The diary begins at an entry for 19 May 1915 with the driver's departure from Paris, to report to the Bureau, or main Section office of the service, at Pont-á-Mousson, which he often abbreviates to Pont. in diary entries. The diary's driver is often under fire, either while driving the roads among convoys, or in the towns being shelled, and, on a least one occasion, even at his billet, called a caserne. He is also clearly interested in becoming an aviator and visits a French aviation field with a friend from the American Field Service during his time off.

There are descriptions of German prisoners in the town square, serious casualties called couchés, episodes of shelling, the hazards of evacuating casualties under fire, as well as the daily life of an American soldier serving in World War I before the official entrance of the United States, is terse and vivid. The narrative presents an interesting contrast of intense activity and intermittent loafing in the French towns and countryside, including a tour of such battle areas as Bois-le-Prêtre, the site of the First Battle of the Marne.

The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there. Ambulance drivers who served first as volunteers in France seem to have transferred to other branches of the service, in several cases the Air Service, after serving in the American Field Service for possibly only a few months.

The entries end abruptly on June 9, 1915.

The shiny dark brown paper-covered diary measures 17 x 10 cm., with 26 of its 40 blue-ruled pages filled with entries handwritten in ink. Although found inserted into an issue of the Kelly Field eagle published between April 1918 and January 1919 and donated to the repository by General George Stratemeyer, the diary is neither labeled, nor signed, and the entries are dated [May] 19 - June 9, 1915.

A newspaper clipping is slipped into the diary, dated 1873 by hand in ink, probably from a British newspaper, which contains a poem, "To Loch Skene", on which corrections to the text have been made in ink.

It may be noted that George Stratemeyer, probably did not write the diary since he served with the 7th and 34th Infantry divisions in Texas and Arizona until September 1916, immediately after his graduation from the U.S. Military Academy in June 1915. He subsequently became commanding officer of the Air Service Flying and Technical Schools at Kelly Field, Texas in May 1917. The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there.

The 25-page paper transcript was made in February 2002 by Aletha Andrew, who processed the collection in the repository.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection includes newspaper clippings, articles, magazines, and brochures about Texas courthouses; pictures and slides of Texas courthouses; calendars; and a video cassette.

This collection contains 54 original handwritten letters by Arnold, one page of poetry, one page of prose, and two pieces of paper with his signature. Each letter includes a typed transcription within its folder.

This collection contains correspondence from Gustav Wehrs to David Chapman and Dr. Robert H. Carpenter, regarding the donation of his life's memories as part of the Military collection to Cushing Memorial Library at Texas A&M. Included is a translated account of his experiences during the Battle of the Aegean in 1943, and an account of the early years of his life he had typed in his native German language.

The collection documents the life of Reverend William M. Taylor and his pursuit of education in various cities in Texas. A biography provides details about his education, religious vocation, and family life in Texas that provide a glimpse into the trials and tribulations Blacks faced in attaining any type of progress. This small collection is also rich in the history of the Guadalupe Baptist Association, Guadalupe College, and the community life for African Americans in Texas.

This collection contains clippings, news articles, and photographs of J. R. Cole, Sr., as well as the resources that he used to write his autobiography (included). Also included is correspondence from J. R. Cole, Jr. and correspondence between the archives and donors.

This collection contains the original diary handwritten as a fair copy by John W. Anderson in 1867, in a notebook made by A. Drury, measuring approximately 24 x 19 cm. The notebook is bound in cardboard, covered in paper, with quarter leather corners and backstrap. Pages are machine ruled in blue, almost all filled with entries handwritten in ink. An albumen photographic print of Richmond before the Civil War is included as a full-page size frontispiece.

