This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

This collection consists mainly of correspondence, legal documents, a corporate minute book, and handwritten notes recording the litigation connected with ownership of a large tract of land (89,000 acres) in Hidalgo country known as the "Big Santa Rosa Pasture". Actual litigation took place from 1903-1910.

Individuals involved in the case were: Dillard Rucker Fant and his wife, Lucy Fant; Daniel J. Sullivan; J. C. Sullivan; James V. Upson; Wiliam R. Elliott; Conrad A. Goeth; James Webb; J. M. Chittim; Archie Parr; Kate V. Elliott; G. G. Clifford; A. E. Chavez; J. A. Galligher; W. M. Sanford; Fred Kelly; F. A. McGown; F. W. Church; H. R. Wood; F. Groos and his wife, Hulda Groos. Legal counsel involved in the proceedings were: James E. Webb and Conrad A. Goeth of Webb and Goeth, F. A. McGown of Denman, Franklin & McGown, and R. L. Ball, all based in San Antonio, Texas.

At the onset of the difficulties, D. R. Fant had leased the Big Santa Rosa Pasture to the cattle-raising partnership of Chittim and Parr. J. M. Chittim was a large rancher in South Texas and Archie Parr, was a State Senator popularly known as the Duke of Duval. Based on the large annual rent monies Fant had expected to collect from Chittim and Parr, he then also borrowed money from D. Sullivan of D. Sullivan and Company Bankers (founders and owners of the large South Texas Mariposa Ranch) and, using the same collateral, borrowed more money from the competing F. Groos and Company Bankers (later a founder of Wells Fargo Bank).

When it appears, that Chittim and Parr defaulted on their rent payment for the Big Santa Rosa Pasture to Fant, Fant was then forced to default on his own payments to both banking organizations from whom he had borrowed funds. The bankers, in return, sued and foreclosed on the Big Santa Rosa Pasture.

Through the Santa Rosa Ranch Papers extensive set of legal documents, attorneys' memoranda, telegrams, letters, and financial disclosures, the most absorbing story of Texas land politics unfolds.

Notable among the papers is the Santa Rosa Ranch Minute Book, a ledger volume with handwritten entries detailing the Articles of Incorporation, By-laws and minutes of the first stockholders' meeting of the Santa Rosa Ranch Company. Also present is a manuscript plat map in black and red ink on light blue linen, of the 1905 Maria Rodriguez survey, which has been encapsulated and is housed separately in a Map Case Drawer.

Elvis Presley memorabilia.

This collection consists of 3 sets of bound volumes containing copies of science fiction stories that were collected from various libraries, archives, and other places. None of the materials within the volumes is owned by Cushing Library and Archives.

This collection consists of a number of different science fiction fanzines, most from the United States but a few from other countries.

Several of the publications, especially the early ones, are photocopies rather than originals.

Miscellaneous items acquired randomly, related to science fiction and fantasy. Items include convention materials, posters, and various items of realia.

This collection consists of reel-to-reel audio recordings, audio recordings on tape cassette, and digitized recordings of these materials, of interviews conducted on the Science Fiction Radio Show, which ran from 1980-1983. The show was created by David Carson, Keith Johnson, and David Crews and originally broadcast from Odessa College (in Odessa, TX) starting in June 1980. Carson and Johnson had proposed a science fiction course for the college, and when it was denied, they turned instead towards developing a radio show as a way of bringing their interest in science fiction to a wider audience.

Starting in the spring of 1982 (after a hiatus beginning in Fall 1981) and proceeding through the last broadcast on December 31, 1983, the show was syndicated for national broadcasting by the Longhorn Radio Network in Austin. This helped give the show a nationwide following.

The Science Fiction Radio Show conducted interviews with a wide variety of significant personalities over its run, including Stephen R. Donaldson, Gordon R. Dickson (and his about-to-be-published novel The Final Encyclopedia), Philip Jose Farmer (just as he was concluding his Riverworld series), Hal Clement, Theodore Sturgeon, Howard Waldrop, C.J. Cherryh, Poul Anderson, Terry Carr, L. Sprague de Camp, Michael Whelan, Roger Ebert, Jim Henson (interviewed during the production of his film The Dark Crystal), and many others. Some shows were also dedicated to specific subjects, including computers, L. Frank Baum, and science fiction music.

Over the course of its life, the show conducted 81 interviews, most of them lasting 1-2 hours. The Longhorn Radio Network estimated that between 100,000 - 200,000 people listened to the show every week.

The collection includes a few recordings made from other sources than the Science Fiction Radio Show.

