This collection consists of the corrected (with handwritten edits by Roberson) typescript for Roberson's 1988 fantasy novel Sword-Singer, the second volume in her Tiger and Del series (1986-present). This is the draft version, dated July 3, 1988, of the novel that immediately precedes the final submitted version.

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

This collection consists almost entirely of correspondence from Ray Bradbury regarding submissions and publishing during Bradbury's early career, 1939-1950s. Most of the letters were written to Erle Korshak, founder of Shasta Publishers, but some of the correspondence is both to and from Ted Dikty, Shasta's managing editor and a well-known SF anthologist.

There are a few later pieces of correspondence, dating from the 1980s.

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

This collection consists of the first page, handwritten, with title and two lines of dialogue, of Laumer's 1986 novella “The Pan-Galactic Pageant of Pulchritude: A Retief Story”.

This collection consists of 12 pieces of correspondence, almost entirely letters written by legendary science fiction author Clarke to Baird Searles, owner of the well-known Science Fiction Bookshop in New York City, NY. Clarke, who lived in Sri Lanka, frequently ordered books from Searles.

There is also one letter from Clarke to Martin Last, Searles' writing collaborator and domestic partner.

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

This collection consists of a photocopy of the 83-page typescript for Varley's 1981 story "Blue Champagne".

This collection contains materials relating to the printing of John Brunner's 1980 novel The Infinitive of Go. Included is the setting copy of the text as approved by Brunner with edits along with a letter from Ballantine Books.

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of 81 leaves of uncorrected galley proofs for Williamson's 1975 collection The Early Williamson.

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection contains the typed manuscript for Tucker's 1954 novel Wild Talent, as well as the original typescript and page proofs for Tucker's 1974 novel Ice and Iron.

This collection consists of the typescript for Bunch's short story, "Moment of Truth in Suburb Junction", which was published in Fantastic, in September 1973. The 10-page typescript has handwritten edits and includes a note from Fantastic editor Ted White and a one-leaf blurb.

This collection consists of the typed manuscript with handwritten edits of Cook's 1973 short story "The Night of Dreadful Silence". Also included is one blurb with the cover format.

This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.

This collection consists of several manuscripts of Panshin's work, including his 1968 novel The Thurb Revolution and his serialized novel The Son of Black Morca (1973, photocopies). Also included is a set of galleys for Panshin's Masque World (1969).

This collection consists of the manuscript for Fox's short story A Witch in Time, published in September 1973. The manuscript is typed, 22 pages with an additional 2-page blurb.

This collection consists of the manuscript with handwritten edits of the story "AFC", by Karl T. Pflock, published in Fantasticin September 1973, accompanied by a typewritten blurb.

This collection consists of two typed manuscripts (with corrections) of Philip Jose Farmer, including his Hugo Award-winning novella Riders of the Purple Wage (1967) with a signed cover letter to Harlan Ellison and Larry Ashmead and which was originally published in Harlan Ellison's groundbreaking anthology Dangerous Visions.
The manuscript "Sketches Among The Ruins of My Mind" (1973) signed by Farmer in August 1986, is accompanied by a 1972 letter from Harry Harrison containing suggested edits to Farmer's story.

This collection includes the typescript for an editorial by White for the September 1973 issue of Fantastic, and some 14 pieces of editorial correspondence, undated.