An extremely ornate calligraphic title page drawn by Anderson dedicates the diary "To His Beloved Sister, Minnie (Mrs. M. L. Hopkins) ... By John W. Anderson, M.D. 1867." The entries, dated 1861-1866, were copied over in 1867 after the end of the Civil War (1861-1865), from various other journals Anderson kept during the war, as a commemorative record of historical events, including his personal experiences and observations. Sections are enhanced with decorative initial letters and given titles such as "First Year of the War. 1861," with the last section, dated 1866, entitled "Reconstruction."

In the manner of a scrapbook, the journal is profusely illustrated with: pasted in photographs of military and political figures, as well as Anderson family members; pasted in Confederate money and stamps; pen and ink, mostly humorous sketches by John W. Anderson, some hand-colored; hand drawn and colored rebuses, with pasted on, or pen and ink drawn sections; as well as two hand-drawn maps, one showing the First Battle of Bull Run, annotated in red ink with the location of Alabama companies, and of the deathsites for those soldiers well known to Anderson, the other a map in a circular format, showing, at the center, Richmond, Virginia, with roads, railroads and fortifications radiating from or surrounding it. The photographs of family members are particularly interesting as they are included to accompany sketches of the "dramatis personae" of Anderson's narrative.

The original diary pages were numbered 2-300 in pencil on the upper outer corners of each page by Mrs. Robert W. Barnett, whose husband's great-great-grandfather, John W. Anderson had written the diary in 1967, as a fair copy compilation of journals he kept throughout the war and its immediate aftermath.

The original diary is very fragile and housed in a phase box under Restricted access. Permission must be requested from the Cushing Memorial Library Director and an appointment made to view the original diary.

Anderson's reporting skill is evident in the pithy, often vivid diary entries, evidently written by a quite well-educated and informed individual. As a member of the more privileged Southern classes, he is adamantly opposed to what he views as Northern tyranny and does not criticize the institution of slavery. While under siege in Richmond, Va., Anderson and his family, and particularly his fellow soldiers, face hardship in obtaining adequate shelter and food. Although often lighthearted, the entries betray an increasing awareness of the grimness of a drawn-out war and siege on Richmond.

Comments on battles include disparagement of Beauregard's failure to pursue the Federal forces at the battle of Shiloh, as well as mixed evaluations of General John Bell Hood and his Texas Brigade. On a more personal note, during one of Anderson's trips outside of Richmond on business to Alabama, Florida, North Carolina, or Maryland, Anderson's beloved daughter dies. In contrast, there is a charming account of his little boy's birthday party, complete with a pen and ink sketch of the child tearing into a rare treat of a meat pie. The death of a friend, wounded and without the comfort of family, is told without the usual light touch, but full of sympathy.

Events described expressing public opinion on the part of the Southern citizens under besiegement in Richmond include a "bread riot," illustrated with a sketch of women stealing bacon, with one shooting a policeman. Currency values are often mentioned. The flogging of Missouri Representative George Graham Vest by Mrs. Dowell in the House of Representatives is recorded, as is the 1865 New Year's feast prepared by Richmond citizens for the soldiers. After the war, the decision to institute cleaning of the Confederate graves and place flowers on them every 31 May foreshadows the official designation of Memorial Day to commemorate all U. S. soldiers killed in battle.

Also included with the original diary as Item 2. is a black and white photographic copy of the diary pages made by the repository in 1988. This photographic copy includes a few colored enlargements of illustrations in the diary.

Each 8 by 10-inch photograph of a page in the original diary is numbered on the back in pencil. The photographs are inserted in photograph sleeves, two photographs inserted back to back in each sleeve, and bound in three three-ring clamshell box albums holding approximately 50 photograph sleeves each. The black and white photographs of the diary pages are thus divided between the three clamshell box albums, with the colored photographs of selected illustrations added as a group in the back of the third clamshell album box (Item 2. Box 4/album 3). All photograph sleeves clearly bear in print marking pen the Collection ID number and the appropriate page number from the back of the print on the margin of the sleeve.

