This consists, aside from the group of 900 or so monographs collected by Asselineau, chiefly of correspondence, accompanied by handwritten drafts of reviews written in ink or pencil by Asselineau on slips of paper, apparently placed in the relevant book on his shelf as a file. The correspondence and draft of reviews are often associated with clippings, photographs or snapshots, offprints, programs, newsletters, and a few postcards.

Most of these manuscript materials were found in the process of cataloging the monograph collection, apparently filed by Asselineau in volumes of his monograph collection, usually related to the author of the book into which he inserted the materials over a period of years. A title page of the relevant book into which the manuscript materials were found inserted is now clipped to the materials in the collection folder and the call number of the book written on the photocopied title page in pencil. Also present are musical scores of adaptations of Whitman's poetry, and quite a few copies of the Walt Whitman Circle quarterly newsletter, published by composer and Whitman enthusiast, Robert Strassburg.

Series 1 includes notable correspondents such as Gay Wilson Allen, V. K. Chari, Betsy Erkkila, Ed Folsom, Donald D. Kummings, Jerome Loving, Robert Strassburg, and Leandro Wolfson.

Series 2 consists of a bound manuscript book entitled "Walt Whitman on Burns and a Portrait Gallery of Walt Whitman". The book measures 21 cm by 13 cm and is bound in green half-calf with marbled boards. According to a letter pasted into the book, it was apparently purchased by Roger Asselineau on August 20, 1942, from Alfred F. Goldsmith of New York, NY. Twenty-seven leaves of the manuscript book are filled with mostly photographic portraits of Walt Whitman, a few obviously cut from published works, and one leaf containing a section from a page of a handwritten manuscript in pencil and ink, labeled "Rough draft of a page in 'Robert Burns as poet and person' in November Boughs (p. 61)." Twenty other leaves of the book are left blank.

Series 3 consists of four folders with programs, offprints, and newspaper clippings collected by Asselineau. Contains manuscripts with commentary and suggestions (1856-2000), programs, announcements and catalogs (1963-2000), and clippings collected (1962-1992) regarding the life of Walt Whitman, his writings, collections, and offprints.

Series 4 contains over 900 monographs collected by Asselineau, these materials are cataloged separately in the Library of Congress classification and housed in the Cushing repository stacks as part of the Lit/Whitman collection. These monographs include first editions of Walt Whitman's works, particularly Leaves of Grass, many translations of the poem into an incredible variety of languages, biographies, and other scholarly works. The breadth of Asselineau's scholarly activity and acquaintance is well represented by the amount of correspondence and other memorabilia which was found inserted into these volumes.

This collection is comprised of correspondence, publications, writings, listings, directories, manuscripts, photographs, and research material for the Powers publication on Texas art and artists, titled, "Texas Painters, Sculptors & Graphic Artists: A Biographical Dictionary of Artists in Texas Before 1942", Austin, TX: Woodmont Books, 2000. The collection is primarily photocopies and writings of the Powers with some published materials.

The original order has been maintained as much as possible. Correspondence is dispersed throughout the collection with most concentrated in box 1. Those artists with significant information have been given a single file. The artists' information files are arranged in alphabetical order by artist's last name and are inclusive of all artists within the alphabetical listing. Each of these files begins with one artist and ends with the last artist information in the file. Artists' information can consist of one news item to several pages of information. To find an artist's name not listed on the file, please look at the file where his name would be in the alphabet.

The Papers consist chiefly of personal correspondence (1913-1920) between George Armstrong and Nell Floss Steel, later Nell Steel Armstrong, over the course of their courtship and marriage, both before and during World War I (1914-1918).

The correspondence is unusual in that both George Armstrong and his sweetheart, later wife, Nell Floss Steel, both served on the front during World War I, either in Europe, or at home in hospitals or camps in the United States. Life as a U. S. Armyinfantry officer in charge of recruits, or a Red Cross nurse is therefore vividly depicted in their letters to each other.

The Armstrong correspondence is also unusual for war-time, since Nell Floss Steel was the first of the two sent overseas in September 1914 to serve in a military hospital in Serbia, while her future husband was serving in army military camps in Texas City, Texas, at El Paso, Texas and Columbus, Ohio. In turnabout, George was later sent to France (September?-November 1918), while, as a result of her recent marriage to George, Nell had to remain in the United States, despite her eagerness to return to active war duty.

