This collection contains manuscripts and associated materials from John W. Campbell Award-nominated science fiction and fantasy author Stina Leicht. Also included are convention materials from various cons attended by Leicht, as well as correspondence, notebooks, and assorted other materials.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

This collection consists of various fanzines and newsletters produced by different "kingdoms" (administrative regions) or sub-divisions of the Society for Creative Anachronism. Materials include, among others, issues of Tournaments Illuminated, the SCA's official organ.

The living history/historical reenactment group Society for Creative Anachronism (SCA) was founded in California in 1966. It defines itself, according to its mission statement as " an international non-profit volunteer educational organization. The SCA is devoted to the research and re-creation of pre-seventeenth century skills, arts, combat, culture, and employing knowledge of history to enrich the lives of participants through events, demonstrations, and other educational presentations and activities."

This collection contains the papers of Sterling C. Evans including personal correspondence with friends, family members, and business associates; personal notebooks; plat maps, blueprints, diagrams of land: legal and financial documents surrounding real estate transactions; favorite quotations and poems; manuscripts; a travel diary; notes, notebooks of advertising and commercial brochures; photographs, newspaper clippings, receipts for gifts, and personal artifacts. The collection also contains the papers of his lifelong assistant, Dorothy Whitley.

The papers reflect Evans' personal life, his early career in the Texas Agricultural Extension Service, his professional career with the Federal Land Bank, and his retirement to a second career of investments in and operating large ranches and plantations in Texas, New Mexico, and Louisiana. In addition, the papers reflect his generosity and his involvement with Texas A&M University through his service to the Board of Regents during a pivotal time in the university's history as well as his support of the university library.

While the papers record Evans' early career, they more extensively detail his agricultural business after his retirement from the Federal Farm Credit Administration and the Federal Land Bank. This post-retirement career is highlighted by a growing friendship with Gus Wortham of Houston, Texas, and their joint real estate ventures such as Randle Lake Plantation in Milam County, Texas, Bear Lake Plantation in Tallulah, La., Crescent Plantation in Louisiana, Little Eva Plantation in Chopin, La., Nine Bar Ranch in Cypress, Texas, and the U Bar Ranches in Medina County, Texas and Hidalgo County, N.M., as well as other smaller operations. These subject files include personal correspondence, legal documents, financial documents, photographs, brochures, advertising materials, and news clippings.

Correspondence includes Evans' exchanges with his wife, Cathrene Thomas Evans, and well-known professional associates such as Gus Wortham, W. N. Stokes, John Wasson, Eugene Butler, Mildred McCoy, Carl Detering, John Lindsey, Earl Rudder, Frank Vandiver, William Mobley, Perry Atkission, Ray Bowen, Irene Hoadley, Fred Heath, Ambassador Edward Clark, and Dolph Briscoe. Also included is correspondence from many family members, and close friends, as well as students from Texas A&M University and Evans' former employees.

This collection consists of materials relating to the life and career of science fiction and fantasy author Stephen Leigh. Materials include typescripts...

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection consists of fanworks produced and gathered by fans of the Klingon culture from the Star Trek franchise. Materials include fanzines, art, club newsletters, and other objects of creative expression.

Klingons represent an active subset of the larger Star Trek fan community, and have been so for several decades. Klingon fans are particularly visible because of their frequent involvement in often-elaborate cosplay (that is, the use of costumes and accessories to represent specific characters, often personae created by the participants themselves).

The Klingons are an aggressive race of humanoid warriors, first seen in the Star Trek: The Original Series episode "Errand of Mercy" (1967). The Klingons started out as major adversaries of the U.S.S. Enterprise crew, Starfleet and the United Federation of Planets. However, as the Star Trek franchise began expanding in 1987 with the debut of Star Trek: The Next Generation, Klingons evolved from enemies into uneasy allies, and numerous episodes of TNG and later Star Trek series were devoted to exploring aspects of Klingon culture. They continue to occupy a major position in the overall Star Trek universe.

Klingon fandom is most notable for its adoption of the Klingon language. Klingon is a real (albeit artificially constructed) language with its own system of grammar, structure and rules of pronunciation. It was originally created by linguist Marc Okrund in the mid-1980s for the Star Trek films and was adopted into later iterations of the television franchise. Klingon has been expanded on by interested fans and language hobbyists to the point where a number of literary works have been translated from English to Klingon. Many Klingon-related fan creations are written at least partially in the Klingon language, and it is not uncommon for dedicated fans to speak it amongst themselves.

