This collection includes the major focus of RWS's research in the 1950s and early 1960s, while Mr. Smith's publication projects span the early 1970s to 2000. His writings as John F. Gibley are thought to be a composite of his friends Jon Bluming and Donn F. Draeger. There are several boxes of papers, notes, manuscripts, books, photographs, historic 16 mm movie film, videotapes, and personal correspondence (covering six decades). Some of the prominent correspondence, writings, and photographs include noted science fiction author Ray Bradbury, martial artist Jon Bluming, Donn F. Draeger, writer Kay Boyle, British novelist and literary critic Sir Victor Sawdon Pritchett (VS Pritchett), writer and critic John Sanford (aka Julian Shapiro) and many more. He also offered a critical eye on American culture that is reflected in his reviews, articles, and papers he wrote and collected. Researchers will find substantial scientific articles on how the brain, mind and body work.

This collection contains 54 original handwritten letters by Arnold, one page of poetry, one page of prose, and two pieces of paper with his signature. Each letter includes a typed transcription within its folder.

This collection contains correspondence from Gustav Wehrs to David Chapman and Dr. Robert H. Carpenter, regarding the donation of his life's memories as part of the Military collection to Cushing Memorial Library at Texas A&M. Included is a translated account of his experiences during the Battle of the Aegean in 1943, and an account of the early years of his life he had typed in his native German language.

The collection documents the life of Reverend William M. Taylor and his pursuit of education in various cities in Texas. A biography provides details about his education, religious vocation, and family life in Texas that provide a glimpse into the trials and tribulations Blacks faced in attaining any type of progress. This small collection is also rich in the history of the Guadalupe Baptist Association, Guadalupe College, and the community life for African Americans in Texas.

This collection contains personal letters of the McDaniel family from 1855-1916 along with civil war letters from Confederate soldiers. The letters originate from the McDaniel family in Texas and Mississippi during and after the civil war. Many of the items in the collection are fragile, and transcriptions were made of the letters. This collection also contains family recipes, remedies, along with stereoscopic view plates.

The McDaniel family spans across Georgia, Mississippi, Oklahoma, and Texas. Julius and Minerva (Rodgers) McDaniel were farmers who lived in Ben Hur, Texas during the 1800s.

This collection consists of photographs that Baker took and/or acquired from a variety of sources. Some are reminiscent of Stebbins's photos and appear to be copy prints (especially the glass plate ones). Baker was a marine architect, historian, and author who lived in Massachusetts but traveled widely. Many of these were taken on a trip or trips to the West Coast in the late 1940s or early 1950s to Seattle, Columbia River, and San Francisco.

This collection contains clippings, news articles, and photographs of J. R. Cole, Sr., as well as the resources that he used to write his autobiography (included). Also included is correspondence from J. R. Cole, Jr. and correspondence between the archives and donors.

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

This collection includes newspaper clippings, articles, magazines, and brochures about Texas courthouses; pictures and slides of Texas courthouses; calendars; and a video cassette.

This collection contains mostly correspondence dating from 1927to 1984; personal office calendars; speeches; criminal justice materials; Huntsville First National Bank materials; and clippings, especially concerning the escape attempt of Fred Carrasco, Alcoholics Anonymous, and the Ruiz v. Estelle court case.

Also present are reports, publications, reprints, and photographs relating to the several prison systems with which W. J. Estelle was associated during his career in corrections, some video cassettes, audiotapes, and souvenirs, including buttons, pins, and badges.

The collection is an assortment of newspaper clippings, photographs, a typed biography, commencement programs, an Army training certificate and receipt, and contact information for Ralph Howard Mitchell.

Eldridge Cleaver, a founding member of the Black Panther Party, was also an author, Black power activist, who in his later life became a patriot and Mormon.

The Eldridge Cleaver Archives contains over 1000 individual items of his writings and letters from his prison stints from 1959 to 1966 after he published his seminal work, “Soul on Ice;” BPP writings, his exile in Cuba, Algiers, Paris and other writings; newspapers and other publications. The collection contains rare and unique items from founding members and insider within one of the most notorious and progressive organizations this country has ever witnessed.

