This collection comprises twenty-seven autograph letters from various family members, three autograph documents written by Joel Crawford, additional unsigned correspondence, fout vintage photographs, five black and white photograph reprints, thirteen mailing envelopes, and a number of other address panels on the letters, some with quite scarce postal stamps from small towns in Georgia and Florida. Short excerpts of some letters are included in the description listing.

The collection also includes biographical information on the Crawford family, a photocopy of a marriage certificate for Charles P. Crawford's marriage to Anna Ripley Orme, and a page from the estate of Joel P. Crawford, signed by his executors James Buchanan and Charles P. Crawford admitting it into the record.

Postal history envelopes contained throughout the correspondence: cancellation stamps from La Grange, Fort Gaines (1855), Bainbridge (1855), Blakely (1855), and Macon (1858), Georgia, Orange Mills (1858), Florida, and Richmond (1862), Virginia. There are also five additional undated envelopes from members of the Crawford family.

This collection contains materials documenting the literary career of Texas speculative fiction and horror author Bonnie Jo Stufflebeam. Materials in the collection include manuscripts of Stufflebeam's work, as well as reader comments on her work from her time at the Stonecoast Writers Workshop.

This small collection consists of items created for and given out to attendees of the 3-day event surrounding the opening of the April-September Cushing exhibit The Rider Call: Kristen Britain's Fantasy Work and Fan Response. The exhibit celebrated the 25th anniversary of the publication of Britain's first novel Green Rider. It showcased both Britain’s work (through her books, the manuscript materials in which the texts evolved from idea to completion, and the beautiful art that illustrates it) and examples of fanworks created by many Green Rider fans, ranging from music to art to costumes to objects.

During April 5-7, 2024, Cushing hosted the exhibit's opening event that included a lecture, reading, and signing from Britain, as well as panels relating to her and work, cosplaying, and a trivia contest. The materials in this collection were given out or used during the events.

Small Collection.

Also included are two fanmade full-length costumes that were donated/loaned for the exhibit: one of Captain Laren Mapstone (made by Kimberly White), and Karigan G'ladheon as the avatar of Westrion, the god of death (made by Megan Notman); and a large cardboard cutout of Karigan, signed by Britain at the exhibit's opening in April 2024.

This collection consists of various works of fiction (reprinted from the defunct website www.corrieweb.nl) from the lesbian writer Nene Adams. Adams wrote in a number of different genres, including historical, romance, and horror.

This collection consists of materials from the life and work of role-playing game and video game industries artist and designer Liz (Elizabeth T.) Danforth. Materials include correspondence, issues of fanzines and gaming magazines, convention materials such as program books and con badges, and miscellaneous other materials. Also included are several audio recordings of conversations Danforth had in the spring of 1984 with several authors concerning a possible new book series.

This collection consists of two typescripts from the acclaimed science fiction author Edward Bryant (1945-2017). The materials include a photocopied typescript of Bryant's 1984 story "Dancing Chickens", with edits; and the first four chapters of an unpublished novel by Bryant, No Limits. The chapters also contain handwritten edits from Bryant.

This collection contains materials relating to Golden Gryphon Press and its publication of Howard Waldrop's 2003 novelette "A Better World's In Birth!". Materials in the collection include Waldrop's hand-typed manuscript, editor Marty Halpern's edited draft of the story, a final typescript, a copy of the chapbook and a cover flat, and electronic copies of the final typescript.

The novelette tells the story of an alternate central Europe, in which a Communist revolution occurred in the middle of the 19th century, led by Karl Marx, Friederich Engels, and Richard Wagner. In 1876, rumors fly that the ghosts of these three revolutionary martyrs have begun appearing in the city of Dresden. The story examines how these specters may be tied into a larger political conspiracy.

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

This collection contains materials relating to the life and career of Texas-based science fiction and fantasy writer Jessica Reisman. Materials include typescript drafts for many of her published and unpublished stories, as well as drafts and notes from stories written before her professional career began. Other items in the collection include spec scripts and screenplays written by Reisman, academic writing from her undergraduate days, and assorted other materials.

This collection consists of cost reports, blueprints, financial statements, and correspondence.

This collection pertains to Ernesto Mejia-Sanchez, who was a major Nicaraguan diplomat, poet, scholar, and critic whose papers are primarily in Spanish. Materials include photographs, correspondence, writings, publications, newspapers, course writings, and research materials from archives and libraries around the world.

