This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection contains materials relating to the life and career of Texas-based science fiction and fantasy writer Jessica Reisman. Materials include typescript drafts for many of her published and unpublished stories, as well as drafts and notes from stories written before her professional career began. Other items in the collection include spec scripts and screenplays written by Reisman, academic writing from her undergraduate days, and assorted other materials.

This collection consists of administrative and business files from Victor Gollancz, Ltd., one of the most important publishing companies in 20th-century Great Britain. Gollancz published the works of many science fiction authors, including, notably, Arthur C. Clarke.

The materials in this collection specifically document Gollancz' relationship with Clarke over a period of nearly 40 years, during which Gollancz published many of Clarke's most important novels - including The Hammer of God, Imperial Earth, and the three sequels to Rendezvous With Rama as well as many of Clarke's nonfiction works. Materials include correspondence (including from Clarke himself), contracts and agreements, administrative documentation, and dust jackets from numerous works of Clarke.

Overall the collection provides a window into the relationship between an author and his publisher, and the ways in which they interact to produce a finished literary product.

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

This collection consists of the original typescript of Arthur C. Clarke's short story, "Jupiter Five", written in 1951 and first published in the May 1953 issue of the magazine IF: Worlds of Science Fiction. This typescript is the setting copy for the magazine publication and has been copy-edited by editor Larry T. Shaw and the author. It also includes two layout sheets with design notes and paste-in illustrations.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection consists of much of the nonfiction output of science fiction and historical novelist Marley, including articles and addresses on writing and the writing process, on music, on science fiction, and on karate. Also included are manuscript materials from some of Marley's later work.

Also included is a compact disc from Marley's folk music trio Earthwood, entitled Wasn't That A Time?.

This collection contains materials relating to the creation, development, and printing of the series of Star Trek fanzines devoted to the Kraith Universe. The Kraith Universe was a shared Star Trek alternate universe created by Jacqueline Lichtenberg in 1970, and six collected volumes of Kraith stories were originally published between 1972-1980 by publisher/editor Carol Lynn and her associate Debbie Goldstein.

The series contains correspondence, copies of the Kraith fanzines themselves, and related materials such as story drafts. A large part of the collection consists of printing masters for the Kraith zines as well as a few other zines published by Lynn.

Also included are various materials from several science fiction conventions.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

This collection consists of a number of so-called "official" J.R.R. Tolkien Calendars, published between 1973-1994 by Ballantine Books and subsequently by HarperCollins Publishers. The calendars are noted for their colorful and lush art, as well as for the dating within of important events in the history of Middle-earth.

Artists whose work is featured in the calendars include: J.R.R. Tolkien, The Brothers Hildebrandt, Darrell K. Sweet, Michael Hague, Ted Naismith, John Howe,and Alan Lee, among others.

Calendars from early in the run (which is incomplete) contain handwritten notes and reminders by the donor.

This collection consists of materials from science fiction author and futurist Cooper, including a number of manuscripts from her works. These include the novels Reading the Wind (2008), Wings of Creation (2009), The Diamond Deep (2013), and Wilders (2017), as well as a number of Cooper's short stories. Also included are early examples of Cooper's writing, as collected in her writing portfolios from her creative writing classes at Lower Columbia College (Longview, WA).

The collection also includes a number of program books and other materials from numerous science fiction conventions that Cooper attended or was a guest at, as well as miscellaneous other materials.

This collection includes manuscripts and related materials from El Paso-born fantasy author Jeannette Kathleen Cheney. Materials include assorted drafts, proofs, and edits for the novels in her Golden City trilogy (2013-2015, as well as for her 2016 fantasy novel Dreaming Death as well as some of her more recent work.

Also included are CDs containing electronic files related to the writing, revisions, and development of the Golden City series and of Dreaming Death, as well as assorted digital files for Cheney's work.

This collection consists of items collected by fanfic writer Muriel Perun. Most of the items are issues of TV Guide with Star Trek related covers, but there is also a program book from Escapade 13 as well as photographs of Alexander Siddig (Dr. Julian Bashir on Star Trek: Deep Space Nine), taken at an unidentified con.

This collection consists of the corrected (with handwritten edits by Roberson) typescript for Roberson's 1988 fantasy novel Sword-Singer, the second volume in her Tiger and Del series (1986-present). This is the draft version, dated July 3, 1988, of the novel that immediately precedes the final submitted version.

