1-1: 2000-2001 Season
1-2: 2002-2003 Season
1-3: 2003-2004 Season

Typescript first draft with comments by Tez Greenwood, WolfHUNTreview

Typescript first draft with comments by Tez Greenwood, WolfHuntPart2

Google Maps image of Stillhouse Lake and Wolfhunter's location, Wolfhunter-StillhouseLake-Forest

Typescript first draft with accepted changes, WolfhunterRiver_V4_changesacceptedforreviewer

Typescript first draft with accepted changes, WolfhunterRiver_V4_changesacceptedforreviewer

Typescript first draft with edits and with comments by Tiffany Yates Martin, WolfhunterRiver_V4

Typescript first draft with accepted changes, WolfhunterRiver_V3_changesacceptedforreviewer

Typescript first draft with accepted changes, WolfhunterRiver_V3_changesacceptedforreviewer

Typescript first draft with comments by Tiffany Yates Martin, WolfhunterRiver_V3

Editor's comments to Caine, WolfhunterRiver_EdLetter1

Typescript first draft with comments by Tiffany Yates Martin, WolfhunterRiver_draft2.1

Typescript first draft, WolfhunterRiver_draft2

Typescript first draft, WolfhunterRiver_draft1

Typescript draft of chapter 18 and epilogue, WolfhunterRiver_Ch18_Epilogue

Typescript draft of chapter 17, WolfhunterRiver_Ch17

Thomas & Mercer book marketing guide, Wolfhunter River Marketing Guide

This subseries consists of materials related to the writing and production of Wolfhunter River, the third book in the Stillhouse Lake series.

S2-1: 30 glass plate negatives

S2-2: 30 glass plate negatives

S2-3: 30 glass plate negatives

The Wipprecht Family Papers is a collection of photographs, correspondence, and other items pertaining to the family of Walter Wipprecht (Sr.). The photographic collection spans the Wipprecht personal family ranch life in Bryan Texas to Texas A&M College and Bryan, TX early buildings. The collection includes several local newspapers, commemorative Bryan, TX memorabilia along with photographs of historic Texas A&M College during the early 1900s.

The collection includes light-sensitive glass plate negatives.

• Brazos County Courthouse, 1954. Created by Homer Laughlin and WorldWide Art Studies in Covington, Texas
• Bryan Centennial Plate, 1962

Correspondence, 2000

This collection contains a diary (December 9, 1919 - November 25, 1920), signed by hand in ink on recto of the first leaf "Willmund Reaux Glaeser", held on top and bound with three-hole-punched loose-leaf ring binder memo book, with imitation brown leather covers, measuring about 14 x 9 cm. Filler paper (120 leaves) is narrow-ruled in blue, with most entries closely handwritten in ink, a very few in pencil, on both sides of the leaves, with only 21 leaves left completely blank. Some leaves preceding the diary entries are filled with names and addresses of friends and family, lists of traveler's cheques and numbers, as well as other miscellaneous lists. Unused index divider sheets labeled A-Z are included in a group at the back of the main body of diary entries. Diary entries begin on leaves just after the group of index dividers, continue for only two leaves, then begin again starting from the other end of the diary. Typed transcript on 39 pages of 8.5 x 11-inch white bond paper is undated, untitled and the author is unknown.

Entries in the diary are fairly evenly divided between Glaeser's service on the tramp steamer Sag Harbor, and on the New York-based excursion ships, the S.S. Chester W. Chapin and S.S. Richard Peck.

As a wireless operator aboard the "tramp freighter" S.S. Sag Harbor, Glaeser sailed the coast of South America to the port of Antofagasta, Chile, to take on a cargo of "nitrates and saltpetes." Glaeser describes hordes of migrating birds, ducks, whales, sea lion, sharks, and pelicans. With great gusto Glaeser includes much detail on life aboard ship, including a crew of mixed nationalities, contending with furious storms at sea and drunken brawls ashore, often ending in arrests and wounds. One steward, in particular, addicted to both "booze and cocaine," proves especially disturbing, since ships stores of food are being sold off to fund the man's habit. The S.S. Sag Harbor puts into port at Malon, Panama, then Balboa and Panama City, passing through the canal on January 22, 1920, with orders to proceed to Baltimore. Storms are reported disabling and sinking several ships off the coast of Georgia (January 30, 1920 - February 3, 1920), but the S.S. Sag Harbor reaches Baltimore safely on February 9, 1920, proceeding on to Washington, DC. With a new captain and much better steward, hence better meals, the S.S. Sag Harbor takes on a cargo of coal bound for Havana, Cuba, where a long longshoreman's strike holds up both delivery of cargo and taking on new cargo, from early February to mid-March 1920. Finally free to take their new cargo of phosphates to Wilmington, NC the S.S. Sag Harbor continues on its journey, finally arriving on May 8, 1920, in New York City.

