This collection consists of reports and other materials for chapters of the Camarilla, the official fan club of White Wolf Publishing's Vampire: The Masquerade role-playing universe. Materials include membership applications submitted to the central office, club chapter reports, membership lists, and other documentation relating to club administration and business.

The term "Camarilla" refers to one of the major vampire sects of the Vampire: The Masquerade universe. To quote White Wolf's official wiki, "The Camarilla is the most organized of the vampiric sects, an elite club that favours tradition and control of the mortal populace from behind the scenes. Across their domains, they enforce six major Traditions, chief among them being the Masquerade. All clans have an individual presence in the Ivory Tower, though a select group of pillar clans make up the core of its membership. Once the Camarilla welcomed all Kindred who obeyed its laws, but recent events have caused the leadership to adopt more exclusive membership rules. No Anarchs, Caitiff, or thin-blooded vampires are allowed to exist within the sect. In addition to preventing the growing mortals masses from discovering the existence of vampires, the Camarilla aims to maintain the status quo of Kindred society; as such, much of its structure and traditions mirror that of Cainite society in feudal Europe in the Dark Ages, and places it at odds with the agenda of the Sabbat and Anarchs, both of whom seek to overthrow archaic Kindred society. "

Vampire: The Masquerade:

The Vampire games, created by Mark Rein-Hagen and first released in 1991, are part of White Wolf's World of Darkness overall universe, set in an Earth much like ours, except that vampires, werewolves, and magic-users exist. Vampire was designed for players to be vampires rather than the more traditional player role as vampire hunters. The game is notable for the development of an elaborate social system and varied culture surrounding vampires. The game, to quote its WIkipedia entry, "uses the cursed, vampiric condition as a backdrop to explore themes of morality, depravity, the human condition (or appreciation of the human condition in its absence), salvation, and personal horror. The gloomy and exaggerated version of the real world that the vampires inhabit, called the "World of Darkness", forms an already bleak canvas against which the stories and struggles of characters are painted. The themes that the game seeks to address include retaining the character's sense of self, humanity, and sanity, as well as simply keeping from being crushed by the grim opposition of mortal and supernatural antagonists and, more poignantly, surviving the politics, treachery, and often violent ambitions of their own kind. " The game has inspired video games, novels, comic books, and the 1996 television show Kindred: The Embraced.

The term "Masquerade" refers to an ongoing disinformation campaign of self-protection directed by the Kindred (the vampires as a whole) and heavily enforced by the Camarilla to convince humans that vampires and other supernatural creatures do not really exist.

The Masquerade universe is also known for its commitment to LARP (Live Action Role-Play). LARPing is an activity in which participants not only create role-playing game characters but physically portray them in established campaigns, LARPs can be played in both public or private areas, and events can vary in size from a small handful of players to hundreds or even several thousands at once. In 1993, White Wolf released the first Vampire LARP game, Mind's Eye Theatre: The Masquerade, and a number of LARP publications based on the different World of Darkness games followed.

This collection consists of materials from various science fiction and fantasy conventions, assembled over the years by Russ Ault. Materials include program guides, program books, and pocket programs.

This collection consists of materials created for the "Dream Gathering" festival held on November 2-3, 2018, at the Jesup Memorial Library in Bar Harbor, ME. The festival was created to celebrate the 20th anniversary of the publication of the epic fantasy novel Green Rider by then-Maine resident Kristen Britain in 1998, as well as the release of the latest volume in her series, The Dream Gatherer.

The Dream Gathering featured a reading and book talk from Britain herself, presentations by Green Rider composer Kristina A. Bischoff and photographer Madeline Shayne, displays of fanmade artifacts, cosplay, a virtual tour of Britain's archives at Cushing Memorial Library & Archives, and general fannish socializing.

This collection consists of a number of manuscripts and manuscript materials from the work of urban fantasy and vampire fiction writer P.N. Elrod.

This collection contains a framed medal for "Best Yell Leader, All Times, 1914-1915" presented to V. A. Barraco by Athletes and Coach Moran.

This collection consists of materials relating to the life and career of science fiction and fantasy author Stephen Leigh. Materials include typescripts...

