This collection contains materials from the literary and musical (both traditional and filksong) career of Dr. Ada Palmer. Materials include manuscripts from Palmer's science fiction and fantasy novels (published and unpublished), as well as papers, graphics, and other files relating to Palmer's singing activities, most notably as the director of the noted filksong group Sassafras.

A significant portion of the collection includes materials such as con badges, program books, etc., from a number of science fiction and anime conventions at which Palmer has been an attendee, a panelist, a guest performer, and/or an administrator (i.e, Cosplay Coordinator at Anime Boston).

This collection consists of several manuscripts of Panshin's work, including his 1968 novel The Thurb Revolution and his serialized novel The Son of Black Morca (1973, photocopies). Also included is a set of galleys for Panshin's Masque World (1969).

This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.

Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.

Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.

This collection consists of numerous awards that noted science fiction and fantasy author Andre Norton was given over the course of her long and storied career.

This collection consists of the diaries and journals kept by Andre Norton between 1930 and 2004, a few months before her death. The diaries record Norton's life experiences, thoughts, and notes on her writing and writing process.

This collection consists of a number of typed manuscripts from acclaimed science fiction and fantasy author Andre Norton, spanning much of her later career, from 1981-2005. Nearly all the manuscripts are autographed by Norton, and nearly all are also marked by handmade corrections from either Norton, her editor, or her publisher.

In some cases, individual titles contain multiple copies of manuscripts (albeit with individual hand corrections) and it is unclear in which order the copies were produced. The term "original", which has been given to certain manuscripts, is a term used by Norton and does not necessarily mean that it is literally the original typed manuscript.

The collection also contains several pieces of correspondence from Norton, most dated between 1963-2004, with two that are undated. Most are typed letters that bear Norton's signature, but a few are handwritten.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection consists of 12 pieces of correspondence, almost entirely letters written by legendary science fiction author Clarke to Baird Searles, owner of the well-known Science Fiction Bookshop in New York City, NY. Clarke, who lived in Sri Lanka, frequently ordered books from Searles.

There is also one letter from Clarke to Martin Last, Searles' writing collaborator and domestic partner.

This collection contains the typed manuscript (7 leaves with a 2 leaf blurb), with handwritten edits, of Barry Malzberg's 1973 story "Isaiah", which was first published in the issue of Fantastic Science Fiction and Fantasy Stories.

A crossed-out date on the last page gives the date of composition to be December 20, 1972.

This collection contains manuscript material from author Beth Cato, including materials from her first novel, the steampunk fantasy The Clockwork Dagger, which was published in 2014.

This collection consists almost entirely of correspondence between legendary Texas writer Bill Crider and author and professor Robert E. Skinner, of Xavier University in New Orleans. Over several years, the two became regular correspondents in exchanges involving numerous subjects, including writers, writing, films, books, and their personal lives.

The two did not cease corresponding after 1998 (the date of last correspondence in the collection), but once Crider and Skinner started using email as their major medium of choice, Skinner ceased collecting the exchanges.

This collection contains materials documenting the literary career of Texas speculative fiction and horror author Bonnie Jo Stufflebeam. Materials in the collection include manuscripts of Stufflebeam's work, as well as reader comments on her work from her time at the Stonecoast Writers Workshop.

This collection consists of materials from science fiction author and futurist Cooper, including a number of manuscripts from her works. These include the novels Reading the Wind (2008), Wings of Creation (2009), The Diamond Deep (2013), and Wilders (2017), as well as a number of Cooper's short stories. Also included are early examples of Cooper's writing, as collected in her writing portfolios from her creative writing classes at Lower Columbia College (Longview, WA).

The collection also includes a number of program books and other materials from numerous science fiction conventions that Cooper attended or was a guest at, as well as miscellaneous other materials.

This collection consists of the galleys for A Dirge for Sabis (Book 1 of The Sword of Knowledge), by Cherryh and Leslie Fish, the first book in the Cherryh-created "Sword of Knowledge" shared world series. Also included is an original book cover for the paperback edition, and a "Dear Reviewer" letter from Baen Books.

This collection consists of manuscript materials for the novels from SF and fantasy author Clarke, including outlines, drafts, notes, and submission packages. Also included is the final version of Clarke's master thesis, an unpublished novel of magical realism entitled Light Pollution.

The materials in the Clarke Collection are entirely digital.

This collection contains materials from science fiction D.L. (David) Young, relating to the creation and publication of his novel Soledad, a post-apocalyptic tale that is the first volume in Young's Dark Republic series.

Materials include notes, proofs, media material, final electronic versions of the novel, and production documentation. The materials in this collection are entirely digital, existing in several different software formats.

This collection consists of the typescript for Bunch's short story, "Moment of Truth in Suburb Junction", which was published in Fantastic, in September 1973. The 10-page typescript has handwritten edits and includes a note from Fantastic editor Ted White and a one-leaf blurb.