During this time George Armstrong served primarily with a U. S. Army General Services Infantry Recruit Depot, training recruits, and was stationed periodically at Ft. Benjamin Harrison, Indiana and at Camp Sherman, Ohio, eventually serving with the 83rd Infantry Division in France (September?-November 1918).

Nell Floss Steel served six months as a Red Cross nurse in a military hospital in Serbia (1914-1915) and as part of "The Texas Ten" group of nurses in a military camp at Eagle Pass, Texas (August 1916-March 1917), before marrying George Armstrong 21 August 1917. She spent the rest of the war mainly working in hospitals and sanitariums in the Columbus, Ohio area.

Details of daily life in the military camps, or in Red Cross service are many, and recorded by both the Armstrongs in delightfully intimate and detailed letters. Subjects mentioned in the correspondence include domestic and international politics, housing issues, income, social customs in different cultures, such as Greek nationals encountered both in the United States as well as in their homeland, or Austrian soldiers, both as officers and an hospital orderlies, politics, sports, and the lives of both a professional soldier and a professional nurse.

As a career nurse during wartime, Nell Floss Steel faced typoid and typhus epidemics, patients with unimaginable wounds, along with the difficulty and challenge of learning to understand Greek and German. Mail is forever delayed, obstructed or censored, the nurses never venture outside the hospital area after dark, and the availability of serum to innoculate the nurses before they face sufferers of contagious diseases is not certain. Over the course of the correspondence a very plucky and independent Nell Floss Steel records such moving scenes as a child dying of typhus, a young soldier dying of lockjaw, and a young military wife whom Nell Steel Armstrong aids when she miscarries.

Nell Floss Steel is invigorated by these challenges, however, and keeps a keen eye on the socio-political interactions manifested by relations between, for example, Austrian orderlies who are prisoners-of-war and an Austrian officer, who though a countryman and dying patient, is abused as a result of his former tyranny to underlings. Her letters present a finely detailed and atmospheric portrait of life as a World War IRed Cross nurse in occupied territory far from home. The contrasts inherent in World War I are shown by the delightful sightseeing Nell enjoys in Athens, just a short journey from the horrors of a Serbian hospital.

Nell Steel Armstrong is also approvingly aware of the political struggles of the "suffrage ladies," and extremely disappointed after 1917 that her married status prevents her from returning to war work in Europe, although she rejects the option of "divorcing for the war."

Patriotic and convivial, George Armstrong is both an avid football player and horseback rider, a passion he shares with Nell Steel Armstrong. He recounts incidents of heat-exhuastion after a 16-mile march in Texas heat, resulting in the death of two soldiers, as well as other accidents and wounds. He voices doubts, however, about the advisability of the United States becoming involved in the political upheavals of Europe or Mexico. Much comment about political developments of the day are included. President Woodrow Wilson and former President Teddy Roosevelt are mentioned. George Armstrong also describes the early military training of Pancho Villa, and comments on Texas/Mexico border activities of the Texas Rangers with great admiration. Nell Steel Armstrong describes former President Taft speaking to a group of nurses including herself.

Military camaraderie is evident in George Armstrong's high spirited description of pistol matches, parades, training exercise, mule and horse training, as well as life among soldiers living in often makeshift army training camps. For example, life in tents on the dusty fields at Texas City, Texas is enlivened by socializing with the population of Irish soldiers, most of them "fresh from the old sod."

Also present are letters from Nell Steel Armstrong to her mother, Mrs. James G. Steel, or sisters, Jane Steel, Margaret Steel, and Ethel Withgott; official correspondence regarding Nell Steel Armstrong's nursing service and George Armstrong'smilitary service; family correspondence to the married couple; George Armstrong's diary for 1914; an American Civil War letter (1862) by William Steel to his brother James G. Steel (Nell's father), with two poems (1863) collected by William Steel, newspaper clippings, a few programs and Christmas cards; one box of photographs [some negatives lacking photographic prints] of George Armstrong and Nell Steel Armstrong, either separately, together, or in groups; one flat storage box of oversize diplomas and photographs.