This collection consists of a large number of fanworks from or (more often) collected by California-based fan and fanvidder Stacy L. Doyle. Materials include fanzines (the majority of which involves slash content), fanvids (also mostly slash-oriented) for multiple fandoms, audio cassettes of filksong, and materials relating to a number of genre conventions (including several that are slash-centered). Also included are some additional materials concerning vidding, fandom, and related subjects.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Doyle Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is slash. (g) indicates gen material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

"Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative, or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

This archive includes a full run of the publication to date to date, including the master copies of several issues. There are some additional publications and ephemera.

Self-described as "the magazine Margaret Atwood warned you about," referencing Atwood's famous dismissal of science fiction as "rockets, chemicals and talking squids in outer space," Space Squid is a science fiction/humor 'zine published in Austin, Texas.

This collection contains fifty-four 20th-century postcards of multiple Texas cities.

This collection is unprocessed.

This collection consists of manuscripts and literary materials from Mexican-Canadian fantasy and horror novelist, editor, and short-story writer Silvia Moreno-Garcia. Materials include versions and drafts (in paper and digital form) of her novels Signal to Noise (2015), Certain Dark Things (2016), and The Beautiful Ones (2017), among others.

This collection contains papers from 1956, 1957, and 1958 Traffic Engineering Short School.

The collection contains a wide variety of material related to Star Trek, including books, records, calendars and realia such as pins, playing cards, music boxes, pictures, magazines covering Star Trek, apparel, cups, and glasses, models, ornaments, and other collectibles.

Approximately 102 books have been integrated into the Science Fiction and Fantasy Research Collection. Each book added has a note "Sharon Faye Wilbur Star Trek Collection."

An additional series contains reference material relating to the author Andre Norton, with whom Wilbur was acquainted. Works by Norton that Wilbur owned have been integrated into the Science Fiction and Fantasy Research Collection.

This collection contains biographical data, publications, and data on the Biology Department at Texas A&M in which Sewell was a faculty member, as well as reports and other papers relating to oyster mortality research carried out through the Texas A&M Research Foundation Research Project 9 (February 1, 1947 - May 31, 1950).

The research project 9 was funded by six major oil companies and led by two Texas A & M University Professors, Sewell H. Hopkins (Head) and John G. Mackin (Associate Head).

Prompted by several lawsuits filed by Louisiana oystermen against major oil companies claiming damages to oyster fields as a result of drilling in the Gulf Of Mexico region, Project 9 was conducted under the auspices of the Texas A & M Research Foundation. Project 9 allowed researchers to design and implement field and laboratory studies seeking to determine the effects of oil production activities on oyster production. Eventually, a then as-yet-unknown parasite was discovered which preyed upon the oyster crop after they had begun to reach maturity.

Two other large research groups investigating the same allegations against oil production in the Gulf headed by H. Malcome Owen (Louisiana Wildlife and Fisheries Commission) and Albert W. Collier (Gulf Oil Company) compared notes with the Heads of Project 9, coming to the same conclusion. As a result of this collaboration, a description of this newly discovered parasite called Dermocystidium marinum was published in 1950. The lawsuits were subsequently dropped or settled out of court.

More importantly for the history of the Texas A & M University System, however, is the fact that Research Project 9 led ultimately to the creation and expansion of a Marine Sciences program, represented by the newly established (1949) Department of Oceanography at Texas A & M University in College Station. On 1 June 1950, after the termination of Research Project 9, Research Project 23 was begun to continue studies on oyster disease and maintain a Marine Laboratory at Grand Isle, La. The Texas A & M Marine Laboratory was established (1952) at the University of Texas Medical Branch in Galveston, Tex. In 1968 Texas A & M University was named a Sea Grant College. The Marine Laboratory and the Texas Maritime Academy were merged in 1971, which is now known as Texas A & M University at Galveston.

These papers, therefore, form a picture of the ground-breaking research in oyster mortality conducted by Sewell H. Hopkins as head of Project 9, which led to increased sensitivity of the interplay of industry and the ecosystem, and to the formalized study at the university level of marine biology in the Gulf area.

Other researchers whose work is represented in the papers include Jay Donald Andrews, A. D. Bajkov, Harry J. Bennet, James L. Boswell, Clair Brown, Sidney O. Brown, M.D. Burkenroad, Fred Caulthron, C. Ray Elsey, I. I. Gardescu, Gordon Gunter, C. K. Hancock, Harold W. Harry, Joel W. Hedgpeth, Willis G. Hewatt, A. A. Jakkula, Fred W. Jensen, P. Korringa, Louis Lambert, Hugh B. Lofland, Elmer J. Lund, G. Robert Lunz, Jr., John C. Aull, Alvin F. Dodds, Shirley Alfred Lynch, John G. Mackin, Wiley G. Lastrapes, H. A. Marmer, R. Winston Menzel, Thurlow C. Nelson, Joseph F. Prokop, W. C. Rasmussen, Sammy M. Ray, J. H. Roberts, Fred W. Sieling, John J. Sperry, Victor Sprague, and Claude E. ZoBell.