This collection consists of six typed letters, all sent from author Robert Silverberg to science fiction historian and editor Sam Moskowitz. The letters cover a period of 17 years, starting in 1951 when Silverberg was 16 years old and editor of the fanzine Spaceship, responding to a request from Sam Moskowitz for back issues of the fanzine as well as a subscription. The casual and friendly letters discuss a variety of subjects, including issues with the fanzine, payment for books bought from Moskowitz, and Moskowitz' lawsuit against Ted White (which Silverberg askes to be left out of).

This collection consists of materials from fan, fanzine writer, and vidder 'Morgan Logan', primarily relating to her main fandom of _Starsky & Hutch._Materials include fanzines, DVDs of fanvids, CDs containing _Starsky & Hutch_images, examples of fan art, and additional fannish materials.

The collection also contains a number of objects and ephemera, including several _Star Trek_action figures from 1974 and a set of action figures from Stargate: Atlantis.

Much of the content of this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested.  Almost all of the fanfic in the Logan Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks (referred to as "gen"). All items are to be considered "slash" unless otherwise noted.

This collection contains manuscripts from the works of fantasy writer Marie Brennan. Included are the original manuscripts and the page proofs for the four books of Brennan's _Onyx Court_series. The _Onyx Court_novels are comprised of a series of semi-standalone historical fantasy novels set in London at different points in English history. Also included are proofs for several volumes in Brennan's more recent Victorian pastiche fantasy series The Memoirs of Lady Trent.

Also included in the collection are copies of literary magazines that contain short stories by Brennan.

The Media Fanzine Collection is comprised of numerous pre-Internet fan-produced publications that document their involvement in a particular fandom. Fandoms are based around media productions such as movies (i.e. the Star Wars film series) or television shows (i.e. Star Trek in its various iterations). Although traditionally most media fandoms involve productions from the science fiction and fantasy genres, there are numerous exceptions.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Media Fanzine Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

Slash and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content. Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures. (s) indicates slash material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

The October 2016 Addendum includes several "friend books", tiny zines used by pre-teens and teens in the 1970s and 1980s as a way of finding other like-minded fans in the pre-Internet era. Some "friend books" were sized small enough to fit into an international envelope (2-3 inches), and consisted of no more than a few pages. The covers were pages cut from magazines or advertisement and were stapled or taped into a booklet shape. Many were multi-fandom, but some focused on single fandoms like Star Wars. Fans would write their name and address, and list their interests. The book would then passed along to the next fan. When the booklet was filled it was to be mailed back to the original fan. Often times questions were asked (ex: Who is your favorite Star Wars character?)

There are several additional items, including materials from genre conventions, ads and flyers, professional publications that relate to various fandoms, and various items of printed realia. The Christina Pilz February 2024 Addendum contains a number of fanzine advertisements and documentation devoted to fanzine and fanfic productions.

Sub-Series 1 of the Georgia Barnes Addendum contains maps of the Star Trek universe, and has therefore been filed with other items in the Maps Of Imaginary Places Collection.

Audio-Visual Materials

The collection also contains non-print materials. There are a significant number of fanvids in the collection (and the fandoms for those vids are noted in the finding aid). There are also several DVDs that contain recordings of fanfiction podcasts, from a number of different fandoms.

On Star Trek

Since 1966 there have been 5 non-animated television iterations of the television franchise Star Trek. Each one has its own dedicated fandom (although certainly many Trekkers are fans of multiple series), and each one has a generally accepted denotation. Those denotations are used in this collection, as follows:

Star Trek [TOS] refers to the original series(1966-1969).

Star Trek [TNG] refers to Star Trek: The Next Generation (1987-1994).

Star Trek [DS9] refers to Star Trek: Deep Space Nine (1993-1999).

Star Trek [VGR] refers to Star Trek: Voyager (1995-2001).

Star Trek [ENT] refers to Star Trek: Enterprise (2001-2005).

On The Professionals Circuit Archive:

There are several boxes of fanfiction from The Professionals Circuit Archive. The Circuit Archive is a singular form of fannish creative association, that for The Professionals fans actually predates the creation of more typical zines. In a standard fanzine distribution, a fan or group of fans will write, edit and publish a fanzine, and the publication will be printed and made available for sale. With The Professionals fandom, things began much more informally. Fans would place their stories 'on the circuit'. That is, they would write their stories and then produce photocopies; the copies would then be circulated among one another via standard mail. In time, certain fans began collecting copies together into 'circuit libraries'. Interested fans could become members of these informal lending libraries, and would receive titles on request, which they could read and /or photocopy and then return to the library. Although, in time, The Professionals fans began producing zines in the same ways that other fans did, much of the fanfiction remained (and remains) on the circuit.