Unprocessed

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection contains biographical data, publications, and data on the Biology Department at Texas A&M in which Sewell was a faculty member, as well as reports and other papers relating to oyster mortality research carried out through the Texas A&M Research Foundation Research Project 9 (February 1, 1947 - May 31, 1950).

The research project 9 was funded by six major oil companies and led by two Texas A & M University Professors, Sewell H. Hopkins (Head) and John G. Mackin (Associate Head).

Prompted by several lawsuits filed by Louisiana oystermen against major oil companies claiming damages to oyster fields as a result of drilling in the Gulf Of Mexico region, Project 9 was conducted under the auspices of the Texas A & M Research Foundation. Project 9 allowed researchers to design and implement field and laboratory studies seeking to determine the effects of oil production activities on oyster production. Eventually, a then as-yet-unknown parasite was discovered which preyed upon the oyster crop after they had begun to reach maturity.

Two other large research groups investigating the same allegations against oil production in the Gulf headed by H. Malcome Owen (Louisiana Wildlife and Fisheries Commission) and Albert W. Collier (Gulf Oil Company) compared notes with the Heads of Project 9, coming to the same conclusion. As a result of this collaboration, a description of this newly discovered parasite called Dermocystidium marinum was published in 1950. The lawsuits were subsequently dropped or settled out of court.

More importantly for the history of the Texas A & M University System, however, is the fact that Research Project 9 led ultimately to the creation and expansion of a Marine Sciences program, represented by the newly established (1949) Department of Oceanography at Texas A & M University in College Station. On 1 June 1950, after the termination of Research Project 9, Research Project 23 was begun to continue studies on oyster disease and maintain a Marine Laboratory at Grand Isle, La. The Texas A & M Marine Laboratory was established (1952) at the University of Texas Medical Branch in Galveston, Tex. In 1968 Texas A & M University was named a Sea Grant College. The Marine Laboratory and the Texas Maritime Academy were merged in 1971, which is now known as Texas A & M University at Galveston.

These papers, therefore, form a picture of the ground-breaking research in oyster mortality conducted by Sewell H. Hopkins as head of Project 9, which led to increased sensitivity of the interplay of industry and the ecosystem, and to the formalized study at the university level of marine biology in the Gulf area.

Other researchers whose work is represented in the papers include Jay Donald Andrews, A. D. Bajkov, Harry J. Bennet, James L. Boswell, Clair Brown, Sidney O. Brown, M.D. Burkenroad, Fred Caulthron, C. Ray Elsey, I. I. Gardescu, Gordon Gunter, C. K. Hancock, Harold W. Harry, Joel W. Hedgpeth, Willis G. Hewatt, A. A. Jakkula, Fred W. Jensen, P. Korringa, Louis Lambert, Hugh B. Lofland, Elmer J. Lund, G. Robert Lunz, Jr., John C. Aull, Alvin F. Dodds, Shirley Alfred Lynch, John G. Mackin, Wiley G. Lastrapes, H. A. Marmer, R. Winston Menzel, Thurlow C. Nelson, Joseph F. Prokop, W. C. Rasmussen, Sammy M. Ray, J. H. Roberts, Fred W. Sieling, John J. Sperry, Victor Sprague, and Claude E. ZoBell.

    * Bibliography

    * Ray, Sammy M. "Historical Perspective on Perkinsus Marinus Disease of Oysters in the Gulf of Mexico." Journal of Shellfish Research. Vol. 15, No. 1:9-11.

    * Ray, Sammy M. "Texas A & M University's Contributions to Gulf of Mexico Ecosystem Research." [Viewed 2002-10-10 at: ]

The collection contains a wide variety of material related to Star Trek, including books, records, calendars and realia such as pins, playing cards, music boxes, pictures, magazines covering Star Trek, apparel, cups, and glasses, models, ornaments, and other collectibles.

Approximately 102 books have been integrated into the Science Fiction and Fantasy Research Collection. Each book added has a note "Sharon Faye Wilbur Star Trek Collection."

An additional series contains reference material relating to the author Andre Norton, with whom Wilbur was acquainted. Works by Norton that Wilbur owned have been integrated into the Science Fiction and Fantasy Research Collection.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection contains papers from 1956, 1957, and 1958 Traffic Engineering Short School.

This collection consists of manuscripts and literary materials from Mexican-Canadian fantasy and horror novelist, editor, and short-story writer Silvia Moreno-Garcia. Materials include versions and drafts (in paper and digital form) of her novels Signal to Noise (2015), Certain Dark Things (2016), and The Beautiful Ones (2017), among others.

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

This collection consists of three handwritten letters dated around 1896.

This collection is unprocessed.