In New York City, Glaeser stays at the YMCA intermittently as he is transferred May 28, 1920, to the S.S. Chester W. Chapin, an excursion steamer based in New London, Conn., and later (June 5, 1920) to another excursion boat, the S.S. Richard Peck. While in New York, Glaeser has quite a social life, visiting restaurants, theatres, and the shore on dates, but also looking for an office job. He buys stock in the Century Adding Machine Co. and is offered a job starting a sales agency for the company in Texas, but Glaeser declines that offer, later taking a position as an accountant with the A. H. Bull Steamship Co. in New York.

Glaeser includes vivid descriptions of life in the ports of Havana, Cuba, Miami, and Tampa Bay, FL, Charleston, SC, Wilmington, NC, as well as the cities of Baltimore and New York in 1920. He is attuned to the unrest of longshoremen in Cuba, observes the unsteady nature of trading on the stock exchange, and aware that, although life on a tramp steamer is romantic to a young man fresh out of the Army in World War I, it is eventually not that attractive a life considering the storms, brawls, and other natural vicissitudes of peacetime seafaring life. Glaeser's sense of adventure and humor are both keen, so he manages to infuse the diary with both in equal measure.

Williams, Philip T.
Williams, Robert Boyd
Williams, Steve
Williams, Thomas G.
Williams, Thomas Harden
Williams, W.T.
Williams, Wilton E.
Williams. Jack K.
Williamson, Howard H.
Williamson, Jean Black
Williamson, John W.
Williamson, Minnie May
Williamson, Newt
Williamson, Ronald Lee
Williamson, William Nolan
Williford, Richard
Williford, Richard A. and Mollie
Willingham, John L.
Willis, S.T. Jr.
Willis, William D.
Willke, W. J. Jr.
Willson, Victor
Wilmore, Jack H.
Wilsford, Peggy Lou
Wilson, Everett Edward
Wilson, Basil W.
Wilson, DEverett Edward
Wilson, Don
Wilson, Don P.
Wilson, E.J.
Wilson, Edith Lois
Wilson, Everett Edward
Wilson, Fay
Wilson, G. Boyd
Wilson, Gary
Wilson, Hugh
Wilson, Iris L.
Wilson, James Ernest
Wilson, James V. ''Pinky''
Wilson, John Chase
Wilson, John Conlee
Wilson, Larry
Wilson, Lee A. Jr.
Wilson, Mary Frances Badgett
Wilson, Ron
Wilson, T.F. ''Puny''
Wilson, Tom
Wilson, Victor
Wilson, William B.
Wilsons, Robert
Wiltbank, James N.
Wimberly, Billy Bob
Winder, L. E. Jr.
Winder, L.E. Sr.
Windham, Jerry
Wine, Lee R.
Wines, Erma H.
Winfield, H.L.
Wingren, Roy Mathew
Winkler, Charles H.
Winkler, Donald H.
Winkler, Rob
Winkller, Rob
Winn, David
Winn, Edward
Winn, Judy
Winniford, Jan
Winters, Eldon C.
Wipprecht, Carl
Wipprecht, Rudolph
Wipprecht, Walter
Wiprecht
Wiprud, Robert M.
Wirasnik, Charlie J.
Wirges, Thelma
Wisdom, W.J.
Wise, Paul E.
Wise, Sidney L.
Wiseman, Donna L.
Wisenbaker, Royce E.
Wishnick, Kenneth
Wisniewski, John G.
Witherspoon, James
Witmer, William Wall
Witsell, Gilbert P.
Witt, Peter A.
Wittens, Susan McNeil
Wittig, Ann
Woff, Richard
Wolf, Alice
Wolf, Harold
Wolf, Kenneth
Wolf, Kevin
Wolf, Kevin
Wolf, Mary Leigh
Wolfe, Arthur
Wolfe, Roger J.
Wolfenbarger, Dan Arthur
Wolfenden, Alan
Wolff, Jurgen
Wolff, W.A.
Wolfhagen, James L.
Wolinsky, Frederic D.
Wolken, Larry
Wolter, Jan D.
Wolters, Freddie A.
Womack, E.P.
Womack, James
Wong, Chi-Huey
Wood, B. Dan
Wood, Curtis A. (1917-)
Wood, Gale T.
Wood, Hugh Rubin Jr.
Wood, John Atkins
Wood, John R.
Wood, Leonard
Wood, Lester Seth
Wood, Norris P.
Wood, Randall
Wood, Wendy
Woodall, James R.
Woodbury, Amy H.
Woodbury, Vernon
Woodcock, David
Woodcock, Kathleen Mary ''Molly''
Woode, Gerald N.
Woodfin, Virgil Ingram
Woodings, Mark
Woodman, Richard
Woods, Calvin
Woods, Donald L.
Woods, Jack
Woods, Johnnie James
Woods, Paul J.
Woods, Rudy
Woodwar, Thomas L. ()
Woodward, Rupert C.
Woodward, Scott A.
Woodward, Thomas L.
Woody, Robert C.
Woolf, Jack R.
Woolket, Joseph J.