Items separated include five drawings of Platoon Plans of Attack[missing as of 10/2002], and one map of the northeast of France for bicycle and automobile touring.

• “Partially processed. Might not be available to patrons. Please contact the Cushing Library’s Reading Room for more information.”

This collection was part of a gift given to the library by the Anthropology Department.  The collection documents the work and writings of Professor Dolores Richter. The collection includes photographs, negatives, writings, and news clippings related to Prof. Richter’s research in the Ivory Coast, West Africa, and Oceania and the publication of her book “Arts, Economics and Change: the Kulebele of Northern Ivory Coast” published in 1980.

This collection contains 171 watercolor illustrated letters by H.O. Kelly, written to his close friend and biographer, William "Bill" Weber Johnson, his wife Elizabeth Ann (McMurray) Johnson, Mary Longwell (Lady), and their family between 1948 and 1955. These letters formed the basis for William Weber Johnson's research for Kelly Blue, a biography of Kelly, first published by Doubleday in 1960, with a foreword by Western writer Tom Lea.

A smaller group of fifteen letters by H.O. Kelly, and two in pencil by his wife Jessie (Bowers) Kelly, are addressed to another art collector and friend, Dallas lawyer, Rudolph Johnson. Seventeen additional letters by Rudolph Johnson, typewritten on yellow paper between 1955 and 1958 are included, addressed to Kelly, or, after the artist's death, to his wife, Jess.

Of interest too is a letter to Kelly by Otto Kallir of the Galerie St. Etienne in New York City, requesting some of Kelly's works to be displayed in an exhibition of American primitive artists to be mounted at the Galerie early in 1952. Included is Kelly's letter to Mrs. Daniel Longwell (Lady) asking permission to refer Kallir to her to view the painting she had just purchased from Elizabeth Ann McMurray. Also of note is a letter written by John L. Paxton of Fort Worth, Texas, in reply to Rudolph Johnson soon after Kelly's death in December 1955. Attached to Paxton's reply is a list of all the known owners of Kelly's artwork at that time, whom Paxton has written to in the interest of collecting funds to aid in supporting the then-destitute Jess Kelly.

In Series 2 copies of correspondence between Elizabeth Johnson, J. Wayne Stark, Irene Hoadley, and others relates to the bulk of the letters in this collection, an art exhibit at the Texas A&M University Memorial Student Center, a color slide of the painting "Penning Goats". and plans by Texas A&M University Press to publish an illustrated edition of Kelly Blue.

The tiny colored drawings found on Kelly's letters and cards to friends and family are a foreshadowing of the lovingly detailed scenes in his oil paintings. As a significant primitive artist, Kelly's paintings present a world of rolling, green pastures, tranquil blue skies, and solid farms and farming towns, also populated by a thick dusting of livestock, including wily goats, unpredictable donkeys, fine mules, and lively horses. The robust folk is reminiscent of Kelly's mother's German ancestors in Ohio, similar to those living in Fredericksburg, Texas, a town Kelly often visited for inspiration. As these letters so vividly attest, when Kelly sold a painting, it was the buyer's initiation into a warm friendship with the raconteur artist, not a mere business transaction.

This collection includes a porcelain plate from 1962 in commemoration of the city of Bryan, TX. The plate contains an image of Lieutenant General John Bell Hood along with Texas Confederate emblems and Civil War images. (unprocessed)

This collection includes a metal commemorative plate with a gold emblem labeled “University of Southern California” with an engraved inscription labeled “The Trustees and Faculty of the University of Southern California Cordially Invite you to Attend the Events of the One Hundred First Annual Commencement Tuesday May 8, 1984 University Park Los Angeles, California Kennith E. Williams B.S. The plate is inclosed in a silver box with a pair of golden eagles embossed on it.

This collection dating from 1846 to 1906 (bulk: 1846-1847) consists chiefly of handwritten letters, journal entries, a memoir, a proof copy of a report from the U. S. Secretary of War on Army operations in Texas and on the Rio Grande during the Mexican War (1846-1848), as well as plans, maps and nine hand-colored copies of lithographic engravings drawn by Everett, which vividly chronicle southwest Texas cultural as well as military history during the late1840s.

