This collection contains notes, checklists, copies of Otto Binder letters, and edited drafts of Bill Schelly’s Words of Wonder: The Life and Times of Otto Binder (2003).

The Lisa Tuttle Collection consists of books, manuscripts, galley proofs, and magazines tracing the storied career of science fiction, horror and fantasy writer Tuttle.  The collection is a work-in-progress, with additions from the author as they become available.

The Payne Harrison Collection consists primarily of manuscripts, notes, and related material for Harrison's novels and other written works (including an unproduced screenplay, Arrow Storm). There is also a considerably large subject file consisting of news articles, government documents, and other materials that Harrison used in research for his works.

Also in the collection are a number of photographs and slides depicting trips Harrison made (to England and to Japan, among other places), as well as various aircraft and other military subjects. (Some photographs are held in the Subject File.)

This collection contains manuscripts from the works of fantasy writer Marie Brennan. Included are the original manuscripts and the page proofs for the four books of Brennan's _Onyx Court_series. The _Onyx Court_novels are comprised of a series of semi-standalone historical fantasy novels set in London at different points in English history. Also included are proofs for several volumes in Brennan's more recent Victorian pastiche fantasy series The Memoirs of Lady Trent.

Also included in the collection are copies of literary magazines that contain short stories by Brennan.

This collection contains manuscript material from author Beth Cato, including materials from her first novel, the steampunk fantasy The Clockwork Dagger, which was published in 2014.

This collection contains materials from the literary career of Pacific Northwest-based poet Jeannine Hall Gailey, who writes poetry with science fiction and fantasy-based themes. Materials in the collection include a number of typescripts of Gailey's work, together with some of her other writings as well as numerous printed publications in which her work has appeared.

This collection includes the manuscripts for The Brass Dragon (typed, 199 leaves), and The Winds of Darkover (typed, 197 leaves).

This collection consists of 81 leaves of uncorrected galley proofs for Williamson's 1975 collection The Early Williamson.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection consists of issues from the comic book continuation of the television shows Buffy the Vampire Slayer and Angel, both created and produced by Joss Whedon. Included are the issues for the final two story arcs of Buffy Season Eight, for the story arcs in Season Nine and Ten, and for the beginnings of Season Eleven. Season Nine and Season Ten are divided into two separate story strands, one following Buffy and her friends as they adapt to post-Sunnydale and post-Season Eight life in San Francisco, the other chronicling the ongoing adventures of the ensouled vampire Angel and Buffy's rival Slayer, Faith.

There are also issues of two mini-series that were published as part of Season Nine, which follow the adventures of the characters Spike and Willow, respectively. In addition, there are several issues of an additional Buffyverse comic mini-series from Dark Horse, this one exploring the development of the character Illyria (who figured in the television show Angel).

This faceplate was on an old workgroup server (the hot-swap machine) originally used by the UNIX support team at Texas A&M University Libraries. This and other servers, which were replaced in the late-2000s, were whimsically assigned nicknames by the staff based on characters from the science fiction television show Farscape.

The server to which this faceplate was attached was named "Crais", after Captain Bialar Crais, a major Farscape character. In March 2003, Lani Tapu, the actor who portrayed Crais, was a guest at Aggiecon, and while on campus autographed this faceplate. After several years in operation, the server was replaced and sent to surplus, but the faceplate was retained by the Associate Director for Systems and eventually donated to Cushing Library.

This collection includes manuscripts and related materials from El Paso-born fantasy author Jeannette Kathleen Cheney. Materials include assorted drafts, proofs, and edits for the novels in her Golden City trilogy (2013-2015, as well as for her 2016 fantasy novel Dreaming Death as well as some of her more recent work.

Also included are CDs containing electronic files related to the writing, revisions, and development of the Golden City series and of Dreaming Death, as well as assorted digital files for Cheney's work.

This collection reflects the years of fannish interest and collecting done by Frank, a fan from Philadelphia, PA. Most of the collection documents Frank's interest with a particular subset of Star Trek fandom - Klingon culture. Items from this fandom include fanfiction, club newsletters, reference works, calendars, and several pieces of realia such as Klingon-themed jewelry.

