This collection consists of two large leather account books from the old store owned and operated by David Verplank Ackerman and James McMiller that was at Washington-on-the-Brazos, Texas. The account book labeled "ledger" [box 1] dates from 1855 to 1865 and lists the accounts of individuals while the other one labeled "journal" [box 2] records the chronological expenses beginning in April 1854 and ending in January 1861.

This collection contains the maps of The United States of Earth dated 1876-1903, by Henri Dron, who was a geographer that envisioned a utopia of the world united into several states.

Dron's utopia consists of six maps of each continental confederation with annotations of his utopia visions. The goal of unity is depicted in three maps of Europe with connective highways along the Danube river and with Dron's Universal Renovating Academy. The world map shows all twelve states under the United States of Earth to end international strife.

The collection also includes three newsletters, the Ideograph, where Dron shared his utopia ideas by giving examples of his maps and explaining them in detail. Lastly, there are two documents where Dron is attempting to recruit and register subscribers to his newsletters and ideals. Dron's archive displays map development and how it ties to political ideologies at the turn of the century.

This scrapbook contains photos taken during the Spanish-American War, including the Houston Light Guard, Camp Cuba Fibre (Florida), Camp Ovward (Savannah, Georgia), Camp Columbia (Cuba), Havana, and Environs (including graphic photos of human skulls).

All photographs were taken, developed, and printed by Lieutenant Milby Porter, Co. A 1st Texas Volunteer Infantry Regiment, and Former Student at Texas A&M College.

This collection consists of two scrapbooks containing news clippings dating from August 22 to October 5, 1935, regarding the New Deal and John Henry Kirby. The clippings are listed chronologically in this collection record, however, they are not chronological within the scrapbooks.

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

This collection contains letters from Jefferson Davis to F.R. Lubbock.

This collection includes correspondence between Williams and Wall, as well as photographs, original drawings, etchings (some showing cancelled plates), newspaper clippings, postcards, books, exhibition notices, and other Walliana. The letters concern Wall's printmaking and publishing activities and provide a unique glimpse into his personal and professional concerns.

The collection contains numerous self-portrait etchings of Wall and etchings of his friends, correspondents, and subjects of his writings. Wall's personal stationery contains a variety of etchings, drawings, and self-portraits. Much of this material has been captured in oversized scrapbooks that were reconditioned, re-boxed, and professionally conserved by Carrabba Conservation, Inc. Additional information on conservation treatment of the collection can be found in the Bernhardt Wall control folder.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains the legal contract with The Neale Publishing Company to publish Pollard's manuscript, "Their Day in Court" (February 24, 1909).

This collection consists of three handwritten letters from Phil Burne-Jones, dated around 1887. Each letter is addressed separately to the following people: Mrs. Bell (1-page, ALS), Dr. Bird (1 folio), and "Aggie" (1 folio). All letter have their own typed transcription. Also included is a receipt for the sale of Phil's letters (1 page).

This collection consists of 62 manuscript envelopes and letters (all in German) from William Bretschneider (A&M College class of 1897) to his sisters and mother between 1894, 1897 and 1900 when he worked for the Texas Railroad, and New Orleans Railroad.

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

This scrapbook contains black and white photographs of Philippine military operations, assumed to be during or after World War II. Also included is a copy of the pamphlet "Code of the U. S. Fighting Man" (1957).

This collection contains chromo card albums dating from the 1920s to 1970s, represented by sheets from the album rather than a bound album. The cards are colorful and represent cultures from countries throughout Africa that were under European colonial rule.
Given the strong presence of African cultural awareness in the colonial powers of Europe, a robust pop culture emerged in the form of children’s books, comics, and chromo trade cards. The latter were cards that were offered with food products, usually chocolate, meat extracts, tea, etc. A card would accompany each chocolate bar for instance and when you had completed the set of cards you could write away and get an album to paste the cards. Most card sets did not have an album, and only a few in each country dealt specifically with Africa. They were collected over ten years and were sourced from Germany, England, France, Belgium, and Spain.

This collection consists of a photo scrapbook with six small charcoal images that depict African-American life in the rural south with an unrelated pictorial on-lay on the upper cover, all tied together with string.

This collection consists of an advance copy (bound unpaged galley proofs) of the first edition, first state; and an advance copy (bound unpaged galley proofs) of the first edition, second state, of Sturgeon's 1953 novel More Than Human.

The proofs represent the first state of the text without Sturgeon's extensive last-minute changes made at the publisher's office. A handwritten signed note by Sturgeon dated August 1954 on the inside front cover reads: "A few hours before 'More Than Human' went to press, the author felt a profound dissatisfaction with the last section. Working in the corner of a busy office at his publisher's, he rewrote the final portion. This is, as far as he knows, the only copy extant of the book before these changes were made. It is donated, with the author's warmest good wishes, to the World Science Fiction Convention of 1954, at San Francisco."

The revisions to the galleys were made on leaves 16, 120, 136, 139, and 144-145 and consisted mostly of insertions of new copy, ranging from about 150 words in one case to about 1500 in another (at the story's conclusion).

The proofs are accompanied by a signed letter, dated August 25, 1954, from Sturgeon (signed "Ted") to "Les" (probably Lester Cole, co-chairman of the convention) on Sturgeon's stationery, with an autograph postscript. This is the cover letter sent with the proof, in which Sturgeon explains why he will not be able to attend the 1954 convention due to a death in the family. He expresses sincere regret and names those to whom he would like to have his greetings conveyed, including "the six (at least) X's. These last are the handful, among all the wonderful people there, whom [sic] I haven't met yet but would discover and have for lifelong friends if only I could be there."

The collection is an assortment of newspaper clippings, photographs, a typed biography, commencement programs, an Army training certificate and receipt, and contact information for Ralph Howard Mitchell.