Negatives for the photographic copy of the diary are included in Box 5, folder 1. As with the photographic prints of the pages, the negatives are also inserted in sleeves and labeled with the Collection ID number and page numbers. The pages were obviously photographed in groups of all "Even" and "Odd," corresponding to recto and verso pages; therefore, the sleeves are labeled with the page numbers and either "Even" or "Odd." It is preferred that this copy of the diary be used as a surrogate copy.

Item 3. of the Diary is a photocopy made on archival quality paper in 2002 of the photographic prints of the original diary. This copy is also suitable for a surrogate copy.

This collection consists of term papers, course handouts, folklore fieldnotes, news clippings, a report, a document, maps, photographs, materials about folksingers, pamphlets on wildlife, materials about vaudeville and North Carolina, the information given to Dr. Anderson on Texas, correspondence, and information on The Texas Folklore Society and The John A. Lomax Folklore Society.

The majority of the material is from Dr. John Q. Anderson's students at Texas A&M. Dr. Anderson assigned his students to write term papers on folklore from many locales, including Texas. Because Dr. Anderson felt that some of these student papers were so exceptional, he collected, edited, and had them published in a book he titled, Texas Lore: A Collection of Student Papers on Texas Folklore. As additional information on some of the term papers, some of the students gave Dr. Anderson information on North Carolina, and Billy Arlington and Co. Dr. Anderson also requested that his students collect information on folklore by interviewing people and recording this information in fieldnotes. The information was gathered and is represented in the collection on topics including folk medicine, games, children's lore, folk beliefs, folk sayings, proverbs, rhymes, riddles, tree and plant lore, and Aggie lore.

Along with interviews and fieldnotes contributed by the students, many news clippings were collected, mostly relating to Texas and pertaining to people, places, folk medicine, folk singers, folk games, folklore book reviews, anthropology, superstitions, magic, and etymology. Also present is one document on folk medicine, an article on folksinger Joan Baez, a few articles on certain Texas counties, and special editions of some Texas newspapers.

Other materials include correspondence between Dr. John Q. Anderson and the Texas Folklore Society or the John A. Lomax Society, and with people interested in folklore. There is also information about meetings and conferences to be held by the Texas Folklore Society, including a program that Dr. Anderson sponsored at Texas A&M for the John A. Lomax Society.

This collection contains over 125 original handwritten letters by Charles Goodnight to M. S. Garretson and others discussing buffalo, Indians, animal husbandry, the origin of and extinction of certain cattle breeds, the Goodnight Ranch, and many other topics.

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

This collection consists of photographs that Baker took and/or acquired from a variety of sources. Some are reminiscent of Stebbins's photos and appear to be copy prints (especially the glass plate ones). Baker was a marine architect, historian, and author who lived in Massachusetts but traveled widely. Many of these were taken on a trip or trips to the West Coast in the late 1940s or early 1950s to Seattle, Columbia River, and San Francisco.

A collection of letters to and from Robert E. Howard, from circa 1920-1936, with miscellaneous Howard items, copies of magazines featuring Howard stories, and books containing Howard stories and novels. Also included are a number of items relating to films based on Howard's works.

The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

This collection consists of handwritten research notes, correspondence from various individuals, institutions and organizations, and photocopied materials collected by Dominic Hibberd for his 2001 biography Harold Monro: Poet of the New Age. It also includes the papers and research notes of Ruth Tomalin. Alida Monro left Tomalin money to write a biography of Harold Monro, but this was contested by an executor of the will. Though she won her court case, Tomalin did not write the biography, and instead passed her notes to Patric Dickson, another potential biographer, who in turn gave them to Dominic Hibberd. The collection also contains publicity materials and publication information for Hibberd's book.

This is a small collection of correspondence, art, and a manuscript fragment by "Stewart", from Siros. The correspondence consists mostly of convention-related business and other topics and contains letters to Siros from, among others, Philip Jose Farmer, Jack Williamson, and John Clute.

