paper originals). In 1996, the Circuit Archive went online and continues to periodically increase its contents with new stories. The Circuit Archive, sprung from humble beginnings, now holds more than 1000 individual stories, which form the backbone of The Professionals creative fandom.

To quote Morgan Dawn, "the circuit library in the Professionals fandom is a unique tradition of women writing and sharing fan fiction (often anonymously) without going through the editorial and fanzine publication process. In many ways, it is the precursor to the fan fiction on the Internet where people would read a story, photo-copy it and send it on to someone else, and then write a response story, copy that and mail it on in an endless flow...and because The Professionals was a UK show, you have the unique situation where this communication was crossing both cultural and geographic barriers." Stories in these folders include both gen and slash.

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

The Roy Craig Collection on the Scientific Study of Unidentified Flying Objects consists of Dr. Craig's working files on all UFO reports studied by the Condon Report project team, including the field investigation notes, case writeups, physical evidence collected, Craig's appointment books for 1966-1968, a copy of the three volume Condon Report, a copy of the Bantam Books mass market reprint edition, additional notes and reports related to the UFO study, photos, recordings, and popular articles and books about UFO studies, and the manuscripts and notes for Dr. Craig's book, UFOs: An Insider's View, copies of the score and audio recordings of "The UFO Song," and other related material. The collection occupies approximately 10 linear feet.

This collections of materials documenting the life and literary career of Gwen Faith Hunter, who writes thrillers under the name of 'Gwen Hunter' and, under the name 'Faith Hunter', the Jane Yellowrock, Soulwood, and _Rogue Mage_urban fantasy series. Materials in the collection consists of manuscripts, notes, page proofs, correspondence, publicity materials, awards, and documentation relating to Hunter's childhood and early attempts at writing.

This collection contains sets of galley proofs from several issues, dating from 1965, of the important, groundbreaking British science fiction magazine New Worlds. During this period of the magazine's publication, it was edited by famous and influential science fiction author Michael Moorcock.

The proof sets for April and August 1965 are complete, while there are only partial sets for January-March 1965. There are also several additional fragments from unknown issues.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.