This collection consists of various card/board games and role-playing game modules and gamebooks (separately cataloged) collected by MSC Nova, the now-defunct Texas A&M University student group devoted to tabletop gaming. Also included are some various objects relating to the organization.

This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.

Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.

Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection was originally assembled by Martha Millard, the literary agent of noted science fiction author William Gibson. The collection contains correspondence between Millard and Gibson, agency business correspondence to and from Millard concerning Gibson's publishing career, assorted photographs, and an agency publicity file that includes publicity materials, files of Gibson's book reviews, interviews with Gibson, and articles about Gibson and/or the cyberspace and cyberpunk phenomenons.

Of particular note are a number of Gibson's original writings, which are also housed in the collection. These writings include such important Gibsoniana as his original 1981 outline for what would become Gibson's first novel Neuromancer; a 1984 outline for a never-completed novel, The Log of the Mustang Sally; an outline for Mona Lisa Overdrive(1986); a chronology and notes for The Difference Engine(1987); and copies of Gibson's screenplays for Alien III(c. 1990, unused) and Johnny Mnemonic(1992, 1994).

The Martha Millard Archive of William Gibson is a important collection for exploring not only the development of Gibson's writing career, but the ways in which an author, his agent, and his publishers interact with one another, working together to create and publicize a final literary product. The collection also provides numerous examples of the cultural impact that Gibson, as the coiner of the term 'cyberspace' and founder of the cyberpunk sub-genre of science fiction, has had on his colleagues, fans, and contemporaries.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

This collection consists of materials from fan, fanzine writer, and vidder 'Morgan Logan', primarily relating to her main fandom of _Starsky & Hutch._Materials include fanzines, DVDs of fanvids, CDs containing _Starsky & Hutch_images, examples of fan art, and additional fannish materials.

The collection also contains a number of objects and ephemera, including several _Star Trek_action figures from 1974 and a set of action figures from Stargate: Atlantis.

Much of the content of this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested.  Almost all of the fanfic in the Logan Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks (referred to as "gen"). All items are to be considered "slash" unless otherwise noted.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection consists of fanzines, mostly fanfiction, involving the television shows Star Trek: The Original Series and Starsky & Hutch, with one additional fanzine devoted to Multimedia.)

The majority of the contents in this collection consist of fanfiction. Fanfiction is the name given to literary or artistic productions created by fans about the characters, settings, and events of the media universe in which they are interested. A substantial portion of the fanworks in the Crawford Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality, and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

Slash and het (that is, items dealing with opposite-sex relationships) items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is “gen” (containing no sexual or romantic content). Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures, (s) indicates slash material, (h) indicates het material, (g) indicates gen material.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of 81 leaves of uncorrected galley proofs for Williamson's 1975 collection The Early Williamson.

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This is a small collection of correspondence, art, and a manuscript fragment by "Stewart", from Siros. The correspondence consists mostly of convention-related business and other topics and contains letters to Siros from, among others, Philip Jose Farmer, Jack Williamson, and John Clute.

This collection consists of a number of so-called "official" J.R.R. Tolkien Calendars, published between 1973-1994 by Ballantine Books and subsequently by HarperCollins Publishers. The calendars are noted for their colorful and lush art, as well as for the dating within of important events in the history of Middle-earth.

Artists whose work is featured in the calendars include: J.R.R. Tolkien, The Brothers Hildebrandt, Darrell K. Sweet, Michael Hague, Ted Naismith, John Howe,and Alan Lee, among others.

Calendars from early in the run (which is incomplete) contain handwritten notes and reminders by the donor.

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

This collection consists of the typescript for Bunch's short story, "Moment of Truth in Suburb Junction", which was published in Fantastic, in September 1973. The 10-page typescript has handwritten edits and includes a note from Fantastic editor Ted White and a one-leaf blurb.

This collection consists of the typed manuscript with handwritten edits of Cook's 1973 short story "The Night of Dreadful Silence". Also included is one blurb with the cover format.

This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

This collection consists of the manuscript for Fox's short story A Witch in Time, published in September 1973. The manuscript is typed, 22 pages with an additional 2-page blurb.

This collection consists of the manuscript with handwritten edits of the story "AFC", by Karl T. Pflock, published in Fantasticin September 1973, accompanied by a typewritten blurb.

This collection includes the typescript for an editorial by White for the September 1973 issue of Fantastic, and some 14 pieces of editorial correspondence, undated.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

This collection consists of various materials related to American fantasy author Lloyd Alexander, including a few pieces of correspondence, a number of Christmas cards illustrated and signed by Alexander, informational brochures, invitations, and miscellaneous items.

