This collection includes manuscripts, papers, and publications from throughout Mayhar's career, but the bulk of the material dates from the late 1980s to the present.

This collection includes media guides for the Texas A&M Women's Archery team. The media guides provide details regarding each season; a roster, schedule, records and a brief history, for example.

The Texas A&M Archery team has National Championship titles for the years 1996-2006 and 2010-2014. World Record holder Mary Zorn was also a member of the team from 2000 to 2004. She was also a two-time World Champion.

This collection contains daily crime summaries and monthly reports that were sent to the Office of the President and other offices of A&M. Information in the daily crim summaries has been previously redacted (blacked out) due to personal or sensitive information contained within.

This collection consists of a number of so-called "official" J.R.R. Tolkien Calendars, published between 1973-1994 by Ballantine Books and subsequently by HarperCollins Publishers. The calendars are noted for their colorful and lush art, as well as for the dating within of important events in the history of Middle-earth.

Artists whose work is featured in the calendars include: J.R.R. Tolkien, The Brothers Hildebrandt, Darrell K. Sweet, Michael Hague, Ted Naismith, John Howe,and Alan Lee, among others.

Calendars from early in the run (which is incomplete) contain handwritten notes and reminders by the donor.

The Robert I. White Papers are almost entirely concerned with a set of court cases whose background and context began life in early 20 thcentury Europe, where a penniless amateur artist named Adolf Hitler honed his art skills as well as his political magnetism and influence. They then move through Hitler’s rise to national power and his tyrannical grip over Germany, which ended after an unimaginably brutal war and the liberation of Europe’s suffering peoples by Allied armies in 1945. The scene then shifts to the United States, to which four watercolors painted by Hitler and a valuable archive of photographs taken by one of his few friends, Heinrich Hoffmann, were removed by the U.S. Army to the victorious United States as seized spoils of war.

In Texas a man named Billy F. Price, interested in Hitler’s artistic life and career, then joins forces with the wife and children of Hitler’s friend to have the seized materials returned to them, claiming that the U.S. government acted illegally. Robert I. White, of Houston, was Price’s lawyer in the resulting litigation. The case – which evolved into a number of separate actions - spent over 20 years meandering through different federal courts from Texas to Washington, DC before Price and his fellow litigants were finally turned down in their final appeal by the Supreme Court in 2009.

The White Papers chronicle the journey of Price and the Hoffmann heirs’ case from its beginnings in 1982, when the plaintiffs first requested the return of the Hitler watercolors from U.S. Army custody, to 2004. They consist primarily of the legal documentation generated for and by the lawsuit, including briefs, depositions, exhibits, motions, pleadings, orders, and writs. Also included are files of supporting correspondence. Audio-visual materials in the collection include audiotapes of phone conversations and witness depositions, videotapes of witness dispositions, and photographs.

The collection is divided into series based around the individual numbered cases. An additional sub-series, Series IIIA, consists of specific physical exhibits that were used in the initial case, Civil Action H-82-3712.  Note that documents recur in multiple series, because they were used as pieces of evidence or sources of background information for different cases.

One box of materials contains bound volumes of White's legal and other notes made durng his undergraduate and law school education.

This collection contains correspondence to and from Margaret Rector, copies of articles, book reviews and other materials related to the publication of the book Cowboy Life on the Texas Plains: the Photographs of Ray Rector as well as a letter from Margaret to David Chapman regarding the donation of the materials.

This collection contains notes, checklists, copies of Otto Binder letters, and edited drafts of Bill Schelly’s Words of Wonder: The Life and Times of Otto Binder (2003).

This collection contains correspondence from various members of the NIRA to Charles Rankin, the first president of the organization, magazine articles, Texas A&M's annual budgets for the Aggie Rodeo in the 1940s, newspaper articles about the Aggie Rodeo, NIRA newsletters, Aggie Rodeo programs from 1939 to 2002, programs from the University of Arizona's annual championship rodeo from 1946 and 1948, photographs of Aggie Rodeo Club members, excerpts from books on the history of rodeo, two Texas State Senate resolutions, and notes from Charles Rankin.

