Black Face. This is a Belgian comic about the (mis)adventures of a black union soldier in the American Civil War. The series ran during 1983.
Bamboula. This is a french comic about a black boy named Bamboula who spreads mischief. The series ran throughout 1953.
Safari, is a comic book issued in Spain about the adventures of Alex Martin, a hunter, and two young boys. In issue #11, one of the boys, George, meets a young African boy named Balu, who lives in the trees, and is then adopted by the family. The three boys are constantly getting into troubleas they stop crime and experience the joys of youth. The setting is in Africa, hence the name 'Safari.' The series appeared to run for 2 years, from 1966 to 1968.
Volto Nascosto, is a limited Italian comic series that takes place in Rome and Eritrea. The main character is "Volto Nascosto", a mysterious Islamic warrior and prophet whose face is covered with a silver mask and who, in the story, leads the resistance of the Ethiopian people against the Italians. The story begins in Massua in 1889 and carries through the defeat of the Italians at Adua in 1896. The comic lasted for 14 issues.
El Club de Los Cincos, or The Club of Five, is a Spanish comic book produced in the 1950's. Five children of different nationalities become friends during an ocean voyage and together get involved in different circumstances and become heroes. There is one black boy in the group and his name is Tommy.
Les Aventures de Neron et Cie: Les Nouvelles:Aventures de Boulette et Bambou. This is french comic about a black boy, Bambou, and his white female friend Boulette. Each issue is devoted to one of their adventures. The series dates from 1980.
Le Journal de Bebe. This is an interesting French journal/comic that ran from 1936-1938. There are two black characters that form the central focus of most of the issues. One is a black female named Bizouk and her pelican named Pelik. The other is a story named ‘Les Mesaventures de Polydor’ which is a recurring story about about two male friends, one white and one black. Most of the covers feature either Bizouk et Pelik or the Mesaventures de Polydor. All issues contain both stories.
El Corsario Sin Rostro, or The Faceless Privateer, is a Spanish comic book of a masked corsair and his sidekick Cara Cortada, which means 'Scarface'. He is black and has a long scar from his forehead to chin. Together they operate in the West Indies, attacking slave ships and freeing slaves, rescuing women and helping the local Indian populations (when they are not trying to fend off their attacks). The series lasted for only 42 issues, in 1959.
La Cuadrilla, or The Gang, is a Spanish comic book from 1961 about the adventures of 5 kids: Guty, Tito, Bomba, Lili and a black boy named 'Ebano', which translates as 'Ebony'.
Pantera Negra, or Black Panther, was a Spanish comic produced in Valencia in the late 1950's. The Black Panther is white and a Tarzan-type. Accompanying him is his faithful servant Bambo, a man of African origin, who wears western clothing as well as a Fez.
Jungla, or Jungle, is a Spanish comic book produced in 1958. It features three main characters who are a team and form the nucleus of every issue. There is the leader Jungla Salvage ('Wild Jungle'), Cabezadura ('Headstrong') and a black boy named Agustinilli. The setting is global for this trio of do-gooders.
Mosaik, was a childrens comic book produced in erlin, East Germany during the 1960's. The story revolves around 3 boys: Dig, Dag and Digedag and their black friend Ben. The setting is in the Southern US during the Civil War. Ben is identified as 'the slave boy with the banjo' and he is constantly escaping from being caught by the white authorities. An interesting communist view on slavery in America through popular culture.
Mi Tio y Yo, or My Uncle and I, was a spanish comic book from 1964. It is the story of the jungle adventures of a boy and his uncle and their faithful black servant Benito. Another member of the team is Sambo, an almost human-like chimpanzee. Benito is dressed in western clothing and is intelligent. At some point, he is reunited with his son, Bimbo, who is not westernized at all. Benito is often the hero of the story. One interesting feature of this comic is that it all takes place in Africa and very often they are battling sinister African native leaders.
Rayo de la Selva, or Ray of the Jungle, was a comic book produced in Valencia, Spain in 1960. It featured a white Tarzan-type, called the Ray of the Jungle, and his black sidekick', 'Sanson' who curiously has hair like a Ukranian cossack but is clearly an African native. Together they dispense justice and make the jungle safe and very often it is Sanson who saves the day.

Scari, Il Piccolo Somalio is an Italian comic book that came out after the Italian War in Abyssinia in 1935-36. Translated as ‘Scar, the Little Somali’, Scari is an abbreviation of ‘Ascari’, the name given to colonial troops employed by the colonial powers at the time. Scari is fighting the evil Abyssinians and gets help from people that look like American cowboys and the setting for the stories can easily be confused with the American West. In fact, the comic shares space with another comic book hero called ‘Alan’ who is an American cowboy. The notion of pairing stories in Africa and the Wild American West is not uncommon and is seen even in the USA with Aunt Hannah’s Bread issuing 200 bread labels devoted to the theme of the American West and Africa. (on offer to TAMU as well). Like the Italian Empire, this comic book series had a limited run. This collection includes 8 out of perhaps 15 of the comics ever issued.
Tabu, El Vengador de los Esclavos. This is a Spanish comic book but without much in the way of cartoons inside. There are 2 or 3 pieces of artwork inside and the balance is all text. Tabu is the ‘avenger of the slaves’ as the comic book title states. Each comic shows him fighting to protect blacks and stand on the side of justice. The entire series takes place in America at the time of the Civil War. The comic is undated but appears from 1940’s.
Zembla, is a comic book that was published in both France and Italy and distributed in those countries as well as Switzerland, Canada, Morocco and Tunisia. The main hero is Zembla, a European version of the American Tarzan. He has a sidekick named YeYe (pronounced ‘YayYay’) who was a mascot of the US army in Africa. His unit was massacred in Kenya by Masai tribesmen. In the 4th issue Zembla finds YeYe injured and nurses him back to health and they become best friends. YeYe appears in all of the issues except for a final run, where Zembla takes on a new sidekick. YeYe continues to wear the MP helmet of a US military policeman and is always wearing a clock around his neck to remind him what time it is. In most issues Zembla is usually getting YeYe out of trouble, but in some cases it is YeYe who saves the day. The series ran during the 1960’s to 1970’s
Batouk, Le Roi de la Foret Vierge, is a French comic book that translates into Batouk, the King of the Virgin Forest. He is an African hero, fighting evil and dispensing justice. Each issue takes place in a different French colonial region of Africa, so in one issue he is with the Sultan of Sokoto, another with the Ashantis, another in Niger, Porto Novo and so on. This series, like Tabu and Zambo, underwent different makeovers of the main hero.
Zambo. This is an Italian comic book that ran from 1946-1947. ‘Zambo’ is an offshoot of ‘Sambo’. Zambo dispenses justice, along with his young son ‘Zimbi’, all over the world. Some of it is in real places (like Brooklyn) and some of it is fantasy. I have 20 issues, from 1946-1947. Interesting for researchers is that Zambo had three makeovers during this time. This collection encompasses all three manifestations of Zambo.

Mandrake.  This is an Italian comic book featuring Mandrake and his black sidekick, Lothar.  They are a cross between secret agents and adventurers, with most of the issues dealing with fantasy.  The series dates from the 1960’s and 1970’s.
I Tre Boy-Scouts.  This is an Italian comic book about three Boy Scouts and their sidekick Zemba.  Zemba is another derivative of ‘Sambo’.  Zemba is a French Senegalese Trailleur and is over seven feet tall.  Zemba is always getting the three Boy Scouts either into or out of trouble.  The comic, like Tabu, is mostly text.  The comic is undated but appears from the 1940’s.

Ardan Tim L’Audace. This is a french comic book dated from 1949-1958. Tim and his black sidekick, Salam, are ‘do-good’ adventurers who travel the earth from one adventure to the next.
Bill Kraker. Bill Kraker, is a comic book of a Spanish version of Tarzan, accompanied by his two black sidekicks, Togui and Dringo. The comic appears to date from the 1950’ and only ran for less than a year.
Bibi Fricotin. This is a french comic book originally produced after World War II and then reproduced in the 1970’s. The comic features a white boy, Bibi Fricotin, and his black friend, Razibus Zouzou. They are constantly getting into and out of trouble as they experience adventures together all over the world. The earlier issues are dedicated to 68 issues ranging from the 1940’s to the 1970’s.

3-1: Nuestro Mundo - Atlas Ilustrado by Bimbo

3-2: Bilder Aus Aller Welt

3-3: Visual Aids depicting daily life in Africa, 11 posters

3-4: Collection of Victorian Era scraps - A collection of 50 with African diaspora themes

3-5: 4 Original Ballots from the first Democratic Election in South Africa

3-6: 4 posters depicting daily life in the Caribbean

3-7: Newspaper Advertisements with special focus on Black subjects, from Europe in the late 19th Century and early 20th Century

3-8: A collection of trade card posters that may have also served as teaching aids.

• Includes Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Egypt, Haiti, Mexico, Morocco, Panama, Paraguay, Persia, Peru, Turkey, Uruguay, Norway, Russia, Belgium, Denmark, Sweden, Abyssinia, Liberia, Transylvania, Canada, Switzerland, Siam (Thailand), Japan, India, Korea, Australia.

2-1: Cards depicting various subjects from multiple European companies; gift of the Buffalo History Museum

2-2: Portrait Trading Stamps; set of 25 stamps portraying Africa, produced by Aunt Hannah's bread

2-3: Nations/Colonies in Africa, 48 cards; Africa Colonial Map collection plus cards depicting colonies in Africa, by various European companies

2-4: African Colonies by Chocolat Poulain Orange, 6 cards

2-5: Notas de un Explorador by Jaimie Box, 36 cards

2-6: African Types by Baydex, 24 cards

2-7: Children of Africa, 6 cards; Biscuits Pernot, 7 cards

2-8: The Lavazza Collection- Africa, 42 cards

2-9: Clarence Brooks and Company, 4 cards. John Sinclair Limited, 3 cards; cards commemorate radio favorites Layton and Johnstone, Leslie Hutchinson and Alexander and Mose. Imperial Tobacco, 2 cards; cards commemorate Coleridge-Taylor and Paul Robeson.

2-10: Ogdens Picturesque People of the empire, 5 Cards; Anstie’s Gold Flake, 2 Cards; Duke Cigarettes, 2 Cards

2-11: Emilio Salgari, 2 cards; Chocolat Poulain, 2 cards; Imperial Tobacco, 6 cards on mining

2-12: Anco, 3 cards on Belgisch Congo; RICQLES, 2 cards; Chocolat Chardonnier, 2 cards

2-13: A La Villa De Mantes, 4 cards on Africa; Kemmerich, 1 card; Chocolat Juncosa, 2 cards on Natural History

2-14: Africa, miscellaneous companies; collection of cards united by the depiction of one shared theme Africa, daily life and inhabitants

2-15: Racial Stereotypes, miscellaneous companies; collection of cards produced by various companies united by the shared theme of depictions of racial stereotypes

2-16: Juvenile and youth depiction, miscellaneous companies

2-17: Belgisch Congo by Antoine Coppens (Anco)

2-18: Mit Carl Hagenbeck auf Tierfang by Eckstein-Halpaus, circa 1929

2-19: L' Afrique by Chocolat Pupier

2-20: Chasse Jacht by Kwatta

1-1: Historic Battles by Cox International

1-2: Naturaleza y Color by EdiVersa

1-3: Chromos Poste Internationale by Kwatta

1-4: Le Tour de Monde en 120 Images by Menier, circa 1956

1-5: Images Du Monde by Le Lion

1-6: Les Races Humaines by Jacques Superchocolat

1-7: La Faune Africaine by t'Koffiemoleken

1-8: Propaganda Tools; consists of 120 stickers depicting French colonies and 16 notebook covers depicting key figures of the
Italian Republic

1-9: Propaganda Tools; School Supplies- consists of 18 notebooks, 1 Report Card, 1 Lunch Bag.