This collection contains records from the Texas A&M Memorial Student Center Opera and Performing Arts Society (MSC OPAS) Guild, also known as MSC OPAS Encore! from 1993 to 1995. Included are meeting minutes, financial records mostly pertaining to the OPAS GALA (1985-1993), guest books, clippings, 5 scrapbooks (1980-1985; 1992-1995 school years), and other materials related to events and the Guild.

This collection contains papers from 1956, 1957, and 1958 Traffic Engineering Short School.

This collection contains correspondence, newsletters, and other materials relating to the Reveille Club of Houston, TX and the Aggie "Move-up" Program.

This collection consists of various card/board games and role-playing game modules and gamebooks (separately cataloged) collected by MSC Nova, the now-defunct Texas A&M University student group devoted to tabletop gaming. Also included are some various objects relating to the organization.

This collection consists of the so-called 'foul matter' from John Brunner's 1984 novel The Tides of Time. Materials include a signed letter of authentication from Brunner, dated May 11, 1989; and the corrected proofs from the novel, signed on the first page by Brunner and containing copyedits made by the author.

_The Tides of Time_was published by Ballantine Books/Del Rey in 1984, and concerns the lives of two people trapped on a deserted island who awake each day having lived different lives in different times.

This collection contains several manuscripts and related material (such as story notes) from works by Joe Lansdale early in his career.

Works include the 1989 World Fantasy Award-nominated horror novel The Drive-In (1988); the short story Night They Missed The Horror Show (1988), which won the Bram Stoker Award for Superior Achievement in Short Fiction; On The Far Side of the Cadillac Desert With Dead Folks (1989), which won both the 1989 Stoker Award for Superior Achievement in Long Fiction and the 1989 British Fantasy Award for Best Short Fiction; and two short stories involving Batman, "Subway Jack" (1989) and "Belly Laugh, or The Joker's Trick or Treat" (1990).

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

Artificial collection of Corp of Cadets Unit photos

This collection contains collectible items from A&M College (AMC, TAMC) and A&M University (TAMU) such as buttons, medals, hat pins, watch fobs, nails, etc.

This collection consists of fanworks produced and gathered by fans of the Klingon culture from the Star Trek franchise. Materials include fanzines, art, club newsletters, and other objects of creative expression.

Klingons represent an active subset of the larger Star Trek fan community, and have been so for several decades. Klingon fans are particularly visible because of their frequent involvement in often-elaborate cosplay (that is, the use of costumes and accessories to represent specific characters, often personae created by the participants themselves).

The Klingons are an aggressive race of humanoid warriors, first seen in the Star Trek: The Original Series episode "Errand of Mercy" (1967). The Klingons started out as major adversaries of the U.S.S. Enterprise crew, Starfleet and the United Federation of Planets. However, as the Star Trek franchise began expanding in 1987 with the debut of Star Trek: The Next Generation, Klingons evolved from enemies into uneasy allies, and numerous episodes of TNG and later Star Trek series were devoted to exploring aspects of Klingon culture. They continue to occupy a major position in the overall Star Trek universe.

Klingon fandom is most notable for its adoption of the Klingon language. Klingon is a real (albeit artificially constructed) language with its own system of grammar, structure and rules of pronunciation. It was originally created by linguist Marc Okrund in the mid-1980s for the Star Trek films and was adopted into later iterations of the television franchise. Klingon has been expanded on by interested fans and language hobbyists to the point where a number of literary works have been translated from English to Klingon. Many Klingon-related fan creations are written at least partially in the Klingon language, and it is not uncommon for dedicated fans to speak it amongst themselves.

This collection consists of a variety of media fanzines, mostly from the British television show The Professionals, but also including smaller numbers of fanzines from The Man From U.N.C.L.E., The Sentinel, Star Trek: Deep Space Nine, and several other media properties.

The majority of the content is fanfiction. Almost all the fanworks in this collection are identified as "slash,” referring to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash (s) or het (h), the item is slash. (g) indicates gen material. (h) indicates het material.

