This collection contains four lectures given by Angus Wilson recorded on cassette tapes and a CD copy tapes. The recorded lectures include "Dickens and the City", "Dickens and the Law", "Dickens and Dostoevsky", and "Dub".

This collection contains over 275 letters of correspondence in Series 1, serving to portray the longtime relationship between Roy Fuller and Julian Symons which started on terms of business and grew to a close friendship. The letters are primarily from Roy Fuller to Julian Symons with occasional addendums from Kate Fuller. There are several letters from Julian Symons in response. In addition, there are some letters from John Fuller to the Symons, from Roy Fuller to Jack Clark, and from Roy Fuller to Sebastian Barker. The folder list contains a brief description of each individual letter and its focus, often with a list of Subjects. Especially lyrical and poetic are Roy Fuller's war letters starting when he was stationed in Africa (Kenya and Nairobi) and Ariel through the office of the Admiralty (folders 1000-1370).

In Series 2, there are 64 letters from Roy Fuller with three annotations from Jack Clark and five from Kate Fuller, one letter from Jack Clark, one from Kate Fuller, six from John Fuller, Roy Fuller's son, and several others from miscellaneous individuals. The letters from Roy Fuller date from 1958 to 1990 and are primarily handwritten postcards to Jack Clark, Co-founder of the Poem-of-the-Month Club. Many of these letters are regarding or, at least, in reference to Fuller's position as advisory to the Poem-of-the-Month Club. However, Fuller and Clark were also close friends, and Fuller feels free, in these letters, to discuss everything from his failing health to how he met his wife, along with many other personal remarks. Most of the letters from John Fuller and the one from Kate Fuller were written after Roy Fuller's death. The few other items in this series include poems, obituaries, newspaper clippings, and pamphlets pertaining to Roy Fuller's life and/or subjects exchanged between Fuller and Clark.

List of Abbreviations Used:

• ALS - Autograph letter, signed.
• AL - Autograph letter, unsigned.
• ANS - Autograph note, signed.
• APCS - Autograph postcard, signed.
• TLS - Typed letter, signed.
• TL - Typed letter, unsigned.
• TPCS - Typed postcard, signed.
• RF - Roy Fuller
• POMC - Poem-of-the-Month Club
• TCV - Twentieth Century Verse

This collection, compiled by Professor A. W. Yeats, contains numerous letters handwritten by Kipling, copies of Kipling letters, letters written by his sister Alice Fleming discussing her childhood with Kipling, and correspondence from Kipling's wife Caroline and daughter Elsie.

Included in the collection are many original newspaper clippings, poems, short stories, photos, drawings, . articles, a publishing contract, lists of various Kipling collections, material regarding the Kipling Society and the Last Will and Testaments of Rudyard Kipling, his wife Caroline and his sister Alice Fleming.

The collection, through a large display of original and reproduced letters, gives a peek at the kind of everyday tasks that Rudyard, as a famous author, and his wife Caroline had to contend with. Through its many newspaper clippings and articles written about him, the collection shows how eminent Rudyard Kipling was as a writer both in the 19th and the 20th centuries. It also serves as an introduction to the Kipling Society, its founding and difficulties therein, as well as the struggles legal and otherwise that surrounded Kipling's work during his life, continuing many years after his death. The collection contains interesting facts about the Kipling family, including some light genealogy, the places they lived and visited, and the people they knew.

There are some thirty-six Rudyard Kipling autograph pieces, all of which are letters excluding a few poems and miscellaneous items. The collection contains many original letters of Alice Fleming, Caroline Kipling, Elsie (Kipling) Bambridge, J.H.C. Brooking, A. W. Yeats and various others as well as many copies of letters from other Kipling collections throughout the country. In addition to any personal correspondence, there are many letters and notes, several minutes, member lists and other paraphernalia of the Kipling Society founded by J.H.C. Brooking in 1926 [?]. There is an assortment of page-proofs, galleys, original drafts, and copies of Kipling's poems, short stories, and manuscripts, along with a wide range of newspaper clippings dealing with all aspects of Kipling's life and influences on society. In addition, the collection has several original and copied catalogs from bookseller's and auction houses holding Kipling material.