This collection contains the information and resources that Dethloff used in revising his biography of Sterling C. Evans.

This collection consists of manuscripts, drafts, and related correspondence from science fiction writer Emily Devenport. The collection includes materials from Devenport's short stories and her novels (including those written under her pen names Lee Hogan and Maggy Thomas).

This collection contains the papers of Sterling C. Evans including personal correspondence with friends, family members, and business associates; personal notebooks; plat maps, blueprints, diagrams of land: legal and financial documents surrounding real estate transactions; favorite quotations and poems; manuscripts; a travel diary; notes, notebooks of advertising and commercial brochures; photographs, newspaper clippings, receipts for gifts, and personal artifacts. The collection also contains the papers of his lifelong assistant, Dorothy Whitley.

The papers reflect Evans' personal life, his early career in the Texas Agricultural Extension Service, his professional career with the Federal Land Bank, and his retirement to a second career of investments in and operating large ranches and plantations in Texas, New Mexico, and Louisiana. In addition, the papers reflect his generosity and his involvement with Texas A&M University through his service to the Board of Regents during a pivotal time in the university's history as well as his support of the university library.

While the papers record Evans' early career, they more extensively detail his agricultural business after his retirement from the Federal Farm Credit Administration and the Federal Land Bank. This post-retirement career is highlighted by a growing friendship with Gus Wortham of Houston, Texas, and their joint real estate ventures such as Randle Lake Plantation in Milam County, Texas, Bear Lake Plantation in Tallulah, La., Crescent Plantation in Louisiana, Little Eva Plantation in Chopin, La., Nine Bar Ranch in Cypress, Texas, and the U Bar Ranches in Medina County, Texas and Hidalgo County, N.M., as well as other smaller operations. These subject files include personal correspondence, legal documents, financial documents, photographs, brochures, advertising materials, and news clippings.

Correspondence includes Evans' exchanges with his wife, Cathrene Thomas Evans, and well-known professional associates such as Gus Wortham, W. N. Stokes, John Wasson, Eugene Butler, Mildred McCoy, Carl Detering, John Lindsey, Earl Rudder, Frank Vandiver, William Mobley, Perry Atkission, Ray Bowen, Irene Hoadley, Fred Heath, Ambassador Edward Clark, and Dolph Briscoe. Also included is correspondence from many family members, and close friends, as well as students from Texas A&M University and Evans' former employees.

This collection contains materials relating to Golden Gryphon Press and its publication of Howard Waldrop's 2003 novelette "A Better World's In Birth!". Materials in the collection include Waldrop's hand-typed manuscript, editor Marty Halpern's edited draft of the story, a final typescript, a copy of the chapbook and a cover flat, and electronic copies of the final typescript.

The novelette tells the story of an alternate central Europe, in which a Communist revolution occurred in the middle of the 19th century, led by Karl Marx, Friederich Engels, and Richard Wagner. In 1876, rumors fly that the ghosts of these three revolutionary martyrs have begun appearing in the city of Dresden. The story examines how these specters may be tied into a larger political conspiracy.

Materials include photographs dating from the 1980s to 2003, a 1997 self-survey, and self-accreditation from 1978.

This collection contains correspondence from Gustav Wehrs to David Chapman and Dr. Robert H. Carpenter, regarding the donation of his life's memories as part of the Military collection to Cushing Memorial Library at Texas A&M. Included is a translated account of his experiences during the Battle of the Aegean in 1943, and an account of the early years of his life he had typed in his native German language.

This collection consists of 1200 slides of Texas courthouses located throughout the state. This collection also contains newspaper clippings, personal notes, and issues of the periodical Texas County Progress (incomplete issues from 1984-1999 and incomplete issues from 2002-2003) on the subject of Texas courthouses. This collection also includes magazines and brochures about Texas courthouses; pictures and slides of Texas courthouses; calendars; and a video cassette.

The collection is an assortment of newspaper clippings, articles about cowboys and ranch living, copies of programs, pamphlets for symposiums and articles written by Kelton himself.