The James C. Nagle Photographic Album is a Kodak album containing photographs of Texas A&M College campus, circa 1900.

This collection contains three scrapbooks, one of which belonged to Irene Claghorn, filled with photographs and mementos dating from the early 1900s through the 1940s.

One, 5" box with one folder of earlier campus photographs and one scrapbook of newspaper clippings from 1960-1969.

This collection includes Dr. Andreadis' research files, library, journals, writings, correspondence, and manuscript materials which were collected during her 40 years as a member of the faculty of Texas A&M. Dr. Harriette Andreadis retired in the Spring of 2014 donating her materials well as several personal items to Cushing Memorial Library & Archives.

This collection consists of a domestic version of the export script dated January 17, 1963, for the British science fiction movie The Day of the Triffids (1962), written by Gordon and based on the famous 1951 novel by John Wyndham.

These six letters, dated December 12, 1862 - August 6, 1863, are from Benjamin M. Linsley to his friend Mrs. Lucy G. Palmer in Suffield, Conn. Each letter is written in ink on both sides of a single folded sheet, except for the first one, which is on two folded sheets, sewn together in the center with cloth thread at some point after they were composed. All are addressed by Linsley from the camp near Falmouth, Va., where his regiment, the 14th Infantry of the Army of the Potomac was based, except the last one, which is addressed from McKinnis Hospital in Baltimore, Md., where Linsley was sent to recover from typhoid fever.

In the letters, Linsley comments on the failure of the Union army to obtain substantial victories ever since the Union defeat at Fredericksburg; inflated prices for postage stamps and sutler's goods; the despair he feels at the poor treatment in general of the sick in military hospitals, not only by medical personnel but by fellow soldiers; strategies for obtaining better food and bedding for his brother while nursing him through a severe fever, probably typhoid; the need for statesmen of moral standing more like George Washington than the much clamoured for "little man" George MacClellan; the trials of long marches in either rain and mud to cross the Rappahannock and Rapidan rivers, only to retreat back over them after the battle of Chancellorsville, or the intense heat of marches toward Warrenton Junction, Va., from which Linsley was transported with the sick and wounded to recover from typhoid himself in McKinnis Hospital at Baltimore; the desperation of deserters being taken to their punishment; the immoral behaviour of men in camp; the need for more good chaplains like Clay Trumbull of Hartford, Conn., who served with his brother's regiment of Volunteers; and perhaps, more poignantly, the eerie sound of drums during funerals for the many soldiers who died in camp from sickness in their poor living conditions.

The letters are now each encased in a clear plastic sleeve. A one-page report from the National Archives and Records Administration is included with the first letter. This NARA report (2 July 2001) replies to a request made by Professor Dale Baum of Texas A & M University in April 2001 to locate and make a copy of Benjamin M. Linsley's pension documents packet, stating NARA staff could not locate the materials. Baum had listed Linsley as an enlistee of the U.S. Army in Company A, 1st Battalion, 14th U.S. Infantry.

This collection consists of the so-called 'foul matter' from John Brunner's 1984 novel The Tides of Time. Materials include a signed letter of authentication from Brunner, dated May 11, 1989; and the corrected proofs from the novel, signed on the first page by Brunner and containing copyedits made by the author.

_The Tides of Time_was published by Ballantine Books/Del Rey in 1984, and concerns the lives of two people trapped on a deserted island who awake each day having lived different lives in different times.

This collection consists of a few letters, notes, drafts, and final copies of book reviews, articles, and chapters of books.

Book chapter topics include Gothic Culture, Medieval Architecture, Romanesque Art and Architecture, Baroque Art, and Renaissance Painting, particularly the paintings of the Sistine Chapel by Michelangelo Buonarroti. The bulk of the latter material probably pertains to a book on which Mayo was working at the time of his death in 1954. The book was to have been titled The Great Pendulum and would have recorded the cycles between romanticism and rationalism in art and literature.

The E. J. Kyle (1894-1957) Papers contains reports, correspondence, speeches, articles, applications, pamphlets, newspaper clippings, programs, pictures, memorandums, lists, and resolutions. Materials include correspondence, reports, speeches, and articles on E. J. Kyle's attempts to acquire more land and construct new buildings for the School of Agriculture at Texas A & M College. Other speeches and articles written by E. J. Kyle are concerned with subjects as cotton, soil conservation, and the cultivation of vegetables, fruits and nuts, particularly pecans.

Also present are reports Kyle wrote pertaining to Texas A & M College's enrollment plans and teaching techniques in Agricultural classes. Since Kyle was the head of many different programs at Texas A & M College, his papers contain applications and other information regarding the Land Prize, Anderson-Clayton Company Scholarship, and programs on Short Courses taught from 1913 to 1936. In addition to his academic duties, Kyle was also deeply involved with various types of research and the papers contain a few of the booklets, articles, and resolutions pertaining to the Soil Erosion Project, Frozen Food Research, and Texas Wildlife Research.

Correspondence in the papers deals with not only E. J. Kyle's work, but also contains letters from former students, commendations sent to Kyle, and letters concerning the naming of Kyle Field sports arena on the Texas A & M College campus.

Photographs contained in the collection are pertain to agricultural topics, such as cattle and pecan trees, the NYA program, Texas A & M College buildings, Texas A & M College football teams and sports events, and Kyle Field.Several football team rosters, programs from football games, newspaper clippings about sports events, and correspondence dealing with Kyle's position on the Athletic Council represent Kyle's close connection with many of the Texas A & M College athletics program.

Also present is a certificate of Kyle's appointment to the Farm Credit Association.

This collection contains letters written by Quincy Adams to Vivian during the Mexican Revolution.