This collection includes the manuscripts for The Brass Dragon (typed, 199 leaves), and The Winds of Darkover (typed, 197 leaves).

This collection includes copies of multiple fanzines and apazines (including the feminist A Woman's Apa), literature, and other materials from numerous science fiction conventions, and materials from Virzi's work as a graphic designer for the Flying Buffalo role-playing game company.

This collection consists of documentation relating to the life and editorial/bibliographical career of Everett Franklin Bleiler (1920-2010), including correspondence, subject files, notebooks, files documenting Bleiler's editorial reviews of works for Dover Publications, and other materials.

All materials dating before 1938 are photocopies of originals.

Series I: Correspondence, includes letters exchanged between Bleiler and such literary luminaries as Jacques Barzun, Anthony Boucher, Jack Chalker, August Derleth, L. Sprague De Camp, Philip Jose Farmer, James Gunn, A. Langley Searles, and Colin Wilson. There are also numerous letters to and from Bleiler's friend Martin Gardner.

Series II: Subject Files, and Series V: Other Materials, both consist of various subject files. The former were alphabetically organized in boxes into distinct subject files at the time of processing, whereas the latter were distributed throughout the collection in no particular arrangement.

Series III: Potential Publications Files, consists of individual reviews by Bleiler of works being considered for publication (or republication) by Dover Publications, for whom Bleiler worked in various capacities from 1955-1978.

Series V: Other Materials, includes, among other items, issues of the notorious pro-Nazi newspaper The Free American and Deutscher Weckruf und Beobachter, from the German American Bund. It is unknown when, why and how Bleiler acquired these, although we know he had no connection of any kind to the Bund.

Series VII consists of numerous 3 1/2 ' floppy disks, containing files that were created in various versions of Microsoft Word.

(C000015)

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

This collection contains a printed list of Texas soldier casualties from World War I (WWI). The casualties are listed by county and include the Veteran's name, rank, branch, city, service number, DOD, and casualty status.

The Thomas W. Davis III manuscript of A Former POW Looks Back chronicles Davis' World War II experience as an American battery commander on Corregidor Island and as a prisoner of war held by the Japanese. The manuscript includes his observations of life as an Army junior officer, and American military preparedness before the Japanese attack at Pearl Harbor and the military's initial war mobilization in the Philippines. It also contains a vivid account of the fighting on Corregidor before American forces stationed there surrendered to the Japanese in 1942 and the dismal conditions prisoners of war faced. Davis provides several anecdotes about how soldiers dealt with the war and being held as prisoners. He describes in detail the conditions of Japanese POW camps including the lack of food and water, the bad sanitary conditions, the many diseases afflicting prisoners, camp routines, and the Japanese treatment of their prisoners.

The manuscript is typed with handwritten corrections and contains several original black and white, and color photographs and illustrations in excellent condition.

This collection consists of letters (mostly to his mother and family between 1943-1944), newspaper clippings, and a few other materials detailing the life of Charles Walt Brown during his tenure in the US Army Air Force, especially his experiences while in the Air Crew Training Division on the Texas A&M campus.

From 1943 to 1944, Texas A&M College provided its land and facilities to the US Military to prepare soldiers for World War II (WWII). In Brown's letter to his mother, Mary Swan, and to other family members, he told of details of his life in the Army and at the different military facilities he was stationed at.

This collection contains materials that were originally housed in a 3-ring binder that served as a scrapbook for the Governors Chapter of the Texas Society Daughters of American Colonists. Materials include Chapter and Texas State yearbooks, newspaper clippings, correspondence, and photographs.

This collection reflects the years of fannish interest and collecting done by Frank, a fan from Philadelphia, PA. Most of the collection documents Frank's interest with a particular subset of Star Trek fandom - Klingon culture. Items from this fandom include fanfiction, club newsletters, reference works, calendars, and several pieces of realia such as Klingon-themed jewelry.

The collection also contains several examples of fanzines from general Star Trek fandom and from several other fandoms. There is also one box of professionally published books - on Klingons and Star Trek, as well as several academic monographs on fan studies.

Aside from these, there is one additional major component to the Frank Collection. Frank collected a large number of songbooks containing so-called "filksongs". Filksinging is a venerable fannish activity - it can be generally described as science fiction-related folk music, and is frequently performed at conventions and other fannish get-togethers. The Frank Collection contains both filk songbooks and CD recordings of Frank's original filksong cassette tapes.

This collection contains manuscripts, correspondence, books, magazines, and other material related to Lansdale's writing career, circa 1989-2003.

This collection includes the following publication titles:

• Businews, 1984-1989
• Research Report, 1983-1985
• Marketing Newsletter, 1982
• Margin of Excellence, 1991, 1993
• Fellows Reviews, 1991
• BA Newsletter
• Calendar of Events, 1989-1990
• Miscellaneous publications

This collection contains the publication The Right Angle.