The collection also contains several examples of fanzines from general Star Trek fandom and from several other fandoms. There is also one box of professionally published books - on Klingons and Star Trek, as well as several academic monographs on fan studies.

Aside from these, there is one additional major component to the Frank Collection. Frank collected a large number of songbooks containing so-called "filksongs". Filksinging is a venerable fannish activity - it can be generally described as science fiction-related folk music, and is frequently performed at conventions and other fannish get-togethers. The Frank Collection contains both filk songbooks and CD recordings of Frank's original filksong cassette tapes.

This collection consists of a number of proof pages for the Buck Rogers comic strip, December 14, 1959 - April 3, 1960. The proofs contain both the comic pages themselves and typewritten scripts for each strip.

The comic strips are illustrated by George Truska, who drew the strip from 1959 until the end of its original run in 1967.

This collection was originally assembled by Martha Millard, the literary agent of noted science fiction author William Gibson. The collection contains correspondence between Millard and Gibson, agency business correspondence to and from Millard concerning Gibson's publishing career, assorted photographs, and an agency publicity file that includes publicity materials, files of Gibson's book reviews, interviews with Gibson, and articles about Gibson and/or the cyberspace and cyberpunk phenomenons.

Of particular note are a number of Gibson's original writings, which are also housed in the collection. These writings include such important Gibsoniana as his original 1981 outline for what would become Gibson's first novel Neuromancer; a 1984 outline for a never-completed novel, The Log of the Mustang Sally; an outline for Mona Lisa Overdrive(1986); a chronology and notes for The Difference Engine(1987); and copies of Gibson's screenplays for Alien III(c. 1990, unused) and Johnny Mnemonic(1992, 1994).

The Martha Millard Archive of William Gibson is a important collection for exploring not only the development of Gibson's writing career, but the ways in which an author, his agent, and his publishers interact with one another, working together to create and publicize a final literary product. The collection also provides numerous examples of the cultural impact that Gibson, as the coiner of the term 'cyberspace' and founder of the cyberpunk sub-genre of science fiction, has had on his colleagues, fans, and contemporaries.

This collection contains a number of strips from the long-running Tarzan comic strip, based on the famous books by Edgar Rice Burroughs. Most of the strips were simply clipped from newspapers, including the Detroit News,  and then put in folders. Others have been encapsulated onto stiff boards.

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

An archive of documents from the Robert E. Howard file of John D. Clark. Includes correspondence, manuscript (including drawn maps of Howard's Hyborian Age universe, and published material relating to the 1950s republication of Conan the Barbarian stories.

This collection consists of materials related to Arthur C. Clarke's sales of stories and other pieces to Playboy Magazine. The collection includes a group of 27 typed letters and 7 autograph letters, mainly between Clarke and editor A. G. Spectorksy, internal Playboy memoranda, and correspondence from Playboy. Also included are typescripts (marked as setting copy) for 4 short works of fiction and 8 nonfiction pieces by Clarke.

This collection consists of 12 pieces of correspondence, almost entirely letters written by legendary science fiction author Clarke to Baird Searles, owner of the well-known Science Fiction Bookshop in New York City, NY. Clarke, who lived in Sri Lanka, frequently ordered books from Searles.

There is also one letter from Clarke to Martin Last, Searles' writing collaborator and domestic partner.

Miscellaneous items acquired randomly, related to science fiction and fantasy. Items include convention materials, posters, and various items of realia.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection includes correspondence to and from Clareson on his research, his science fiction journal editorship and related matters; manuscripts of some of Clareson's work, including a study of Robert Heinlein, as well as Understanding Contemporary American Science Fiction: The Formative Period (1990) and an unpublished biography of Charles Reade; research files for Clareson's study of John Wyndham; audio cassettes of interviews, panels and other appearances by Clareson; slides used by Clareson in his classroom work; and some miscellaneous materials. Also included are several awards that Clareson won for his professional work.

Several additional boxes contain research materials used by Clareson in the writing of his work The Heritage of Heinlein: A Critical Reading of the Fiction. Clareson died before he could complete the work, and it was ultimately finished and published by Joe Sanders in 2014. The materials include the manuscript for the book, as well as some original correspondence from Robert A. Heinlein, and copies of some of Heinlein's novels with notes by Clareson.