This collection consists of items collected by fanfic writer Muriel Perun. Most of the items are issues of TV Guide with Star Trek related covers, but there is also a program book from Escapade 13 as well as photographs of Alexander Siddig (Dr. Julian Bashir on Star Trek: Deep Space Nine), taken at an unidentified con.

This collection contains the newsletters and periodicals of LGBTQ organizations, most of which are from Texas A&M University (TAMU) or the Brazos Valley. The oldest documents pre-date TAMU’s Gay Student Services, which formed in 1976. Others, such as This Week in Texas, are statewide and give insight into the lesbian music scene and gay bar life in the late 1970s and early 1980s.

The collection includes, but is not limited to material from Ag-gay Pride, Aggie Allies, Alternative (an early LGBTQ organization in Bryan-College Station), The Club (the gay bar of Bryan-College Station in the mid-1990s), and PFLAG Brazos Valley. Some of the notable publications are The Alternative News, The Connection, OutBurst, OutLook, OUTtakes, and The Spirit. Publications from the 1980s and 1990s show a growing and out LGBTQ community in the Brazos Valley area.

This faceplate was on an old workgroup server (the hot-swap machine) originally used by the UNIX support team at Texas A&M University Libraries. This and other servers, which were replaced in the late-2000s, were whimsically assigned nicknames by the staff based on characters from the science fiction television show Farscape.

The server to which this faceplate was attached was named "Crais", after Captain Bialar Crais, a major Farscape character. In March 2003, Lani Tapu, the actor who portrayed Crais, was a guest at Aggiecon, and while on campus autographed this faceplate. After several years in operation, the server was replaced and sent to surplus, but the faceplate was retained by the Associate Director for Systems and eventually donated to Cushing Library.

This collection consists of meeting minutes, luncheon meeting and program newsletter/mailings, activity reports, and a brief historical outline. Also included is a binder with photocopies of the original constitution, by-laws, and other documents related to the 1965 formation of the A&M Retirees Club.

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.

This consists, aside from the group of 900 or so monographs collected by Asselineau, chiefly of correspondence, accompanied by handwritten drafts of reviews written in ink or pencil by Asselineau on slips of paper, apparently placed in the relevant book on his shelf as a file. The correspondence and draft of reviews are often associated with clippings, photographs or snapshots, offprints, programs, newsletters, and a few postcards.

Most of these manuscript materials were found in the process of cataloging the monograph collection, apparently filed by Asselineau in volumes of his monograph collection, usually related to the author of the book into which he inserted the materials over a period of years. A title page of the relevant book into which the manuscript materials were found inserted is now clipped to the materials in the collection folder and the call number of the book written on the photocopied title page in pencil. Also present are musical scores of adaptations of Whitman's poetry, and quite a few copies of the Walt Whitman Circle quarterly newsletter, published by composer and Whitman enthusiast, Robert Strassburg.

Series 1 includes notable correspondents such as Gay Wilson Allen, V. K. Chari, Betsy Erkkila, Ed Folsom, Donald D. Kummings, Jerome Loving, Robert Strassburg, and Leandro Wolfson.

Series 2 consists of a bound manuscript book entitled "Walt Whitman on Burns and a Portrait Gallery of Walt Whitman". The book measures 21 cm by 13 cm and is bound in green half-calf with marbled boards. According to a letter pasted into the book, it was apparently purchased by Roger Asselineau on August 20, 1942, from Alfred F. Goldsmith of New York, NY. Twenty-seven leaves of the manuscript book are filled with mostly photographic portraits of Walt Whitman, a few obviously cut from published works, and one leaf containing a section from a page of a handwritten manuscript in pencil and ink, labeled "Rough draft of a page in 'Robert Burns as poet and person' in November Boughs (p. 61)." Twenty other leaves of the book are left blank.

Series 3 consists of four folders with programs, offprints, and newspaper clippings collected by Asselineau. Contains manuscripts with commentary and suggestions (1856-2000), programs, announcements and catalogs (1963-2000), and clippings collected (1962-1992) regarding the life of Walt Whitman, his writings, collections, and offprints.