This collection contains articles, correspondence, photographs, news clippings, and other materials from the special courses offered by the Department of Agronomy during the 1940 summer session. Included are the lecture notes and related materials for Agronomy 526, Fundamentals of Grass & Pasture Improvement taught by Dr. Franklin D. Keim (University of Nebraska); the complete outline and references for Agronomy 525, Range Management and Ecology taught by Dr. William G. McGinnies (Southwestern Forest and Range Experiment Station, Tucson, AZ); the complete outline and references for Agronomy 527, Forest Soils taught by Dr. Robert F. Chandler, Jr. (Cornell University); and a tentative outline with proposed lab and field practice for Agronomy 410, Soil Classification and Mapping by E. A. Norton (USDA).

This collection includes records from 1968-1971, official results of Aggiecross VIII through XX, results of the 1984-1985 Autocross, the Master Planning Packet for the 1985-1986 Aggiecross, and the record book of the Club for 1985- 1986.

This collection includes the Chapter's yearbooks (1977-1986), minutes of meetings, treasurer's reports, and other miscellaneous records (1967-1985).

This collection contains a CD copy of four cassettes as well as the original four cassettes of the following:

• Dickens ad the City
• Dickens and the Law
• Dickens and Dostoevsky
• Dub

This collection predominantly dates from 1958 to 1961 and includes correspondence to and from members of the Citizens' Fellowship, notes, minutes from meetings, and newspaper clippings. There are items regarding the integration of public schools, including the A&M Consolidated Independent School District. The collection contains information regarding the issue of African American employment and community programs sponsored by the Citizens' Fellowship.

Materials are arranged chronologically

This collection consists of cost reports, blueprints, financial statements, and correspondence.

This collection consists of letters between Robert H. Kokernot and his first wife, Edith May Babcock (Edith Kokernot Grinnell) during and after World War II from 1943-1946.

The majority of letters collected by Edith are from Robert with the exception of one folder of correspondence from Edith to Robert in March and April 1944, one folder of letters written to Edith's parents from Robert, and two folders of letters written by friends addressed to Robert and Edith.

The corresponding postmarked envelopes were not with their accompanying letter when the collection was processed. These are held in separate folders at the end of the collection.

The diary starts with an account of a voyage from Southampton to Barbados on the auxiliary sailing ship "Severn."  The bulk of the diary details the author's life in the new West Indies, the purpose of his visit being a bit obscure, but apparently involved with the building of machinery on the sugar plantations.  The diary makes fascinating reading with great detail about the way of life of the English settlers in mid-19th century West Indie, with much on the social side, including accounts of yachting trips, etc.  The final fifty or so pages include accounts of a voyage to and tour in India and European travels.  The diary concludes with a 20 page log of the voyage of the yacht "Urania," from Cowes to the Mediterranean and back from January through July 1872.

This collection contains metal markers with the names, class year, date, and location of the death of A&M men who died during their service in World War I. The markers were used to identify trees that were planted for these men around the Drill Field. These are the first two versions of the markers, the originals were made of brass and the second version was made of aluminum.

During the November 24, 1919 Board of Directors meeting in Fort Worth, Board of Directors' President L. J. Hart suggested that the college plant a tree commemorating the death of each student of the college who gave up his life in the great war. The board agreed and authorized the planting of oak trees. President William B. Bizzell formed a committee to make arrangements for the Tree Planting Day. The committee consisted of R. F. Smith, chairman and Associate Professor of Mathematics; E. O. Siecke, Professor of Forestry; A. T. Potts, Professor of Vegetable Gardening; S. W. Bilings, Professor of Entomology; and A. B. LaRoache, Professor of Architecture and Architectural Engineering. The Memorial Tree Planting Committee was charged with the selection of the variety of trees, location for planting the trees, and the selection of a date and preparation of a program for the occasion. The Committee chose live oaks and set a date of February 23, 1920, for the memorial exercises.

At 2:00 PM on February 23, 1920, President Bizzell, five members of the Board of Directors, President L. J. Hart, W. A. Miller, Jr., John T. Dickison, J. R. Kubena, and H. A. Breihan together with several hundred cadets, a number of faculty members, and family members of those being honored gathered in front of Guion Hall. The ceremony started with Dr. John. A Held, pastor of the First Baptist Church of Bryan giving a blessing, followed by the College Band playing "God Save the Queen", and President Bizzell introducing the day's speaker, L. J. Hart, President of the Board of Directors. Mr. Hart went on to give a speech extolling the sacrifice that these 52 men gave to preserve freedom and by commemorating them with the planting of the trees.