Along with the letters, clippings, and many books in the Rudyard Kipling Collection at Texas A&M University, the collection contains items such as an autograph copy of "The Foreloper" framed with an illustration by an unidentified artist, the manuscript for "The Maltese Cat," and the ledger book of Mr. T.E. Elwell, an early member of the Kipling Society, who made many notes and collected numerous clippings towards a Kipling bibliography.

Alfred Edgar Coppard (4 January 1878 – 13 January 1957) was an English author, noted for his poetry and short stories. His collection of papers, the A.E. Coppard Manuscript Collection, contains consists of handwritten and typed transcriptions of correspondence primarily between Coppard and Don Suddaby from 1927 to 1952, miscellaneous correspondence between Coppard and David Posner, and a typed and edited manuscript of Coppard’s work Chinfeathers.

This collection contains 124 handwritten letters to Coppard's friend and fellow author Don Suddaby discussing such topics as books, plays, authors, and religion. Included are 11 pages of the manuscript "Chinfeathers", handwritten and heavily corrected.

Sir Angus Frank Johnstone-Wilson, CBE (11 August 1913 – 31 May 1991) was an English novelist and short story writer. He was one of England's first openly gay authors. This collection contains a CD copy of four cassettes as well as the original four cassettes of the following: Dickens and the City, Dickens and the Law, Dickens and Dostoevsky, and Dub.
This collection contains a CD copy of four cassettes as well as the original four cassettes of the following:

• Dickens ad the City
• Dickens and the Law
• Dickens and Dostoevsky
• Dub

Sound recordings on 199 instantaneous disks (196 embossed aluminum, 3 lacquer) made by William A. Owens during the late 1930s to early 1940s, during which time he was a professor of English at the Agricultural & Mechanical College of Texas. The recordings document folk songs, ballads, play-party songs, fiddle tunes, and folk culture of East and Central Texas. Some of the material was later transcribed and published in Owens' books "Texas Folk Music" and "Tell Me a Story, Sing Me a Song..." and are noted in item descriptions.

Audio CDs transfers of the original disks were made in 2002 by The Cutting Corporation. The recordings are of good quality unless noted otherwise.

This collections contains an archive of correspondence that supplements the Golden Cockerel Press production of One Hundred and Eleven Poems written by Robert Herrick.

This collection contains correspondence and contracts transmitted between H. E. Bates, Agnes Miller Parker, and the London publishing house of Victor Gollancz, Ltd. Among the contents are 28 letters from H. E. Bates and 30 letters from Agnes Miller Parker (Agnes M. McCance), all to Victor Gollancz or his representatives, concerning three books, one of which was projected but never published under the firm's imprint. Also present are single letters from Edmund Blunden, Sylvia Lynd, and the illustrator, Peter Partington.

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

This collection contains the legal contract with The Neale Publishing Company to publish Pollard's manuscript, "Their Day in Court" (February 24, 1909).

This collection contains photocopies of manuscripts, poetry, reviews, and articles written by Roy Fuller and others, along with photocopies of correspondence to and from Roy Fuller, and to and from other writers.

This collection contains one handwritten letter to "Dear Sir" for the loss of his wife from Blackmore dated February 28, 1888, along with a typed transcription (1-page ALS).

This collection contains one letter from Mr. (George ?) Beckett to "Dear Sir." Tuesday Morning (no other date) re: attending the addressee's performance of The Kentuckian. ALS, 1 leaf, with typed transcription.

This collection contains seven original handwritten letters by Browning, two copies of letters to Browning, one original handwritten letter to Browning from artist John Nettleship and one letter fragment with Browning's signature.

Also included is a program for the Armstrong-Browning Library Dedication, newspaper clippings regarding a stolen Browning relic and Dr. Frederick Furnivall, and a magazine article "Browning on the Brazos".