There is extensive correspondence from his wife Kathleen that includes correspondence written by and to her, writings to and correspondence from journalists, activists, and from friends.

This collection contains over 125 original handwritten letters by Charles Goodnight to M. S. Garretson and others discussing buffalo, Indians, animal husbandry, the origin of and extinction of certain cattle breeds, the Goodnight Ranch, and many other topics.

This collection includes Dr. Andreadis' research files, library, journals, writings, correspondence, and manuscript materials which were collected during her 40 years as a member of the faculty of Texas A&M. Dr. Harriette Andreadis retired in the Spring of 2014 donating her materials well as several personal items to Cushing Memorial Library & Archives.

This collection consists of a few letters, notes, drafts, and final copies of book reviews, articles, and chapters of books.

Book chapter topics include Gothic Culture, Medieval Architecture, Romanesque Art and Architecture, Baroque Art, and Renaissance Painting, particularly the paintings of the Sistine Chapel by Michelangelo Buonarroti. The bulk of the latter material probably pertains to a book on which Mayo was working at the time of his death in 1954. The book was to have been titled The Great Pendulum and would have recorded the cycles between romanticism and rationalism in art and literature.

The E. J. Kyle (1894-1957) Papers contains reports, correspondence, speeches, articles, applications, pamphlets, newspaper clippings, programs, pictures, memorandums, lists, and resolutions. Materials include correspondence, reports, speeches, and articles on E. J. Kyle's attempts to acquire more land and construct new buildings for the School of Agriculture at Texas A & M College. Other speeches and articles written by E. J. Kyle are concerned with subjects as cotton, soil conservation, and the cultivation of vegetables, fruits and nuts, particularly pecans.

Also present are reports Kyle wrote pertaining to Texas A & M College's enrollment plans and teaching techniques in Agricultural classes. Since Kyle was the head of many different programs at Texas A & M College, his papers contain applications and other information regarding the Land Prize, Anderson-Clayton Company Scholarship, and programs on Short Courses taught from 1913 to 1936. In addition to his academic duties, Kyle was also deeply involved with various types of research and the papers contain a few of the booklets, articles, and resolutions pertaining to the Soil Erosion Project, Frozen Food Research, and Texas Wildlife Research.

Correspondence in the papers deals with not only E. J. Kyle's work, but also contains letters from former students, commendations sent to Kyle, and letters concerning the naming of Kyle Field sports arena on the Texas A & M College campus.

Photographs contained in the collection are pertain to agricultural topics, such as cattle and pecan trees, the NYA program, Texas A & M College buildings, Texas A & M College football teams and sports events, and Kyle Field.Several football team rosters, programs from football games, newspaper clippings about sports events, and correspondence dealing with Kyle's position on the Athletic Council represent Kyle's close connection with many of the Texas A & M College athletics program.

Also present is a certificate of Kyle's appointment to the Farm Credit Association.

This collection contains the original diary handwritten as a fair copy by John W. Anderson in 1867, in a notebook made by A. Drury, measuring approximately 24 x 19 cm. The notebook is bound in cardboard, covered in paper, with quarter leather corners and backstrap. Pages are machine ruled in blue, almost all filled with entries handwritten in ink. An albumen photographic print of Richmond before the Civil War is included as a full-page size frontispiece.

An extremely ornate calligraphic title page drawn by Anderson dedicates the diary "To His Beloved Sister, Minnie (Mrs. M. L. Hopkins) ... By John W. Anderson, M.D. 1867." The entries, dated 1861-1866, were copied over in 1867 after the end of the Civil War (1861-1865), from various other journals Anderson kept during the war, as a commemorative record of historical events, including his personal experiences and observations. Sections are enhanced with decorative initial letters and given titles such as "First Year of the War. 1861," with the last section, dated 1866, entitled "Reconstruction."

