This collection contains the third part of William A. Owens' materials deposited in the Cushing Archives. Materials consist of personal correspondence, from 1964 through 1988, essays, manuscripts, photographs, research for books, and articles.

Included within the series are short stories and articles such as "This Stubborn Soil", "Wildcatter", "Look to the River", "Tell Me a Story", "Sing Me a Song", "Historic Texas", "Eye Deep in Hell", and work by other authors; Cleaver and Witherspoon family genealogy; letters of Roy Bedichek; "Three Friends"; videotapes of Owens's work; and photographs.

This collection contains seven original handwritten letters by Browning, two copies of letters to Browning, one original handwritten letter to Browning from artist John Nettleship and one letter fragment with Browning's signature.

Also included is a program for the Armstrong-Browning Library Dedication, newspaper clippings regarding a stolen Browning relic and Dr. Frederick Furnivall, and a magazine article "Browning on the Brazos".

This collection contains correspondence and contracts transmitted between H. E. Bates, Agnes Miller Parker, and the London publishing house of Victor Gollancz, Ltd. Among the contents are 28 letters from H. E. Bates and 30 letters from Agnes Miller Parker (Agnes M. McCance), all to Victor Gollancz or his representatives, concerning three books, one of which was projected but never published under the firm's imprint. Also present are single letters from Edmund Blunden, Sylvia Lynd, and the illustrator, Peter Partington.

This collection consists of an example of H. Rider Haggard's (Sir Henry Rider Haggard) autograph, dated 1889 and written on stationary reading "Ditchingham House, Bungay" (Haggard's home in Suffolk), together with a carte de visite of Haggard, printed by Newsboy in New York, Undated.

This collections contains an archive of correspondence that supplements the Golden Cockerel Press production of One Hundred and Eleven Poems written by Robert Herrick.

This collection includes correspondence and biographical information of several individuals, musical scores, programs, books, photographs, articles, works by several individuals, video cassettes, and a cassette tape.

This collection consists of handwritten research notes, correspondence from various individuals, institutions and organizations, and photocopied materials collected by Dominic Hibberd for his 2001 biography Harold Monro: Poet of the New Age. It also includes the papers and research notes of Ruth Tomalin. Alida Monro left Tomalin money to write a biography of Harold Monro, but this was contested by an executor of the will. Though she won her court case, Tomalin did not write the biography, and instead passed her notes to Patric Dickson, another potential biographer, who in turn gave them to Dominic Hibberd. The collection also contains publicity materials and publication information for Hibberd's book.

This collection contains one handwritten letter from Phelps to "Madam" regarding Robert Louis Stevenson (2-pages ALS with a typed transcription).

This collection contains a portion of a handwritten poem "The Accused", signed by Louise Driscoll, and one newspaper clipping with the poem in its entirety.

This collection contains one handwritten letter from Macready to "sir" dated 1854 (1-page, ALS with a typed transcription), and another letter to "William Simpson" (1 folio with a typed transcription).

This collection contains a handwritten unpublished play by Cumberland, "Atonement" (33 pp., bound), and one page of information regarding the play (typed).

This collection contains one handwritten letter dated 1907 from J. M. Barrie to Miss Riding (1 folio; 1 typed transcription; 1 page with signature).

Sound recordings on 199 instantaneous disks (196 embossed aluminum, 3 lacquer) made by William A. Owens during the late 1930s to early 1940s, during which time he was a professor of English at the Agricultural & Mechanical College of Texas. The recordings document folk songs, ballads, play-party songs, fiddle tunes, and folk culture of East and Central Texas. Some of the material was later transcribed and published in Owens' books "Texas Folk Music" and "Tell Me a Story, Sing Me a Song..." and are noted in item descriptions.

Audio CDs transfers of the original disks were made in 2002 by The Cutting Corporation. The recordings are of good quality unless noted otherwise.

This collection contains nine handwritten letters from Alfred Tennyson and one handwritten letter from Emily Tennyson. Also included is the poem "A Welcome", the lower half of a letter with Tennyson's signature, and the dated and signed portion of a document that Tennyson signed as a witness on August 1, 1862.