Upon the completion of Mr. Hart's speech, Professor Smith read the names of the 52 men, and members of the Federal and College students, alumni, and faculty were placed in charge of a squad of four cadets to plant a tree for each one of the heroes. The College Band started playing the French National Anthem "Marseillaise", and the squads marched to their sites around the south side of the drill field, around the corner of Houston and Lamar Streets (near present-day Bizzell Hall), and to the south of Hart Hall. As the tree planting began the College Band played "America" and on completion of the planting the "Star-Spangled Banner" closed out the ceremony.

In 1930 the trees were identified with a bronze plaque inscribed with the name, class year, location, and date of their death was mounted on a small limestone obelisk at the foot of each tree. These markers stood until 1971 when national service fraternity Alpha Phi Omega came to their aid. The markers had generally fallen into disrepair, with some missing altogether while others were missing the memorial plaques. After receiving approval from the Board of Directors in February, APO's General James Earl Rudder Pledge Class relocated 15 of the markers that were to the South of Bizzell and Hart Halls on March 25, 1971. These 15 markers were moved to the drill field with the additional 37 that had lined it. On April 18, 1971, during Parent's Weekend, APO held a rededication ceremony. At this ceremony the names of the heroes were read, a small American flag was placed at each tree, and new aluminum plaques were unveiled and mounted on spring-loaded bolts embedded in the trees with the idea to allow for normal growth. During the process of renovating the memorials with Physical Plant personnel and Robert H. Rucker, the university's landscape architect, APO members found that three additional markers were needed, bringing the total to 55.

This collection is comprised of correspondence, publications, writings, listings, directories, manuscripts, photographs, and research material for the Powers publication on Texas art and artists, titled, "Texas Painters, Sculptors & Graphic Artists: A Biographical Dictionary of Artists in Texas Before 1942", Austin, TX: Woodmont Books, 2000. The collection is primarily photocopies and writings of the Powers with some published materials.

The original order has been maintained as much as possible. Correspondence is dispersed throughout the collection with most concentrated in box 1. Those artists with significant information have been given a single file. The artists' information files are arranged in alphabetical order by artist's last name and are inclusive of all artists within the alphabetical listing. Each of these files begins with one artist and ends with the last artist information in the file. Artists' information can consist of one news item to several pages of information. To find an artist's name not listed on the file, please look at the file where his name would be in the alphabet.

This collection contains materials to the business and fannish career of Houston-area fan and con organizer Larry Taylor. Included in the collection are numerous fanzines, most of them from fans and fan associations in Texas in general and the Houston area in particular; program books, flyers, advertisements, and other documentation relating to genre conventions, including Collegecon '80 and Collegecon 2, cons at the University of Houston that Taylor helped run as a UH student; materials relating to Taylor's media company; and miscellaneous other materials.

This collection contains department files, memorandums, and correspondence, as well as AdCom Board meeting minutes and IEEE directories.

This collection represents 68 years of materials authored or collected by Turner. Series 1. through Series 4. include highway engineering reports written for the Bureau of Public Roads, Clay Committee papers dating from the 1950s hearings on the development of a national interstate highway program, and speeches, publications, correspondence, and research notes generated by his career as a federal highway official. The aforementioned inscribed copy of A More Beautiful America by Lyndon Baines Johnson is is included in this material.

Upon his retirement, Turner became a transportation consultant, advising local, national, and international agencies, associations, and companies on transportation issues. The bulk of these post-retirement and consulting materials are found in Series 5 through Series 9. These materials include maps, photographs, research notes and manuscript drafts for a three-year study he and Harmer E. Davis conducted for the International Road Federation. The study, published in 1977 and titled A Comparative Analysis of Urban Transportation Requirements, compares transportation needs in urban areas in fourteen countries, including the United States.

Another large portion of the papers found in Series 7. contains papers related to Turner's membership in various associations. Throughout his lifetime Turner remained devoted to groups such as the Highway Users Federation and the American Association of State Highway Officials. Correspondence, speeches, and conference notes related to these associations reflect his continued involvement in the transportation field almost until the year of his death.

The collection also includes correspondence, transcripts, and drafts of several reports recording the history of the interstate highway, a subject for which Turner was a popular informant. The most extensive project is a study by the Public Works Historical Society, commissioned by the American Public Works Association and the American Association of State Highway Transportation Officials.

This collection contains materials relating to the literary career of acclaimed fantasy author Patrice Sarath. Materials include manuscripts for several of her novels, including Gordath Wood (2008) and its sequel Red Gold Bridge (2009), and the non-genre novel/Jane Austen pastiche The Unexpected Miss Bennet (2011).

This collection consists of a large number of fanworks from or (more often) collected by California-based fan and fanvidder Stacy L. Doyle. Materials include fanzines (the majority of which involves slash content), fanvids (also mostly slash-oriented) for multiple fandoms, audio cassettes of filksong, and materials relating to a number of genre conventions (including several that are slash-centered). Also included are some additional materials concerning vidding, fandom, and related subjects.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Doyle Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is slash. (g) indicates gen material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

"Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative, or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).