This collection contains the typed manuscript (7 leaves with a 2 leaf blurb), with handwritten edits, of Barry Malzberg's 1973 story "Isaiah", which was first published in the issue of Fantastic Science Fiction and Fantasy Stories.

A crossed-out date on the last page gives the date of composition to be December 20, 1972.

This collection consists of several apazines to which Prentiss Riddle contributed individual zines. The APAs represented are Argos and Myriad, which take as their subject science fiction, and Lingua (later titled Linguica), which involves explorations of language and languages. The collection contains a few additional materials, including individual zines.

Fanlore.org defines an "apa" (or "amateur press association") as "a kind of fan publication in which all the materials, generally letters, would be sent to a central person, who would simply copy the entire packet in the cheapest possible way (e.g. mimeograph, spirit duplicating, xerography, offset printing; APAs far predate the photocopy machine.) Sometimes each of the contributors sends as many copies of their submission as there are subscribers to the central mailer of the zine, who then collates and mails these, and does not have to take care of the printing.

APAs were, and are, important media for fannish conversation, discussion, and interaction: sort of a fannish mailing list or LiveJournal in print sent by snail mail. "

Apa members were expected to make regular or at least periodic contributions to the mailings (called "minac", or MINimum Activity). The role of the Central Mailer, sometimes called an Official Editor or Central Editor, often rotates between members of the apa. In addition, apa participants often change the title and/or format of their apazines from time period to time period. For example, Prentiss Riddle changed the title of his contributions almost monthly between issues of the apas of which he was a member.

This collection contains materials relating to the creation, development, and printing of the series of Star Trek fanzines devoted to the Kraith Universe. The Kraith Universe was a shared Star Trek alternate universe created by Jacqueline Lichtenberg in 1970, and six collected volumes of Kraith stories were originally published between 1972-1980 by publisher/editor Carol Lynn and her associate Debbie Goldstein.

The series contains correspondence, copies of the Kraith fanzines themselves, and related materials such as story drafts. A large part of the collection consists of printing masters for the Kraith zines as well as a few other zines published by Lynn.

Also included are various materials from several science fiction conventions.

This collection includes manuscripts, papers, and publications from throughout Mayhar's career, but the bulk of the material dates from the late 1980s to the present.

This collection contains materials from and about fantasy writer Britain, who is most well-known for her epic Green Rider fantasy novel cycle. Materials in the collection include manuscripts for several of the novels in the series; examples of Britain's other writings (including several information brochures she wrote for the National Park Service); correspondence to and from Britain, including items from authors Nevada Barr and Anne McCaffrey; a reference file containing copies of magazines with articles or other references relating to Britain; and assorted other materials.

The collection contains a wide variety of material related to Star Trek, including books, records, calendars and realia such as pins, playing cards, music boxes, pictures, magazines covering Star Trek, apparel, cups, and glasses, models, ornaments, and other collectibles.

Approximately 102 books have been integrated into the Science Fiction and Fantasy Research Collection. Each book added has a note "Sharon Faye Wilbur Star Trek Collection."

An additional series contains reference material relating to the author Andre Norton, with whom Wilbur was acquainted. Works by Norton that Wilbur owned have been integrated into the Science Fiction and Fantasy Research Collection.

This collection includes the manuscripts for The Brass Dragon (typed, 199 leaves), and The Winds of Darkover (typed, 197 leaves).

This collection consists of the original manuscript for McCaffrey's novella The Partnered Ship (1969), which was included as the concluding chapter in her famed 1969 novel The Ship Who Sang. The manuscript (typed 70 leaves) is signed by McCaffrey and has multiple handwritten edits.

The collection consists of the program books, documents, correspondence, and miscellaneous items collected by the Cepheid Variable Science Fiction Club from its inception in 1969 through 2005. The collection was assembled from deposits of the club, gifts from Bill Page, and other occasional donors.

This collection reflects the years of fannish interest and collecting done by Frank, a fan from Philadelphia, PA. Most of the collection documents Frank's interest with a particular subset of Star Trek fandom - Klingon culture. Items from this fandom include fanfiction, club newsletters, reference works, calendars, and several pieces of realia such as Klingon-themed jewelry.

The collection also contains several examples of fanzines from general Star Trek fandom and from several other fandoms. There is also one box of professionally published books - on Klingons and Star Trek, as well as several academic monographs on fan studies.

Aside from these, there is one additional major component to the Frank Collection. Frank collected a large number of songbooks containing so-called "filksongs". Filksinging is a venerable fannish activity - it can be generally described as science fiction-related folk music, and is frequently performed at conventions and other fannish get-togethers. The Frank Collection contains both filk songbooks and CD recordings of Frank's original filksong cassette tapes.