Series 4 contains over 900 monographs collected by Asselineau, these materials are cataloged separately in the Library of Congress classification and housed in the Cushing repository stacks as part of the Lit/Whitman collection. These monographs include first editions of Walt Whitman's works, particularly Leaves of Grass, many translations of the poem into an incredible variety of languages, biographies, and other scholarly works. The breadth of Asselineau's scholarly activity and acquaintance is well represented by the amount of correspondence and other memorabilia which was found inserted into these volumes.

This collection follows the African American experience here at Texas A&M and consists primarily of secondary materials such as biographies and timelines of Black American Aggies. There are also primary materials in the media section of the collection, which consist of cassette tapes filled with interviews.

This collection consists of one 5" box and includes the following publication titles:

• Inside, 1997
• Backstage, 1991-1992
• MSC OPAS Brochures, 1998-2002

This collection consists of two copyedited manuscript anthologies: one, Little Deaths: 24 Tales of Sex and Horror (1995), edited by famed genre editor Ellen Datlow; and another, The Green Man: Tales from The Mythic Forest (2002), co-edited by Datlow and Terri Windling as part of Viking's Mythic Fiction series. The latter work won the 2002 World Fantasy Award for Best Anthology.

This collection consists of reports and other materials for chapters of the Camarilla, the official fan club of White Wolf Publishing's Vampire: The Masquerade role-playing universe. Materials include membership applications submitted to the central office, club chapter reports, membership lists, and other documentation relating to club administration and business.

The term "Camarilla" refers to one of the major vampire sects of the Vampire: The Masquerade universe. To quote White Wolf's official wiki, "The Camarilla is the most organized of the vampiric sects, an elite club that favours tradition and control of the mortal populace from behind the scenes. Across their domains, they enforce six major Traditions, chief among them being the Masquerade. All clans have an individual presence in the Ivory Tower, though a select group of pillar clans make up the core of its membership. Once the Camarilla welcomed all Kindred who obeyed its laws, but recent events have caused the leadership to adopt more exclusive membership rules. No Anarchs, Caitiff, or thin-blooded vampires are allowed to exist within the sect. In addition to preventing the growing mortals masses from discovering the existence of vampires, the Camarilla aims to maintain the status quo of Kindred society; as such, much of its structure and traditions mirror that of Cainite society in feudal Europe in the Dark Ages, and places it at odds with the agenda of the Sabbat and Anarchs, both of whom seek to overthrow archaic Kindred society. "

Vampire: The Masquerade:

The Vampire games, created by Mark Rein-Hagen and first released in 1991, are part of White Wolf's World of Darkness overall universe, set in an Earth much like ours, except that vampires, werewolves, and magic-users exist. Vampire was designed for players to be vampires rather than the more traditional player role as vampire hunters. The game is notable for the development of an elaborate social system and varied culture surrounding vampires. The game, to quote its WIkipedia entry, "uses the cursed, vampiric condition as a backdrop to explore themes of morality, depravity, the human condition (or appreciation of the human condition in its absence), salvation, and personal horror. The gloomy and exaggerated version of the real world that the vampires inhabit, called the "World of Darkness", forms an already bleak canvas against which the stories and struggles of characters are painted. The themes that the game seeks to address include retaining the character's sense of self, humanity, and sanity, as well as simply keeping from being crushed by the grim opposition of mortal and supernatural antagonists and, more poignantly, surviving the politics, treachery, and often violent ambitions of their own kind. " The game has inspired video games, novels, comic books, and the 1996 television show Kindred: The Embraced.

The term "Masquerade" refers to an ongoing disinformation campaign of self-protection directed by the Kindred (the vampires as a whole) and heavily enforced by the Camarilla to convince humans that vampires and other supernatural creatures do not really exist.

The Masquerade universe is also known for its commitment to LARP (Live Action Role-Play). LARPing is an activity in which participants not only create role-playing game characters but physically portray them in established campaigns, LARPs can be played in both public or private areas, and events can vary in size from a small handful of players to hundreds or even several thousands at once. In 1993, White Wolf released the first Vampire LARP game, Mind's Eye Theatre: The Masquerade, and a number of LARP publications based on the different World of Darkness games followed.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection consists of numerous awards that noted science fiction and fantasy author Andre Norton was given over the course of her long and storied career.