The collection also includes substantial numbers of fanvids (songvids). "Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

Finally, the collection includes a number of CDs containing images and stories from the yaoi genre of animated Japanese media. Yaoi, like slash, focuses on sexual or romantic relationships between male characters, as well as several examples of fan art from the television show Supernatural.

This collection contains research materials relating to the author Marion Zimmer Bradley (1930-1999), collected by Dr. Marijane Werdsman of Texas Tech University. The materials were collected as part of a prospective biography of Bradley that Werdsman had intended to write, but the project fell apart when accusations arose in 2014 that Bradley had sexually abused her daughter Moira when Moira was a child.

Most of the materials were obtained from various Internet websites, and include materials relating to Bradley, to her fantasy world Darkover, and to the various online fan communities devoted to Bradley and her work.

This collection consists of one binder containing correspondence between editor Maxwell Perkins of Charles Scribner's Sons publishing house, and author Theodore Naidish from 1942-1949. The binder also contains a full description of all the correspondence.

Naidish was under contract with Scribner's during the period in which these letters were written, and was by all accounts a brilliant but somewhat fragile and volatile writer. In 1944 Scribner's published his boxing novel, Watch Out for Willie Carter. The novelist's letters to Perkins are especially revealing, providing insight into Naidish's inner thoughts, and include a great deal of commentary on the progression of his various literary endeavors; he asks for money, discusses the specifics of drafts of his works on which the two men have been working together, and requests that Perkins become his executor.

42 of the items are in separate mylar sleeves, some items are typed and some are in cursive writing.

This collection contains correspondence and contracts transmitted between H. E. Bates, Agnes Miller Parker, and the London publishing house of Victor Gollancz, Ltd. Among the contents are 28 letters from H. E. Bates and 30 letters from Agnes Miller Parker (Agnes M. McCance), all to Victor Gollancz or his representatives, concerning three books, one of which was projected but never published under the firm's imprint. Also present are single letters from Edmund Blunden, Sylvia Lynd, and the illustrator, Peter Partington.

This collection consists of materials relating to the life and career of genre poet, short story and flash fiction writer, and editor Holly Lyn Walrath. Materials in the collection consist primarily of manuscripts (mostly typescripts) of Walrath's poems and stories, many of them edited with reader comments. Also included are examples of Walrath's academic work from her graduate program at the University of Denver, and materials from various cons, conferences, and writers workshops attended by Walrath. Manuscript materials can also be found in the Workshops and Conferences series of this collection.

This collection consists of letters between Robert H. Kokernot and his first wife, Edith May Babcock (Edith Kokernot Grinnell) during and after World War II from 1943-1946.

The majority of letters collected by Edith are from Robert with the exception of one folder of correspondence from Edith to Robert in March and April 1944, one folder of letters written to Edith's parents from Robert, and two folders of letters written by friends addressed to Robert and Edith.

The corresponding postmarked envelopes were not with their accompanying letter when the collection was processed. These are held in separate folders at the end of the collection.

This collection consists of documents, daybooks, and photographs pertaining to the life of Jay Martin Poole, whose dedication to academic libraries brought him to Sterling C. Evans Library at Texas A&M University for many years, working as both library administration and a librarian consultant. The majority of the collection are letters written and received by Poole, both personal and professional. Another large portion of the collection contains daybooks and agendas, in which Poole kept an extensive log of his daily activities from 1963 to 1993. Jay's librarian background has given us an incredibly informative record of his life, his personality, and his experiences. A few significant topics and references represented in the collection are the GLBT community, collection and bibliographic services, CHOICE Magazine, academic librarian work, Texas A&M University, Sterling C. Evans Library, the University of Texas at Austin, The College of Santa Fe, Univerisity of California at Irvine, and genealogical records.

This collections of materials documenting the life and literary career of Gwen Faith Hunter, who writes thrillers under the name of 'Gwen Hunter' and, under the name 'Faith Hunter', the Jane Yellowrock, Soulwood, and _Rogue Mage_urban fantasy series. Materials in the collection consists of manuscripts, notes, page proofs, correspondence, publicity materials, awards, and documentation relating to Hunter's childhood and early attempts at writing.