This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection consists of seven boxes containing the following:

• Departmental information reports and unnumbered publications (1972-1973) - two 5" boxes
• Shrimp Farming, Staff and Student News (1972-1976), and Ranch Management Software of Texas Rancher -two 5" boxes
• Aggie Rodeo (1999, 2001), and NIRA Rodeo 17th Annual Souvenir Program (May 12-14, 1996) - one 2.5" box
• History and Development of Agricultural Economics Department at Texas A&M College (1924) - one, 2.5" box

This collection includes the follow publications:

• Newsletter
• Horizons
• User's Resource Amistad Recreation Area (1977)

This collection contains newsletters and Faculty Minutes from 1987 to 1990.

This collection contains newsletters put out by the Texas Agricultural Extension service (TAEX) on various topics including but not limited to dairy farming, livestock, poultry, landscaping, entomology, community resources, and improvement, economic development, events, county government, crops, weather, and the Texas 4-H.

This collection contains the original manuscript of "Nothing Serious", typed and heavily corrected. Also included are one handwritten letter, three typed letters from Wodehouse, and one photograph of a sketch of Wodehouse.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection is UNPROCESSED.

This collection contains letters from Jefferson Davis to F.R. Lubbock.

This collection includes correspondence between Williams and Wall, as well as photographs, original drawings, etchings (some showing cancelled plates), newspaper clippings, postcards, books, exhibition notices, and other Walliana. The letters concern Wall's printmaking and publishing activities and provide a unique glimpse into his personal and professional concerns.

The collection contains numerous self-portrait etchings of Wall and etchings of his friends, correspondents, and subjects of his writings. Wall's personal stationery contains a variety of etchings, drawings, and self-portraits. Much of this material has been captured in oversized scrapbooks that were reconditioned, re-boxed, and professionally conserved by Carrabba Conservation, Inc. Additional information on conservation treatment of the collection can be found in the Bernhardt Wall control folder.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains the legal contract with The Neale Publishing Company to publish Pollard's manuscript, "Their Day in Court" (February 24, 1909).

This collection consists of three handwritten letters from Phil Burne-Jones, dated around 1887. Each letter is addressed separately to the following people: Mrs. Bell (1-page, ALS), Dr. Bird (1 folio), and "Aggie" (1 folio). All letter have their own typed transcription. Also included is a receipt for the sale of Phil's letters (1 page).

This collection consists of 62 manuscript envelopes and letters (all in German) from William Bretschneider (A&M College class of 1897) to his sisters and mother between 1894, 1897 and 1900 when he worked for the Texas Railroad, and New Orleans Railroad.

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

This scrapbook contains black and white photographs of Philippine military operations, assumed to be during or after World War II. Also included is a copy of the pamphlet "Code of the U. S. Fighting Man" (1957).

This collection contains chromo card albums dating from the 1920s to 1970s, represented by sheets from the album rather than a bound album. The cards are colorful and represent cultures from countries throughout Africa that were under European colonial rule.
Given the strong presence of African cultural awareness in the colonial powers of Europe, a robust pop culture emerged in the form of children’s books, comics, and chromo trade cards. The latter were cards that were offered with food products, usually chocolate, meat extracts, tea, etc. A card would accompany each chocolate bar for instance and when you had completed the set of cards you could write away and get an album to paste the cards. Most card sets did not have an album, and only a few in each country dealt specifically with Africa. They were collected over ten years and were sourced from Germany, England, France, Belgium, and Spain.

This collection consists of a photo scrapbook with six small charcoal images that depict African-American life in the rural south with an unrelated pictorial on-lay on the upper cover, all tied together with string.

This collection consists of an advance copy (bound unpaged galley proofs) of the first edition, first state; and an advance copy (bound unpaged galley proofs) of the first edition, second state, of Sturgeon's 1953 novel More Than Human.

The proofs represent the first state of the text without Sturgeon's extensive last-minute changes made at the publisher's office. A handwritten signed note by Sturgeon dated August 1954 on the inside front cover reads: "A few hours before 'More Than Human' went to press, the author felt a profound dissatisfaction with the last section. Working in the corner of a busy office at his publisher's, he rewrote the final portion. This is, as far as he knows, the only copy extant of the book before these changes were made. It is donated, with the author's warmest good wishes, to the World Science Fiction Convention of 1954, at San Francisco."

The revisions to the galleys were made on leaves 16, 120, 136, 139, and 144-145 and consisted mostly of insertions of new copy, ranging from about 150 words in one case to about 1500 in another (at the story's conclusion).