This collection contains over one hundred pages of correspondence with his technical advisor and collaborator, Commander John Dale P. Hodapp.

Included are two handwritten pages from Hunting Bandits in Corsica, one handwritten page of a manuscript by C. Northcote Parkinson, and one 8x10 black and white photo of Forester.

This collection contains twelve analyses of the handwriting of the following British authors: Richard Doddridge Blackmore, Sir Arthur Conan Doyle, Sir H. Rider Haggard, Rudyard Kipling, wife Caroline Starr Kipling, Robert Browning, Alfred Tennyson, wife Emily Tennyson, and son Hallam Tennyson.

The materials included are two typed pages, twelve cards (typed), one envelope (handwritten), and two small cards with titles.

This collection contains a limited edition Christmas card, "A Flock of Guinea Hens Seen From a Car" (1957) with a corresponding envelope.

This collection contains three handwritten letters and a postcard, all from E. M. Forster, each addressed to one of the following people: Lynd (1-page TLS, October 10, 1929), A. T. Bartholomew (1 postcard ALS, June 5, 1930), Darlin (1-page ALS with typed transcription, September 13, 1931), and to Grant Duff (1-page ALS with typed transcription, July 17, 1935).

This collection contains three handwritten letters from H. Rider Haggard to Charles (1-page ALS), Larry (1-page ALS), and "Sir" (1 folio), and a handwritten page by Ella Haggard, "From the West to the East". All of the letters and the handwritten page from Ella each have a 1-page typed transcription.

This collection contains handwritten letters from Dreiser dated around 1908, each to one of the following individuals, "My Dear Kelly" (1 folio with a typed transcript), "Dear Kelly" (1-page, TLS), "Dear Duffy" (1-page, ALS with a typed transcript), "My Dear Duffy" (1-page, ALS with a typed transcript), and Mr. Henry Phillips (1-page, TLS). Also included in the collection is one dedication page torn out from a book with Dreiser's autograph.

Original pencil sketch made in 1881 when Percy Ives, then an art student at the Pennsylvania Academy of Fine Arts, visited Whitman at his home in Camden, New Jersey.
In 1915 Ives presented the drawing to Powys when the novelist traveled to Detroit, Ives' home town, to begin a series of lectures. Powys subsequently gave the drawing to his sister Philippa, probably after she had visitied Whitman's home in Camden in 1923-1924.

The drawing is signed by both Ives and Whitman. Reframed in 2012 displaying all inscriptions.

Captain George Fountain Weare Hope.

This collection contains papers documenting Owens' teaching and writing career from 1928 to 1979. Items of special interest in the collection include lyrics to many folksongs and recordings made by Owens in the 1930s and 1940s of folksingers as well as recorded readings of Robert Frost, interviews of early oil pioneers of Texas, legal papers for Owens vs. Fawcett Publications, Inc. and David Holland concerning True magazine's plagiarism of Slave Mutiny, and letters of Roy Bedichek, J. Frank Dobie, Walter Prescott Webb, and Mody C. Boatright.

The correspondence is further separated into three areas: personal correspondence; correspondence with Owens' literary agent, Maurice Crain; and correspondence regarding Owens' books. Some overlapping exists between these areas. In the personal correspondence section, letters discussing Owens' books are largely from friends and fans and are nontechnical in nature. The correspondence with Maurice Crain concerns the publication procedures and business aspect of his writings while the boxes of letters specifically concerning the books deal primarily with the writing and development of the books.

The personal correspondence is arranged chronologically from 1932 to 1975. The letters are concerned with associations and societies to which Owens belonged; speaking engagements by Owens; programs in which he was involved; awards presented to Owens; and Owens' teaching career which includes letters to Owens as Director of Folk Festivals at the University of Texas, as an instructor at Texas A&M University, and as Professor and Dean of Summer Sessions at Columbia University. Other letters concern Owens' service as an Intelligence Officer in World War II and his early work with folksongs. In addition to correspondence from Owens' family and friends, there are letters congratulating Owens on his publications and requesting his literary advice. Of special interest are letters from famous persons such as Grant Wood, Eleanor Roosevelt, Harry Truman, and Nelson Rockefeller.