1-10: Razas Humanas by Editorial Brugera, S.A.

1-11: Habilidad y Destreza by Eduardo Rodriguez

1-12: Selva Misteriosa a los Abismos del Mar by Eduardo Rodriguez

1-13: Razas Habitantes del Mundo

1-14: Popoli, Continenti, Costumi

1-15: De Bonte Wereld by Theodorus Niemeijer, circa 1935

1-16: Fauna Flor Congo I by Cote D'Or Chocolade, circa 1883

1-17: Fauna Flor Congo II by Cote D'Or Chocolade, circa 1883

1-18: Military Uniforms of the British Empires Overseas by John Player and Sons.

1-19: Mit Reichelt um die Welt by Otto Reichelt

1-20: Le Tour de Monde en 80 Jours by Chocolat Aiglon

The charcoal images are as follows:
A barefoot African American family, mother, father, and eight children in period rural dress standing in front of a portion of a ramshackle cabin with a split wood shingle roof.
A longer view of the family, a bit scattered in front of a full view of the cabin.
Mother and daughter inside the cabin in front of a wall covered with newspaper.
Mother sitting outside the cabin, shown from the exterior chimney end.
Mother and son by a well in a wooded area.
Father and other male workers bailing cotton.

ALS - Autograph Letter Signed
AQS - Autograph Quotation Signed
ANS - Autograph Note Signed

• Benjamin Bacon. Bacon was an original member of the Anti-Slavery society.

  ALS to autograph seeker C.L. Farrington (Philadelphia, Pennsylvania). October 2, 1873. 1 p.

• Henry Ward Beecher. Beecher was a social reformer, clergyman, and the brother of Harriet Beecher Stowe.

  Partial ALS, n.p., Undated. 1 p. "It is his way. It does us all good to have someone who piles on the screws - especially when we know at bottom he is most friendly."

• William Birney. Birney was Union Army general during the Civil War, and was noted for encouraging thousands of free black men to enlist.

  ALS to Lewis Cist (Paris). March 8, 1852. 1 p.

• Phillips Brooks. Brooks was an Episcopal clergyman and the author of O Little Town of Bethlehem.

  ALS to Mrs. Waters (Boston, Massachusetts). February 3, 1886. 1 p.

• Blanche K. Bruce. Bruce, the child of plantation owner and his house slave, was the first African-American to serve a full term in the U.S. Senate, representing Mississippi during the Reconstruction era.

  ALS to Harry Hause (Washington, D.C. ), thanking his "host" after a recent visit. November 16, 1886. 2 p.

• Benjamin Butler. Butler was a Massachusetts politician and Union General.

  ALS to David R. Godwin (Washington, D.C. ). June 12, 1876. 1 p.

• William Channing

  ALS to Mrs. Chapman (Boston, Massachusetts), apologizing for sending a manuscript he suggests is unworthy of Liberty Bell, the journal of the American Antislavery Society. October 23, 1845. 1 p.

• David Lee Child. Child was the husband of writer and reformer Lydia Maria Child.

  ALS to J. Bailey, arranging a meeting. n.p., July 17, 1829. 1 p.

• Thomas Clarkson. Clarkson was one of the most important British abolitionists of the late 18th century.

  ALS to John B. Murray who served as Brigadier General in the Union Army, and later helped establish Memorial Day. (Playford Hall, England), arranging a visit. April 15, 1842. 2 p.

• Cassius Marcellus Clay

  AQS, "Life, Liberty, and Love". n.p., 1860. 1 p.

• George H. Cook. Cook was a professor of chemistry at Rutgers University whose geological survey of New Jersey became the predecessor for the U.S. Geological Survey.

  ALS regarding the purchase of a telescope (New Brunswick, New Jersey). August 27, 1863. 2 p.

  ALS (New Brunswick, New Jersey), regarding teaching science to future clergymen. May 3, 1865. 2 p. "I am every day stirred up by their fears lest they should learn something which would render their faith weak or unsound. It is a hard lesson for men to learn that one belongs to the finite the other the infinite…."

• Daniel De Vinne

  ALS (Rye, New York). April 8, 1850. 2 p.

• Orville Dewey

  ALS to Elizabeth Arnold (Paris). April 26, 1842. 2 p.

• G. M. Emerson

  ALS to Joseph Kidder (Boston, Massachusetts). June 27, 1863. 1 p.

• David Francis

  ALS to Governor Samuel T. Armstrong (Boston, Massachusetts). March 4, 1835. 2 p.

• William Lloyd Garrison

  Copy of Wendell Phillips letter in Garrison's hand, August 1852. 1 p.

  ALS, responding to an invitation to speak at the New England Woman Suffrage Association. May 10, 1859. 2 p. "Where my hear and heart are in this matter you need no assurance from me, but I dare not, now, give you a positive pledge."

  AQS, "Liberty for each, for all, and for ever!". January 1, 1872.

  Post-mortem examination of Garrison, containing the results of the autopsy and account of the disease leading to his death. 3 p.

• Joshua R. Giddings

  ALS to anti-slavery politician Charles Sumner, regarding New England delegates to the Peace Convention in Paris. June 8, 1849. 1 p. "Our Free Soil movement is on the advance in this state. Our forces are consolidating, and we are making preparations for the election in October…"

  AQS, n.p., regarding the assassination of Abraham Lincoln. Undated. "When the Representative of a State is struck down the people feel the blow."

  With one additional ALS.

• Francis Gillette

  Letter sent from Gillette to an unknown woman, seeking her services as a school teacher for a recently built school in Bloomfield, Connecticut. July 25, 1851.

• Sarah and Angelina Grimke, and Theodore Dwight Weld

  Three Autographs on one page, n.p., Undated (circa the 1870s). RARE

• R. R. Gurley. Gurley was a Clergyman and the U.S. Commissioner to Liberia.

  ALS (Washington, D.C.). August 24, 1832. 1 p.

• R. G. Hazard

  ALS to William Pitt Fessenden, July 28, 1864. 2 p.

• Thomas Wentworth Higginson

  ALS, regarding hymns. July 23, 1908. 2 p.

• Samuel Gridley Howe

  ALS (Boston, Massachusetts) June 7, circa the 1870s. 1 p.

  Invitation from the Perkins Institution for the Blind, announcing a meeting of the Trustees. Embossed to be read like Braille. Obituary from the Providence Journal included.

  With three additional ALS.

• William Jackson

• William Jay

  ALS, thanking an anonymous man for a ticket and discussing introduction for a speaker (Sumner). November 23, 1854. 1 p.

  ALS, discussing lot rentals. (New York). December 19, 1835. 1 p.

• Oliver Johnson

  Autograph Poem Signed, "The Peace of God", n.p., Undated. 2 p.

  AQS, "God is wrath, even as he is love". (New York). January 8, 1886. 1 p.

  ALS to Rev. William Hayes Ward (Orange, New Jersey) pleading for work. February 2, 1879. 4 p. "I tell you frankly that I am in a dire strait. I have struggled hard for almost three years to get my paper on a paying basis…I look now into the faces of my dear wife and child with anxiety much as I never before experienced…".

  ALS to Thomas Wentworth Higginson (New York), regarding abolitionist Moncure Conway. October 6, 1885. 3 p. "I very much regret my inability to join in person the good company of friends and admirers of Mr. Moncure D. Conway, over which you are called to preside on Friday evening next. I greatly honor him for his high position in the world of thought and am moreover deeply indebted to him for light and inspiration upon many important subjects. In point of fidelity to his convictions and the boldness with which he has uttered them, he has set an example worthy of general imitation. I am glad he has returned to his native land, and I desire to lend my voice to the chorus of welcome that will greet him on the occasion to which I have referred. May his light still increase in brightness, and his hand grow strong for the work before him."

  AQS, "Thanks be to God! Not a slave in all the Land!" (Clifton Springs). September 15, 1889. 1 p.

  ALS to an anonymous Charles, discussing a speech that was sent but was incomplete. 1 p.

  ALS, of payment sent for an article, (New York). December 31, 1866. 1 p.

• Jean Kina. Kina was a Haitian revolutionary leader and former slave.

  Note Signed, warrant for rations. September 12, 1795. Exceptionally rare autograph.
  Winslow Lewis.

  ALS, request for letter to see someone in London. Envelope addressed to Winslow Lewis. March 1872. 1 p.

  Invitation and ALS, expressing his father's inability to accept an invitation due to being absent from the city. May 7, 1872. 1 p.

• J. L. Lovejoy

  ALS, Cincinnati, Ohio, October 28, 1839. 1 p.

• Zachary Macaulay

  ALS, regarding the disposition of an estate. Macaulay was the leader of a Parliamentary effort to end slavery in Britain. October 10, 1823. 4 p.

• Samuel May

  ALS to H.W. Clarke, regarding Civil War relief efforts. (Syracuse, New York). March 10, 1863. 2 p.

  Copy of a letter from Samuel May, (Syracuse, New York). January 8, 1866. 1 p.

• James M. McKim

  ALS. 2 p.

• Edward Joy Morris

  Note signed, regarding a Whig gathering Philadelphia, Pennsylvania, August 18, 1844. 1 p.
  ALS, giving dates of his service in Congress (Washington, D.C.). February 8, 1858. 1 p.

  Letter signed (possibly clerically), thanking an unidentified woman for a likeness of her husband, who gave Morris advice during his time in Liberia. (Philadelphia, Pennsylvania). August 9, 1863. 1 p.

  Letter signed (possibly clerically), mentioning favorable news regarding diplomatic appointments to Liberia. (Philadelphia, Pennsylvania). May 22, 1866. 1 p.

• Theodore Parker

  ALS to Miss H.E. Horn regarding Goethe (West Roxbury, Massachusetts). October 15, 1846. 3 p.

  Two additional ALS, three ANS, and one cabinet card.