This collection contains articles written by James Russell Couch from his duration at Texas A&M as professor of Poultry and Nutrition Science. The articles relate to Poultry and Nutrition science and range from 1950 to 1974.

The collection includes articles, books on gas measurement, and materials relating to the awards and achievements of Dr. Roland O. Cox.

This collection contains original letters exchanged between George W. Ingram and his wife, Martha F. Ingram, while George was serving as an officer in the 12th Texas Cavalry during the Civil War. Typed transcripts of the letters are included.

This collection consists of two typed manuscripts (with corrections) of Philip Jose Farmer, including his Hugo Award-winning novella Riders of the Purple Wage (1967) with a signed cover letter to Harlan Ellison and Larry Ashmead and which was originally published in Harlan Ellison's groundbreaking anthology Dangerous Visions.
The manuscript "Sketches Among The Ruins of My Mind" (1973) signed by Farmer in August 1986, is accompanied by a 1972 letter from Harry Harrison containing suggested edits to Farmer's story.

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

This collection includes speeches, editorials, and articles written by Eugene Butler, dating from 1927 through 1987. These documents deal with a broad spectrum of issues of the day from Prohibition to bussing but focus primarily on agricultural topics.

Also contained in the collection are many Progressive Farmer articles and editorials, as well as correspondence. There are three complete issues of the magazine in the collection; one oversize and two in folders.

Other items in the collection include extensive material on the Progressive Farmer Company, cotton, and the Progressive Farmer Master Farm Family Award and individual winners.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

The General Alvord Van Patten Anderson Papers, 1886-1976, contain many letters from Alvord Anderson to his father, John R. Anderson, and his wife, Cora Anderson. The nineteenth century letters are handwritten, while the twentieth century letters are typed, with the exception of the World War I letters.

Throughout the collection, some letters are annotated in pencil with dates, page numbers, and names of recipients. This added information is contradicted by information in the letters themselves in one or two cases. A few undated or incompletely dated letters have been arranged according to the approximate date.

Letters in Series 1. are sometimes accompanied by other materials, such as military papers, reports, citations of awards, newsletters, black and white photographic prints, newspaper clippings, a poem, an essay, and a map.Series 2 consists of a scrapbook of photographic prints and postcards, and Series 3. Published monographs collected by Anderson, 1905-1966, icludes 8 monographs which are cataloged and housed seperately in the repository's stacks.

• “Partially processed. Might not be available to patrons. Please contact the Cushing Library’s Reading Room for more information.”

This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.

While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.

The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.

This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.

These papers also contain an audit of the Stanley Warehouse. Photographs also include interior and exterior shots of Stanley Warehouse and additional photos of military personnel.

Of special note are photographs of a visit to inspect the facilities and visit troops by Mrs. Eleanor Roosevelt, wife of U.S. President Franklin D. Roosevelt. There are two photographs of Mrs. Roosevelt, accompanied by Colonel Dorris A. Hanes, speaking with African American soldiers.

A photographer identified as Ingledew in Liverpool, England, in 1942, took a majority of the photographs and many have a series of numbers written on the back. Many of the photographs identify individual soldiers by name and their hometowns. Hometowns include Chicago and Springfield, Illinois, Winthrop, Massachusetts, Passaic, New Jersey, New York City, Cuero and San Antonio, Texas, and West Virginia.

Note that although photographs of Eleanor Roosevelt have her name spelled incorrectly, the finding aid uses the correct spelling. Other names are spelled one way on the back of the photograph and differently in the front captions. Information about photos is typed on the back and handwritten on the front. Finding aid attempts to duplicate information as written including grammatical and punctuation errors. The exception is in the inconsistent and confusing use of primarily upper case letters. An attempt was made to make this more uniform in the finding aid by using both upper and lower case letters.

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

This collection consists of the research collection McQueen built and used to write Black Churches in Texas. A Guide to Historic Congregations (Texas A&M University Press, 2000).