This collection consists of four handwritten letters from Sir James Bryce dated from 1882 to 1910, each addressed to one of the following: the President of the Board of Trade PASSAIC, W. Riding (1 folio with a typed transcript), "My dear Stillman" (1 folio with a typed transcript), and Fred P. Noble (1 folio with a typed transcript).

This collection contains fifty-four 20th-century postcards of multiple Texas cities.

This collection contains 58 items are related to slavery or emancipation in the states of Florida, Georgia, Mississippi, Missouri, Pennsylvania, Kentucky, and Texas and the countries of Cuba, the Caribbean, Jamaica, and Paris, France.

The descriptive write-up provided by Respess and William Reese, Company is used in the listing of documents. Each document purchased has a title, date, and some have an abbreviated transcription of the text.

The Texas document recounts the hiring, auctions, renting, and transferring ownership of slaves. The Missouri documents concern the purchase and transferring of ownership of slaves named Nancy, George, Phebe, Washington, Lucinda, Madison, Benjamin, and Sarah. No last names or additional information is provided except that Nancy is a Mulatto Woman and George is "of the age of seventeen or thereabouts." Of particular note are two documents, a Texas free woman of color filing a complaint regarding an illegal beating by a group of five men one and the other document is from Missouri and details a sale of slaves by a woman, a rarer document than those recording sales by men.

This archive includes a full run of the publication to date to date, including the master copies of several issues. There are some additional publications and ephemera.

Self-described as "the magazine Margaret Atwood warned you about," referencing Atwood's famous dismissal of science fiction as "rockets, chemicals and talking squids in outer space," Space Squid is a science fiction/humor 'zine published in Austin, Texas.

This collection is comprised of 12 scrapbooks (compiler unknown) that contain magazine and newspaper clippings, maps, and other printed ephemera chronicling the Spanish-American War (April-August 1898) in Cuba, and the Boxer Rebellion (1899-1901) in China. No commentary or other original text has been provided by the compiler. The volumes differ slightly, but all are bound in either dark green or dark brown cloth, with maroon quarter calf. Most of the spine covers are damaged or missing. The scrapbooks measure from 20-25 cm. high and from 24-29 cm. wide.

• Volume 1, Spanish-American War Scrapbook, circa April - August 1898
  • A copy of the war-revenue law of 1898, with index [approved June 13, 1898] is pasted onto the inside back cover
• Volume 2, Spanish-American War Scrapbook, circa April - August 1898
• Volume 3, Spanish-American War Scrapbook, circa April - August 1898
• Volume 4, Spanish-American War Scrapbook, circa April - August 1898
• Volume 5, Spanish-American War Scrapbook, circa April - August 1898
• Volume 6, Spanish-American War Scrapbook, circa April - August 1898
• Volume 7, Spanish-American War Scrapbook, circa April - August 1898
• Volume 8, Spanish-American War Scrapbook, circa April - August 1898
• Volume 9, Spanish-American War Scrapbook, circa April - August 1898
• Volume 10, Spanish-American War Scrapbook, circa April - August 1898
• Volume 11, Spanish-American War Scrapbook, circa April - August 1898
• Volume 12, Boxer Rebellion Scrapbook, circa June 29 - July 15, 1900 (A few loose clippings are included inside the front cover)

Four handwritten journals ketp by S. F. Sparks, J. H. Sparks, and J. M. Sparks detailing their lives and profession as truck farmers in and around Sparks Colony and Rockport, Texas between 1910 and 1923.

Bib ID 3975937

This collection consists of a large number of fanworks from or (more often) collected by California-based fan and fanvidder Stacy L. Doyle. Materials include fanzines (the majority of which involves slash content), fanvids (also mostly slash-oriented) for multiple fandoms, audio cassettes of filksong, and materials relating to a number of genre conventions (including several that are slash-centered). Also included are some additional materials concerning vidding, fandom, and related subjects.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A substantial portion of the fanworks in the Doyle Collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is slash. (g) indicates gen material. (h) indicates het material.

Fanzines are organized alphabetically by fandom name, and thereunder by title. The term “Multimedia” refers to anthologies of material from different fandoms. The term “Crossover” refers to stories in which characters from one or more media universes interact with those from another. (For example, a story in which Mal Reynolds' ship Serenity passed through a wormhole and encountered Captain James T. Kirk's U.S.S. Enterprise would be a Firefly/Star Trek crossover.)

"Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative, or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

This collection consists of fanworks produced and gathered by fans of the Klingon culture from the Star Trek franchise. Materials include fanzines, art, club newsletters, and other objects of creative expression.

Klingons represent an active subset of the larger Star Trek fan community, and have been so for several decades. Klingon fans are particularly visible because of their frequent involvement in often-elaborate cosplay (that is, the use of costumes and accessories to represent specific characters, often personae created by the participants themselves).