    * Bibliography

    * Ray, Sammy M. "Historical Perspective on Perkinsus Marinus Disease of Oysters in the Gulf of Mexico." Journal of Shellfish Research. Vol. 15, No. 1:9-11.

    * Ray, Sammy M. "Texas A & M University's Contributions to Gulf of Mexico Ecosystem Research." [Viewed 2002-10-10 at: ]

Unprocessed

This collection consists of reel-to-reel audio recordings, audio recordings on tape cassette, and digitized recordings of these materials, of interviews conducted on the Science Fiction Radio Show, which ran from 1980-1983. The show was created by David Carson, Keith Johnson, and David Crews and originally broadcast from Odessa College (in Odessa, TX) starting in June 1980. Carson and Johnson had proposed a science fiction course for the college, and when it was denied, they turned instead towards developing a radio show as a way of bringing their interest in science fiction to a wider audience.

Starting in the spring of 1982 (after a hiatus beginning in Fall 1981) and proceeding through the last broadcast on December 31, 1983, the show was syndicated for national broadcasting by the Longhorn Radio Network in Austin. This helped give the show a nationwide following.

The Science Fiction Radio Show conducted interviews with a wide variety of significant personalities over its run, including Stephen R. Donaldson, Gordon R. Dickson (and his about-to-be-published novel The Final Encyclopedia), Philip Jose Farmer (just as he was concluding his Riverworld series), Hal Clement, Theodore Sturgeon, Howard Waldrop, C.J. Cherryh, Poul Anderson, Terry Carr, L. Sprague de Camp, Michael Whelan, Roger Ebert, Jim Henson (interviewed during the production of his film The Dark Crystal), and many others. Some shows were also dedicated to specific subjects, including computers, L. Frank Baum, and science fiction music.

Over the course of its life, the show conducted 81 interviews, most of them lasting 1-2 hours. The Longhorn Radio Network estimated that between 100,000 - 200,000 people listened to the show every week.

The collection includes a few recordings made from other sources than the Science Fiction Radio Show.

Miscellaneous items acquired randomly, related to science fiction and fantasy. Items include convention materials, posters, and various items of realia.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

This collection consists of 3 sets of bound volumes containing copies of science fiction stories that were collected from various libraries, archives, and other places. None of the materials within the volumes is owned by Cushing Library and Archives.

Elvis Presley memorabilia.

This collection consists mainly of correspondence, legal documents, a corporate minute book, and handwritten notes recording the litigation connected with ownership of a large tract of land (89,000 acres) in Hidalgo country known as the "Big Santa Rosa Pasture". Actual litigation took place from 1903-1910.

Individuals involved in the case were: Dillard Rucker Fant and his wife, Lucy Fant; Daniel J. Sullivan; J. C. Sullivan; James V. Upson; Wiliam R. Elliott; Conrad A. Goeth; James Webb; J. M. Chittim; Archie Parr; Kate V. Elliott; G. G. Clifford; A. E. Chavez; J. A. Galligher; W. M. Sanford; Fred Kelly; F. A. McGown; F. W. Church; H. R. Wood; F. Groos and his wife, Hulda Groos. Legal counsel involved in the proceedings were: James E. Webb and Conrad A. Goeth of Webb and Goeth, F. A. McGown of Denman, Franklin & McGown, and R. L. Ball, all based in San Antonio, Texas.

At the onset of the difficulties, D. R. Fant had leased the Big Santa Rosa Pasture to the cattle-raising partnership of Chittim and Parr. J. M. Chittim was a large rancher in South Texas and Archie Parr, was a State Senator popularly known as the Duke of Duval. Based on the large annual rent monies Fant had expected to collect from Chittim and Parr, he then also borrowed money from D. Sullivan of D. Sullivan and Company Bankers (founders and owners of the large South Texas Mariposa Ranch) and, using the same collateral, borrowed more money from the competing F. Groos and Company Bankers (later a founder of Wells Fargo Bank).

When it appears, that Chittim and Parr defaulted on their rent payment for the Big Santa Rosa Pasture to Fant, Fant was then forced to default on his own payments to both banking organizations from whom he had borrowed funds. The bankers, in return, sued and foreclosed on the Big Santa Rosa Pasture.