• William W. Patton

  ALS, answering his sister, who was evidently skeptical of the anti-slavery movement's methods (New York). September 16, 1839. 4 p.
  Transcript: "Dear Sister,
  Dr. Bates a few moments ago handed me your letter & I hasten to reply. And this I do the more readily because I feel confident that a satisfactory answer can be given to your questions. You wish to know, what good all this agitating will do?
  I could first ask what good cause or what great moral reform action ever succeeded without agitation. How did our Savior & the apostles endeavor to propagate the gospel? Was it not by traveling extensively over the known world & promulgating the truth? Was it not by rebuking sin everywhere & under all forms - proclaiming the utter wickedness of the human heart - denouncing idolatry as folly & wickedness & holding up the cross as the only hope of a lost world? They spoke the truth also sternly & made no compromise with wrong. In rebuking the Jews for their treatment of the Savior they said, whom 'ye have take by wicked hands have crucified and slain' 'But ye denied the Holy One & the Just & desired a murder to be granted unto you.' And while the church followed their example, almost miraculous success attended their efforts.
  Again when Papacy threw her mantle of gloom over the church - when a deathlike stupor had seized the disciples of the cross, what aroused them, save the trumpet tones of Luther & his associates, spurning with indignation the idea of Papal supremacy & infallibility. They awoke the plebian & the senator - the peasant & the king - how? By agitation. And the happy results we feel every day.
  Alcohol had slain its thousands - the drunkards hell was fast filling up. We were branded abroad as a nation of drunkards. How is it that such a change as we now see has been wrought? Why is it that one state after another is prohibiting the sale of intoxicating liquor & we stand far in advance of the rest of the world on this subject? It has been accomplished by agitation.
  Nearly one millions of slaves groaned beneath West Indian bondage & the slave traders covered the ocean, sailing under the flags of all civilized nations yet not a voice uttered warning or rebuke; but now how different the sight. The freeman lifts his free arms to heaven & thanks his God & the abolitionists of England the lash is beneath his feet, & the chain rent asunder falls to the ground. And how was this brought to pass. By the agitation of such men as Wilberforce, Clarkson & Sharpe. Years did they agitate, & now God has brought about the result.
  And now, shall we follow the path which Experience points out, or (monstrous anomaly) leave sin to cure itself.
  But permit me to mention of our plans & opinions. First, we believe the slaveholder has a conscience, aye a conscience, slumbering though it may be. This conscience we would address. We would show him that though he may not distinctly be aware of it, yet in reality he is robbing his fellow man - treading under foot precious rights & [curtailing love on many such]. Do you say, that he will not hear & is only enraged; so does the rum seller stop his ears or assail you in his rage when you tell him, he is filling up the drunkards grave, & feeding the fires of the drunkards hell. But in his cooler moments, his conscience will whisper, it is all true. Is it right so to speak to the rum seller & to hope for beneficial results, then is it right thus to address the slaveholder & equally to anticipate the time when Slavery's expiring groan shall scare be heard for the songs of the emancipated.
  Secondly. We believe, if we can convince the slaveholders that free labor is far more profitable to the South than is slave labor, that their self interest will liberate the slaves. To establish this position we have a mass of overwhelming arguments & facts.
  Thirdly. We believe that the South has a sense & a deep sense of honor. What then will she do, when a worlds scorn shall scathe her. When to be a slaveholder shall be as counted a foul spot on a mans character. Lynching & bowie knives will ill contend against the brand of shame. Was not Robinson acquitted of the murder of Helen Jewett & yet he dared not, he could not reside in this city. Why? Because every body believed him quietly & infamy had marked him as her own.
  Fourthly. We believe that the South wishes to live securely. Therefore we point her to a nation of enemies growing up in her midst. We mention her hopeless condition in case of a war & thus wish to show that it is always unsafe to do wrong.
  'Why then do you labor at the North?' Because in several of the so called free states slaves are yet held. Because a burning, withering prejudice is bowing the colored man to the earth, blighting his hopes for time & often for eternity. Because the free colored man is shut out of our schools & our colleges & put in a place of degradation in the courts of God! Because no mechanic will take him for an apprentice & no merchant receives him as a clerk. Because if the colored man was elevated & it was seen that he could hold stations of honor & respectability such a grief of universal condemnation would go forth against slavery as will cause it to vanish from the earth. Because several of the nominally free states permit slaveholders from the South to hold slaves within their bounds for 6 or 9 months, & others lay heavy fines & imprisonment upon those who aid the panting fugitive. Because the North has the majority in Congress & hence the power & obligation to abolish slavery in the District of Columbia, in Florida, also to break up the slave trade between the states, which is the main thing that renders slavery profitable in Delaware, Maryland & Virginia, which being removed these states would be forced to emancipate their slaves. Because the Northern church has palliated this crime & failed to rebuke it, while at the same time it has influence sufficient to cause its members at the South to renounce slavery. (See my last letter about communing with slaveholders) Because in a word, slaveholders as a general thing will never listen to us, as long as so many uphold them at the North.
  But says, the objector, 'I have seen a great deal of quarreling & disturbance arise from so much agitation.' Well, what then. This is not denied, but what does it prove? That it is wrong to continue because incidental disturbances arise? Why then did not Paul stop when he was mobbed wherever he went? Why did Peter & John continue so fanatical, when they were scourged for Christs sake? Did not Christ tell us to expect trouble whenever truth grappled with error. Math. X:34,6. Could we expect a system which is so bored by the civil passions of the heart to be given up without a severe & protracted struggle?
  Such is my answer, given as briefly as possible, to your questions. Had I time, I might sustain my position by many more arguments. But I have tried to be brief. If my answer is not satisfactory to Miss Bonny & others, please as soon as possible specify wherein I have failed. I have not undertaken to show how bad slavery is, inasmuch as I took it for granted that she allowed its wickedness. Therefore my attention has been confined to a general statement of our plan & the reasons for it. May God teach us all right that we may do what is well pleasing to him. For it matters little whether we have mans condemnation or not, so long as the smile your Savior is on us. Mother sends her love. I have had a cold for 4 weeks. The Dr. forbids to sing or speak much. The Plans look quite well & has one pedal to another alongside of it. Last Wednesday I went on to Uncle Mag office & on Saturday brough[t] Ludlow, & Aunt Catharine home. Had a very pleasant time there & got most well of my cold, but was put almost entirely [back by singing & talking yesterday (Sabbath).] Write soon."

  AQS, "He that doeth good is of God; but he that doeth evil hath not seen God" (Chicago, Illinois). February 14, 1877. 1 p.

  With one additional ALS.

• Wendell Phillips

  AQS, "Count that day lost / Whose low descended sun / Sees at the thy hand / No worthy action done / These lines John Brown taught to each his children." September 1871. 1 p.

  Four additional AQS, two ANS, two ALS, and a Cabinet card.

• Parker Pillsbury

  ALS (Concord, New Hampshire). September 8, 1896. 2 p. "I joined Mr. Garrison in the tenth year of his warfare, and I hope and think he would say I never deserted him in any of his finest battles on whatever field. And I hope ere long to meet him under other and brighter skies, to renew our conquests upward and onward…"

• A. M. Powell

  ANS, on Office of the National Anti-Slavery Standard stationary (New York). June 26, 1866. 1 p.

• F.B. Sanborn

  ANS (Boston, Massachusetts) January 11, 1910. 1 p.

• Gerrit Smith

  An 1864 Note Signed, three ALS (one mounted on an acidic page from the autograph album), and an 1848 printed speech on land reform. (5 items total)

• Henry B. Stanton

  ALS, sending a manuscript for publication. October 17, 1844.

  ALS, n.p., Undated. 1 p. "…why would it not be a good plan for some of our New York stump orators to 'change works' with some of yours? Some of your Conscience Whigs can do great good, very great good, in the central & western parts of this state. They would have great influence with the Whigs of this region. In return for them, let some of your Barnburners go there. Their noble enthusiasm would wear off prejudices which you Whigs have to contend, and they might make deep inroads upon Hunkerism in Massachusetts…"

• Thaddeus Stevens

  ALS, February 17, 1861. 1 p.

• Alvan Stewart

  ALS, from an early political abolitionist regarding his publication and the legal assault on slavery. June 16, 1845. "I did not receive your letter until Saturday night & I hasten to answer it. The Argument I delivered in eleven hours before the Sup. Court of N. Jersey I think eminently calculated for lawyers [?] & those wise men constructing society courts the muse who[?] and the exponents of the law & Constitution. It covers all the questions under the federal Constitution as well as N. Jersey, I have had lawyers men who were my political enemies order fifty of these. The Argument will be as I understand 45 to 50 compact pages, & are $125.00 at per thousands at the office. In fact it is altogether the most labored production of my life, & covers our entire question, under all aspects, as my adversaries compelled me by their attacks to give a history of & define the Liberty party - its objects, aims, the course of slavery in different ages, demonstrating the declaration of independence a practicality & showing condition of slave states, as compared with free, showing 6 millions ruined, 3 of Black & 3 of poor Southern whites…"

• P. F. Streeter

  ALS (Baltimore, Maryland). August 22, 1861. 4 p. "This city is quiet, but feelings are bitter, and the secessionists believe 'Old Jeff' [Jefferson Davis] will be here before long. I do not agree with them. Troops are beginning to arrive and encamp on our hills. A great hospital is to be established here. These things will create some activity. As to my own prospects, they are not very bright. I shall lose many secession pupils, and some will not be able to send; but I hope to have some new ones, and enough to justify me in going on."

• Charles Sumner

  Newspaper clipping discussing a dispute.

  Autograph Manuscript outline of studies in history. 3 p.

  Document Signed, regarding a railroad. February 5, 1845. 1 p.

  Autograph Quotation, "Whether on the gallows high, or in the battle's van, the fittest place for a man to die, is where he dies for man." n.p. Undated.

  Four additional ANS, and one photo with a clipped signature affixed.

• Lewis Tappan

  ALS, regarding a case before the Presbytery. February 26, 1841. 1 p.

• George Thompson

  ALS to Oliver Johnson, July 13, 1865, 2 p.
  Clipped signature and AQS "To America!" (Salem, Massachusetts). December 6, 1850. (tipped on the left side onto acidic paper)

• Francis Todd

  Letter from Todd to an attorney regarding a transaction of $1000 in Newbury Port. June 11, 1842.

• John Weiss. Unitarian minister

  ALS, to a younger unidentified colleague (New York). November 21, 1852. 4 p. "My Dear Friend,
  I have been trying very hard to think that I can come to Washington, for I should like to do it. But I am forced to decline it, for a variety of reasons which press upon me. Rev. Bowen will have left us, and no one will take his place at present: so that the entire responsibility of study will come upon me. If I preach at all away from home, it will be for Rev. Bowen's installation at Williamsburg. Then, the journey and preaching would use me up for a week: a thing not to be considered, if any one were here to take care of the [evening] Sunday. The besetting difficulties are too great even for my strong desire to come.
  I rejoice that you are going to be settled at Washington: and I have no doubt that you can say there just what you please. My advice to you would be to go on as you have begun, making your Anti-slavery occasionally, at timely moments, just as strong as you have made it previous to your call. The most that a man can desire is to have the liberty to speak a timely word at some conjuncture which enhances its meaning and prevents it from being spent upon the air. If a man waits for the chances which must inevitably occur in our legislation, and so long as the power of slavery seeks its opportunity, he will have the satisfaction of bearing his testimony at the most useful moment for his own conscience and for the cause of truth. All else, relating to any special topic, is comparatively aimless, lacking the time's enforcement - which justifies it from the charge of dilettantism and superfluity of independence by bringing the evil up to be hit, and marking every hit a palpable one. Particularly in Washington, where people hear of effects being produced by speaking strongly to the point at some critical moment, I should judge it to be the best cause for the preacher of anti-slavery truth to watch the providential chances, and concentrate this special moral energy of his upon the evil when it has a '[name].'
  Let me desire for you every success and spiritual blessing, and though distant from us may you yet feel the sympathy of all who believe as you do, who will be ready to countenance for you, and who will feel strengthened by your efforts."

  With one additional ALS.

• Elizur Wright

  ALS, regarding becoming an auxiliary to the National Liberal League. August 31, 1880. 2 p.

• Other letters

  Ones addressed to famous autograph collectors Lewis Cist and William Buell Sprague, are from Francis Gillette (Senator from Conn.); William Jackson; William Jay (2 letters); Winslow Lewis; J. C. Lovejoy; James Miller McKim (2 ALS); A.M. Powell; and Francis Todd.