The Klingons are an aggressive race of humanoid warriors, first seen in the Star Trek: The Original Series episode "Errand of Mercy" (1967). The Klingons started out as major adversaries of the U.S.S. Enterprise crew, Starfleet and the United Federation of Planets. However, as the Star Trek franchise began expanding in 1987 with the debut of Star Trek: The Next Generation, Klingons evolved from enemies into uneasy allies, and numerous episodes of TNG and later Star Trek series were devoted to exploring aspects of Klingon culture. They continue to occupy a major position in the overall Star Trek universe.

Klingon fandom is most notable for its adoption of the Klingon language. Klingon is a real (albeit artificially constructed) language with its own system of grammar, structure and rules of pronunciation. It was originally created by linguist Marc Okrund in the mid-1980s for the Star Trek films and was adopted into later iterations of the television franchise. Klingon has been expanded on by interested fans and language hobbyists to the point where a number of literary works have been translated from English to Klingon. Many Klingon-related fan creations are written at least partially in the Klingon language, and it is not uncommon for dedicated fans to speak it amongst themselves.

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection consists of a number of items of Texas A&M University memorabilia, that display images, and lines of dialogue from the Star Wars cinematic universe. These items were sold in the fall of 2015 at the University Bookstore at the Memorial Student Center (MSC), as part of the nationwide landslide of publicity surrounding the December 2015 release of the film Star Wars: The Force Awakens.

Items in the collection include T-shirts, pennants, stickers, decals, and beverage coolers, among others.

This collection includes books, serials, and framed artwork.

This collection consists of materials relating to the life and career of science fiction and fantasy author Stephen Leigh. Materials include typescripts...

This collection contains the papers of Sterling C. Evans including personal correspondence with friends, family members, and business associates; personal notebooks; plat maps, blueprints, diagrams of land: legal and financial documents surrounding real estate transactions; favorite quotations and poems; manuscripts; a travel diary; notes, notebooks of advertising and commercial brochures; photographs, newspaper clippings, receipts for gifts, and personal artifacts. The collection also contains the papers of his lifelong assistant, Dorothy Whitley.

The papers reflect Evans' personal life, his early career in the Texas Agricultural Extension Service, his professional career with the Federal Land Bank, and his retirement to a second career of investments in and operating large ranches and plantations in Texas, New Mexico, and Louisiana. In addition, the papers reflect his generosity and his involvement with Texas A&M University through his service to the Board of Regents during a pivotal time in the university's history as well as his support of the university library.

While the papers record Evans' early career, they more extensively detail his agricultural business after his retirement from the Federal Farm Credit Administration and the Federal Land Bank. This post-retirement career is highlighted by a growing friendship with Gus Wortham of Houston, Texas, and their joint real estate ventures such as Randle Lake Plantation in Milam County, Texas, Bear Lake Plantation in Tallulah, La., Crescent Plantation in Louisiana, Little Eva Plantation in Chopin, La., Nine Bar Ranch in Cypress, Texas, and the U Bar Ranches in Medina County, Texas and Hidalgo County, N.M., as well as other smaller operations. These subject files include personal correspondence, legal documents, financial documents, photographs, brochures, advertising materials, and news clippings.

Correspondence includes Evans' exchanges with his wife, Cathrene Thomas Evans, and well-known professional associates such as Gus Wortham, W. N. Stokes, John Wasson, Eugene Butler, Mildred McCoy, Carl Detering, John Lindsey, Earl Rudder, Frank Vandiver, William Mobley, Perry Atkission, Ray Bowen, Irene Hoadley, Fred Heath, Ambassador Edward Clark, and Dolph Briscoe. Also included is correspondence from many family members, and close friends, as well as students from Texas A&M University and Evans' former employees.

This collection consists of various fanzines and newsletters produced by different "kingdoms" (administrative regions) or sub-divisions of the Society for Creative Anachronism. Materials include, among others, issues of Tournaments Illuminated, the SCA's official organ.

The living history/historical reenactment group Society for Creative Anachronism (SCA) was founded in California in 1966. It defines itself, according to its mission statement as " an international non-profit volunteer educational organization. The SCA is devoted to the research and re-creation of pre-seventeenth century skills, arts, combat, culture, and employing knowledge of history to enrich the lives of participants through events, demonstrations, and other educational presentations and activities."

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

This collection consists primarily of manuscripts, proofs and galleys for a number of works by SF author Gould, including both novels and short stories. It also includes several typescripts for works not written by Gould, including several volumes of the George R.R. Martin-edited _Wild Cards_shared universe novels.