This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

The Lisa Tuttle Collection consists of books, manuscripts, galley proofs, and magazines tracing the storied career of science fiction, horror and fantasy writer Tuttle.  The collection is a work-in-progress, with additions from the author as they become available.

This collection consists of various materials related to American fantasy author Lloyd Alexander, including a few pieces of correspondence, a number of Christmas cards illustrated and signed by Alexander, informational brochures, invitations, and miscellaneous items.

This collection consists of much of the nonfiction output of science fiction and historical novelist Marley, including articles and addresses on writing and the writing process, on music, on science fiction, and on karate. Also included are manuscript materials from some of Marley's later work.

Also included is a compact disc from Marley's folk music trio Earthwood, entitled Wasn't That A Time?.

This collection contains manuscripts from the works of fantasy writer Marie Brennan. Included are the original manuscripts and the page proofs for the four books of Brennan's _Onyx Court_series. The _Onyx Court_novels are comprised of a series of semi-standalone historical fantasy novels set in London at different points in English history. Also included are proofs for several volumes in Brennan's more recent Victorian pastiche fantasy series The Memoirs of Lady Trent.

Also included in the collection are copies of literary magazines that contain short stories by Brennan.

This collection contains research materials relating to the author Marion Zimmer Bradley (1930-1999), collected by Dr. Marijane Werdsman of Texas Tech University. The materials were collected as part of a prospective biography of Bradley that Werdsman had intended to write, but the project fell apart when accusations arose in 2014 that Bradley had sexually abused her daughter Moira when Moira was a child.

Most of the materials were obtained from various Internet websites, and include materials relating to Bradley, to her fantasy world Darkover, and to the various online fan communities devoted to Bradley and her work.

This collection includes the manuscripts for The Brass Dragon (typed, 199 leaves), and The Winds of Darkover (typed, 197 leaves).

This collection consists of manuscripts and working files from Texas fantasy and science fiction writer Marshall Ryan Maresca, most well-known for his ongoing Maradaine series, which contains several sub-series of novels, all set in and around the fantastical city of Maradaine. Materials in the collections include drafts in various stages of many of his works, as well as proofs and working notes.

This collection was originally assembled by Martha Millard, the literary agent of noted science fiction author William Gibson. The collection contains correspondence between Millard and Gibson, agency business correspondence to and from Millard concerning Gibson's publishing career, assorted photographs, and an agency publicity file that includes publicity materials, files of Gibson's book reviews, interviews with Gibson, and articles about Gibson and/or the cyberspace and cyberpunk phenomenons.

Of particular note are a number of Gibson's original writings, which are also housed in the collection. These writings include such important Gibsoniana as his original 1981 outline for what would become Gibson's first novel Neuromancer; a 1984 outline for a never-completed novel, The Log of the Mustang Sally; an outline for Mona Lisa Overdrive(1986); a chronology and notes for The Difference Engine(1987); and copies of Gibson's screenplays for Alien III(c. 1990, unused) and Johnny Mnemonic(1992, 1994).

The Martha Millard Archive of William Gibson is a important collection for exploring not only the development of Gibson's writing career, but the ways in which an author, his agent, and his publishers interact with one another, working together to create and publicize a final literary product. The collection also provides numerous examples of the cultural impact that Gibson, as the coiner of the term 'cyberspace' and founder of the cyberpunk sub-genre of science fiction, has had on his colleagues, fans, and contemporaries.

This collection consists of manuscript drafts, copyedited manuscripts, and galley proofs of all of Martha Wells' novels, as well as a number of other materials that include program books from many science fiction and fantasy conventions.

The March 2017 Addendum contains mostly media-related materials, particularly from the television show _Hercules: The Legendary Journeys_and the _Star Wars_films.

This collection consists of fanzines, mostly fanfiction, involving the television shows Star Trek: The Original Series and Starsky & Hutch, with one additional fanzine devoted to Multimedia.)

The majority of the contents in this collection consist of fanfiction. Fanfiction is the name given to literary or artistic productions created by fans about the characters, settings, and events of the media universe in which they are interested. A substantial portion of the fanworks in the Crawford Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality, and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

Slash and het (that is, items dealing with opposite-sex relationships) items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content). Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures, (s) indicates slash material, (h) indicates het material, (g) indicates gen material.

