The collection consists of carbon copies for the typed manuscripts Mer-Cycle (154 leaves) and Mer-Cycle, Part 2 (136 leaves).

This collection consists of two typed manuscripts (with corrections) of Philip Jose Farmer, including his Hugo Award-winning novella Riders of the Purple Wage (1967) with a signed cover letter to Harlan Ellison and Larry Ashmead and which was originally published in Harlan Ellison's groundbreaking anthology Dangerous Visions.
The manuscript "Sketches Among The Ruins of My Mind" (1973) signed by Farmer in August 1986, is accompanied by a 1972 letter from Harry Harrison containing suggested edits to Farmer's story.

This collection consists of "cutting continuity" scripts for two science fiction film serials produced by Republic Pictures, Undersea Kingdom (1936), and Flying Disc Man From Mars (1950). Both serials had 12 episodes, the scripts for all of which are in the collection.

"Cutting continuity" scripts were not so much as screenplays in the traditional sense of the primary documents that are used to construct a film, as transcriptions of the final filmed product that were sent to the Production Code Administration (the self-regulating Hollywood agency that from 1934-1968 examined and judged movies for their content), to state censors, or to exhibitors.

This collection consists almost entirely of correspondence from Ray Bradbury regarding submissions and publishing during Bradbury's early career, 1939-1950s. Most of the letters were written to Erle Korshak, founder of Shasta Publishers, but some of the correspondence is both to and from Ted Dikty, Shasta's managing editor and a well-known SF anthologist.

There are a few later pieces of correspondence, dating from the 1980s.

This collection contains the original handwritten manuscript for Lee's 1976 novel Don't Bite The Sun, the first in her two-book Four-BEE series (a sequel to the book, Drinking Sapphire Wine, was published in 1977). Lee wrote the novel when she was 21, though it was not published until some years later.

The manuscript, in addition to the text of the novel, contains several illustrations from Lee, a description of the novel's structure, a name guide for the use of the manuscript's typist, and a list of chapter lengths. A 2014 note from Lee on the first page notes that the first few pages of the manuscript (the Prologue) are missing.

Also included is a photocopy of the typescript (with handwritten edits) of Lee's 2010 short story collection Disturbed By Her Song, published by Lethe Press. Along, with Lee, Esther Garber, and her half-brother, Judas Garbah is credited as the authors of the work. Garber and Garbah were supposedly French writers from the mid-20th-century whom Lee claimed to be channeling when she wrote the pieces.

This collection consists of a group of thirty issues of The Argonaut (1879-1889) containing twenty-three science-fiction stories by Robert Duncan Milne, some in two or three parts. References to "Moskowitz" indicate his edition of eleven stories by Milne, Into the Sun (West Kingston, RI: Donald M. Grant, Publisher, 1980). Eighteen of the stories in this lot were not published in Moskowitz's edition and have never been reprinted, to the best of our knowledge.

The time period covered in this lot is 1879 to 1889. The Argonaut was generally printed on good, non-pulpy paper and, barring abuse, remains in good condition and can be handled with due care without fear of crumbling paper. The Argonaut was a weekly literary newspaper published in San Francisco starting in 1878 and running well into the 20th century. It contained political commentary as well as departmental reviews of books, drama, food, fashion, etc. Ambrose Bierce wrote weekly columns during the first two and a half years of its existence. The editors had a penchant for weird and fantastic fiction and published such material by W. C. Morrow, Emma Frances Dawson, Robert Duncan Milne and a host of other minor authors, as well as offering translations of European material in this vein. Milne was evidently popular among The Argonaut readers, for his stories are often featured on the front page.

This collection contains research materials relating to the author Marion Zimmer Bradley (1930-1999), collected by Dr. Marijane Werdsman of Texas Tech University. The materials were collected as part of a prospective biography of Bradley that Werdsman had intended to write, but the project fell apart when accusations arose in 2014 that Bradley had sexually abused her daughter Moira when Moira was a child.

Most of the materials were obtained from various Internet websites, and include materials relating to Bradley, to her fantasy world Darkover, and to the various online fan communities devoted to Bradley and her work.

This collection consists of a variety of media fanzines, mostly from the British television show The Professionals, but also including smaller numbers of fanzines from The Man From U.N.C.L.E., The Sentinel, Star Trek: Deep Space Nine, and several other media properties.

The majority of the content is fanfiction. Almost all the fanworks in this collection are identified as "slash,” referring to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash (s) or het (h), the item is slash. (g) indicates gen material. (h) indicates het material.

The collection also includes substantial numbers of fanvids (songvids). "Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

Finally, the collection includes a number of CDs containing images and stories from the yaoi genre of animated Japanese media. Yaoi, like slash, focuses on sexual or romantic relationships between male characters, as well as several examples of fan art from the television show Supernatural.

This collection consists of an example of H. Rider Haggard's (Sir Henry Rider Haggard) autograph, dated 1889 and written on stationary reading "Ditchingham House, Bungay" (Haggard's home in Suffolk), together with a carte de visite of Haggard, printed by Newsboy in New York, Undated.

This collection consists of a number of items of Texas A&M University memorabilia, that display images, and lines of dialogue from the Star Wars cinematic universe. These items were sold in the fall of 2015 at the University Bookstore at the Memorial Student Center (MSC), as part of the nationwide landslide of publicity surrounding the December 2015 release of the film Star Wars: The Force Awakens.

Items in the collection include T-shirts, pennants, stickers, decals, and beverage coolers, among others.

This collection consists of fanzines, mostly fanfiction, involving the television shows Star Trek: The Original Series and Starsky & Hutch, with one additional fanzine devoted to Multimedia.)

The majority of the contents in this collection consist of fanfiction. Fanfiction is the name given to literary or artistic productions created by fans about the characters, settings, and events of the media universe in which they are interested. A substantial portion of the fanworks in the Crawford Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality, and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

Slash and het (that is, items dealing with opposite-sex relationships) items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content). Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures, (s) indicates slash material, (h) indicates het material, (g) indicates gen material.

This collection consists of manuscript materials for the novels from SF and fantasy author Clarke, including outlines, drafts, notes, and submission packages. Also included is the final version of Clarke's master thesis, an unpublished novel of magical realism entitled Light Pollution.

The materials in the Clarke Collection are entirely digital.