1/1 - Letters From Bryan Scott, 1990
1/2 - Invitation to “The Night of 100 Davids,” July 23, 1991
1/3 - Thank you letter to Drake for a New York Times advertisement, February 4, 1992
1/4 - Best wishes letter to Drake for an upcoming show, June 21, 1992
1/5 - Letter with a check for $20 to donate to an AIDS agency, June 22, 1992
1/6 - Appreciation letter to Drake for The Night Larry Kramer Kissed Me, June 22, 1992
1/7 - Birthday postcard to Drake, June 24, 1992
1/8 - Letters of appreciation for The Night Larry Kramer Kissed Me, June 28, 1992 - August 10, 1992
1/9 - Letter from Joe Watts requesting a copy of The Night Larry Kramer Kissed Me to produce for his theatre group, August 15, 1992
1/10 - Letter from Scott Grannan canceling dinner and discussing work and times to meet, August 21, 1992
1/11 - Letter from Paul Boynton requesting Drake's presence in The Actor's Day Book, October 11, 1992
1/12 - Letters of appreciation for The Night Larry Kramer Kissed Me, August 11, 1992 - October 20, 1992
1/13 - Fan letter of appreciation from T.B., November 23, 1992
1/14 - Holiday card to Drake from Philip Reed, December 28, 1992
1/15 - Letter of appreciation from Lindsay Davis, 1992
1/16 - Laughing Matters, 1992
1/17 - Letter from Rev. Charles Urnick describing holiday events and inviting Drake down to visit, January 1, 1993
1/18 - Letters of appreciation for The Night Larry Kramer Kissed Me, October 25, 1992 - January 3, 1993
1/19 - Holiday card from Roger Platizky mentioning teaching a course on "AIDS & Literature", January 4, 1993
1/20 - Letter from Dill Clendenen for the holidays and asking Drake to come to visit, January 5, 1993
1/21 - Letter from J. Oliver inviting Drake for a visit and wishing him happy holidays, January 5, 1993
1/22 - Letters of appreciation, January 6, 1993 - January 19, 1993
1/23 - Letter from Anders Odelius about translating plays into Swedish, January 22, 1993
1/24 - Invitation to Sam's 2nd Annual Equity Fights AIDS Benefit, February 1, 1993
1/25 - Letters of appreciation and invitations to Drake to attend Theatre Productions, February 2, 1993 - March 8, 1993
1/26 - Letters of appreciation from friends about his works, March 8, 1993 - March 31, 1993
1/27 - Letters of appreciation from acquaintances, April 12, 1993 - April 26, 1993
1/28 - Appreciation from fans about Drake's works, April 26, 1993
1/29 - Letters from Rabbi Richard A. Weiss in support of "Opposition to discrimination based on sexual orientation", April 27, 1993
1/30 - Letter to Drake from $3 bill about joining their artistic advisory board, April 27, 1993
1/31 - Letter from The Joan Rivers Show about an enclosed dub of the "Twenty-Something" Show, May 14, 1993
1/32 - Postcard from Bryan from North England, May 17, 1993
1/33 - Letter requesting a contribution from Drake for the Center's Garden Party, May 19, 1993
1/34 - Letter about interviewing Drake for Between the Lines, May 20, 1993
1/35 - Letters of appreciation from fans and old acquaintances, May 1993
1/36 - Letters of appreciation from fans, June 1, 1993 - July 13, 1993
1/37 - Birthday letter to Drake, June 27, 1993
1/38 - Letter of thanks from Celebration Theatre, August 10, 1993
1/39 - Fan letter asking Drake to contribute to the Purple Circuit and Artists Confronting AIDS; contains photos, August 11, 1993
1/40 - Letter and Postcards from fans and acquaintances, July 20, 1993 - September 2, 1993
1/41 - Holiday card from Ed and Jay, 1993
1/42 - Letters from fans regarding "The Night Larry Kramer Kissed Me", December 20, 1993 - February 11, 1994
1/43 - Letters from friends wanting to get together, March 7, 1994 - March 8, 1994
1/44 - Interview request for Ten Percent Magazine, March 14, 1994
1/45 - Letters to Drake, March 7, 1994 - March 23, 1994
1/46 - A note about interview issues, April 4, 1994
1/47 - Invitation to a commitment ceremony, April 13, 1994
1/48 - Letters regarding The Night Larry Kramer Kissed Me, June 19, 1994 - July 11, 1994
1/49 - Letters for The Night Larry Kramer Kissed Me, September 13, 1994 - October 17, 1994
1/50 - Letter from casting director complimenting Drake's performance and asking for a resume, October 3, 1994
1/51 - Letters from friends, May 10, 1994 - October 23, 1994
1/52 - Invitation to join “The Sweater Book”, 1995
1/53 - Letter from Donn Teal, November 16, 1996
1/54 - Letters, Undated
1/55 - Birthday cards to Drake, Undated
1/56 - Holiday cards to Drake, Undated
1/57 - Letters for The Night Larry Kramer Kissed Me, Undated
1/58 - A birthday card with attached "We Remember" ribbon, Undated
1/59 - "Broadway Cares; Equity Fights AIDS" bumper sticker and "AIDS Awareness" stamp
1/60 - The Night Larry Kramer Kissed Me review by William Spencer
1/61 - Birthday card from Drake's grandmother
1/62 - Seattle Gay News payslip, and Colours of Pride business card
1/63 - Note from The Night Larry Kramer Kissed Me, Undated
1/64 - "Lift the ban" Marguerita party to lift the Don't Ask, Don't Tell policy
1/65 - Requests for Drake to contact people, Undated
1/66 - Advertisements for The Arts Castle at the Delaware County Cultural Arts Center and the Danbury Actors Repertory Theatre

1-4/1: Rusch, Kristine Kathryn: "Sinner-Saints" (1993), typescript with handwritten edits, undated

1-4/2: Rusch, Kristine Kathryn: "The Beautiful and the Damned" (1995), typescript with handwritten edits, undated

1-4/3: Rusch, Kristine Kathryn: "The Questing Mind" (1998), typescript with handwritten edits, undated

1-4/4: Rysdyk, Leonard: "So Tender and Mild" (1995), typescript with handwritten edits, undated

1-4/5: Sallis, James: "Ansley's Demons" (1992), typescript, undated

1-4/6: Savage, Felicity: "Cyberfate" (1995), typescript, undated

1-4/7: Savage, Ron: "Piano Pony" (1993), typescript, undated

1-4/8: Savage, Ron: "Connecticut Nazi" (1996), typescript with handwritten edits, undated

1-4/9: Seelhammer, Cynthia: "Gentle Horses" (1998), typescript, undated

1-4/10: Shiner, Lewis: "Like the Gentle Rain" (1997), typescript, undated

1-4/11: Shunn, D. William: "Kevin 17" (1995), typescript, undated

1-4/12: Shunn, D. William: "Celestial Mechanics" (1996), typescript, undated

1-4/13: Smeds, Dave: "Short Timer" (1994), typescript, undated

1-4/14: Smith, Dean Wesley: " Jukebox Gifts" (1994), typescript with handwritten comments, undated

1-4/15: Smith, Dean Wesley: "In the Shade of the Slowboat Man" (1996), typescript with handwritten edits, undated

1-4/16: Smith, Sarah: "Touched by the Bomb" (1993), typescript, undated

1-4/17: Springer, Nancy: "Chasing Butterfly Shadow" (1996), typescript with handwritten edits, 1993

1-4/18: Springer, Nancy: "Transcendence" (1997), typescript, undated

1-4/19: Stableford, Brian: "Busy Dying" (1994), typescript with handwritten edits, undated

1-4/20: Stableford, Brian: "The Pipes of Pan" (1997), typescript, undated

1-4/21: Steele, Allen: "Shepherd Moon" (1994), typescript with handwritten edits, 1992

1-4/22: Steiber, Raymond: "Dry August" (1995), typescript, undated

1-4/23: Sterling, Bruce: "Science Column #1: Outer Cyberspace" (1992), typescript, and typescript with handwritten edits, undated

1-4/24: Sterling, Bruce: "Science Column #2: Buckymania" (1992), typescript, photocopy of typescript, and faxed copy, undated

1-4/25: Sterling, Bruce: "Science Column #3: Think of the Prestige" (1992), faxed copy of typescript, undated

1-4/26: Sterling, Bruce: "Science Column #4: Artificial Life" (1992), typescript, undated

1-4/27: Sterling, Bruce: "Science Column #5: Internet" (1993), faxed copy of typescript, undated

1-4/28: Sterling, Bruce: "Science Column #6 -7" (1993), faxed copies of typescripts, 1992

1-4/29: Sterling, Bruce: "Science Column #8: Creation Science" (1993), typescript with handwritten edits, and faxed copy, 1993

1-4/30: Sterling, Bruce: "Science Column #11: Spires on the Skyline" (1994), faxed copy of typescript, 1993

1-4/31: Sterling, Bruce: "Science Column #12 - 13" (1994), typescripts with handwritten edits, undated

1-4/32: Sterling, Bruce: "Science Column #14 - 15" (1994 - 1995), faxed copy of typescripts, 1994

1-4/33: Sterling, Bruce: "The Littlest Jackal" (1996), typescript with handwritten edits, undated

1-4/34: Taylor, Robert C.: "A Prisoner of History" (1998), typescript with handwritten edits, undated

1-4/35: Thomas, Michael: "Nightwatch" (1997), typescript, undated

1-4/36: Thomas, Michael: "Sometimes a Helix is a Circle" (1999), typescript, undated

1-4/37: Thompson, Jessie: "Angelman" (1992), typescript, undated

1-4/38: Thompson, Jessie: "Synechdoche" (1992), typescript with handwritten edits, undated

1-4/39: Tiedemann, Mark W.: "The Playground Door" (1993), typescript, undated

1-4/40: Tiedemannm Mark W.: "Psyche" (1998), typescript, undated

1-4/41: Tilton, Lois: "The Twelve Swans" (1992), typescript, undated

1-4/42: Tilton, Lois: "Sleep, My Little One" (1993), typescript, undated

1-4/43: Tritten, Larry: "History's Mysteries...Semi-Solved" (1999), typescript, undated

1-4/44: Turtledove, Harry: "Mebodes' Fly" (1992), typescript, undated

1-4/45: Turtledove, Harry: "Vermin" (1993), typescript, undated

1-4/46: Turtledove, Harry: "The Seventh Chapter" (1997), typescript with handwritten edits, undated

1-4/47: Turzillo, Mary A.: "Miranda's Monster" (1995), typescript with handwritten edits, undated

1-4/48: Turzillo, Mary A.: "Mate" (1997), typescript, undated

1-4/49: Tuttle, Lisa: "Meeting the Muse" (1996), typescript with handwritten edits, undated

1-4/50: Utley, Steven: "Look Away" (1992), typescript with handwritten edits, undated

1-4/51: Vamosi, Robert: "With or Without You" (1994), typescript with handwritten edits, undated

1-4/52: Vaughan, Bill: "The Wall" (1994), typescript, undated

1-4/53: Vukcevich, Ray: "Review: Pirates of the Universe" (1996), typescript, undated

1-4/54: Vukcevich, Ray: "White Guys In Space" (1996), typescript, undated

1-4/55: Vukcevich, Ray: "A Holiday Junket" (1998), typescript with handwritten edits, undated