Correspondence with Maurice Crain contains letters from 1950 to 1959. The letters discuss publication and promotional plans for Owens' books and short stories. Other subject areas include foreign and domestic contracts for publication, royalty statements, and motion picture plans for several books.

The correspondence concerning books is arranged in chronological order based on the year of the book's publication. Included are letters regarding contracts with publishers, royalty statements, motion picture rights, and lectures on the books. Numerous letters discuss Owens' research and recordings of folksongs for Texas Folk Songs. Additional correspondence with Mrs. Walter B. Sharp, Dudley Sharp, and other oil pioneers refers to the Oral History of Texas Oil Pioneers.

Material concerning Owens' books includes background material, book reviews, typescripts, drafts, and in most cases galley proofs and page proofs. The boxes are arranged chronologically according to the publication date from the earliest to the last. However, the revised edition of Texas Folk Songs which was published in 1976 is included with the papers of the 1950 edition. Labels that Owens used on the papers, such as the numbers of a draft, have been retained, and where there was no designation of a draft number, the typescript is merely labeled typescript, early draft, or manuscript. The papers include both photocopies and ribbon copies and duplicates of typescripts. Typescript and manuscript are used interchangeably as labels.

The evolution of each of Owens' books can be seen through the background material and copies of drafts. In the first folders are Owens' research material and notes, book reviews, advertisements, and other information pertaining to the book in subject matter. Copies of typescripts, from the earliest to the final edited manuscript are next with the last folders containing galley proofs and page proofs. Through the revisions and changes made by Owens in each subsequent draft, the progressive development of notes and a rough outline into a complete and polished publication is revealed. Papers of major interest include a copy of Owens' doctoral dissertation on folksongs for the State University of Iowa (June 1941) with Texas Folk Songs material, the legal papers from the Owens vs. Fawcett Publications, Inc. and David Holland concerning Slave Mutiny, interviews of oil pioneers of Texas with material for Oral History of Texas Oil Pioneers and Walter B. Sharp biography, and the correspondence of Dobie, Bedichek, and Webb revealing their ideas about many varied subjects included with Three Friends material.

Other writings by Owens comprise the next section of the collection. Articles and short stories are filed alphabetically. Book reviews are grouped together in one folder. Speeches are filed last and are labeled with the title or meeting at which they were given and the date if known. Typescripts exist of most of the articles and short stories, and duplicate copies are retained. Some of these writings occur in their published version and are labeled with the title and date of the magazine in which they were printed. The dates of the other stories and articles are unknown. The subjects of Owens' stories and articles cover a wide range of subjects and span the entirety of his writing career. Published excerpts from his books such as This Stubborn Soil and Tales From the Derrick Floor are included in this group as well.

The personal data concerning Owens contains biographical information such as vitae, resumes, publications concerning programs and lectures in which he participated, and material relating to his teaching career. Additional material documents his years at Columbia University and awards presented to him. Newspaper articles and photographs from 1940 to 1974 concern Owens' many interests and involvement in programs as well as his books and teaching career.

The next boxes in the collection contain miscellaneous material kept by Owens. Many oil history photographs and newspapers articles relating to subjects in which Owens was interested are included. Articles by other authors, some signed by the author and some written by friends of Owens, along with magazines and publications collected by Owens are filed in this section. The miscellaneous publications are divided into three categories: literary publications, college publications, and remaining miscellaneous publications. These deal with a wide variety of subjects in which Owens was apparently interested.

The remaining three boxes contain aluminum discs of recordings made by Owens of various folksingers and country people of the South. Note cards listing titles numbered to correspond with the records are filed with the discs. Owens also made recordings of readings by Robert Frost in 1939, and these provide a valuable addition to the collection.

Copies of Owens' books are shelved with the boxed papers. Oversize items including an advertisement for Three Friends: Bedichek, Dobie, Webb, color prints of the Apollo 11 Lunar Mission, and maps and genealogies for A Fair and Happy Land are housed separately in oversize flat storage.

This collection contains photocopies of manuscripts, poetry, reviews, and articles written by Roy Fuller and others, along with photocopies of correspondence to and from Roy Fuller, and to and from other writers.