These two volumes documents feature the personal and political reminiscences of journalist William S. Robinson and were edited and published by his wife in 1877. In the first edition, the first volume was expanded to two with extra illustrations (142 portraits and 53 autograph letters from prominent Americans of the time). Writing as “Warrington,” the journalist was especially noted for his reform positions and radical anti-slavery voice. The portraits and views represent a wide range of 19th-century American historic events, sites, and public figures.

This collection was intentionally developed, pulling together political documentation and radical writings of people of African descent from around the country.

This collection is UNPROCESSED.

The collection covers the personal, academic, and professional life of Jeff Stumpo and his founding of the Java Shock slam poetry event held initially in College Station, but now based in Bryan, TX.

The collection contains a letter written by J. B. Rayner announcing a forthcoming visit to Edna, Texas, dated October 19, 1900 (envelope included), and a handbill announcing Rayner's talk on October 27, 1900.

This collection contains over 100 items, primarily books that are cataloged and available via the Libcat system. The manuscript and drawings are also cataloged and available via the Libcat system.

This collection was part of a gift given to the library by the Anthropology Department.  The collection documents the work and writings of Professor Dolores Richter. The collection includes photographs, negatives, writings, and news clippings related to Prof. Richter’s research in the Ivory Coast, West Africa, and Oceania and the publication of her book “Arts, Economics and Change: the Kulebele of Northern Ivory Coast” published in 1980.

The collection documents the life of Reverend William M. Taylor and his pursuit of education in various cities in Texas. A biography provides details about his education, religious vocation, and family life in Texas that provide a glimpse into the trials and tribulations Blacks faced in attaining any type of progress. This small collection is also rich in the history of the Guadalupe Baptist Association, Guadalupe College, and the community life for African Americans in Texas.

This collection consists of an illustrated mailer postmarked New Orleans, and hand-addressed to Toledo OH, containing 18 accordion-folded 6in x 4in color photos purporting to show (stereotypical happy variety) black life in the south, with two songs, "Dixie Land" and "Dixieland for M" printed on the inside of the mailer with a cypress tree on one side of the fold and a photo of a black man and woman next to the address label.

These were reproduced from hand-tinted black and white originals. Postcard-size images, but double-sided without space for messages.

This collection includes over 11 different groupings of approximately 1 to 10 issues in each grouping. The latter half of the collection includes illustrations of African and African Americans in European periodicals.

These comics were created in countries that were ruled by colonial powers in Africa, namely Italy, France, Belgium, and Spain. The comics are both individual copies and bound volumes with numerous copies. They date from around 1926 to 1973.

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

This collection encompasses a number of resources obtained with the support of A&M's Africana Studies Program.

Box 1, Teaching Aids, consists of chromo card albums that were published in continental Europe by various companies to garner support for the continuation of the control over colonies across Africa and Asia. Also, many of these albums intend to educate on the natural resources of the colonies and their indigenous inhabitants.

Box 2, Cards and Chromo Albums, consists of cards produced by various European companies that depict the African lifestyle and diaspora. Some cards also depict many stereotypes widely held by mainland European society. Also included are albums that may have been intended to educate the collector on topics such as the fauna of Africa, and the practice of hunting.

Box 3, Oversize Items, consists of more Chromo trade albums, teaching aids, ballots, and posters.

This collection consists of a photo scrapbook with six small charcoal images that depict African-American life in the rural south with an unrelated pictorial on-lay on the upper cover, all tied together with string.

This collection includes an exchange of letters between Berenice Napper and an official of Connecticut's Commission on Civil Rights, six items concerning Napper's membership in the National Council of Negro Women, eight printed ephemeral items including a photograph of Berenice Napper with three other individuals looking over a copy of Walter White's book How Far the Promised Land?, and a small group of newspaper clippings concerning her work as a field secretary for the National Association for the Advancement of Colored People (NAACP).

Original black students' association charter. Authored by Ken Lewallen and Antwine Jefferson in Fall 1967-68.

The collection contains over 100 rare letters, autograph quotations, and photographs from 50 major figures in the American antislavery struggle, including several rare autographs from key British abolitionists. Many of the individuals noted provided selfless support, financially, morally, and wrote on behalf of the abolishment of the 'peculiar' institution of slavery. Some of the well-known abolitionists include Henry Ward Beecher, Blanche K. Bruce, William Channing, William Lloyd Garrison, Joshua R. Giddings, the Grimke sisters, Gerrit Smith, Thaddeus Stevens, Charles Sumner, and Lewis Tappan, one of the leading financial supporters of the Amistad Africans.

The collection contains photographs and newspaper clippings of these 50 prominent abolitionists.

This collection consists of volumes of correspondence (bulk 2005-2014), video and audiotapes of Dr. Fortune's classical music performances, writings, business ventures, and research material for her published books.