The correspondence contains letters from Lois McMaster Bujold, Harry Harrison, and James Tiptree, Jr.

The Media Fanzine Collection is comprised of numerous pre-Internet fan-produced publications that document their involvement in a particular fandom. Fandoms are based around media productions such as movies (i.e. the Star Wars film series) or television shows (i.e. Star Trek in its various iterations). Although traditionally most media fandoms involve productions from the science fiction and fantasy genres, there are numerous exceptions.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Media Fanzine Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

Slash and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content. Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures. (s) indicates slash material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

The October 2016 Addendum includes several "friend books", tiny zines used by pre-teens and teens in the 1970s and 1980s as a way of finding other like-minded fans in the pre-Internet era. Some "friend books" were sized small enough to fit into an international envelope (2-3 inches), and consisted of no more than a few pages. The covers were pages cut from magazines or advertisement and were stapled or taped into a booklet shape. Many were multi-fandom, but some focused on single fandoms like Star Wars. Fans would write their name and address, and list their interests. The book would then passed along to the next fan. When the booklet was filled it was to be mailed back to the original fan. Often times questions were asked (ex: Who is your favorite Star Wars character?)

There are several additional items, including materials from genre conventions, ads and flyers, professional publications that relate to various fandoms, and various items of printed realia. The Christina Pilz February 2024 Addendum contains a number of fanzine advertisements and documentation devoted to fanzine and fanfic productions.

Sub-Series 1 of the Georgia Barnes Addendum contains maps of the Star Trek universe, and has therefore been filed with other items in the Maps Of Imaginary Places Collection.

Audio-Visual Materials

The collection also contains non-print materials. There are a significant number of fanvids in the collection (and the fandoms for those vids are noted in the finding aid). There are also several DVDs that contain recordings of fanfiction podcasts, from a number of different fandoms.

On Star Trek

Since 1966 there have been 5 non-animated television iterations of the television franchise Star Trek. Each one has its own dedicated fandom (although certainly many Trekkers are fans of multiple series), and each one has a generally accepted denotation. Those denotations are used in this collection, as follows:

Star Trek [TOS] refers to the original series(1966-1969).

Star Trek [TNG] refers to Star Trek: The Next Generation (1987-1994).

Star Trek [DS9] refers to Star Trek: Deep Space Nine (1993-1999).

Star Trek [VGR] refers to Star Trek: Voyager (1995-2001).

Star Trek [ENT] refers to Star Trek: Enterprise (2001-2005).

On The Professionals Circuit Archive:

There are several boxes of fanfiction from The Professionals Circuit Archive. The Circuit Archive is a singular form of fannish creative association, that for The Professionals fans actually predates the creation of more typical zines. In a standard fanzine distribution, a fan or group of fans will write, edit and publish a fanzine, and the publication will be printed and made available for sale. With The Professionals fandom, things began much more informally. Fans would place their stories 'on the circuit'. That is, they would write their stories and then produce photocopies; the copies would then be circulated among one another via standard mail. In time, certain fans began collecting copies together into 'circuit libraries'. Interested fans could become members of these informal lending libraries, and would receive titles on request, which they could read and /or photocopy and then return to the library. Although, in time, The Professionals fans began producing zines in the same ways that other fans did, much of the fanfiction remained (and remains) on the circuit.

By the late 1980s, two large circuit libraries were in place: one in Great Britain, and another in the United States. They enjoyed considerable overlap in their contents, but because of geographical distance and the informality of circuit distribution did not duplicate each other. In the early 1990s, as zines started entering the electronic era, fans began working to convert the vast number of paper stories into an electronic format that would encourage and increase access (as well as help preserve the much-used paper originals). In 1996, the Circuit Archive went online and continues to periodically increase its contents with new stories. The Circuit Archive, sprung from humble beginnings, now holds more than 1000 individual stories, which form the backbone of The Professionals creative fandom.