1-4/56: Vukcevich, Ray: "Rejoice" (1999), typescript, undated

1-4/57: Wade, Susan: "Intruders" (1995), typescript, undated

1-4/58: Wade, Susan: "A Recent Vintage" (1997), typescript, undated

1-4/59: Watson, Ian: "The Amber Room" (1995), typescript with handwritten edits, undated

1-4/60: Watson, Ian: "The Last Beast Out of the Box" (1997), typescript, undated

1-4/61: Watson, Ian: "The Boy Who Lost an Hour, the Girl Who Lost Her Life" (1998), typescript, undated

1-4/62: Watt-Evans, Lawrence: "Spirit Dump" (1992), typescript, undated

1-4/63: Webb, Don: "The Evil Miracle" (1994), typescript with handwritten edits, undated

1-4/64: Weiner, Andrew: "A New Man" (1992), typescript with handwritten edits, undated

1-4/65: Weiner, Andrew: "Seeing" (1992), typescript, undated

1-4/66: Weiner, Andrew: "The Purple Pill" (1996), typescript, undated

1-4/67: Wells, Matthew: "The Auschwitz Circus" (1996), typescript, undated

1-4/68: Wentworth, K.D.: "As You Sow" (1995), typescript, undated

1-4/69: Wentworth, K.D.: "Tis The Season" (1997), typescript, undated

1-4/70: Wentworth, K.D.: "Tall One" (1998), typescript, undated

1-4/71: West, Jake: "Halls of Burning" (1997), typescript, undated

1-4/72: West, Michelle Sagara: "Guilty Pleasures" columns (1996 - 1997), typescripts, 1996 - 1997

1-4/73: What, Leslie: "Compatability Clause" (1995), typescript, undated

1-4/74: What, Leslie: "Uncle Gorby and the Baggage Ghost" (1996), typescript, undated

1-4/75: Wheeler, Deborah: "Javier, Dying in the Land of Flowers" (1996), typescript with handwritten edits, undated

1-4/76: Whitlock, Dean: "Three Gifts" (1995), typescript with handwritten edits, undated

1-4/77: Wightman, Wayne and Russo, Richard Paul: "The Idiot's Dream" (1997), typescript with handwritten edits, undated

1-4/78: Wilber, Rick: "Ice Covers The Hole" (1992), typescript, undated

1-4/79: Wilber, Rick: "Where Garagiola Waits" (1997), typescript with handwritten edits, undated

1-4/80: Wilber, Rick: "Straight Changes" (1998), typescript, undated

1-4/81: Wilhelm, Kate: "Forget Luck" (1996), typescript, undated

1-4/82: Williams, Tad: "Monsieur Vergalant's Canard" (1995), typescript, undated

1-4/83: Williams, Walter Jon: "Even As a Broken Mirror...(or) That Bright Names Will Hallow Song" (1993), typescript with handwritten edits, undated (published as "Wall, Stone, Craft")

1-4/84: Williamson, Jack: "Dark Star" (1995), typescript with handwritten edits, undated

1-4/85: Williamson, Jack: "The Hole in the World" (1997), typescript, undated

1-4/86: Williamson, Jack: "The Infinite Career" (1997), typescript (1946 words), and typescript (2180 words), undated

1-4/87: Wilson, F. Paul: "Bugs" (1992), typescript, undated

1-4/88: Wilson, Robin: "To the Vector Belong..." (1994), typescript with handwritten edits, 1993

1-4/89: Wilson, Robin: "The Retired Men's Social Club and Ladies Auxiliary" (1996), typescript, 1994

1-4/90: Wilson, Robin: "Faster Than a Speeding Bullet" (1997), typescript with handwritten edits, 1995

1-4/91: Winter, Laurel: "Blood Harp" (1996), typescript, undated

1-4/92: Winter, Laurel: "Permanent Natural Boy" (1996), typescript, undated

1-4/93: Winter, Laurel: "David's Ashes" (1997), typescript, undated

1-4/94: Winter, Laurel: "Tomorrow Tea" (1997), typescript, undated

1-4/95: Winter, Laurel: "Fighting Gravity" (1998), typescript with handwritten edits, undated

1-4/96: Wolfe, Gene: "The Legend of Xi Cygnus" (1992), typescript, undated

1-4/97: Wolfe, Gene: "The Man in the Pepper Mill" (1996), typescript, undated

1-4/98: Wolfe, Gene: "No Planets Strike" (1997), typescript, undated

1-3/1: Goulart, Ron: "A Cure for Baldness" (1996), typescript with handwritten edits, undated

1-3/2: Goulart, Ron: "Why I Never Went Steady With Heather Moon" (1997), typescript with handwritten edits, undated

1-3/3: Goulart, Ron: "The Curse of the Demon" (1998), typescript with handwritten edits, undated

1-3/4: Gross, Gordon: "Communion" (1996), typescript, undated

1-3/5: Grossbach, Robert: "A Feel for the Game" (1994), typescript, undated

1-3/6: Grossbach, Robert: "Jew on a Chip" (1997), typescript, undated

1-3/7: Grossbach, Robert: "Of Scorned Women and Causal Loops" (1999), typescript, undated

1-3/8: Guthridge, George and Berliner, Janet: "Notes Toward a Rumpled Stillskin" (1997), typescript, undated

1-3/9: Haldeman, Jack C, II: "By The Sea" (1992), typescript, undated

1-3/10: Haldeman, Jack C., II: "Lonesome Homesick Blues" (1992), typescript, undated

1-3/11: Haldeman, Joe: "Graves" (1992), typescript, undated

1-3/12: Hand, Elizabeth: "Last Summer at Mars Hill" (1994), typescript with handwritten copyedits, undated

1-3/13: Hartlep, Eric: "The Seven Beds" (1995), typescript with handwritten edits, undated

1-3/14: Hightower, Lynn S.: "Point Man" (1993), typescript, 1991

1-3/15: Hodgson, Pamela D.: "The Canterbury Path" (1995), typescript with handwritten edits, undated

1-3/16: Hoffman, Nina Kiriki: "Airborn" (1996), typescript (19.1k words), undated

1-3/17: Hoffman, Nina Kiriki: "Airborn" (1996), typescript (19.5k words), undated

1-3/18: Hoffman, Nina Kiriki: "Here We Come A-Wandering" (1996), typescript, undated

1-3/19: Hoffman, Nina Kiriki: "Key Signatures" (1996), typescript, undated

1-3/20: Hoffman, Nina Kiriki: "Manna" (1997), typescript, undated

1-3/21: Hoffman, Nina Kiriki: "The World Within" (1997), typescript, undated

1-3/22: Hoffman, Nina Kiriki: "Gone to Heaven Shouting" (1998), typescript, undated

1-3/23: Hoffman, Nina Kiriki: "Sweet Nothings" (1998), typescript, undated

1-3/24: Hooper, Jacquelyn: "Acheter" (1996), typescript, undated

1-3/25: Hooper, Jacquelyn: "Home on the Range" (1998), typescript, undated

1-3/26: Jeapes, Ben: "Pages Out Of Order" (1997), typescript with handwritten edits, undated

1-3/27: Jensen, Jan Lars: "The Pacific Front" (1998), typescript with handwritten copyedits, undated

1-3/28: Julian, Astrid: "Blowup" (1996), typescript first draft with handwritten edits, undated

1-3/29: Julian, Astrid: "Blowup" (1996), typescript second draft with handwritten edits, undated

1-3/30: Julian, Astrid: "Blowup" (1996), typescript with handwritten copyedits, undated

1-3/31: Kadleckova, Vilma: "Longing for Blood" (1997), typescript, undated

1-3/32: Kale, Bonita: "Miracle in a Small Village" (1992), typescript, undated

1-3/33: Kale, Bonita: "Annie's Shelter" (1996), typescript, undated

1-3/34: Kelly, James Patrick: "Why the Bridge Stopped Singing" (1996), typescript, undated

1-3/35: Kessel, John: "Books" columns (1993 - 1995), typescripts, some with handwritten edits, 1993 - 1995

1-3/36: Killheffer, Robert K.J.: "Books Column: September 1994" (1994), typescript and faxed copy, 1994

1-3/37: Killheffer, Robert K.J.: "Books Column: December 1994" (1994), typescript and faxed copy, and correspondence, 1994

1-3/38: Killheffer, Robert K.J.: "Books Column: February 1995" (1995), typescript with handwritten edits and faxed copy, 1994

1-3/39: Killheffer, Robert K.J.: "Books Columns: April - June 1995" (1995), typescripts with handwritten edits, undated

1-3/40: Killheffer, Robert K.J.: "Books Columns: September 1995 - February 1996" (1995 - 1996), faxed copies of typescripts, 1995

1-3/41: Kittredge, Mary: "Her House in Order" (1997), typescript, undated

1-3/42: Koja, Kathe: "Lady Lazarus" (1996), typescript, undated

1-3/43: Koja, Kathe and Malzberg, Barry N.: "Orleans, Rheims, Friction: Fire" (1997), typescript, undated

1-3/44: Koman, Victor: "Bootstrap Enterprise" (1992), typescript, undated

1-3/45: Kraus, Stephen: "White Walls" (1994), typescript with handwritten edits, undated

1-3/46: Laidlaw, Marc: "Natural Engines", typescript, undated - not published in F&SF

1-3/47: Lawson, James: "Gagrito" (1993), typescript, undated

1-3/48: Lee, Mary Soon: "Ebb Tide" (1995), typescript, undated

1-3/49: Lee, Mary Soon: "Monstrosity" (1997), typescript with handwritten edits, undated

1-3/50: Lee, Mary Soon: "Ex Terra, Ex Astris", typescript, undated - not published in F&SF

1-3/51: Lee, Mary Soon: "Universal Grammar", typescript, undated - not published in F&SF

1-3/52: Lee, Rand B.: "Still Life with Doves" (1993), 1992

1-3/53: Lee, Rand B.: "The Green Man" (1997), typescript with handwritten edits, 1993

1-3/54: Lee, Rand B.: "The Pearl" (1997), typescript with handwritten edits, 1995

1-3/55: Lee, Tanith: "The Mermaid" (1991), typescript, undated (photocopy) - not published in F&SF

1-3/56: Lee, Tanith: "Ondralume" (1992), typescript with handwritten edits, undated

1-3/57: Lee, Tanith: "Three Beasts" (1995), typescript with handwritten edits, undated

1-3/58: Lee, Tanith: "The Reason for Not Going to the Ball (A Letter to Cinderella from Her Stepmother)" (1996), typescript with handwritten edits, undated

1-3/59: Le Guin, Ursula K.: "Solitude" (1994), typescript, undated

1-3/60: Lethem, Jonathan, Kessel, John, and Kelly, James Patrick: "The True History of the End of the World" (1995), typescript with handwritten edits, undated

1-3/61: Lethem, Jonathan and MacDonald, Angus: "The Edge of the Bed of Forever" (1997), typescript, undated

1-3/62: Levy, Robert J.: "New Horizons in Stickball" (1995), typescript with handwritten edits, undated

1-3/63: Levy, Robert J.: "Every Day Different" (1996), typescript, 1995

1-3/64: Levy, Robert J.: "Jack Stacey, A.S.B.R." (1996), typescript, undated

1-3/65: Libling, Michael: "Sitters" (1996), typescript, undated

1-3/66: Libling, Michael: "Mosquito League" (1997), typescript, undated

1-3/67: Patterson, Kent: "That Cruel Pale Exclusion" (1997), typescript with handwritten edits (under old title "Oh, Babe, It Ain't No Illusion that Cruel Pauli Exclusion is Ruling Out My Love For You"), undated