The contents consist mainly of "Texas County Historical Black Church" information sheets, each listed as an "inventory" in the finding guide, accompanied by related church history materials including church worship service programs, also called orders of worship; church homecoming and anniversary publications; handwritten and typed letters mostly regarding church history; newspaper clippings about historic congregations and members; notes about the history and location of churches and contact persons in congregations; business cards for contacts; published church histories; photocopies from published books about related counties, cities, and congregations; Texas county maps; color slides, photographic prints and negatives of church cornerstones, existing church buildings, Texas Historical Markers, and congregation members.

Also present are photocopies of newspaper clippings covering African American religious issues and manuscript drafts for McQueen's book, many of which are heavily annotated by McQueen.

The inventories and related church history materials were amassed by data collection teams organized by McQueen and also collected by McQueen himself. Norris Braly, a member of the Burleson County Historical Committee, documented the first church history in February 1988. McQueen documented the last congregation on August 24, 1997.

Most of the church worship service programs are laser printed. However, there are a few earlier documents that are photocopies of mimeographed sheets, and a few that were professionally printed. When the word "typed" is used to describe a church history, it means that the history was not professionally printed.

Variant congregation names exist within the documents (for example, Macedonia First Baptist Church and Macedonia Baptist Church). For the purpose of this finding guide, we have chosen to use the form of the congregation name given in Black Churches in Texas. Files exist within the collection for congregations that do not appear in Black Churches in Texas because exact organization dates could not be determined at the time of publication. Conversely, not every church listed in McQueen's book has a folder in the collection (for example Colored Methodist Episcopal Church of Sweeny in Brazoria County).

McQueen used different versions of the inventory form to document the churches. Though the information requested is the same, the format may differ. McQueen also copyrighted many of his slides, and so most of them bear handwritten copyright information.

This collection contains an assortment of newspaper clippings, photographs, letters, and a typed 'saga' of Albert S. Brient.

Included are photographs from the 1923 Texas A&M Varsity Basketball team, biographic information on Brient, correspondence concerning his efforts to be declared a member of the "T" Association 44 years after his college days, as well as newspaper articles both about Brient and about his finally being awarded a "T".

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This diary serves as John Henry Bliler's account of the Civil War. It was kept in the Bliler family, in some form since the Civil War, up until it was acquired by the repository.

It looks that Bliler copied over his original diary several times himself, and this last copy occupies all but a few leaves of the five exercise tablets. As noted in the description of Series 1, these first five exercise books could not possibly have contained a copy made any earlier than 1890. The only exception seems to be a portion of the last tablet, which is filled by entries copied over in pencil in 1944 by one of Bliler's descendants, Ardath Bliler Kelly, reportedly since the family copy had become quite damaged by then.

Thus, according to p. 56 of the typewritten transcript of the diary entries in the five exercise books, "[John Henry] Bliler copied his account of the Civil War three times during his lifetime. The last copy was made shortly before his death in 1924." On page number 116 in pencil in the fifth exercise book, an entry from March 31, 1944, made in different handwriting reads "The following copied from by [sic.] originally by Ardath Bliler Kelly, granddaughter of the narrator [sic.]. The original is ragged and yellowed and crumbling." Entries which are thus copied on p. 116-123 of this last exercise book are out of order, dated June 24, [1865] - June 29, 1865, followed by a note in Ardath Bliler Kelly's hand, "A portion of the original omitted in the copy," then the dates January 24 - January 31, 1865.

The typed transcript and index were probably made by Roy K. Bliler later than 1944, and not too long previous to when it was received by the repository. This transcript preserves the original order of John Henry Bliler's diary entries.