In the manner of a scrapbook, the journal is profusely illustrated with: pasted in photographs of military and political figures, as well as Anderson family members; pasted in Confederate money and stamps; pen and ink, mostly humorous sketches by John W. Anderson, some hand-colored; hand drawn and colored rebuses, with pasted on, or pen and ink drawn sections; as well as two hand-drawn maps, one showing the First Battle of Bull Run, annotated in red ink with the location of Alabama companies, and of the deathsites for those soldiers well known to Anderson, the other a map in a circular format, showing, at the center, Richmond, Virginia, with roads, railroads and fortifications radiating from or surrounding it. The photographs of family members are particularly interesting as they are included to accompany sketches of the "dramatis personae" of Anderson's narrative.

The original diary pages were numbered 2-300 in pencil on the upper outer corners of each page by Mrs. Robert W. Barnett, whose husband's great-great-grandfather, John W. Anderson had written the diary in 1967, as a fair copy compilation of journals he kept throughout the war and its immediate aftermath.

The original diary is very fragile and housed in a phase box under Restricted access. Permission must be requested from the Cushing Memorial Library Director and an appointment made to view the original diary.

Anderson's reporting skill is evident in the pithy, often vivid diary entries, evidently written by a quite well-educated and informed individual. As a member of the more privileged Southern classes, he is adamantly opposed to what he views as Northern tyranny and does not criticize the institution of slavery. While under siege in Richmond, Va., Anderson and his family, and particularly his fellow soldiers, face hardship in obtaining adequate shelter and food. Although often lighthearted, the entries betray an increasing awareness of the grimness of a drawn-out war and siege on Richmond.

Comments on battles include disparagement of Beauregard's failure to pursue the Federal forces at the battle of Shiloh, as well as mixed evaluations of General John Bell Hood and his Texas Brigade. On a more personal note, during one of Anderson's trips outside of Richmond on business to Alabama, Florida, North Carolina, or Maryland, Anderson's beloved daughter dies. In contrast, there is a charming account of his little boy's birthday party, complete with a pen and ink sketch of the child tearing into a rare treat of a meat pie. The death of a friend, wounded and without the comfort of family, is told without the usual light touch, but full of sympathy.

Events described expressing public opinion on the part of the Southern citizens under besiegement in Richmond include a "bread riot," illustrated with a sketch of women stealing bacon, with one shooting a policeman. Currency values are often mentioned. The flogging of Missouri Representative George Graham Vest by Mrs. Dowell in the House of Representatives is recorded, as is the 1865 New Year's feast prepared by Richmond citizens for the soldiers. After the war, the decision to institute cleaning of the Confederate graves and place flowers on them every 31 May foreshadows the official designation of Memorial Day to commemorate all U. S. soldiers killed in battle.

Also included with the original diary as Item 2. is a black and white photographic copy of the diary pages made by the repository in 1988. This photographic copy includes a few colored enlargements of illustrations in the diary.

Each 8 by 10-inch photograph of a page in the original diary is numbered on the back in pencil. The photographs are inserted in photograph sleeves, two photographs inserted back to back in each sleeve, and bound in three three-ring clamshell box albums holding approximately 50 photograph sleeves each. The black and white photographs of the diary pages are thus divided between the three clamshell box albums, with the colored photographs of selected illustrations added as a group in the back of the third clamshell album box (Item 2. Box 4/album 3). All photograph sleeves clearly bear in print marking pen the Collection ID number and the appropriate page number from the back of the print on the margin of the sleeve.

Negatives for the photographic copy of the diary are included in Box 5, folder 1. As with the photographic prints of the pages, the negatives are also inserted in sleeves and labeled with the Collection ID number and page numbers. The pages were obviously photographed in groups of all "Even" and "Odd," corresponding to recto and verso pages; therefore, the sleeves are labeled with the page numbers and either "Even" or "Odd." It is preferred that this copy of the diary be used as a surrogate copy.

Item 3. of the Diary is a photocopy made on archival quality paper in 2002 of the photographic prints of the original diary. This copy is also suitable for a surrogate copy.

The diary begins at an entry for 19 May 1915 with the driver's departure from Paris, to report to the Bureau, or main Section office of the service, at Pont-á-Mousson, which he often abbreviates to Pont. in diary entries. The diary's driver is often under fire, either while driving the roads among convoys, or in the towns being shelled, and, on a least one occasion, even at his billet, called a caserne. He is also clearly interested in becoming an aviator and visits a French aviation field with a friend from the American Field Service during his time off.