Series 1, Letters (1847-1863), mainly handwritten in ink by Edward Everett to his brother, Samuel W. Everett, from 1846-1847, while Everett was serving in San Antonio de Bexar with the U. S. Army during the Mexican War. A few letters from other correspondents pertain to Everett's disability and eventual official discharge from the Army. Three letters written in the period 1852-1863 are about business or from family members.

Series 2, Journal and Memoir (1846-1899) contains three sets of journal entries for Sept. 1846-Jan. 1847. All are handwritten in ink on loose sheets of paper. The memoir, also handwritten in ink, on machine-ruled paper measuring about 8 x 5 inches, covers the years 1846-1848, with additional material added and dated, on at least one page, with 1899. This memoir is edited in pencil by Everett, evidently for publication, since one note suggests that the memoir was donated in 1899 to the Quincy Historical Society, later known as The Illinois Historical Society. The memoir was actually published, at least part, or possibly all of it, under the title "Military Experience," in Transactions of the Illinois Historical Society for 1905.

Series 3, Engravings, Maps, and Plans (ca. 1846-1849) includes nine copies of lithographed illustrations drawn by Edward Everett and engraved by C. B Graham Lithographers in Washington, D.C. The engravings were to be published in a report on U.S. Army operations in Texas during the Mexican War. A proof copy of this 67-page report, titled Report of the Secretary of War, communicating ... the Operations of the Army of the United States in Texas and the Adjacent Mexican states on the Rio Grande (31st Congress, 1st Session, Senate. Executive Document 32), published in 1850, is annotated throughout by Everett in pencil. For this publication Everett was at least responsible for eight illustrations: seven engravings of the San Antonio de Bexar area, including the Alamo church, as well as locations in Mexico; a plan of the ruined Alamo as it was in 1846, before being renovated according to Everett's direction, as a U. S. Army supply depot and workshops.

Engravings include nine copies of the lithographed prints. Notations made in ink on the separate prints, and on p. [4] of the proof copy of the published government report, indicate that: illustrations numbered for publication 2, 3-6 were engraved from original drawings made by Everett; those numbered 1, 7-8 were engraved from drawings made by Everett based on pencil sketches by other individuals, particularly no. 1 titled "Watch Tower Near Monclova," which was drawn by Everett from a sketch by Lieutenant McDowell of the U.S. Army.

Everett's proofs of the lithographic prints have all been exquisitely hand-tinted, in contrast to the severe black-and-white reproductions in the printed report. Of the nine hand-colored prints, two are duplicates of two illustrations, one titled "Church Near Monclova," and the other "Watch Tower Near Monclova." These identical prints are each hand-colored in two versions, apparently to represent the depicted buildings' appearances during the daytime, as well as at dusk or sunset.

Maps include one copy of a published map, possibly also by Everett, though it has been attributed to Josiah Gregg, which also appeared in the 1850 Army Operations report, titled "Map Showing the Route of the Arkansas Regiment from Shreveport La. to San Antonio de Bexar Texas," which is annotated with a penciled in route drawn from San Antonio to Austin, and a town location labeled "New Braunsfels." Also included are two manuscript versions of a map by Edward Everett, one copy titled "Plan of the Vicinity of Austin and San Antonio, Texas."

Plans are represented by two copies of an illustration drawn by Everett for the 1849 Army operations report showing plans of the Alamo before the renovation, titled "Plans of the Ruins of the Alamo near San Antonio De Bexar, 1846." Also present is one manuscript plan, titled "Plan of San Antonio de Bexar, Texas, 1848," which is labeled as "Drawn from recollection by E. E." The legend states that locations number 1-5 on the plan show, for instance, the spot near the Plaza in town where Everett received his disabling gunshot wound in the leg, the Hospital where he convalesced, and the Quartermaster's Office, to which he was assigned to work after being declared disabled from active service in the field.

A handwritten loose-leaf page kept with the proof copy of the report is titled "Index to Col. Hughes Report," and lists subject divisions and page numbers, though these divisions are not present in the published report by Hughes.