This collection contains a diary (December 9, 1919 - November 25, 1920), signed by hand in ink on recto of the first leaf "Willmund Reaux Glaeser", held on top and bound with three-hole-punched loose-leaf ring binder memo book, with imitation brown leather covers, measuring about 14 x 9 cm. Filler paper (120 leaves) is narrow-ruled in blue, with most entries closely handwritten in ink, a very few in pencil, on both sides of the leaves, with only 21 leaves left completely blank. Some leaves preceding the diary entries are filled with names and addresses of friends and family, lists of traveler's cheques and numbers, as well as other miscellaneous lists. Unused index divider sheets labeled A-Z are included in a group at the back of the main body of diary entries. Diary entries begin on leaves just after the group of index dividers, continue for only two leaves, then begin again starting from the other end of the diary. Typed transcript on 39 pages of 8.5 x 11-inch white bond paper is undated, untitled and the author is unknown.

Entries in the diary are fairly evenly divided between Glaeser's service on the tramp steamer Sag Harbor, and on the New York-based excursion ships, the S.S. Chester W. Chapin and S.S. Richard Peck.

As a wireless operator aboard the "tramp freighter" S.S. Sag Harbor, Glaeser sailed the coast of South America to the port of Antofagasta, Chile, to take on a cargo of "nitrates and saltpetes." Glaeser describes hordes of migrating birds, ducks, whales, sea lion, sharks, and pelicans. With great gusto Glaeser includes much detail on life aboard ship, including a crew of mixed nationalities, contending with furious storms at sea and drunken brawls ashore, often ending in arrests and wounds. One steward, in particular, addicted to both "booze and cocaine," proves especially disturbing, since ships stores of food are being sold off to fund the man's habit. The S.S. Sag Harbor puts into port at Malon, Panama, then Balboa and Panama City, passing through the canal on January 22, 1920, with orders to proceed to Baltimore. Storms are reported disabling and sinking several ships off the coast of Georgia (January 30, 1920 - February 3, 1920), but the S.S. Sag Harbor reaches Baltimore safely on February 9, 1920, proceeding on to Washington, DC. With a new captain and much better steward, hence better meals, the S.S. Sag Harbor takes on a cargo of coal bound for Havana, Cuba, where a long longshoreman's strike holds up both delivery of cargo and taking on new cargo, from early February to mid-March 1920. Finally free to take their new cargo of phosphates to Wilmington, NC the S.S. Sag Harbor continues on its journey, finally arriving on May 8, 1920, in New York City.

In New York City, Glaeser stays at the YMCA intermittently as he is transferred May 28, 1920, to the S.S. Chester W. Chapin, an excursion steamer based in New London, Conn., and later (June 5, 1920) to another excursion boat, the S.S. Richard Peck. While in New York, Glaeser has quite a social life, visiting restaurants, theatres, and the shore on dates, but also looking for an office job. He buys stock in the Century Adding Machine Co. and is offered a job starting a sales agency for the company in Texas, but Glaeser declines that offer, later taking a position as an accountant with the A. H. Bull Steamship Co. in New York.

Glaeser includes vivid descriptions of life in the ports of Havana, Cuba, Miami, and Tampa Bay, FL, Charleston, SC, Wilmington, NC, as well as the cities of Baltimore and New York in 1920. He is attuned to the unrest of longshoremen in Cuba, observes the unsteady nature of trading on the stock exchange, and aware that, although life on a tramp steamer is romantic to a young man fresh out of the Army in World War I, it is eventually not that attractive a life considering the storms, brawls, and other natural vicissitudes of peacetime seafaring life. Glaeser's sense of adventure and humor are both keen, so he manages to infuse the diary with both in equal measure.

This collection contains the third part of William A. Owens' materials deposited in the Cushing Archives. Materials consist of personal correspondence, from 1964 through 1988, essays, manuscripts, photographs, research for books, and articles.

Included within the series are short stories and articles such as "This Stubborn Soil", "Wildcatter", "Look to the River", "Tell Me a Story", "Sing Me a Song", "Historic Texas", "Eye Deep in Hell", and work by other authors; Cleaver and Witherspoon family genealogy; letters of Roy Bedichek; "Three Friends"; videotapes of Owens's work; and photographs.