There are descriptions of German prisoners in the town square, serious casualties called couchés, episodes of shelling, the hazards of evacuating casualties under fire, as well as the daily life of an American soldier serving in World War I before the official entrance of the United States, is terse and vivid. The narrative presents an interesting contrast of intense activity and intermittent loafing in the French towns and countryside, including a tour of such battle areas as Bois-le-Prêtre, the site of the First Battle of the Marne.

The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there. Ambulance drivers who served first as volunteers in France seem to have transferred to other branches of the service, in several cases the Air Service, after serving in the American Field Service for possibly only a few months.

The entries end abruptly on June 9, 1915.

The shiny dark brown paper-covered diary measures 17 x 10 cm., with 26 of its 40 blue-ruled pages filled with entries handwritten in ink. Although found inserted into an issue of the Kelly Field eagle published between April 1918 and January 1919 and donated to the repository by General George Stratemeyer, the diary is neither labeled, nor signed, and the entries are dated [May] 19 - June 9, 1915.

A newspaper clipping is slipped into the diary, dated 1873 by hand in ink, probably from a British newspaper, which contains a poem, "To Loch Skene", on which corrections to the text have been made in ink.

It may be noted that George Stratemeyer, probably did not write the diary since he served with the 7th and 34th Infantry divisions in Texas and Arizona until September 1916, immediately after his graduation from the U.S. Military Academy in June 1915. He subsequently became commanding officer of the Air Service Flying and Technical Schools at Kelly Field, Texas in May 1917. The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there.

The 25-page paper transcript was made in February 2002 by Aletha Andrew, who processed the collection in the repository.

This collection consists of some correspondence, a significant number of mostly typed manuscript drafts, both published and unpublished, and a printer's galley for her book, Coryell County Scrapbook, published in 1963 by Texian Press of Waco, Texas. Also present are a few newspaper clippings, as well as handwritten and typed research notes for her published book.

The manuscript drafts reveal an engaging blend of scholarship, personal recollection, and anecdotal history chronicling the development of Coryell county from when the area was part of Coahuila, Mexico, through to its formal organization as a county in the state of Texas in 1854. Included is an account of the growth of Fort Hood as a military base in the early 1960s.

Stories are cited from early twentieth-century newspapers recounting Indian skirmishes with pioneering settlers, deeds of cattle rustlers and trail drivers, as well as events surrounding prohibition and various political rivalries. The early days of Fort Gates, now Gatesville, and the later development of Camp Hood, now Fort Hood, one of the nation's largest military installations, are described. Statistical tables and records present expenditures for, and descriptions of, buildings, jails, courthouses, prominent homes, banks, and businesses in Coryell county.

Interspersed among the political and economic accounts of the county's progress are more personal stories of weddings, births, parties, church events, legendary horses, dogs, local heroes, and even the county's centennial celebration in 1954. Mears' relatively unadorned narrative describes in some detail the increasing social, economic, and political prosperity and influence, as well as the setbacks, of Coryell County. Mears' work brings to life frontier Texas culture during the late nineteenth and early to mid-twentieth century.

This scrapbook belonged to George B. Quillen and contains materials from his time at A&M college from 1924-1927.

This collection consists of letters written by or about Edward Thomas, an English author, and one manuscript of a foreword written by his wife, Helen Thomas. The subject of each one varies from Edward Thomas' death, a rejection letter for a short story he later published elsewhere, to general correspondence with a photographer friend, Frederick Evans, and Mrs. Thomas' foreword which was added to a new edition of her then-late husband's children's book, Four-and-Twenty Blackbirds.

The collection came with detailed notes on each item, as well as a transcription of what is written on the original pieces of paper. Thus, it was copied to this finding guide, as a helpful aid to deciphering the handwriting.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection consists of term papers, course handouts, folklore fieldnotes, news clippings, a report, a document, maps, photographs, materials about folksingers, pamphlets on wildlife, materials about vaudeville and North Carolina, the information given to Dr. Anderson on Texas, correspondence, and information on The Texas Folklore Society and The John A. Lomax Folklore Society.