The Media Fanzine Collection is comprised of numerous pre-Internet fan-produced publications that document their involvement in a particular fandom. Fandoms are based around media productions such as movies (i.e. the Star Wars film series) or television shows (i.e. Star Trek in its various iterations). Although traditionally most media fandoms involve productions from the science fiction and fantasy genres, there are numerous exceptions.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Media Fanzine Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

Slash and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content. Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures. (s) indicates slash material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

The October 2016 Addendum includes several "friend books", tiny zines used by pre-teens and teens in the 1970s and 1980s as a way of finding other like-minded fans in the pre-Internet era. Some "friend books" were sized small enough to fit into an international envelope (2-3 inches), and consisted of no more than a few pages. The covers were pages cut from magazines or advertisement and were stapled or taped into a booklet shape. Many were multi-fandom, but some focused on single fandoms like Star Wars. Fans would write their name and address, and list their interests. The book would then passed along to the next fan. When the booklet was filled it was to be mailed back to the original fan. Often times questions were asked (ex: Who is your favorite Star Wars character?)

There are several additional items, including materials from genre conventions, ads and flyers, professional publications that relate to various fandoms, and various items of printed realia. The Christina Pilz February 2024 Addendum contains a number of fanzine advertisements and documentation devoted to fanzine and fanfic productions.

Sub-Series 1 of the Georgia Barnes Addendum contains maps of the Star Trek universe, and has therefore been filed with other items in the Maps Of Imaginary Places Collection.

Audio-Visual Materials

The collection also contains non-print materials. There are a significant number of fanvids in the collection (and the fandoms for those vids are noted in the finding aid). There are also several DVDs that contain recordings of fanfiction podcasts, from a number of different fandoms.

On Star Trek

Since 1966 there have been 5 non-animated television iterations of the television franchise Star Trek. Each one has its own dedicated fandom (although certainly many Trekkers are fans of multiple series), and each one has a generally accepted denotation. Those denotations are used in this collection, as follows:

Star Trek [TOS] refers to the original series(1966-1969).

Star Trek [TNG] refers to Star Trek: The Next Generation (1987-1994).

Star Trek [DS9] refers to Star Trek: Deep Space Nine (1993-1999).

Star Trek [VGR] refers to Star Trek: Voyager (1995-2001).

Star Trek [ENT] refers to Star Trek: Enterprise (2001-2005).

On The Professionals Circuit Archive:

There are several boxes of fanfiction from The Professionals Circuit Archive. The Circuit Archive is a singular form of fannish creative association, that for The Professionals fans actually predates the creation of more typical zines. In a standard fanzine distribution, a fan or group of fans will write, edit and publish a fanzine, and the publication will be printed and made available for sale. With The Professionals fandom, things began much more informally. Fans would place their stories 'on the circuit'. That is, they would write their stories and then produce photocopies; the copies would then be circulated among one another via standard mail. In time, certain fans began collecting copies together into 'circuit libraries'. Interested fans could become members of these informal lending libraries, and would receive titles on request, which they could read and /or photocopy and then return to the library. Although, in time, The Professionals fans began producing zines in the same ways that other fans did, much of the fanfiction remained (and remains) on the circuit.

By the late 1980s, two large circuit libraries were in place: one in Great Britain, and another in the United States. They enjoyed considerable overlap in their contents, but because of geographical distance and the informality of circuit distribution did not duplicate each other. In the early 1990s, as zines started entering the electronic era, fans began working to convert the vast number of paper stories into an electronic format that would encourage and increase access (as well as help preserve the much-used paper originals). In 1996, the Circuit Archive went online and continues to periodically increase its contents with new stories. The Circuit Archive, sprung from humble beginnings, now holds more than 1000 individual stories, which form the backbone of The Professionals creative fandom.

To quote Morgan Dawn, "the circuit library in the Professionals fandom is a unique tradition of women writing and sharing fan fiction (often anonymously) without going through the editorial and fanzine publication process. In many ways, it is the precursor to the fan fiction on the Internet where people would read a story, photo-copy it and send it on to someone else, and then write a response story, copy that and mail it on in an endless flow...and because The Professionals was a UK show, you have the unique situation where this communication was crossing both cultural and geographic barriers." Stories in these folders include both gen and slash.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

This collection consists of materials from fan, fanzine writer, and vidder 'Morgan Logan', primarily relating to her main fandom of _Starsky & Hutch._Materials include fanzines, DVDs of fanvids, CDs containing _Starsky & Hutch_images, examples of fan art, and additional fannish materials.