Through the Santa Rosa Ranch Papers extensive set of legal documents, attorneys' memoranda, telegrams, letters, and financial disclosures, the most absorbing story of Texas land politics unfolds.

Notable among the papers is the Santa Rosa Ranch Minute Book, a ledger volume with handwritten entries detailing the Articles of Incorporation, By-laws and minutes of the first stockholders' meeting of the Santa Rosa Ranch Company. Also present is a manuscript plat map in black and red ink on light blue linen, of the 1905 Maria Rodriguez survey, which has been encapsulated and is housed separately in a Map Case Drawer.

The Samuel Erson Asbury Papers consist of research materials, correspondence, mainly original contemporary letters and copies of the older historical correspondence, Asbury's writings and copies of state and national documents, held in eight boxes and one map case drawer occupying approximately twelve linear feet of shelf space. Asbury's broad range of interests is reflected in the variety of topics contained in these papers. Foremost among them are the files of correspondence, historical documents, articles and research notes concerning various aspects of Texas history.

Also included in the Asbury papers are articles, short stories, essays, plays, poetry, and a Texas Revolution opera written by Asbury; research notes and correspondence on the cultivation of roses and the growing of plants without soil; articles written about Asbury; correspondence with family members; general correspondence; and photographs of Asbury, his family and friends, and North Carolina A & M College.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection consists of materials from various science fiction and fantasy conventions, assembled over the years by Russ Ault. Materials include program guides, program books, and pocket programs.

This collection, compiled by Professor A. W. Yeats, contains numerous letters handwritten by Kipling, copies of Kipling letters, letters written by his sister Alice Fleming discussing her childhood with Kipling, and correspondence from Kipling's wife Caroline and daughter Elsie.

Included in the collection are many original newspaper clippings, poems, short stories, photos, drawings, . articles, a publishing contract, lists of various Kipling collections, material regarding the Kipling Society and the Last Will and Testaments of Rudyard Kipling, his wife Caroline and his sister Alice Fleming.

The collection, through a large display of original and reproduced letters, gives a peek at the kind of everyday tasks that Rudyard, as a famous author, and his wife Caroline had to contend with. Through its many newspaper clippings and articles written about him, the collection shows how eminent Rudyard Kipling was as a writer both in the 19th and the 20th centuries. It also serves as an introduction to the Kipling Society, its founding and difficulties therein, as well as the struggles legal and otherwise that surrounded Kipling's work during his life, continuing many years after his death. The collection contains interesting facts about the Kipling family, including some light genealogy, the places they lived and visited, and the people they knew.

There are some thirty-six Rudyard Kipling autograph pieces, all of which are letters excluding a few poems and miscellaneous items. The collection contains many original letters of Alice Fleming, Caroline Kipling, Elsie (Kipling) Bambridge, J.H.C. Brooking, A. W. Yeats and various others as well as many copies of letters from other Kipling collections throughout the country. In addition to any personal correspondence, there are many letters and notes, several minutes, member lists and other paraphernalia of the Kipling Society founded by J.H.C. Brooking in 1926 [?]. There is an assortment of page-proofs, galleys, original drafts, and copies of Kipling's poems, short stories, and manuscripts, along with a wide range of newspaper clippings dealing with all aspects of Kipling's life and influences on society. In addition, the collection has several original and copied catalogs from bookseller's and auction houses holding Kipling material.

Along with the letters, clippings, and many books in the Rudyard Kipling Collection at Texas A&M University, the collection contains items such as an autograph copy of "The Foreloper" framed with an illustration by an unidentified artist, the manuscript for "The Maltese Cat," and the ledger book of Mr. T.E. Elwell, an early member of the Kipling Society, who made many notes and collected numerous clippings towards a Kipling bibliography.

This collection contains over 275 letters of correspondence in Series 1, serving to portray the longtime relationship between Roy Fuller and Julian Symons which started on terms of business and grew to a close friendship. The letters are primarily from Roy Fuller to Julian Symons with occasional addendums from Kate Fuller. There are several letters from Julian Symons in response. In addition, there are some letters from John Fuller to the Symons, from Roy Fuller to Jack Clark, and from Roy Fuller to Sebastian Barker. The folder list contains a brief description of each individual letter and its focus, often with a list of Subjects. Especially lyrical and poetic are Roy Fuller's war letters starting when he was stationed in Africa (Kenya and Nairobi) and Ariel through the office of the Admiralty (folders 1000-1370).