This collection consists of manuscripts (in various drafts) from fantasy author Django Wexler. Included are drafts from works in Wexler's _Forbidden Library_and _Shadow Campaigns_series, as well as promotional materials such as bookmarks, shirts, posters, and stuffed animals.

This collection consists of two typescripts from the acclaimed science fiction author Edward Bryant (1945-2017). The materials include a photocopied typescript of Bryant's 1984 story "Dancing Chickens", with edits; and the first four chapters of an unpublished novel by Bryant, No Limits. The chapters also contain handwritten edits from Bryant.

This collection contains materials from and relating to author, editor, and disability advocate Elsa Sjunneson. Materials include examples of Sjunneson's writing, including her juvenilia, and audiovisual recordings of her school dramatic work and performances.

This collection consists of manuscripts, drafts, and related correspondence from science fiction writer Emily Devenport. The collection includes materials from Devenport's short stories and her novels (including those written under her pen names Lee Hogan and Maggy Thomas).

This collections of materials documenting the life and literary career of Gwen Faith Hunter, who writes thrillers under the name of 'Gwen Hunter' and, under the name 'Faith Hunter', the Jane Yellowrock, Soulwood, and _Rogue Mage_urban fantasy series. Materials in the collection consists of manuscripts, notes, page proofs, correspondence, publicity materials, awards, and documentation relating to Hunter's childhood and early attempts at writing.

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

This collection consists of the personal papers, manuscripts, memorabilia, and other associational material of science fiction and fantasy author George R.R. Martin.

Martin has also deposited as part of his collection a growing assortment of books, including his own work in various editions and translations, as well as works that he has edited or to which he has contributed. A bibliography of these books is available from the Reading Room upon request and items from that list are available for consultation.

This collections consists of fan mail received by noted author George R.R. Martin, including letters, cards, requests for signed bookplates, invitations, and solicitations. Most of the fan mail concerns Martin's fantasy series A Song of Ice and Fire and its television adaptation Game of Thrones. A large subseries concerns fan response to the television show Beauty and the Beast (1987-1990), for which Martin was a writer and producer.

This collection consists of an example of H. Rider Haggard's (Sir Henry Rider Haggard) autograph, dated 1889 and written on stationary reading "Ditchingham House, Bungay" (Haggard's home in Suffolk), together with a carte de visite of Haggard, printed by Newsboy in New York, Undated.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection contains materials relating to Golden Gryphon Press and its publication of Howard Waldrop's 2003 novelette "A Better World's In Birth!". Materials in the collection include Waldrop's hand-typed manuscript, editor Marty Halpern's edited draft of the story, a final typescript, a copy of the chapbook and a cover flat, and electronic copies of the final typescript.

The novelette tells the story of an alternate central Europe, in which a Communist revolution occurred in the middle of the 19th century, led by Karl Marx, Friederich Engels, and Richard Wagner. In 1876, rumors fly that the ghosts of these three revolutionary martyrs have begun appearing in the city of Dresden. The story examines how these specters may be tied into a larger political conspiracy.

This collection includes manuscripts and related materials from El Paso-born fantasy author Jeannette Kathleen Cheney. Materials include assorted drafts, proofs, and edits for the novels in her Golden City trilogy (2013-2015, as well as for her 2016 fantasy novel Dreaming Death as well as some of her more recent work.

Also included are CDs containing electronic files related to the writing, revisions, and development of the Golden City series and of Dreaming Death, as well as assorted digital files for Cheney's work.

This collection consists of various materials from the life and literary career of fantasy and romance novelist Kennedy. Materials include page proofs, story notes, correspondence, and publicity materials. Also included is a large, hand-drawn map of The Twelve Kingdoms from Kennedy's fantasy series of the same name.

This collection consists of the corrected (with handwritten edits by Roberson) typescript for Roberson's 1988 fantasy novel Sword-Singer, the second volume in her Tiger and Del series (1986-present). This is the draft version, dated July 3, 1988, of the novel that immediately precedes the final submitted version.

This collection contains materials relating to the life and career of Texas-based science fiction and fantasy writer Jessica Reisman. Materials include typescript drafts for many of her published and unpublished stories, as well as drafts and notes from stories written before her professional career began. Other items in the collection include spec scripts and screenplays written by Reisman, academic writing from her undergraduate days, and assorted other materials.

This collection contains several manuscripts and related material (such as story notes) from works by Joe Lansdale early in his career.

Works include the 1989 World Fantasy Award-nominated horror novel The Drive-In (1988); the short story Night They Missed The Horror Show (1988), which won the Bram Stoker Award for Superior Achievement in Short Fiction; On The Far Side of the Cadillac Desert With Dead Folks (1989), which won both the 1989 Stoker Award for Superior Achievement in Long Fiction and the 1989 British Fantasy Award for Best Short Fiction; and two short stories involving Batman, "Subway Jack" (1989) and "Belly Laugh, or The Joker's Trick or Treat" (1990).