Name and location of repository
Level of description
Howard Waldrop Collection
- 1965-1994; Undated (Creation)
Name of creator
Howard Waldrop was born in Houston, Mississippi on September 15, 1946, and moved to the Dallas-Fort Worth area of Texas in 1950. He attended the University of Texas at Arlington, spent two years in the Army, and lived briefly in Grand Prairie and Bryan before moving to Austin in 1974 where he has been a member of the well-known Turkey City Writers Workshop along with Bruce Sterling, Leigh Kennedy, Chad Oliver, Lewis Shiner, and others.
Howard Waldrop has spent most of his life in Texas, where he says he fishes a lot. He also writes a lot and just happens to be, according to George R. R. Martin, "the most startling, original, and entertaining short story writer in science fiction today."
He sold his first story to Analog in 1970, and since then he has been widely published in places as diverse as Omni, Playboy, Universe, Crawdaddy, New Dimensions, Shayol, Orbit, and Zoo World. His first novel, The Texas Israeli War: 1999, written in collaboration with fellow Texan Jake Saunders, was published in 1974. In 1984 his solo novel, Them Bones, was published as part of the new Ace Specials line. But it is as a short story writer that Waldrop has made his reputation. Many of his unique and bizarre stories have been published in the collections "Howard Who?" and "All About Strange Monsters of the Recent Past".
A frequent awards nominee, his story "The Ugly Chickens" won both the Nebula and World Fantasy Awards in 1981. And his novelette "Do Ya, Do Ya, Wanna Dance?" was a finalist for the 1988 Nebula. Two more books of Waldrop were published in 1988: a short novel entitled A Dozen Tough Jobs; and a book of collaborations, "Custer's Last Jump". Another collection of his stories, "Night of the Cooters" (the title story was a 1988 Hugo nominee), was published in 1992. Waldrop wrote over two hundred stories, around a hundred of them were published to date.
Content and structure elements
Scope and content
This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.
The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.
The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.
The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.
System of arrangement
This collection was rehoused in 2022 and kept its original arrangement as it was processed by the Archivist in the mid-2000s when it was organized into three categories of materials. First is Howard Waldrop's published and unpublished works. The second category consists of materials related to Waldrop either personally or professionally. Lastly, some materials in the collection are works or materials related to other science fiction writers.
There are no clear physical or intellectual boundaries between these three categories (see the first folder in box 1 for Waldrop's own notes to provenance and included authors). The general box contents are as listed:
Box 1 - Provenance note, and stories by Buddy Saunders, Tom Reamy, and other writers
Box 2 - Notebooks, and manuscripts
Box 3 - Manuscripts, and notes
Box 4 - Untitled stories, ideas, and Work Diaries
Box 5 - Work Diaries, and Idea Books (stories and reviews)
Box 6 - Idea Books (notes and ideas)
Box 7 - Idea Books (notes and ideas), manuscripts, correspondence, and drafts
Box 8 - Manuscripts, correspondence, and drafts
Box 9 - Manuscripts, correspondence, drafts, con bio-writers
Box 10 - Manuscripts, correspondence, drafts, and notes
Box 11 - Manuscripts, correspondence, and drafts
Box 12 - Manuscripts, correspondence, reference materials, and short story collection
Box 13 - Manuscripts, correspondence, and book reviews
Box 14 - Manuscripts, and correspondence
Box 15 - Manuscripts, correspondence, and drafts
Box 16 - Manuscripts, correspondence, and notes
Box 17 - Manuscripts, correspondence, and notes
Box 18 - Manuscripts, correspondence, reviews, and galleys
Box 19 - Final and rough drafts
Box 20 - Manuscripts, correspondence, reviews, galleys, notes, and screenplays
Box 21 - Manuscripts, correspondence, galleys, notes, and drafts
Box 22 - Drafts and copy-edited drafts
Box 23 - Manuscripts, galleys, and page proofs
Box 24 - Manuscripts, typescripts, and page proofs
Box 25 - Drafts, research materials, correspondence, and newspaper clippings
Box 26 - Science Fiction conference and convention materials, and story logs (copies)
Conditions of access and use elements
Conditions governing access
These materials are stored offsite and require additional time for retrieval.
Conditions governing reproduction
Copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law.
Languages of the material