Thus Everett's accounts of frontline actions in the Mexican War mainly rely on reports from occasional volunteer soldiers or scouts, or Mexican nationals, returning back to Texas from the front lines of battle in Mexico. As much as he is able, however, Everett produces very detailed accounts of the various battles and skirmishes in and around the Texas-Mexico border, including battles at Monterrey, Saltillo, San Luis, Camargo, Buena Vista, Vera Cruz, and Tampico, recording a large number of casualties on both sides.

Of particular interest is Everett's extensive first-hand description of the ruins of the Alamo, and how it was converted for U.S. Army use as a military headquarters, according to plans drawn up by Everett. He deplores the vandalism already wreaked by relic seekers and stressed the respect shown to the mission church by the U. S. Army restorers, who refused to plunder it for building stone but instead merely cleaned away the debris. In the process, skeletons were uncovered, which Everett assumes to be from the time of the siege and Battle of the Alamo in 1836. Everett's accounts of frontier life in the rather rambunctious confines of San Antonio, complete with ambushes, shootouts, rough and ready court trials, and various local characters are often riveting.

Everett also pictures the moods and attitudes of the soldiers toward a variety of issues. Everett describes their arduous marches, unsavory living conditions, often dire medical care, and the cruel climate tormenting them. Having been left behind in San Antonio with all the stores rejected by the army, which had proceeded on into Mexico, Everett's men were faced with nursing broken down mules and horses back to usefulness, salvaging wagon parts from several damaged ones to make a serviceable one, and generally, trying to make do with what could be had in the vicinity, or easily transported from the Quartermaster at New Orleans.

According to Everett, communications on the Texas frontier often proceeded through "solitary express riders." He describes Mexican culture co-existing with "the Indians" and their horse-stealing. He also gives an excellent but pejorative account of the Texas Rangers and their activities, calling them desperados. Everett describes Mexican Generals Santa Anna, Torrejón, and Woll, the exceedingly unpopular U. S. Army Colonel Churchill, officers George W. Hughes, 1st Lieutenant W. B. Franklin, 2nd Lieutenant F. T. Bryan, General Zachary Taylor ("Old Rough and Ready"), General Winfield Scott, and General James Morgan, Captain J. H. Prentiss, Brigadier General John E. Wool, Major General Worth, Captain James Harvey Ralston, Captain L. Sitgreaves, as well as Edward Everett's own two brothers Charles Everett and Samuel W. Everett (Sam).

Full of absorbing narrative and elusive details often lost in larger historical works, the content of Everett's narratives and letters may be summed up in his own words from the handwritten memoir: "Mine is not a tale of battles, or of the movements of great armies, but the details will show some of the hardships and vicissitudes of a soldier's life, the exposure to which causes a greater sacrifice of life than that ensuing from wounds of death received from the enemy."

The collection contains foil figures from the Texas A&M College Slide Rule Contest (1947). Figures included: 5 fish; 4 Texas-shaped molds; 1 figure with a circular shape with the name of the college written; and 1 wooden figure.

This collection consists of 7 small bronze sculptures and 1 plasterite sculpture created by various artists and cast as various bronze works.

This collection contains letters, magazine and newspaper articles, magazines, prints, and other materials documenting the work of artist Edward Muegge "Buck" Schiwetz, as both a commercial and fine artist.

His sketches and watercolors are featured in a vast majority of the print material in the collection, from Christmas cards to sketchbooks to fine prints.

Rather than focusing on Schiwetz's life and his time at Texas A&M, the collection pays most attention to his art career and people's opinion of Schiwetz as an artist in the traditional sense of the definition.

This collection consists of twelve letters handwritten in black ink on both sides of thirteen pages of blue-lined paper with an envelope. The letters are arranged into two series. At the center of the top of the paper are printed the words "Nation War Work Council of the Young Men's Christian Association," each side of which is decorated with an American Flag and the symbol of the YMCA printed in red and dark blue ink. Each page, measuring 27 cm. x 15 cm., is now housed in a transparent plastic folder. On the upper-right side of the envelope are handwritten words "Sailor's Mail". The addressee written on the envelope is Mrs. J.E. Bosworth, who lived on 141 Midland Ave. in Syracuse, New York. However, the letters are addressed to "Dear Folks." Bosworth seems to have bought the envelope before he wrote the letters because his letters begin on June 16, 1919, but the date stamped in blue ink on the envelope is June 14, 1919. In his letters, Bosworth very often does not write the first singular pronoun "I" and uses "&" in preference to the word "and." He crosses out with one or two lines on the words he writes incorrectly. He provides some hand-drawn maps and pictures. He frequently mentions numbers to detail his stories. Of interest is that he comments on the characteristics of the Bolsheviks. He also mentions that he hopes to fight them because he has had no chance to hear gunshots, except in practice.