By the late 1980s, two large circuit libraries were in place: one in Great Britain, and another in the United States. They enjoyed considerable overlap in their contents, but because of geographical distance and the informality of circuit distribution did not duplicate each other. In the early 1990s, as zines started entering the electronic era, fans began working to convert the vast number of paper stories into an electronic format that would encourage and increase access (as well as help preserve the much-used paper originals). In 1996, the Circuit Archive went online and continues to periodically increase its contents with new stories. The Circuit Archive, sprung from humble beginnings, now holds more than 1000 individual stories, which form the backbone of The Professionals creative fandom.

To quote Morgan Dawn, "the circuit library in the Professionals fandom is a unique tradition of women writing and sharing fan fiction (often anonymously) without going through the editorial and fanzine publication process. In many ways, it is the precursor to the fan fiction on the Internet where people would read a story, photo-copy it and send it on to someone else, and then write a response story, copy that and mail it on in an endless flow...and because The Professionals was a UK show, you have the unique situation where this communication was crossing both cultural and geographic barriers." Stories in these folders include both gen and slash.

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

This collection consists of issues from the comic book continuation of the television shows Buffy the Vampire Slayer and Angel, both created and produced by Joss Whedon. Included are the issues for the final two story arcs of Buffy Season Eight, for the story arcs in Season Nine and Ten, and for the beginnings of Season Eleven. Season Nine and Season Ten are divided into two separate story strands, one following Buffy and her friends as they adapt to post-Sunnydale and post-Season Eight life in San Francisco, the other chronicling the ongoing adventures of the ensouled vampire Angel and Buffy's rival Slayer, Faith.

There are also issues of two mini-series that were published as part of Season Nine, which follow the adventures of the characters Spike and Willow, respectively. In addition, there are several issues of an additional Buffyverse comic mini-series from Dark Horse, this one exploring the development of the character Illyria (who figured in the television show Angel).

This collection consists of 3 sets of bound volumes containing copies of science fiction stories that were collected from various libraries, archives, and other places. None of the materials within the volumes is owned by Cushing Library and Archives.

This collection was originally assembled by Martha Millard, the literary agent of noted science fiction author William Gibson. The collection contains correspondence between Millard and Gibson, agency business correspondence to and from Millard concerning Gibson's publishing career, assorted photographs, and an agency publicity file that includes publicity materials, files of Gibson's book reviews, interviews with Gibson, and articles about Gibson and/or the cyberspace and cyberpunk phenomenons.

Of particular note are a number of Gibson's original writings, which are also housed in the collection. These writings include such important Gibsoniana as his original 1981 outline for what would become Gibson's first novel Neuromancer; a 1984 outline for a never-completed novel, The Log of the Mustang Sally; an outline for Mona Lisa Overdrive(1986); a chronology and notes for The Difference Engine(1987); and copies of Gibson's screenplays for Alien III(c. 1990, unused) and Johnny Mnemonic(1992, 1994).

The Martha Millard Archive of William Gibson is a important collection for exploring not only the development of Gibson's writing career, but the ways in which an author, his agent, and his publishers interact with one another, working together to create and publicize a final literary product. The collection also provides numerous examples of the cultural impact that Gibson, as the coiner of the term 'cyberspace' and founder of the cyberpunk sub-genre of science fiction, has had on his colleagues, fans, and contemporaries.

Miscellaneous items acquired randomly, related to science fiction and fantasy. Items include convention materials, posters, and various items of realia.

This collection consists of the galleys for A Dirge for Sabis (Book 1 of The Sword of Knowledge), by Cherryh and Leslie Fish, the first book in the Cherryh-created "Sword of Knowledge" shared world series. Also included is an original book cover for the paperback edition, and a "Dear Reviewer" letter from Baen Books.

This archive includes a full run of the publication to date to date, including the master copies of several issues. There are some additional publications and ephemera.

Self-described as "the magazine Margaret Atwood warned you about," referencing Atwood's famous dismissal of science fiction as "rockets, chemicals and talking squids in outer space," Space Squid is a science fiction/humor 'zine published in Austin, Texas.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of numerous manuscripts and related materials - including outlines, notes, and proofs - of works by noted science fiction author Robert Silverberg.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.