This collection was originally assembled by Martha Millard, the literary agent of noted science fiction author William Gibson. The collection contains correspondence between Millard and Gibson, agency business correspondence to and from Millard concerning Gibson's publishing career, assorted photographs, and an agency publicity file that includes publicity materials, files of Gibson's book reviews, interviews with Gibson, and articles about Gibson and/or the cyberspace and cyberpunk phenomenons.

Of particular note are a number of Gibson's original writings, which are also housed in the collection. These writings include such important Gibsoniana as his original 1981 outline for what would become Gibson's first novel Neuromancer; a 1984 outline for a never-completed novel, The Log of the Mustang Sally; an outline for Mona Lisa Overdrive(1986); a chronology and notes for The Difference Engine(1987); and copies of Gibson's screenplays for Alien III(c. 1990, unused) and Johnny Mnemonic(1992, 1994).

The Martha Millard Archive of William Gibson is a important collection for exploring not only the development of Gibson's writing career, but the ways in which an author, his agent, and his publishers interact with one another, working together to create and publicize a final literary product. The collection also provides numerous examples of the cultural impact that Gibson, as the coiner of the term 'cyberspace' and founder of the cyberpunk sub-genre of science fiction, has had on his colleagues, fans, and contemporaries.

The Heritage Preservation Oral History Program was designed to preserve for future generations of Aggies the history and traditions of Texas A&M as experienced by a diverse group of people.

The oral histories were largely collected by Haskell Monroe, the director of the program and the Dean of Faculties Emeritus, through an interview process. Haskell Monroe was a history professor at Texas A&M University as well as the President of the University of Texas at El Paso and the Chancellor of the University of Missouri. While at A&M he served as the secretary of the Aspirations Committee. This Committee wrote crucial reports advising changes that would help create the diversity experienced at A&M to this day including racial integration, co-education, and the elimination of the compulsory Corps of Cadets service.

The interviewees, for the Heritage Preservation Oral History Program, ranged from faculty, staff, students, and people highly involved in the university. This was intentionally done to give a diverse and well-rounded history and perception of life at Texas A&M University. These people ranged from university Presidents and their wives, yell leaders, student body presidents, and professors. In the Early Years of the program's history the focus was on A&M in the 1930s and the impact of the Corps. While in later interviews conducted professors and students were interviewed about more specific facets of A&M and individual programs and departments. While the program initially was supposed to only interview about 24 important people to the intuition it grew considerably throughout the process. The interviews were conducted from 1998 to 2002 totaling up to over 200 individual interviews and interviewees.

The Roy Craig Collection on the Scientific Study of Unidentified Flying Objects consists of Dr. Craig's working files on all UFO reports studied by the Condon Report project team, including the field investigation notes, case writeups, physical evidence collected, Craig's appointment books for 1966-1968, a copy of the three volume Condon Report, a copy of the Bantam Books mass market reprint edition, additional notes and reports related to the UFO study, photos, recordings, and popular articles and books about UFO studies, and the manuscripts and notes for Dr. Craig's book, UFOs: An Insider's View, copies of the score and audio recordings of "The UFO Song," and other related material. The collection occupies approximately 10 linear feet.

This collection is made up of media guides containing details for each year, including schedules, rosters, and statistics for the men's cross country team. They also have a brief history of the sport and the University itself.

The team began in 1920 under head coach J. A. Clutter. Since its introduction, the men have acquired 13 Southwest Conference titles previous to the year 2000.

This collection consists almost entirely of correspondence between legendary Texas writer Bill Crider and author and professor Robert E. Skinner, of Xavier University in New Orleans. Over several years, the two became regular correspondents in exchanges involving numerous subjects, including writers, writing, films, books, and their personal lives.

The two did not cease corresponding after 1998 (the date of last correspondence in the collection), but once Crider and Skinner started using email as their major medium of choice, Skinner ceased collecting the exchanges.

This collection includes books, serials, and framed artwork.