The majority of the material is from Dr. John Q. Anderson's students at Texas A&M. Dr. Anderson assigned his students to write term papers on folklore from many locales, including Texas. Because Dr. Anderson felt that some of these student papers were so exceptional, he collected, edited, and had them published in a book he titled, Texas Lore: A Collection of Student Papers on Texas Folklore. As additional information on some of the term papers, some of the students gave Dr. Anderson information on North Carolina, and Billy Arlington and Co. Dr. Anderson also requested that his students collect information on folklore by interviewing people and recording this information in fieldnotes. The information was gathered and is represented in the collection on topics including folk medicine, games, children's lore, folk beliefs, folk sayings, proverbs, rhymes, riddles, tree and plant lore, and Aggie lore.

Along with interviews and fieldnotes contributed by the students, many news clippings were collected, mostly relating to Texas and pertaining to people, places, folk medicine, folk singers, folk games, folklore book reviews, anthropology, superstitions, magic, and etymology. Also present is one document on folk medicine, an article on folksinger Joan Baez, a few articles on certain Texas counties, and special editions of some Texas newspapers.

Other materials include correspondence between Dr. John Q. Anderson and the Texas Folklore Society or the John A. Lomax Society, and with people interested in folklore. There is also information about meetings and conferences to be held by the Texas Folklore Society, including a program that Dr. Anderson sponsored at Texas A&M for the John A. Lomax Society.

This collection consists mainly of correspondence, legal documents, a corporate minute book, and handwritten notes recording the litigation connected with ownership of a large tract of land (89,000 acres) in Hidalgo country known as the "Big Santa Rosa Pasture". Actual litigation took place from 1903-1910.

Individuals involved in the case were: Dillard Rucker Fant and his wife, Lucy Fant; Daniel J. Sullivan; J. C. Sullivan; James V. Upson; Wiliam R. Elliott; Conrad A. Goeth; James Webb; J. M. Chittim; Archie Parr; Kate V. Elliott; G. G. Clifford; A. E. Chavez; J. A. Galligher; W. M. Sanford; Fred Kelly; F. A. McGown; F. W. Church; H. R. Wood; F. Groos and his wife, Hulda Groos. Legal counsel involved in the proceedings were: James E. Webb and Conrad A. Goeth of Webb and Goeth, F. A. McGown of Denman, Franklin & McGown, and R. L. Ball, all based in San Antonio, Texas.

At the onset of the difficulties, D. R. Fant had leased the Big Santa Rosa Pasture to the cattle-raising partnership of Chittim and Parr. J. M. Chittim was a large rancher in South Texas and Archie Parr, was a State Senator popularly known as the Duke of Duval. Based on the large annual rent monies Fant had expected to collect from Chittim and Parr, he then also borrowed money from D. Sullivan of D. Sullivan and Company Bankers (founders and owners of the large South Texas Mariposa Ranch) and, using the same collateral, borrowed more money from the competing F. Groos and Company Bankers (later a founder of Wells Fargo Bank).

When it appears, that Chittim and Parr defaulted on their rent payment for the Big Santa Rosa Pasture to Fant, Fant was then forced to default on his own payments to both banking organizations from whom he had borrowed funds. The bankers, in return, sued and foreclosed on the Big Santa Rosa Pasture.

Through the Santa Rosa Ranch Papers extensive set of legal documents, attorneys' memoranda, telegrams, letters, and financial disclosures, the most absorbing story of Texas land politics unfolds.

Notable among the papers is the Santa Rosa Ranch Minute Book, a ledger volume with handwritten entries detailing the Articles of Incorporation, By-laws and minutes of the first stockholders' meeting of the Santa Rosa Ranch Company. Also present is a manuscript plat map in black and red ink on light blue linen, of the 1905 Maria Rodriguez survey, which has been encapsulated and is housed separately in a Map Case Drawer.