This collection consists mainly of correspondence (1858-1888) in which Brigadier General William Wallace Burns, of the United States Army, gives detailed accounts of Civil War battles fought during the Peninsular Campaign (March-August 1862), particularly the Seven Days Battles (June 25 - July 1, 1862 ), including Peach Orchard, Allen's Farm, Savage Station, Glendale, Nelson's Farm, and Malvern Hill. Burns discusses topics such as military strategy, troop movements, military surgeons, weather conditions during battles, building pontoon bridges, building defense works and, and capturing Confederate works. One letter is present from the Mexican-American War (1846-1848).

Also included is personal correspondence with high-ranking officials such as President Abraham Lincoln, U. S. Secretary of War Charles Stanton, General Henry W. Halleck, General Winfield Scott Hancock, General George McClellan, General William Starke Rosecrans, and Major General Edwin Vose Sumner, as well as Emil Schalk who was a war journalist. The latter correspondence concerns political viewpoints on the causes of the war, primarily slavery, as well as the conduct and outcome of the war.

Some correspondence (1888-1904) was written just before and after Burns' death among family members, notably his grandchildren Lloyd Burns Magruder, who was a cadet at the United States Military Academy, and Pauline Magruder, as well as William Wallace Burns' sister Mabelle Burns, usually called "Mab." A substantial group of letters to Mabelle Burns is from her suitor for marriage, B. L. Prince. A few of the family letters from Pauline Magruder to her Aunt Mabelle Burns are written in French from Paris, France.

Also present is a substantial group of copies of military orders and official reports focused on Burns' thwarted ambitions to become Major General, and lead a Division in the Army of the Cumberland under the command of General Rosecrans. Apparently Burns believed political maneuverings of high governmental officials obstructed his promotion to Major General and precipitated his resignation as Brigadier General in 1863.

A few financial records and documents from legal proceedings are included concerning disputed rights to the "Sibley Tent," an invention whose patent royalties were eventually shared by Burns with Henry Hastings Sibley. Also present are a few documents concerning Texas real estate transactions.

This is a small collection of correspondence, art, and a manuscript fragment by "Stewart", from Siros. The correspondence consists mostly of convention-related business and other topics and contains letters to Siros from, among others, Philip Jose Farmer, Jack Williamson, and John Clute.

The William Peacock Jr. collection comprises of two sections: the first is includes correspondence about gunfighters, exchanged between Peacock and various authors and other aficionados. The second contains correspondence about the Westerners International and specifically the Houston Corral in the 1970s.

This collection contains photographs, programs, and clippings collected by William (Bill) M. Turner, who participated in a number of musical and theatrical endeavors across Aggieland, relating to the Aggieland Orchestra, Singing Cadets, and the Summer Entertainment Series at Texas A&M from 1945-1964 when Turner was the director of the Singing Cadets.

This collection contains one handwritten letter from Phelps to "Madam" regarding Robert Louis Stevenson (2-pages ALS with a typed transcription).

This collection contains a variety of documents related to William Harrison Mays, an African American cowboy living in Corpus Christi, TX during the late 19th and early 20th century, and his family. The collection consists of tax receipts, promissory notes, land deeds, and receipts for lumber and building loan payments, photographs, and correspondences from which the researcher is able to track the development of a family over the course of three generations.

Of particular interest is a letter written by W. H. Mays' grandson, Roby Williams, dated September 12, 1982, in which he claims that his grandfather, "was a gun toten cow puncher with the Kings and Kennedys who used to ride over the border and steal Mexican's cattle and bring them back to Kings ranch and brand them KR. Grandpa knew he was living such a hard and risky life, he knew he was subject to being killed on some of these adventures and cattle drives up to Abilene, Kansas, so he didn't buy anything in his name. If he was arrested for cattle rustling, they couldn't take his property." One of the deeds dated 1872 may dispute this claim as it conveys to "Harrison Mays, Colored" a property in Corpus Christi for the sum of twenty-five gold dollars. However, all the tax receipts thereafter for the property are made out to a Clarissa Sinclair (also known as Alice Sinclair, William Harrison Mays' wife).

Other items of interest include a photograph, circa 1865, of two African-American men each standing with a leg up on a wooden box with a large bag marked "$1,000." The handwritten caption on the back reads: "Uncle Willie Cox on left. Just after a win in a cock's fight. Bag contains $1,000.00 in gold. San Luis Portisi, Mexico."

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

This collection includes personal correspondence between William E. Whitsett and his brother. The letters include descriptions of life in the Confederate Army, along with that of life as a Texas Ranger. The collection contains three letters from W.E. Whitsett, Jr. to his brother J.H. Whitsett in 1900 [each letter between 1 and 14 pages].

This collection contains an assortment of articles of family history, correspondence between members of the McMurrey family, and Wen Jiang, a Chinese documentary film-maker, photographs of his funeral in 1944 in Tatangtzu, China and of modern-day China.

The collection is an assortment of letters, newspaper clippings, photographs, articles written by the McMurrey sisters, copies of programs, a war casualty list, a poem, photocopies from a book about Southwest China, and a pin.