1-3/68: Patterson, Kent and Oltian, Jerry: "Dutchman's Gold" (1995), typescript with handwritten edits, undated

1-3/69: Pendleton, Michaelene: "Rising Star" (1993), typescript, undated

1-3/70: Perry, Steve: "Just Ask" (1995), typescript with handwritten edits, undated

1-3/71: Perry, Steve: "What the Dormouse Said" (1997), typescript with handwritten edits, undated

1-3/72: Perry, Steve: "A Few Minutes in Granddaddy's Old House on Black Bottom Bayou" (1998), typescript with handwritten edits, undated

1-3/73: Platt, Charles: "Trading Data with Dead and Digital" (1994), typescript with handwritten edits, undated

1-3/74: Reed, Kit: "The Singing Marine" (1995), typescript with handwritten edits, undated

1-3/75: Reed, Kit: "Rajmahal" (1997), typescript with handwritten edits, undated

1-3/76: Reed, Kit: "Unlimited" (1998), typescript, undated

1-3/77: Reed, Robert: "The Dragons of Springplace" (1997), typescript with handwritten edits, undated

1-3/78: Reed, Robert: "Graffiti" (1997), typescript with handwritten edits, undated

1-3/79: Reed, Robert: "To Church with Mr. Multhiford" (1997), typescript with handwritten edits, undated

1-3/80: Reitan, Eric: "Faerie Storm" (1998), typescript, undated

1-3/81: Resnick, Mike: "The Roosevelt Dispatches" (1996), typescript, undated

1-3/82: Resnick, Mike: "Forgotten Treasures" (1997), typescript, undated

1-3/83: Resnick, Mike: "Forgotten Treasures #2" (1997), typescript, undated

1-3/84: Resnick, Mike: "The Gefilte Fish Girl" (1997), typescript, undated

1-3/85: Resnick, Mike: "Card Shark" (1998), typescript, undated

1-3/86: Resnick, Mike: "Forgotten Treasures #3" (1998), typescript, undated

1-3/87: Resnick, Mike: "Redchapel" (2000), outline, 1996 (faxed copy)

1-3/88: Resnick, Mike and DiChario, Nicholas A.: "Birdie" (1994), typescript, undated

1-3/89: Resnick, Mike and DiChario, Nicholas A.: "Working Stiff" (1995), typescript, undated

1-3/90: Resnick, Mike and DiChario, Nicholas A.: "Working Stiff" (1995), typescript, undated (published as "Coda: Working Stiff")

1-3/91: Richerson, Carrie: "The Harrowing" (1996), typescript, undated

1-3/92: Richerson, Carrie: "The Quick and the Dead" (1997), typescript, undated

1-3/93: Robins, Madeleine E.: "Abelard's Kiss" (1995), typescript, undated

1-3/94: Rogers, Bruce Holland: "Lifeboat on a Burning Sea" (1995), typescript, undated

1-3/95: Rosenblum, Mary: "California Dreamer" (1994), typescript with handwritten edits, undated

1-3/96: Rosenblum, Mary: "Afterimage" (1997), typescript, undated

1-2/1: Chilson, Rob: "Midnight Yearnings" (1994), typescript, undated

1-2/2: Chilson, Rob: "This Side of Independence" (1998), typescript with handwritten edits, undated

1-2/3: Chwedyk, Richard: "Auteur Theory" (1998), typescript, undated

1-2/4: Clayton, Jo: "Borrowed Light" (1997), typescript, undated

1-2/5: Coates, Deborah: "Tally" (1997), typescript with handwritten edits, undated

1-2/6: Cohen, Lisa R.: "Rainbone" (1993), typescript, undated

1-2/7: Coney, Michael: "Werewolves in Sheep's Clothing" (1996), typescript, undated

1-2/8: Conner, Mike: "East of the Moon" (1993), typescript with handwritten edits (missing page 51), undated

1-2/9: Cool, Tom: "Universal Emulators" (1997), typescript with handwritten edits, undated

1-2/10: Cornell, Richard: "Magritte's Kick" (1992), typescript, undated

1-2/11: Coulter, Lynn: "Granny Woman" (1994), typescript, undated

1-2/12: Coulter, Lynn: "Swamp Water" (1996), typescript, undated

1-2/13: Coulter, Lynn: "The Singing Thing" (1998), typescript, undated

1-2/14: Counsil, Wendy: "Black Handkerchiefs" (1991), typescript, undated

1-2/15: Counsil, Wendy: "How to Tame the Vampire" (1992), typescript, undated

1-2/16: Couzens, Gary: "Second Contact" (1994), typescript with handwritten edits, undated

1-2/17: Couzens, Gary: "Half-Life" (1996), typescript with handwritten edits, undated

1-2/18: Cowdrey, Albert E.: "The Familiar" (1997), typescript, undated

1-2/19: Cowdrey, Albert E.: "The Great Ancestor" (1998), typescript, undated

1-2/20: Cowdrey, Albert E.: "White Magic" (1998), typescript, undated

1-2/21: Cowdrey, Albert E.: "Revenge" (1999), typescript, undated

1-2/22: Crowley, John: "Gone" (1996), typescript, undated

1-2/23: de Kruyff, Nicholas: "Burger's Head" (1999), typescript with handwritten edits, undated

1-2/24: de Lint, Charles: "Coyote Stories" (1993), typescript, undated

1-2/25: de Lint, Charles: "Books to Look For, Installments #1 - 3" (1994), typescripts with handwritten edits, undated

1-2/26: de Lint, Charles: "Books to Look For, Installments #5 - 6" (1994), typescripts, undated

1-2/27: de Lint, Charles: "Books to Look For, Installments #8 - 17" (1994 - 1995), typescripts with handwritten edits, undated (and 313, May 1995)

1-2/28: de Lint, Charles: "Crow Girls" (1995), typescript, undated

1-2/29: de Lint, Charles: "Books to Look For, Installments #19 - 20" (1995 - 1996), typescripts with handwritten edits, undated

1-2/30: de Lint, Charles: "Books to Look For, Installment 24" (1996) and #28 (1996), typescripts, undated

1-2/31: de Lint, Charles: "Books to Look For, Installments #31 - 34" (1997), typescripts, undated (#32 - faxed copy)

1-2/32: Dedman, Stephen: "Schrodinger's Catalyst" (1997), typescript, undated

1-2/33: Dedman, Stephen: "Tender Young Alice, They Say" (undated), typescript with handwritten edits, undated - not published in F&SF

1-2/34: Dembo, Arinn: "Sisterhood of the Skin" (1996), typescript with handwritten edits, undated

1-2/35: Denton, Bradley: "We Love Lydia Love" (1994), typescript, undated

1-2/36: Dexter, Susan: "Herding Instinct" (1994), typescript, undated (photocopy)

1-2/37: Di Filippo, Paul: "Not the Encyclopedia of Science Fiction" (1994), typescript, undated

1-2/38: Di Filippo, Paul: "Pencil Me In" (1995), typescript, undated

1-2/39: Di Filippo, Paul: "Your Money (tm)" (1995), typescript, undated

1-2/40: Di Filippo, Paul: "Have Gun, Will Edit" (1996), typescript, undated

1-2/41: Di Filippo, Paul: "It Was the Blessed of Times, It Was the Cursed of Times" (1996), typescript, undated (2 copies)

1-2/42: Di Filippo, Paul: "Manuscript Found in a Pipedream" (1996), typescript, undated

1-2/43: Di Filippo, Paul: "Narrative Contents May Have Shifted During Shipment" (1997), typescript, undated

1-2/44: Di Filippo, Paul: "Nature, Wineberry in Tooth and Claw, With a Hint of Claret" (1997), typescript, undated

1-2/45: DiChario, Nick: "Drainage" (1994), typescript with handwritten edits, undated

1-2/46: DiChario, Nick: "Sarajevo" (1999), typescript, undated

1-2/47: Donati, Stefano: "The Last of the Glass Menageries" (1998), typescript (4.5k words), undated; typescript (5.5k words), undated

1-2/48: Donnelly, Marcos: "El Hijo de Hernez" (1995), typescript with handwritten edits, undated

1-2/49: Dozois, Gardner: "A Cat Horror Story" (1994), typescript with handwritten edits, undated

1-2/50: Duchamp, L. Timmel: "De Secretis Mulierum" (1995), typescript with handwritten edits, undated

1-2/51: Duchamp, L. Timmel: "De Secretis Mulierum" (1995), typescript with handwritten edits, undated

1-2/52: Dyer, S.N.: "Sins of the Mothers" (1997), typescript with handwritten edits, undated

1-2/53: Eakin, William R.: "Monogamy" (1998), typescript, undated

1-2/54: Ecklar, Julia: "Promised Lives" (1993), typescript with handwritten edits, undated

1-2/55: Edghill, India: "We are the Dead" (1999), typescript, 1996

1-2/56: Effinger, George Alec: "Maureen Binrbaum on a Hot Tin Roof" (1996), typescript, undated

1-2/57: Elgin, Suzanne Haden: "Only a Housewife" (1995), typescript, undated

1-2/58: Ellison, Harlan: "Sensible City" (1994), typescript with handwritten edits, 1994

1-2/59: Ellison, Harlan: "Keyboard" (1995), typescript with handwritten edits, 1994

1-2/60: Ellison, Harlan: "Pulling Hard Time" (1995), typescript with handwritten edits, 1995

1-2/61: Ellison, Harlan: "Anywhere But Here, With Anyone But You" (1996), typescript with handwritten edits, 1995

1-2/62: Ellison, Harlan: "Chatting with Anubis" (1996), typescript with handwritten edits, 1995

1-2/63: Ellison, Harlan: "Go Toward the Light" (1996), typescript with handwritten edits, 1994

1-2/64: Ellison, Harlan: "Midnight in the Sunken Cathedral" (1996), typescript with handwritten edits, 1995

1-2/65: Ellison, Harlan: "From A to Z, in the Sarsaparilla Alphabet" (2001), typescript with handwritten edits, 1991

1-2/66: Eskridge, Kelley: "Strings" (1994), typescript, undated

1-2/67: Etchemendy, Nancy: "Saints and Martyrs" (1997), typescript, undated

1-2/68: Etchemendy, Nancy: "Double Silver Truth" (1998), typescript with handwritten edits and replacement pages, undated

1-2/69: Farmer, Nancy: "Origami Mountain" (1992), typescript, undated

1-2/70: Finch, Sheila: "A Flight of Words" (1997), typescript, undated

1-2/71: Finch, Sheila: "The Roaring Ground" (1997), typescript, undated

1-2/72: Finch, Sheila: "Reading the Bones" (1998), typescript, undated

1-2/73: Fitch, Marina: "Sarah at the Tide Pool" (1994), typescript with handwritten edits, undated

1-2/74: Fitch, Marina: "Imprints" (1998), typescript, undated

1-2/75: Flynn, Michael: "The Promise of God" (1995), typescript, undated

1-2/76: Frazier, Robert: "Night Vision" (1993), typescript with handwritten edits, undated

1-2/77: Frei, Urs: "The Godsend" (1994), typescript, undated

1-2/78: Freireich, Valerie J.: "Testament" (1993), typescript with handwritten edits, undated