This collection contains a one-page handwritten letter to F. A. Bather from F. G. Kenyon dated March 23, 1912, thanking Bather for the use of a Browning letter (1-page ALS with typed transcription and photocopy of the letter). Also included is one page of notes by Kenyon on The Pied Piper.

This collection contains nine handwritten letters from Alfred Tennyson and one handwritten letter from Emily Tennyson. Also included is the poem "A Welcome", the lower half of a letter with Tennyson's signature, and the dated and signed portion of a document that Tennyson signed as a witness on August 1, 1862.

This collection contains 5 manuscripts discussing Italian editions of Agatha Christe's works. Also included are two of Christie's publications where the forward and afterword were written by Julian Symons.

This collection contains 54 original handwritten letters by Arnold, one page of poetry, one page of prose, and two pieces of paper with his signature. Each letter includes a typed transcription within its folder.

This collection contains one handwritten letter from Phelps to "Madam" regarding Robert Louis Stevenson (2-pages ALS with a typed transcription).

This collection contains the original manuscript of "Nothing Serious", typed and heavily corrected. Also included are one handwritten letter, three typed letters from Wodehouse, and one photograph of a sketch of Wodehouse.

This collection contains three handwritten letters and a postcard, all from E. M. Forster, each addressed to one of the following people: Lynd (1-page TLS, October 10, 1929), A. T. Bartholomew (1 postcard ALS, June 5, 1930), Darlin (1-page ALS with typed transcription, September 13, 1931), and to Grant Duff (1-page ALS with typed transcription, July 17, 1935).

This collection consists of one 5-inch by 7-inch black and white photograph of Christopher Fry.

This collection contains one handwritten letter from Macready to "sir" dated 1854 (1-page, ALS with a typed transcription), and another letter to "William Simpson" (1 folio with a typed transcription).

This collection contains handwritten letters from Dreiser dated around 1908, each to one of the following individuals, "My Dear Kelly" (1 folio with a typed transcript), "Dear Kelly" (1-page, TLS), "Dear Duffy" (1-page, ALS with a typed transcript), "My Dear Duffy" (1-page, ALS with a typed transcript), and Mr. Henry Phillips (1-page, TLS). Also included in the collection is one dedication page torn out from a book with Dreiser's autograph.

This collection consists of four handwritten letters from Sir James Bryce dated from 1882 to 1910, each addressed to one of the following: the President of the Board of Trade PASSAIC, W. Riding (1 folio with a typed transcript), "My dear Stillman" (1 folio with a typed transcript), and Fred P. Noble (1 folio with a typed transcript).

This collection contains a portion of a handwritten letter from Stevenson to an unknown person (1-page ALS with a typed transcription).

This collection contains a handwritten unpublished play by Cumberland, "Atonement" (33 pp., bound), and one page of information regarding the play (typed).

This collection consists of three handwritten letters from Phil Burne-Jones, dated around 1887. Each letter is addressed separately to the following people: Mrs. Bell (1-page, ALS), Dr. Bird (1 folio), and "Aggie" (1 folio). All letter have their own typed transcription. Also included is a receipt for the sale of Phil's letters (1 page).

This collection contains a letter from Maggs Bro. Ltd. to D. G. Lochhead (1-page, TLS).

This collection contains a portion of a handwritten poem "The Accused", signed by Louise Driscoll, and one newspaper clipping with the poem in its entirety.

This collection contains one autographed photograph of Louis L'Amour from 1983.

This collection contains one typed letter to Ingle Barr dated 1957, and signed by Kenneth Roberts.

This collection contains one handwritten letter from John Drinkwater to Flenther[?] (1-page ALS with a typed transcription).

This collection contains one handwritten letter dated 1907 from J. M. Barrie to Miss Riding (1 folio; 1 typed transcription; 1 page with signature).

This collection contains a limited edition Christmas card, "A Flock of Guinea Hens Seen From a Car" (1957) with a corresponding envelope.