This collection includes an exchange of letters between Berenice Napper and an official of Connecticut's Commission on Civil Rights, six items concerning Napper's membership in the National Council of Negro Women, eight printed ephemeral items including a photograph of Berenice Napper with three other individuals looking over a copy of Walter White's book How Far the Promised Land?, and a small group of newspaper clippings concerning her work as a field secretary for the National Association for the Advancement of Colored People (NAACP).

The collection covers the personal, academic, and professional life of Jeff Stumpo and his founding of the Java Shock slam poetry event held initially in College Station, but now based in Bryan, TX.

The Dr. Yolanda Broyles- González & Francisco González Archive is a rich borderland Mexican-American collection with a focus on performance arts, theater, and music.  Dr. Broyles-González studied and lived in Germany for twelve years, in Berlin, Freiburg, and Hamburg. She published the first translations of Chicano literature into German and she was instrumental in bringing Chicano/a literature and history to European readerships and consciousness. 

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.

While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.

The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.

This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.

These papers also contain an audit of the Stanley Warehouse. Photographs also include interior and exterior shots of Stanley Warehouse and additional photos of military personnel.

Of special note are photographs of a visit to inspect the facilities and visit troops by Mrs. Eleanor Roosevelt, wife of U.S. President Franklin D. Roosevelt. There are two photographs of Mrs. Roosevelt, accompanied by Colonel Dorris A. Hanes, speaking with African American soldiers.

A photographer identified as Ingledew in Liverpool, England, in 1942, took a majority of the photographs and many have a series of numbers written on the back. Many of the photographs identify individual soldiers by name and their hometowns. Hometowns include Chicago and Springfield, Illinois, Winthrop, Massachusetts, Passaic, New Jersey, New York City, Cuero and San Antonio, Texas, and West Virginia.

Note that although photographs of Eleanor Roosevelt have her name spelled incorrectly, the finding aid uses the correct spelling. Other names are spelled one way on the back of the photograph and differently in the front captions. Information about photos is typed on the back and handwritten on the front. Finding aid attempts to duplicate information as written including grammatical and punctuation errors. The exception is in the inconsistent and confusing use of primarily upper case letters. An attempt was made to make this more uniform in the finding aid by using both upper and lower case letters.

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

This collection consists of the research collection McQueen built and used to write Black Churches in Texas. A Guide to Historic Congregations (Texas A&M University Press, 2000).

The contents consist mainly of "Texas County Historical Black Church" information sheets, each listed as an "inventory" in the finding guide, accompanied by related church history materials including church worship service programs, also called orders of worship; church homecoming and anniversary publications; handwritten and typed letters mostly regarding church history; newspaper clippings about historic congregations and members; notes about the history and location of churches and contact persons in congregations; business cards for contacts; published church histories; photocopies from published books about related counties, cities, and congregations; Texas county maps; color slides, photographic prints and negatives of church cornerstones, existing church buildings, Texas Historical Markers, and congregation members.

Also present are photocopies of newspaper clippings covering African American religious issues and manuscript drafts for McQueen's book, many of which are heavily annotated by McQueen.

The inventories and related church history materials were amassed by data collection teams organized by McQueen and also collected by McQueen himself. Norris Braly, a member of the Burleson County Historical Committee, documented the first church history in February 1988. McQueen documented the last congregation on August 24, 1997.

Most of the church worship service programs are laser printed. However, there are a few earlier documents that are photocopies of mimeographed sheets, and a few that were professionally printed. When the word "typed" is used to describe a church history, it means that the history was not professionally printed.

Variant congregation names exist within the documents (for example, Macedonia First Baptist Church and Macedonia Baptist Church). For the purpose of this finding guide, we have chosen to use the form of the congregation name given in Black Churches in Texas. Files exist within the collection for congregations that do not appear in Black Churches in Texas because exact organization dates could not be determined at the time of publication. Conversely, not every church listed in McQueen's book has a folder in the collection (for example Colored Methodist Episcopal Church of Sweeny in Brazoria County).

McQueen used different versions of the inventory form to document the churches. Though the information requested is the same, the format may differ. McQueen also copyrighted many of his slides, and so most of them bear handwritten copyright information.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.