This collection includes the typescript for an editorial by White for the September 1973 issue of Fantastic, and some 14 pieces of editorial correspondence, undated.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of 81 leaves of uncorrected galley proofs for Williamson's 1975 collection The Early Williamson.

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.

Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.

Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains manuscripts and manuscript material from noted science fiction author and historical novelist (under the name Jon Williams) Walter Jon Williams. Included are drafts in various stages of evolution for a number of Williams' novels and stories.

The collection contains small amounts of other materials relating to Williams' life and career, including correspondence.

This collection consists primarily of manuscripts, proofs and galleys for a number of works by SF author Gould, including both novels and short stories. It also includes several typescripts for works not written by Gould, including several volumes of the George R.R. Martin-edited _Wild Cards_shared universe novels.

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

This collection consists of a photocopy of the 83-page typescript for Varley's 1981 story "Blue Champagne".

This collection contains materials relating to the life and career of Texas-based science fiction and fantasy writer Jessica Reisman. Materials include typescript drafts for many of her published and unpublished stories, as well as drafts and notes from stories written before her professional career began. Other items in the collection include spec scripts and screenplays written by Reisman, academic writing from her undergraduate days, and assorted other materials.

This collection consists of the first page, handwritten, with title and two lines of dialogue, of Laumer's 1986 novella “The Pan-Galactic Pageant of Pulchritude: A Retief Story”.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

This collection consists of the 93 page manuscript for Williams' story "No Spot of Ground", later published in Isaac Asimov's Science Fiction Magazine.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

This collection contains the original manuscript, with extensive author/editor edits, of Le Guin's 1989 nonfiction collection Dancing at the Edge of the World: Thoughts on Words, Women, Places.

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

This collection consists of the typescript for K. W. Jeter's 1989 horror novel In The Land of the Dead. The cover page has been inscribed by Jeter.

The collection consists primarily of manuscript material and publication proofs, with the bulk of the material dating circa 1995-2005.

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

This collection consists of the manuscripts and associated materials, that document the life and career of award-nominated science fiction and fantasy writer Kay Kenyon. Materials in this collection include typescripts, drafts, notes, summaries, and correspondence.

This collection consists of the galley proofs of Helltracks.

This collection consists of manuscript drafts, copyedited manuscripts, and galley proofs of all of Martha Wells' novels, as well as a number of other materials that include program books from many science fiction and fantasy conventions.

The March 2017 Addendum contains mostly media-related materials, particularly from the television show _Hercules: The Legendary Journeys_and the _Star Wars_films.

This collection consists of numerous typewritten manuscripts of short stories and novels from science fiction author K.D. (Kathy Diane) Wentworth. Among other works, included is the manuscript for Wentworth's 1994 novel Moonspeaker, the first in her "House of Moons Chronicles" fantasy series.

This collection contains the manuscript Slightly Off Center by Neal Barrett, Jr. with an introduction by Joe R. Lansdale. Advance Proof Copy, perfect bound. Austin, TX: Swan Press, 1992. 155 p.

This collection contains a Star Trek program guide, scripts, and a prospectus.

This collection contains manuscripts from the works of fantasy writer Marie Brennan. Included are the original manuscripts and the page proofs for the four books of Brennan's _Onyx Court_series. The _Onyx Court_novels are comprised of a series of semi-standalone historical fantasy novels set in London at different points in English history. Also included are proofs for several volumes in Brennan's more recent Victorian pastiche fantasy series The Memoirs of Lady Trent.

Also included in the collection are copies of literary magazines that contain short stories by Brennan.

This collection contains materials relating to Golden Gryphon Press and its publication of Howard Waldrop's 2003 novelette "A Better World's In Birth!". Materials in the collection include Waldrop's hand-typed manuscript, editor Marty Halpern's edited draft of the story, a final typescript, a copy of the chapbook and a cover flat, and electronic copies of the final typescript.

The novelette tells the story of an alternate central Europe, in which a Communist revolution occurred in the middle of the 19th century, led by Karl Marx, Friederich Engels, and Richard Wagner. In 1876, rumors fly that the ghosts of these three revolutionary martyrs have begun appearing in the city of Dresden. The story examines how these specters may be tied into a larger political conspiracy.