This collection, compiled by Professor A. W. Yeats, contains numerous letters handwritten by Kipling, copies of Kipling letters, letters written by his sister Alice Fleming discussing her childhood with Kipling, and correspondence from Kipling's wife Caroline and daughter Elsie.

Included in the collection are many original newspaper clippings, poems, short stories, photos, drawings, . articles, a publishing contract, lists of various Kipling collections, material regarding the Kipling Society and the Last Will and Testaments of Rudyard Kipling, his wife Caroline and his sister Alice Fleming.

The collection, through a large display of original and reproduced letters, gives a peek at the kind of everyday tasks that Rudyard, as a famous author, and his wife Caroline had to contend with. Through its many newspaper clippings and articles written about him, the collection shows how eminent Rudyard Kipling was as a writer both in the 19th and the 20th centuries. It also serves as an introduction to the Kipling Society, its founding and difficulties therein, as well as the struggles legal and otherwise that surrounded Kipling's work during his life, continuing many years after his death. The collection contains interesting facts about the Kipling family, including some light genealogy, the places they lived and visited, and the people they knew.

There are some thirty-six Rudyard Kipling autograph pieces, all of which are letters excluding a few poems and miscellaneous items. The collection contains many original letters of Alice Fleming, Caroline Kipling, Elsie (Kipling) Bambridge, J.H.C. Brooking, A. W. Yeats and various others as well as many copies of letters from other Kipling collections throughout the country. In addition to any personal correspondence, there are many letters and notes, several minutes, member lists and other paraphernalia of the Kipling Society founded by J.H.C. Brooking in 1926 [?]. There is an assortment of page-proofs, galleys, original drafts, and copies of Kipling's poems, short stories, and manuscripts, along with a wide range of newspaper clippings dealing with all aspects of Kipling's life and influences on society. In addition, the collection has several original and copied catalogs from bookseller's and auction houses holding Kipling material.

Along with the letters, clippings, and many books in the Rudyard Kipling Collection at Texas A&M University, the collection contains items such as an autograph copy of "The Foreloper" framed with an illustration by an unidentified artist, the manuscript for "The Maltese Cat," and the ledger book of Mr. T.E. Elwell, an early member of the Kipling Society, who made many notes and collected numerous clippings towards a Kipling bibliography.

Alfred Edgar Coppard (4 January 1878 – 13 January 1957) was an English author, noted for his poetry and short stories. His collection of papers, the A.E. Coppard Manuscript Collection, contains consists of handwritten and typed transcriptions of correspondence primarily between Coppard and Don Suddaby from 1927 to 1952, miscellaneous correspondence between Coppard and David Posner, and a typed and edited manuscript of Coppard’s work Chinfeathers.

This collection contains 124 handwritten letters to Coppard's friend and fellow author Don Suddaby discussing such topics as books, plays, authors, and religion. Included are 11 pages of the manuscript "Chinfeathers", handwritten and heavily corrected.

This collection contains letters from Sylvia Townsend Warner to John Putnam.

This collection contains one typed letter to Ingle Barr dated 1957, and signed by Kenneth Roberts.

This collection contains a portion of a handwritten letter from Stevenson to an unknown person (1-page ALS with a typed transcription).

This collection contains one handwritten letter from John Drinkwater to Flenther[?] (1-page ALS with a typed transcription).

This collection consists of one 5-inch by 7-inch black and white photograph of Christopher Fry.

This collection contains a one-page handwritten letter to F. A. Bather from F. G. Kenyon dated March 23, 1912, thanking Bather for the use of a Browning letter (1-page ALS with typed transcription and photocopy of the letter). Also included is one page of notes by Kenyon on The Pied Piper.

This collection contains one autographed photograph of Louis L'Amour from 1983.

This collection contains a letter from Maggs Bro. Ltd. to D. G. Lochhead (1-page, TLS).

This collection consists of four handwritten letters from Sir James Bryce dated from 1882 to 1910, each addressed to one of the following: the President of the Board of Trade PASSAIC, W. Riding (1 folio with a typed transcript), "My dear Stillman" (1 folio with a typed transcript), and Fred P. Noble (1 folio with a typed transcript).