1-2/79: Friesner, Esther M.: "A Birthday" (1995), typescript, undated

1-2/80: Friesner, Esther M.: "King of the Cyber Trifles" (1997), typescript, undated

1-2/81: Friesner, Esther M.: "Miss Thing" (1997), typescript, undated

1-2/82: Friesner, Esther M.: "True Believer" (1997), typescript, undated

1-2/83: Friesner, Esther M.: "True Believer" (1997), typescript, undated

1-2/84: Friesner, Esther M.: "Chestnut Street" (1998), typescript, undated

1-2/85: Garcia y Robertson, R.: "The Moon Maid" (1996), typescript with handwritten edits, undated

1-2/86: Gerrold, David: "The Emperor Redux" (1996), typescript with handwritten edits, April 1995

1-2/87: Gilchrist, Ellen: "Bleak Winter" (1995), typescript with handwritten edits, 1995

1-2/88: Gilman, Carolyn Ives: "Candle in a Bottle" (1996), typescript, undated

1-2/89: Godwin, Parke: "Small Change" (1994), typescript with handwritten edits (and photocopy), undated

1-2/90: Goldman, E.M.: "Metastasis" (1993), typescript, undated

1-2/91: Goldstein, Lisa: "The Woman in the Painting" (1993), typescript, undated

1-2/92: Goonan, Kathleen Ann: "The String" (1995), typescript with handwritten edits, undated

1-2/93: Gorman, Ed: "Yesterday's Dreams" (1996), typescript, undated

1-2/94: Goulart, Ron: "Fear of Sorrows" (1993), typescript with handwritten edits, undated

1-2/95: Goulart, Ron: "Mom's Cooking" (1993), typescript with handwritten edits, undated

1-1/1: Aandahl, Vance: "Pinched" (1992), typescript, undated

1-1/2: Aandahl, Vance: "The First Invention" (1992), typescript, undated

1-1/3: Aandahl, Vance: "Water" (1992), typescript, undated

1-1/4: Aldiss, Brian: "Common Clay" (1992), typescript, 1991

1-1/5: Aldridge, Ray: "The Spine Divers" (1995), typescript, undated

1-1/6: Anderson, Kevin J.: "Dogged Persistence" (1992), typescript with handwritten edits, undated

1-1/7: Armstrong, Michael: "Mother to Elves" (1994), typescript, undated

1-1/8: Asimov, Janet: "Being Warm-Blooded" (1997), typescript, undated

1-1/9: Asimov, Janet: "Crazy for Trees" (1995), typescript, undated

1-1/10: Asimov, Janet: "Language: The Most Powerful Drug" (1996), typescript, undated

1-1/11: Asimov, Janet: " Sounding Off" (1996), typescript, undated

1-1/12: Asimov, Janet: "Survival Technique" (1996), typescript, undated

1-1/13: Asimov, Janet: "A Warm and Dangerous Time" (1996), typescript, undated

1-1/14: Asimov, Janet and Isaac: "Essay 400: A Way of Thinking" (1994), typescript, undated

1-1/15: Aurelian, Robin (Nina Kiriki Hoffman): "Jelly Bones" (1997), typescript, undated

1-1/16: Aurelian, Robin (Nina Kiriki Hoffman): "The Santa Trap" (1997), typescript, undated

1-1/17: Aurelian, Robin (Nina Kiriki Hoffman): "Proxies" (1998), 2 typescripts, undated

1-1/18: Bailey, Dale: "Intervals of Stillness" (1996), typescript, undated

1-1/19: Bailey, Dale: "Exodus" (1997), typescript, undated

1-1/20: Bailey, Dale: "Quinn's Way" (1997), typescript, undated

1-1/21: Bailey, Dale: "Cockroach" (1998), typescript with handwritten edits, undated

1-1/22: Bailey, Dale: "Night of the Fireflies" (1998), typescript, undated

1-1/23: Bailey, Dale: "The Rain at the End of the World" (1999), typescript with handwritten edits, undated

1-1/24: Baker, Eric T.: "Faith and Friendship in the Pre-Atomic Age" (1993), typescript, undated; w/correspondence, 1992 - 1994

1-1/25: Ball, Cathy: "Greenhouse" (1994), typescript, undated (NOT published in F&SF)

1-1/26: Ballingrud, Nathan: "She Found Heaven" (1995), typescript, undated (photocopy)

1-1/27: Beckert, Christine: "Graft" (1998), typescript, undated

1-1/28: Bell, M. Shayne: "With Rain, and a Dog Barking" (1993), typescript, undated

1-1/29: Bell, M. Shayne: "Bright New Skies" (1997), typescript, undated

1-1/30: Benford, Gregory: "Antarctica and Mars" (1994), typescript with handwritten edits, 1994

1-1/31: Benford, Gregory: "The Fire This Time" (1994), typescript, 1993

1-1/32: Benford, Gregory: "The Big Wham" (1995), typescript, 1994

1-1/33: Benford, Gregory: "The Far Future" (1995), 2 typescripts, 1995

1-1/34: Benford, Gregory: "The Fourth Dimension" (1995), 2 typescripts, 1995

1-1/35: Benford, Gregory: "An Odyssey Galactic" (1995), typescript with handwritten edits, 1995; 2 copies of typescript, 1995

1-1/36: Benford, Gregory: "Humanity as Cancer" (1995), typescript, 1994

1-1/37: Benford, Gregory: "Life at Galactic Center" (1995), typescript with handwritten edits, 1995; typescript, 1995

1-1/38: Benford, Gregory: "Sex, Gender, and Fantasy" (1995), typescript with handwritten edits, 1995

1-1/39: Benford, Gregory: "A Diamond Age" (1996), typescript, 1996

1-1/40: Benford, Gregory: "America as Rome" (1996), typescript, 1996

1-1/41: Benford, Gregory: "Net@Fandom.Com" (1996), 3 copies of typescripts, 1996

1-1/42: Benford, Gregory: "Scientist Heroes" (1996), 2 copies of typescripts, 1996

1-1/43: Benford, Gregory: "Going to Mars" (1997), typescript, 1997

1-1/44: Benford, Gregory: "Life on Mars?" (1997), typescript (faxed copy), October 1996

1-1/45: Bischoff, David: "Fade" (1996), typescript with handwritten edits, undated

1-1/46: Bischoff, David: "In the Bleak Mid-Solstice" (1997), typescript with handwritten edits, undated

1-1/47: Bischoff, David: "Joy to the World" (1999), typescript, undated

1-1/48: Bishop, Michael: "Annalise, Annalise" (1996), typescript, undated

1-1/49: Bishop, Michael: "Three Dreams in the Wake of a Death" (1996), typescript with handwritten edits, undated

1-1/50: Bisson, Terry: "Cancion Autentica de Old Earth" (1992), typescript, undated

1-1/51: Bisson, Terry: "Partial People" (1993), typescript, undated

1-1/52: Blumlein, Michael: "Revenge" (1998), typescript, undated

1-1/53: Bourne, Mark: "Mustard Seed" (1997), typescript with handwritten edits, April 1994

1-1/54: Bova, Ben: "The Great Moon Hoax, or, A Princess of Mars" (1996), typescript, undated

1-1/55: Bova, Ben: "The Cafe Coup" (1997), typescript, undated

1-1/56: Bowes, Richard: "At Darlington's" (1995), typescript with handwritten edits, undated

1-1/57: Bowes, Richard: "Drink and the Devil" (1997), typescript, undated (photocopy)

1-1/58: Bowes, Richard: "Streetcar Dreams" (1997), typescript, undated

1-1/59: Bowes, Richard: "Diana in the Spring" (1998), typescript with handwritten edits, undated

1-1/60: Boyett, Steven R.: "Epiphany Beach" (1994), typescript with handwritten edits, undated

1-1/61: Boyett, Steven R.: "Current Affairs" (1998), typescript, January 1995?

1-1/62: Bradbury, Ray: "From the Dust Returned" (1994), typescript with handwritten edits, undated

1-1/63: Bradbury, Ray: "Lost Rites" (1994), typescript with handwritten edits, undated

1-1/64: Bradbury, Ray: "Another Fine Mess" (1995), typescript, undated

1-1/65: Bradbury, Ray: "Dorian in Excelsis" (1995), typescript, undated

1-1/66: Bradbury, Ray: "The Finnegan" (1996), typescript with handwritten edits, undated

1-1/67: Bradbury, Ray: "The Offering" (1997), typescript, undated

1-1/68: Bradbury, Ray: "That Woman on the Lawn" 91996), typescript with handwritten edits, undated

1-1/69: Brantingham, Juleen: "Old Freedom" (1994), typescript with handwritten edits, undated

1-1/70: Braunbeck, Gary A.: "Small Song" (1997), typescript, undated

1-1/71: Bredenberg, Jeff: "Shootin' Babies" (1995), typescript with handwritten edits, undated

1-1/72: Brennert, Alan: "The Man Who Loved the Sea" (1995), typescript, undated

1-1/73: Brennert, Alan: "The Refuge" (1996), typescript, undated

1-1/74: Brennert, Alan: "The Refuge" (1996), typescript, undated

1-1/75: Brennert, Alan: "Echoes" (1997), typescript final draft, undated; and partial typescript, undated

1-1/76: Brin, David: "The Slow Negotiations", partial revised typescript, March 1992 (not published in F&SF)

1-1/77: Brin, David: "NatuLife[tm]" (1993), typescript, May 1993

1-1/78: Brown, Carroll: "The Borderlands" (1995), typescript with handwritten edits, undated; w/cover letter, December 1992

1-1/79: Brown, Carroll: "The King of Seventh Avenue" (1997), typescript with handwritten edits, undated

1-1/80: Brunner, John: "The Dead Man" (1992), typescript, undated

1-1/81: Bryant, Edward: "Flirting With Death" (1995), typescript with handwritten edits, undated

1-1/82: Budrys, Algis: "Grabow and Collicker and I" (1992), typescript, undated

1-1/83: Budrys, Algis: "Review of Asimov Laughs Again/Outnumbering The Dead/Stopping at Slowyear" (1992), typescript, February 1992 (photocopy)

1-1/84: Budrys, Algis: "Review of Gerald's Game/The Time Patrol" (1992), typescript, June 1992

1-1/85: Budrys, Algis: "Review of Last Call/The Net of Dreams/When Dreams Collide" (1992), typescript (faxed copy, April 1992

1-1/86: Budrys, Algis: "Review of Storeys from the Old Hotel/Contemporary Authors/Science-Fantasy Publishers/Courting Disasters" (1992), typescript (photocopy) and typescript (faxed copy), January 1992

1-1/87: Budrys, Algis: "Review of Solo/Time and Again" (1992), typescript (faxed copy), June 1992

1-1/88: Budrys, Algis: "Review of The Stress of Her Regard/Me" (1992), typescript, October 1991

1-1/89: Budrys, Algis: "Review of The Wild Blue and the Gray/Universe 2", typescript, undated

1-1/90: Budrys, Algis: "Review of Why Do Birds" (1993), typescript (faxed copy), June 1992

1-1/91: Budrys, Algis: "Goblins" , typescript with handwritten edits (photocopy), undated - Not published in F&SF

1-1/92: Budrys, Algis: "Portions Deleted", typescript (photocopy), undated - Not published in F&SF

