This collection contains materials from science fiction D.L. (David) Young, relating to the creation and publication of his novel _Soledad,_a post-apocalyptic tale that is the first volume in Young's _Dark Republic_series.

Materials include notes, proofs, media material, final electronic versions of the novel, and production documentation. The materials in this collection are entirely digital, existing in several different software formats.

This collection contains short story entries made by Texas A&M students in the Annual Science Fiction and Fantasy Creative Writing Contest, co-sponsored since 2017 by the Department of English and Cushing Memorial Library & Archives.

Entries include Winners, Honorable Mentions, and all other entries.

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

This collection consists of manuscripts and related materials from noted science fiction and fantasy author Michael Moorcock.

These comics were created in countries that were ruled by colonial powers in Africa, namely Italy, France, Belgium, and Spain. The comics are both individual copies and bound volumes with numerous copies. They date from around 1926 to 1973.

This collection consists of "Durka Returns", a script for Episode 15, Season 1 of the joint Australian-American television series Farscape (1999-2003). The episode, originally released in 1999, is notable for introducing the character Chiana, played by Gigi Edgley. It was written by Rockne S. O'Bannon and Grant McAloon.

The script was originally the property of Edgley's, and has been heavily marked up with her acting notes and edits. It is inscribed to Jeremy Brett, to whom it was given in early 2023.

This collection consists of the 93 page manuscript for Williams' story "No Spot of Ground", later published in Isaac Asimov's Science Fiction Magazine.

This collection consists of one typed manuscript (17 leaves) by Godwin, for his 1955 story "You Created Us".

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains the manuscript of a Diary found in the St. Louis Zoo. Typed, 16 leaves, carbon copies, signed by the author.

This collection contains the manuscript Slightly Off Center by Neal Barrett, Jr. with an introduction by Joe R. Lansdale. Advance Proof Copy, perfect bound. Austin, TX: Swan Press, 1992. 155 p.

This collection consists of the typed manuscript (21 leaves) for Leinster's short story "Honeymoon on Dlecka", published in Fantastic Universe, July 1955.

This collection consists of the manuscript with handwritten edits of the story "AFC", by Karl T. Pflock, published in Fantasticin September 1973, accompanied by a typewritten blurb.

This collection consists of the manuscript for Pumilia's radio play "The Case of the Martian Minister" (typed, 11 leave), produced for the Houston Science Fiction Society.

This collection consists of the so-called 'foul matter' from John Brunner's 1984 novel The Tides of Time. Materials include a signed letter of authentication from Brunner, dated May 11, 1989; and the corrected proofs from the novel, signed on the first page by Brunner and containing copyedits made by the author.

_The Tides of Time_was published by Ballantine Books/Del Rey in 1984, and concerns the lives of two people trapped on a deserted island who awake each day having lived different lives in different times.

This collection consists of the manuscript for Fox's short story A Witch in Time, published in September 1973. The manuscript is typed, 22 pages with an additional 2-page blurb.

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

This collection consists of the typescript (9 pages) for the story "Women’s Chorus", by Pinkwater. The date of composition is unknown.

This collection consists of a domestic version of the export script dated January 17, 1963, for the British science fiction movie The Day of the Triffids (1962), written by Gordon and based on the famous 1951 novel by John Wyndham.

This small collection consists of one letter from Dunsany to Min Winwar, May 1, 1953, in which he comments favorably on her new book.

This collection contains the typed manuscript (7 leaves with a 2 leaf blurb), with handwritten edits, of Barry Malzberg's 1973 story "Isaiah", which was first published in the issue of Fantastic Science Fiction and Fantasy Stories.

A crossed-out date on the last page gives the date of composition to be December 20, 1972.

This collection consists of the first page, handwritten, with title and two lines of dialogue, of Laumer's 1986 novella “The Pan-Galactic Pageant of Pulchritude: A Retief Story”.

A collection of materials made to commemorate the opening of the 2013-2014 Cushing Library exhibit on the work of George R. R. Martin, entitled "Deeper Than Swords". The exhibit opened in March 2013.

The collection includes four portraits of characters from A Song of Ice & Fire, in acrylic on canvas, painted by Evangeline Owen for the exhibit.

This collection consists of the original manuscript for McCaffrey's novella The Partnered Ship (1969), which was included as the concluding chapter in her famed 1969 novel The Ship Who Sang. The manuscript (typed 70 leaves) is signed by McCaffrey and has multiple handwritten edits.

This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection consists of manuscripts of short fiction, book reviews, and nonfiction pieces submitted to The Magazine of Fantasy & Science Fiction during the editorship of Kristine Kathryn Rusch from 1991-1997. (Several stories in the collection would be actually published in F&SF by Rusch's successor Gordon Van Gelder, who edited the magazine between 1997-2015.) With a few exceptions, all of the manuscripts were eventually published in the magazine.

Many of the manuscripts in the collection contain handwritten edits, most of which are grammatical or structural and made by copyeditors. A minority of edits, some of them more substantive textual alterations, appear to have been made by the authors themselves.

This collection consists of materials relating to the 1956 A. E. Van Vogt novel Empire of the Atom, including the original typescript, galleys, and correspondence related to the book's publication and review.

This collection consists of several manuscripts of Panshin's work, including his 1968 novel The Thurb Revolution and his serialized novel The Son of Black Morca (1973, photocopies). Also included is a set of galleys for Panshin's Masque World (1969).

This collection includes the typescript for an editorial by White for the September 1973 issue of Fantastic, and some 14 pieces of editorial correspondence, undated.