This collection includes books, serials, and framed artwork.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection contains biographical data, publications, and data on the Biology Department at Texas A&M in which Sewell was a faculty member, as well as reports and other papers relating to oyster mortality research carried out through the Texas A&M Research Foundation Research Project 9 (February 1, 1947 - May 31, 1950).

The research project 9 was funded by six major oil companies and led by two Texas A & M University Professors, Sewell H. Hopkins (Head) and John G. Mackin (Associate Head).

Prompted by several lawsuits filed by Louisiana oystermen against major oil companies claiming damages to oyster fields as a result of drilling in the Gulf Of Mexico region, Project 9 was conducted under the auspices of the Texas A & M Research Foundation. Project 9 allowed researchers to design and implement field and laboratory studies seeking to determine the effects of oil production activities on oyster production. Eventually, a then as-yet-unknown parasite was discovered which preyed upon the oyster crop after they had begun to reach maturity.

Two other large research groups investigating the same allegations against oil production in the Gulf headed by H. Malcome Owen (Louisiana Wildlife and Fisheries Commission) and Albert W. Collier (Gulf Oil Company) compared notes with the Heads of Project 9, coming to the same conclusion. As a result of this collaboration, a description of this newly discovered parasite called Dermocystidium marinum was published in 1950. The lawsuits were subsequently dropped or settled out of court.

More importantly for the history of the Texas A & M University System, however, is the fact that Research Project 9 led ultimately to the creation and expansion of a Marine Sciences program, represented by the newly established (1949) Department of Oceanography at Texas A & M University in College Station. On 1 June 1950, after the termination of Research Project 9, Research Project 23 was begun to continue studies on oyster disease and maintain a Marine Laboratory at Grand Isle, La. The Texas A & M Marine Laboratory was established (1952) at the University of Texas Medical Branch in Galveston, Tex. In 1968 Texas A & M University was named a Sea Grant College. The Marine Laboratory and the Texas Maritime Academy were merged in 1971, which is now known as Texas A & M University at Galveston.

These papers, therefore, form a picture of the ground-breaking research in oyster mortality conducted by Sewell H. Hopkins as head of Project 9, which led to increased sensitivity of the interplay of industry and the ecosystem, and to the formalized study at the university level of marine biology in the Gulf area.

Other researchers whose work is represented in the papers include Jay Donald Andrews, A. D. Bajkov, Harry J. Bennet, James L. Boswell, Clair Brown, Sidney O. Brown, M.D. Burkenroad, Fred Caulthron, C. Ray Elsey, I. I. Gardescu, Gordon Gunter, C. K. Hancock, Harold W. Harry, Joel W. Hedgpeth, Willis G. Hewatt, A. A. Jakkula, Fred W. Jensen, P. Korringa, Louis Lambert, Hugh B. Lofland, Elmer J. Lund, G. Robert Lunz, Jr., John C. Aull, Alvin F. Dodds, Shirley Alfred Lynch, John G. Mackin, Wiley G. Lastrapes, H. A. Marmer, R. Winston Menzel, Thurlow C. Nelson, Joseph F. Prokop, W. C. Rasmussen, Sammy M. Ray, J. H. Roberts, Fred W. Sieling, John J. Sperry, Victor Sprague, and Claude E. ZoBell.

    * Bibliography

    * Ray, Sammy M. "Historical Perspective on Perkinsus Marinus Disease of Oysters in the Gulf of Mexico." Journal of Shellfish Research. Vol. 15, No. 1:9-11.

    * Ray, Sammy M. "Texas A & M University's Contributions to Gulf of Mexico Ecosystem Research." [Viewed 2002-10-10 at: ]