1-1/93: Budrys, Algis: "Through Spates in Time with Gregory Fernshock #1", typescript (photocopy), undated - Not published in F&SF

1-1/94: Budz, Mark: "Toy Soldiers" (1993), typescript, undated

1-1/95: Budz, Mark: "Zinnias and the Moon" (1998), typescript with handwritten edits, undated

1-1/96: Bunch, David R.: "A Saint George Pens a Note to His Dragons (Disclosures and Offers)" (1997), typescript, 1995

1-1/97: Cadigan, Pat: "True Faces" (1992), typescript, undated

1-1/98: Cady, Jack: "Kilroy Was Here" (1996), typescript, undated

1-1/99: Card, Orson Scott: "Books to Look For: March 1992" (1992), typescript, October 1991

1-1/100: Card, Orson Scott: "Books to Look For: April 1992" (1992), typescript, November 1991 (faxed copy)

1-1/101: Card, Orson Scott: "Books to Look For: June 1992" (1992), typescript, December 1991 (faxed copy)

1-1/102: Card, Orson Scott: "Books to Look For: September 1992" (1992), typescript, April 1992 (includes faxed copy)

1-1/103: Card, Orson Scott: "Books to Look For: October-November 1992" (1992), typescript, May 1992 (includes faxed copy)

1-1/104: Card, Orson Scott: Reviews, various (1993), December 1992 (faxed copy)

1-1/105: Card, Orson Scott: "Reviews of Path of the Hero/The Guns of the South/Blackburn" (1993), typescript, March 1993 (faxed copy)

1-1/106: Card, Orson Scott: "Reviews of Jumper/Ruler of the Sky (1993), typescript, May 1993 (2 copies)

1-1/107: Card, Orson Scott: Reviews, various (1993), typescript, September 1992 (faxed copy)

1-1/108: Carr, Michael: "A Dog's Night" (1997), typescript with handwritten edits, undated

1-1/109: Carroll, Jonathan: "Uh-Oh City" (1992), typescript, undated

1-1/110: Casil, Amy Sterling: "Jonny Punkinhead" (1996), typescript, undated

1-1/111: Cassutt, Michael: "Jinx", typescript, 1994 (Not published in F&SF)

1-1/112: Cassutt, Michael: "The Longer Voyage" (1996), typescript, undated

1-1/113: Castro, Adam-Troy: "Neither Rain nor Sleet" (1996), typescript with handwritten edits, undated

1-1/114: Castro, Adam-Troy: "The Funeral March of the Marionettes" (1997), typescript with handwritten edits, undated

1-1/115: Caves, Sally: "Ketamine" (1995), typescript with handwritten edits, August 1992

1/1: Recruitment Documents, 1901-1903

1/2: Ideograph Newsletters, 1901-1903

1/3: United States of the Earth Maps, 1876-1903; Undated

1-4/1: January 1990 - February 1990

1-4/2: March 1990 - 1990

1-4/3: 1991 - 1996, undated

1-3/1: August 1987 - 1988

1-3/2: January 1989 - May 1989

1-3/3: June 1989 - October 1989

1-3/4: October 1989 - 1989

1-2/1: January 2015 - March 2015

1-2/2: April 2015 - May 2015

1-2/3: June 2015 - September 2015

1-2/4: October 2015 - 2015

1-2/5: 2016

1-2/6: January 2017 - August 2017

1-2/7: September 2017 - 2017

1-2/8: January 2018 - June 2018

1-2/9: July 2018 - 2018

1-2/10: January 2019 - March 2019

1-2/11: April 2019 - June 2019

1-2/12: July 2019 - September 2019

1-2/13: October 2019 - 2019

1-2/14: January 2019 (oversized)

1-2/15: 2020, undated

1-1/1: August 2001 - 2011

1-1/2: January 2012 - November 2012

1-1/3: December 2012 - 2012

1-1/4: January 2013 - May 2013

1-1/5: June 2013 - August 2013

1-1/6: September 2013 - November 2013

1-1/7: December 2013 - 2013

1-1/8: August 7, 2013

1-1/9: January 2014 - March 2014

1-1/10: April 2014

1-1/11: May 2014 - June 2014

1-1/12: July 2014 - August 2014

1-1/13: September 2014 - November 2014

1-1/14: December 2014 - 2014

1/1: Newspapers Released While Siege Occurred July 24, 1974 - August 3, 1974

1/2: Newspapers Released Post- Siege August 4, 1974 - September 27 1974

1/3: Memorial of Those Who Passed During Siege

1/4: Correspondence to Receive the Collection September 2004

1/1: Mrs. Anderson's Ledger

1/2: Correspondence with Cushing to Gift Ledger

• Wooden sign posted during Dream Gathering: "Sacor City War Museum: Twenty Years of Rider History"
• GRp.026: Whip, belonging to the "infamous Captain Immencz"

Banners, of Green Rider Families and Characters (with name of creating fiber artist)

1-7/1: Adolind (Tiffany Sydow)

1-7/2: Arey (Jessica Bryers)

1-7/3: Bairdly (Tiffany Sydow)

1-7/4: Coutre (Jessica Bryers)

1-7/5: D'Ivary (Kimberly White)

1-7/6: D'yer (Jean Jones and R.D. Schnelle)

1-7/7: Green Rider (Julie Green)

1-7/8: Hillander (Renae Dower)

1-7/9: L'Petrie (Alica Wheeler)

1-7/10: Mirwell (Kimberly White)

1-7/11: Oldbury (Kimberly White)

1-7/12: Penburn (Renae Dower)

1-7/13: Sacoridia (Megan Notman)

1-7/14: Wayman (Renae Dower)

Green Rider cloak, full-sized, 2018

1-5/1: "05. Mansion in the Middle of the Forest" (sheet music composed by Kristina A. Bishoff for Green Rider), May 2018 [photocopy]

1-5/2: Banners - drawings of designs (large-scale, folded), 2018?

1-5/3: Banners - drawings of designs, originals and photocopies, 2018?

1-5/4: "The Book of Theanduris Silverwood" (HKTp.418) - Imitation leather journal w/ID tag, 2018?

1-5/5: ID tags for fanmade materials, 2018

1-5/6: "Journal of Hadriax el Fex" (FRCp.612) - Imitation leather journal w/ID tag, 2018?

1-5/7: Letters and notes to and from Green Rider characters, 2018?

       1. Letter from Estral to Karigan (handwritten, not in envelope)
       2. Letter from Captain Mapstone to Chelsa
       3. Letter from Captain Mapstone to Karigan, unsealed
       4. Letter from Captain Mapstone to Karigan, seal attached
       5. Sealed envelope to Stevic G'ladheon, seal attached
       6. Sealed envelope addressed to Captain Mapstone, seal attached, containing note "Take Care of Her"
       7. Sealed note to King Zachary (3)
       8. Sealed note to Stevic G'ladheon (3)
       9. Sealed note to Lord Anton Fiori
       10. Sealed note to Queen Estora
       11. Sealed note to Dean Crosley
       12. Sealed note to Captain Mapstone
       13. Sealed note to Green Riders
       14. Sealed note to Damian Frost
       15. Sealed note to Agemon (2)
       16. Letter to Karigan from Estral
       17. Note from Lord Timas
       18. Letter from Captain Mapstone to Stevic G'ladheon

1-5/8: Map of Sacoridia (FBp.000), w/ID tag, 2018?

1-5/9: "Rider Cardell's Expedition Journal" (BV.640) - Imitation leather journal, 2018?

1-5/10: Sketch of Bunchberry and Bayberry flowers, by Britain, 2018?

1-5/11: Small hemp bag, 2018?

1-4/1: Black silk mask w/eyeholes, belonging to Lord Underhill, 2018?

1-4/2: Unidentified piece of plaid cloth, 2018?

1-4/3: "Cursed Arrows" (GRp.287) - Two arrows (wood, with plastic tips) w/ID tag, 2018?

1-4/4: "15. Out on the Balcony" (Sheet music, composed by Kristina A. Bishoff for Green Rider; signed by Bishoff), 2018

1-4/5: Wooden signposts for various Green Rider locales (8), w/ "Fine Image Trapping, T.C. Stamwell" wooden sign, 2018?

1-3/1: "Vampiric Hummingbird" (MSp.641) - Bird in small metal cage w/ID tag

1-3/2: "Enchanted Snowball" (FBp.024) - w/ID tag

1-3/3: Small light-up crystal ball

1-3/4: "Granite Butterfly" (FRCp.183) - Imitation granite butterfly w/ID tag

1-3/5:"Diary of Seften" (MSp.166) - Imitation leather journal w/ID tag

1-2/1: "Bone Finger" (HKTp.296) - imitation fingerbone wrapped in yarn w/ID tag

1-2/2:"Order of the Firebrand" (HKTp.670) - medal w/ID tag

1-2/3: "Silver Aeryc Pendant" (HKTp.023) - Silver pendant, w/ID tag

1-2/4: Plastic turtle

1-2/5: Plastic rearing horse

1-2/6: Handmade wooden badge

1-2/7: Handmade wooden pendants (2), joined with cord

1-2/8: Green Rider Custom Scent - Fragrance crystals in metal tin

1-2/9: "Feather of a Winter Owl" (BVp.410) - Feather quill

1-1/1: Bunchberry greeting card, 2009?

1-1/2: "Dream Gathering" setup and planning program, event advertisements, and other documentation, 2018

1-1/3: Green Rider art photographs by Madeleine Shayne [postcard-size], 2018?

1-1/4: Green Rider Banner Contest program, 2018 [2 copies]

1-1/5: Green Rider fan art, 2018

1. "Karigan's Portrait" (Rachel Hanke)
2. "Green Riders and Co" (Alexandra van Caloen)
3. "Karigan G'ladheon" (Kremena Chiplova)
4. "Green Rider" (Kremena Chiplova)
5. "Rudman Hadley's Great Imperial Circus" (Jessica Bryers)
6. "The Wild Ride" (Jessica Holman)
7. "Mad Queen Oddacious" (Rachel Hanke)
8. "Karigan and Condor" (Rebecca Quay)

1-1/6: Hummingbird papercuts, 2018

1-1/7: Hummingbird sketches (hand-drawn), by E.S. Silk, 2018

1-1/8: Map of Sacoridia [postcard-size], 2018

1-1/9: "Sacor City War Museum" tags, 2018

Item 1: Facts In Five (Avalon Hill Game Company, 1978)

Item 1: Air Force: Plane to Plane Combat in Europe: 1939-1945 (Avalon Hill Game Company, 1980?)
Item 2: Nuclear War (Blade, Undated). Includes extra set of cards

Item 1: History of the World (Avalon Hill Game Company, 1993)
Item 2: Knightmare Chess, 2nd edition (Steve Jackson Games, 1997)

1/1: NovaCon XIV (College Station, TX, 1998)
1/2: Door Hangers: "Secret Meeting In Progress"
1/3: City States of Arklyrell (Task Force Games, Undated)
1/4: Commander's Star Fleet Batteries, Vol. II (SVC/ADB, 1984), rulebook (cover missing)
1/5: "Nova" sign, Undated
1/6: Stickers: "Cthulhu Loves You", "It's Not The Principle of the Thing..."
1/7: Various Buttons, Undated
1/8: Various Cards, Undated
1/9: Various Clips, Undated

Wood carving of Klansman, undated

The Texas Kourier (Klan newspaper), scans of pages 1 - 8, vol. 3 no. 51