The collection also contains a number of objects and ephemera, including several _Star Trek_action figures from 1974 and a set of action figures from Stargate: Atlantis.

Much of the content of this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested.  Almost all of the fanfic in the Logan Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks (referred to as "gen"). All items are to be considered "slash" unless otherwise noted.

This collection consists of items collected by fanfic writer Muriel Perun. Most of the items are issues of TV Guide with Star Trek related covers, but there is also a program book from Escapade 13 as well as photographs of Alexander Siddig (Dr. Julian Bashir on Star Trek: Deep Space Nine), taken at an unidentified con.

This collection consists of various items from or relating to NecronomiCon Providence, a biennial convention and academic conference centered on the work of H.P. Lovecraft and on Weird Fiction more generally. It is always held in Providence, Rhode Island, Lovecraft's home, and generally held in late august, close to Lovecraft's birthday.

This collection consists of typescripts of several of Binder's novels with most including the author's corrections and accompanying carbons, and a number of short stories with most corrected including carbons and in some cases tearsheets from the magazines in which the stories initially appeared, corrected and with continuation sheets for expansion into full-length books.

In addition, there are close to 300 business and personal letters, photographs, postcards, and other files including broadcasting projects, non-fiction articles, letters and critiques from literary agents and publishers, materials on Space World, and several folders of unfinished manuscripts. Unusual "picture cards" featuring text and photographs on postcards are included.

Excluding duplicate carbons, letters, etc., there are approximately 2,300 pages (mostly 11 x 8.5-inches) of typescript with a total of about 575,000 words. Many of Binder's letters are on letters received or on the backs of manuscript or script fragments.

This collection contains materials relating to the literary career of acclaimed fantasy author Patrice Sarath. Materials include manuscripts for several of her novels, including Gordath Wood (2008) and its sequel Red Gold Bridge (2009), and the non-genre novel/Jane Austen pastiche The Unexpected Miss Bennet (2011).

The Payne Harrison Collection consists primarily of manuscripts, notes, and related material for Harrison's novels and other written works (including an unproduced screenplay, Arrow Storm). There is also a considerably large subject file consisting of news articles, government documents, and other materials that Harrison used in research for his works.

Also in the collection are a number of photographs and slides depicting trips Harrison made (to England and to Japan, among other places), as well as various aircraft and other military subjects. (Some photographs are held in the Subject File.)

This collection consists of several apazines to which Prentiss Riddle contributed individual zines. The APAs represented are Argos and Myriad, which take as their subject science fiction, and Lingua (later titled Linguica), which involves explorations of language and languages. The collection contains a few additional materials, including individual zines.

Fanlore.org defines an "apa" (or "amateur press association") as "a kind of fan publication in which all the materials, generally letters, would be sent to a central person, who would simply copy the entire packet in the cheapest possible way (e.g. mimeograph, spirit duplicating, xerography, offset printing; APAs far predate the photocopy machine.) Sometimes each of the contributors sends as many copies of their submission as there are subscribers to the central mailer of the zine, who then collates and mails these, and does not have to take care of the printing.

APAs were, and are, important media for fannish conversation, discussion, and interaction: sort of a fannish mailing list or LiveJournal in print sent by snail mail. "

Apa members were expected to make regular or at least periodic contributions to the mailings (called "minac", or MINimum Activity). The role of the Central Mailer, sometimes called an Official Editor or Central Editor, often rotates between members of the apa. In addition, apa participants often change the title and/or format of their apazines from time period to time period. For example, Prentiss Riddle changed the title of his contributions almost monthly between issues of the apas of which he was a member.

Posters (2) for The Forbidden Library (2014)

This collection contains over 100 letters and postcards, most written by science fiction fan writers and editors regarding amateur writing and publishing, largely related to Psychotic (later Science Fiction Review), a fanzine published by Richard E. Geis from July 1953 to October/November 1955.