To quote Morgan Dawn, "the circuit library in the Professionals fandom is a unique tradition of women writing and sharing fan fiction (often anonymously) without going through the editorial and fanzine publication process. In many ways, it is the precursor to the fan fiction on the Internet where people would read a story, photo-copy it and send it on to someone else, and then write a response story, copy that and mail it on in an endless flow...and because The Professionals was a UK show, you have the unique situation where this communication was crossing both cultural and geographic barriers." Stories in these folders include both gen and slash.

This collection contains various materials from noted fan and fanzine publisher Francis Towner Laney (1914-1958). Materials include a number of letters between Laney and fellow fanzine publisher A. Langley Searles, as well as an unbound copy of Laney's 1948 Ah! Sweet Idiocy!: The Fan Memoirs of Francis T. Laney.

This collection gathers together eleven of the Unnameable Press's imprints from 1984 through 1986, promotional ephemera from 1985-1993, and correspondence from 1993-1995.

This collection consists of selected Sunday comic strips (12 in number) from the comic strip John Carter of Mars, based on the series of novels about Carter by Edgar Rice Burroughs. All are from 1942 and encapsulated and backed on board.

The strip was written and illustrated by Burroughs' son, John Coleman Burroughs, and ran from 1941-1943.

The collection consists primarily of manuscript material and publication proofs, with the bulk of the material dating circa 1995-2005.

This archive includes a full run of the publication to date to date, including the master copies of several issues. There are some additional publications and ephemera.

Self-described as "the magazine Margaret Atwood warned you about," referencing Atwood's famous dismissal of science fiction as "rockets, chemicals and talking squids in outer space," Space Squid is a science fiction/humor 'zine published in Austin, Texas.

This collection contains fanzines and some scattered other materials relating to the television series Star Trek: The Original Series[TOS] (1966-1969). The driving force behind most of the stories in the collection - as reflecting the cultural interests of collection donor Holly Brown - is the close friendship between the characters Captain James T. Kirk and Mr. Spock. However, stories in the collection do involve many different characters and situations.

The majority of the contents in this collection consist of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks. Holly Brown is herself a slash writer, and much of her collecting was driven by her interest in slash.

Another substantial portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships. "Gen" stories are those that, speaking broadly, involve the more standard sorts of adventures one might encounter in the television series or other original source material, or that do not involve sexual content as a focus of the story.

Gen and het items are identified as such on the item folder. If an item is not identified as gen or het, it is to be assumed that the item is slash.

A small portion of the collection involves media productions other than Star Trek[TOS]. These include the show's sequel series Star Trek: The Next Generation[TNG] as well as anthologies of multimedia fanfiction featuring stories from many different sources.

Other, smaller portions of the collection include copies of script drafts from various episodes of Star Trek[TOS] and Star Trek: The Animated Series[TAS], as well as program books and other materials from a number of science fiction conventions.

This collection consists of the galley proofs of Helltracks.

This collection consists of manuscript drafts, copyedited manuscripts, and galley proofs of all of Martha Wells' novels, as well as a number of other materials that include program books from many science fiction and fantasy conventions.

The March 2017 Addendum contains mostly media-related materials, particularly from the television show _Hercules: The Legendary Journeys_and the _Star Wars_films.

The collection contains a wide variety of material related to Star Trek, including books, records, calendars and realia such as pins, playing cards, music boxes, pictures, magazines covering Star Trek, apparel, cups, and glasses, models, ornaments, and other collectibles.

Approximately 102 books have been integrated into the Science Fiction and Fantasy Research Collection. Each book added has a note "Sharon Faye Wilbur Star Trek Collection."

An additional series contains reference material relating to the author Andre Norton, with whom Wilbur was acquainted. Works by Norton that Wilbur owned have been integrated into the Science Fiction and Fantasy Research Collection.

This collection contains materials relating to the creation and writing of the Rat Patrol fanfic The Last Ride Raid, written in 1997 by L.C. Wells and Kathy Agel.

The collection, which contains copies of correspondence between Wells, Agel and their onetime collaborator Nora Myers; photocopied background research materials, photographs of sites ultimately not used for the story, and illustrations, provides a compact group of materials that document the creation and production of a work of fanfiction. A copy of the final product The Last Ride Raid is also included.

Also included is a CD containing PDFs of the correspondence and the fanzine, as well as an introductory letter from Wells to researchers and readers explaining the process of creating the fanzine.