The proofs are accompanied by a signed letter, dated August 25, 1954, from Sturgeon (signed "Ted") to "Les" (probably Lester Cole, co-chairman of the convention) on Sturgeon's stationery, with an autograph postscript. This is the cover letter sent with the proof, in which Sturgeon explains why he will not be able to attend the 1954 convention due to a death in the family. He expresses sincere regret and names those to whom he would like to have his greetings conveyed, including "the six (at least) X's. These last are the handful, among all the wonderful people there, whom [sic] I haven't met yet but would discover and have for lifelong friends if only I could be there."

The collection is an assortment of newspaper clippings, photographs, a typed biography, commencement programs, an Army training certificate and receipt, and contact information for Ralph Howard Mitchell.

The James C. Nagle Photographic Album is a Kodak album containing photographs of Texas A&M College campus, circa 1900.

This collection contains three scrapbooks, one of which belonged to Irene Claghorn, filled with photographs and mementos dating from the early 1900s through the 1940s.

One, 5" box with one folder of earlier campus photographs and one scrapbook of newspaper clippings from 1960-1969.

This collection includes Dr. Andreadis' research files, library, journals, writings, correspondence, and manuscript materials which were collected during her 40 years as a member of the faculty of Texas A&M. Dr. Harriette Andreadis retired in the Spring of 2014 donating her materials well as several personal items to Cushing Memorial Library & Archives.

This collection consists of a domestic version of the export script dated January 17, 1963, for the British science fiction movie The Day of the Triffids (1962), written by Gordon and based on the famous 1951 novel by John Wyndham.

These six letters, dated December 12, 1862 - August 6, 1863, are from Benjamin M. Linsley to his friend Mrs. Lucy G. Palmer in Suffield, Conn. Each letter is written in ink on both sides of a single folded sheet, except for the first one, which is on two folded sheets, sewn together in the center with cloth thread at some point after they were composed. All are addressed by Linsley from the camp near Falmouth, Va., where his regiment, the 14th Infantry of the Army of the Potomac was based, except the last one, which is addressed from McKinnis Hospital in Baltimore, Md., where Linsley was sent to recover from typhoid fever.

In the letters, Linsley comments on the failure of the Union army to obtain substantial victories ever since the Union defeat at Fredericksburg; inflated prices for postage stamps and sutler's goods; the despair he feels at the poor treatment in general of the sick in military hospitals, not only by medical personnel but by fellow soldiers; strategies for obtaining better food and bedding for his brother while nursing him through a severe fever, probably typhoid; the need for statesmen of moral standing more like George Washington than the much clamoured for "little man" George MacClellan; the trials of long marches in either rain and mud to cross the Rappahannock and Rapidan rivers, only to retreat back over them after the battle of Chancellorsville, or the intense heat of marches toward Warrenton Junction, Va., from which Linsley was transported with the sick and wounded to recover from typhoid himself in McKinnis Hospital at Baltimore; the desperation of deserters being taken to their punishment; the immoral behaviour of men in camp; the need for more good chaplains like Clay Trumbull of Hartford, Conn., who served with his brother's regiment of Volunteers; and perhaps, more poignantly, the eerie sound of drums during funerals for the many soldiers who died in camp from sickness in their poor living conditions.

The letters are now each encased in a clear plastic sleeve. A one-page report from the National Archives and Records Administration is included with the first letter. This NARA report (2 July 2001) replies to a request made by Professor Dale Baum of Texas A & M University in April 2001 to locate and make a copy of Benjamin M. Linsley's pension documents packet, stating NARA staff could not locate the materials. Baum had listed Linsley as an enlistee of the U.S. Army in Company A, 1st Battalion, 14th U.S. Infantry.

This collection consists of the so-called 'foul matter' from John Brunner's 1984 novel The Tides of Time. Materials include a signed letter of authentication from Brunner, dated May 11, 1989; and the corrected proofs from the novel, signed on the first page by Brunner and containing copyedits made by the author.

_The Tides of Time_was published by Ballantine Books/Del Rey in 1984, and concerns the lives of two people trapped on a deserted island who awake each day having lived different lives in different times.

This collection consists of a few letters, notes, drafts, and final copies of book reviews, articles, and chapters of books.

Book chapter topics include Gothic Culture, Medieval Architecture, Romanesque Art and Architecture, Baroque Art, and Renaissance Painting, particularly the paintings of the Sistine Chapel by Michelangelo Buonarroti. The bulk of the latter material probably pertains to a book on which Mayo was working at the time of his death in 1954. The book was to have been titled The Great Pendulum and would have recorded the cycles between romanticism and rationalism in art and literature.