The correspondence includes letters from influential science fiction fans and fanzine editors of the period: Terry Carr (6 letters, 1 postcard), Harlan Ellison (2 letters, 1 postcard), Marion Zimmer Bradley (1 letter), Robert Silverberg (2 letters, 1 postcard), Ron Smith (editor of Inside, one of the more important fanzines of the 1950s) and others, as well as a letter from pro editor Samuel Mines (accompanied by drafts and carbon copies of fan letters from Geis to Mines critiquing material published in Startling Stories), and a typed letter on FBI letterhead from J. Edgar Hoover.

This collection details some of Heinlein's interactions with Shasta Publishers and with Playboy Enterprises.

The Shasta Publishers' correspondence, primarily from 1945-1958, provides insights to the dealings of Heinlein with an early specialty publisher of science fiction, and to one of the first science-fiction specialty publishers. The Playboy correspondence covers some contractual issues and providing insight on the methodology of creating a "Playboy Interview," including the "caboose," a two-page typescript addendum to the 1969 Playboy interview. The letters reference Heinlein's trip to Chicago, and to the Playboy panel in 1984.

This collection consists of a photocopy of the manuscript for Wilson's 1988 novel Memory Wire.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

This collection consists of six typed letters, all sent from author Robert Silverberg to science fiction historian and editor Sam Moskowitz. The letters cover a period of 17 years, starting in 1951 when Silverberg was 16 years old and editor of the fanzine Spaceship, responding to a request from Sam Moskowitz for back issues of the fanzine as well as a subscription. The casual and friendly letters discuss a variety of subjects, including issues with the fanzine, payment for books bought from Moskowitz, and Moskowitz' lawsuit against Ted White (which Silverberg askes to be left out of).

This collection consists of numerous manuscripts and related materials - including outlines, notes, and proofs - of works by noted science fiction author Robert Silverberg.

The Roy Craig Collection on the Scientific Study of Unidentified Flying Objects consists of Dr. Craig's working files on all UFO reports studied by the Condon Report project team, including the field investigation notes, case writeups, physical evidence collected, Craig's appointment books for 1966-1968, a copy of the three volume Condon Report, a copy of the Bantam Books mass market reprint edition, additional notes and reports related to the UFO study, photos, recordings, and popular articles and books about UFO studies, and the manuscripts and notes for Dr. Craig's book, UFOs: An Insider's View, copies of the score and audio recordings of "The UFO Song," and other related material. The collection occupies approximately 10 linear feet.

This collection consists of materials from various science fiction and fantasy conventions, assembled over the years by Russ Ault. Materials include program guides, program books, and pocket programs.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection consists of 3 sets of bound volumes containing copies of science fiction stories that were collected from various libraries, archives, and other places. None of the materials within the volumes is owned by Cushing Library and Archives.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

Miscellaneous items acquired randomly, related to science fiction and fantasy. Items include convention materials, posters, and various items of realia.

This collection consists of reel-to-reel audio recordings, audio recordings on tape cassette, and digitized recordings of these materials, of interviews conducted on the Science Fiction Radio Show, which ran from 1980-1983. The show was created by David Carson, Keith Johnson, and David Crews and originally broadcast from Odessa College (in Odessa, TX) starting in June 1980. Carson and Johnson had proposed a science fiction course for the college, and when it was denied, they turned instead towards developing a radio show as a way of bringing their interest in science fiction to a wider audience.

Starting in the spring of 1982 (after a hiatus beginning in Fall 1981) and proceeding through the last broadcast on December 31, 1983, the show was syndicated for national broadcasting by the Longhorn Radio Network in Austin. This helped give the show a nationwide following.

The Science Fiction Radio Show conducted interviews with a wide variety of significant personalities over its run, including Stephen R. Donaldson, Gordon R. Dickson (and his about-to-be-published novel The Final Encyclopedia), Philip Jose Farmer (just as he was concluding his Riverworld series), Hal Clement, Theodore Sturgeon, Howard Waldrop, C.J. Cherryh, Poul Anderson, Terry Carr, L. Sprague de Camp, Michael Whelan, Roger Ebert, Jim Henson (interviewed during the production of his film The Dark Crystal), and many others. Some shows were also dedicated to specific subjects, including computers, L. Frank Baum, and science fiction music.

Over the course of its life, the show conducted 81 interviews, most of them lasting 1-2 hours. The Longhorn Radio Network estimated that between 100,000 - 200,000 people listened to the show every week.

The collection includes a few recordings made from other sources than the Science Fiction Radio Show.