In Series 2, there are 64 letters from Roy Fuller with three annotations from Jack Clark and five from Kate Fuller, one letter from Jack Clark, one from Kate Fuller, six from John Fuller, Roy Fuller's son, and several others from miscellaneous individuals. The letters from Roy Fuller date from 1958 to 1990 and are primarily handwritten postcards to Jack Clark, Co-founder of the Poem-of-the-Month Club. Many of these letters are regarding or, at least, in reference to Fuller's position as advisory to the Poem-of-the-Month Club. However, Fuller and Clark were also close friends, and Fuller feels free, in these letters, to discuss everything from his failing health to how he met his wife, along with many other personal remarks. Most of the letters from John Fuller and the one from Kate Fuller were written after Roy Fuller's death. The few other items in this series include poems, obituaries, newspaper clippings, and pamphlets pertaining to Roy Fuller's life and/or subjects exchanged between Fuller and Clark.

List of Abbreviations Used:

• ALS - Autograph letter, signed.
• AL - Autograph letter, unsigned.
• ANS - Autograph note, signed.
• APCS - Autograph postcard, signed.
• TLS - Typed letter, signed.
• TL - Typed letter, unsigned.
• TPCS - Typed postcard, signed.
• RF - Roy Fuller
• POMC - Poem-of-the-Month Club
• TCV - Twentieth Century Verse

This collection contains photocopies of manuscripts, poetry, reviews, and articles written by Roy Fuller and others, along with photocopies of correspondence to and from Roy Fuller, and to and from other writers.

The Roy Craig Collection on the Scientific Study of Unidentified Flying Objects consists of Dr. Craig's working files on all UFO reports studied by the Condon Report project team, including the field investigation notes, case writeups, physical evidence collected, Craig's appointment books for 1966-1968, a copy of the three volume Condon Report, a copy of the Bantam Books mass market reprint edition, additional notes and reports related to the UFO study, photos, recordings, and popular articles and books about UFO studies, and the manuscripts and notes for Dr. Craig's book, UFOs: An Insider's View, copies of the score and audio recordings of "The UFO Song," and other related material. The collection occupies approximately 10 linear feet.

This consists, aside from the group of 900 or so monographs collected by Asselineau, chiefly of correspondence, accompanied by handwritten drafts of reviews written in ink or pencil by Asselineau on slips of paper, apparently placed in the relevant book on his shelf as a file. The correspondence and draft of reviews are often associated with clippings, photographs or snapshots, offprints, programs, newsletters, and a few postcards.

Most of these manuscript materials were found in the process of cataloging the monograph collection, apparently filed by Asselineau in volumes of his monograph collection, usually related to the author of the book into which he inserted the materials over a period of years. A title page of the relevant book into which the manuscript materials were found inserted is now clipped to the materials in the collection folder and the call number of the book written on the photocopied title page in pencil. Also present are musical scores of adaptations of Whitman's poetry, and quite a few copies of the Walt Whitman Circle quarterly newsletter, published by composer and Whitman enthusiast, Robert Strassburg.

Series 1 includes notable correspondents such as Gay Wilson Allen, V. K. Chari, Betsy Erkkila, Ed Folsom, Donald D. Kummings, Jerome Loving, Robert Strassburg, and Leandro Wolfson.

Series 2 consists of a bound manuscript book entitled "Walt Whitman on Burns and a Portrait Gallery of Walt Whitman". The book measures 21 cm by 13 cm and is bound in green half-calf with marbled boards. According to a letter pasted into the book, it was apparently purchased by Roger Asselineau on August 20, 1942, from Alfred F. Goldsmith of New York, NY. Twenty-seven leaves of the manuscript book are filled with mostly photographic portraits of Walt Whitman, a few obviously cut from published works, and one leaf containing a section from a page of a handwritten manuscript in pencil and ink, labeled "Rough draft of a page in 'Robert Burns as poet and person' in November Boughs (p. 61)." Twenty other leaves of the book are left blank.

Series 3 consists of four folders with programs, offprints, and newspaper clippings collected by Asselineau. Contains manuscripts with commentary and suggestions (1856-2000), programs, announcements and catalogs (1963-2000), and clippings collected (1962-1992) regarding the life of Walt Whitman, his writings, collections, and offprints.

Series 4 contains over 900 monographs collected by Asselineau, these materials are cataloged separately in the Library of Congress classification and housed in the Cushing repository stacks as part of the Lit/Whitman collection. These monographs include first editions of Walt Whitman's works, particularly Leaves of Grass, many translations of the poem into an incredible variety of languages, biographies, and other scholarly works. The breadth of Asselineau's scholarly activity and acquaintance is well represented by the amount of correspondence and other memorabilia which was found inserted into these volumes.