- TxAM-CRS C000207
This collection contains manuscripts, correspondence, books, magazines, and other material related to Lansdale's writing career, circa 1989-2003.
Lansdale, Joe R., 1951
This collection contains manuscripts, correspondence, books, magazines, and other material related to Lansdale's writing career, circa 1989-2003.
Lansdale, Joe R., 1951
This collection is comprised of correspondence, publications, writings, listings, directories, manuscripts, photographs, and research material for the Powers publication on Texas art and artists, titled, "Texas Painters, Sculptors & Graphic Artists: A Biographical Dictionary of Artists in Texas Before 1942", Austin, TX: Woodmont Books, 2000. The collection is primarily photocopies and writings of the Powers with some published materials.
The original order has been maintained as much as possible. Correspondence is dispersed throughout the collection with most concentrated in box 1. Those artists with significant information have been given a single file. The artists' information files are arranged in alphabetical order by artist's last name and are inclusive of all artists within the alphabetical listing. Each of these files begins with one artist and ends with the last artist information in the file. Artists' information can consist of one news item to several pages of information. To find an artist's name not listed on the file, please look at the file where his name would be in the alphabet.
This collection consists of materials related to Arthur C. Clarke's sales of stories and other pieces to Playboy Magazine. The collection includes a group of 27 typed letters and 7 autograph letters, mainly between Clarke and editor A. G. Spectorksy, internal Playboy memoranda, and correspondence from Playboy. Also included are typescripts (marked as setting copy) for 4 short works of fiction and 8 nonfiction pieces by Clarke.
Clarke, Arthur C. (Arthur Charles), 1917-2008
This consists, aside from the group of 900 or so monographs collected by Asselineau, chiefly of correspondence, accompanied by handwritten drafts of reviews written in ink or pencil by Asselineau on slips of paper, apparently placed in the relevant book on his shelf as a file. The correspondence and draft of reviews are often associated with clippings, photographs or snapshots, offprints, programs, newsletters, and a few postcards.
Most of these manuscript materials were found in the process of cataloging the monograph collection, apparently filed by Asselineau in volumes of his monograph collection, usually related to the author of the book into which he inserted the materials over a period of years. A title page of the relevant book into which the manuscript materials were found inserted is now clipped to the materials in the collection folder and the call number of the book written on the photocopied title page in pencil. Also present are musical scores of adaptations of Whitman's poetry, and quite a few copies of the Walt Whitman Circle quarterly newsletter, published by composer and Whitman enthusiast, Robert Strassburg.
Series 1 includes notable correspondents such as Gay Wilson Allen, V. K. Chari, Betsy Erkkila, Ed Folsom, Donald D. Kummings, Jerome Loving, Robert Strassburg, and Leandro Wolfson.
Series 2 consists of a bound manuscript book entitled "Walt Whitman on Burns and a Portrait Gallery of Walt Whitman". The book measures 21 cm by 13 cm and is bound in green half-calf with marbled boards. According to a letter pasted into the book, it was apparently purchased by Roger Asselineau on August 20, 1942, from Alfred F. Goldsmith of New York, NY. Twenty-seven leaves of the manuscript book are filled with mostly photographic portraits of Walt Whitman, a few obviously cut from published works, and one leaf containing a section from a page of a handwritten manuscript in pencil and ink, labeled "Rough draft of a page in 'Robert Burns as poet and person' in November Boughs (p. 61)." Twenty other leaves of the book are left blank.
Series 3 consists of four folders with programs, offprints, and newspaper clippings collected by Asselineau. Contains manuscripts with commentary and suggestions (1856-2000), programs, announcements and catalogs (1963-2000), and clippings collected (1962-1992) regarding the life of Walt Whitman, his writings, collections, and offprints.
Series 4 contains over 900 monographs collected by Asselineau, these materials are cataloged separately in the Library of Congress classification and housed in the Cushing repository stacks as part of the Lit/Whitman collection. These monographs include first editions of Walt Whitman's works, particularly Leaves of Grass, many translations of the poem into an incredible variety of languages, biographies, and other scholarly works. The breadth of Asselineau's scholarly activity and acquaintance is well represented by the amount of correspondence and other memorabilia which was found inserted into these volumes.
This collection contains letters from Sylvia Townsend Warner to John Putnam.
Warner, Sylvia Townsend
This collection contains over 275 letters of correspondence in Series 1, serving to portray the longtime relationship between Roy Fuller and Julian Symons which started on terms of business and grew to a close friendship. The letters are primarily from Roy Fuller to Julian Symons with occasional addendums from Kate Fuller. There are several letters from Julian Symons in response. In addition, there are some letters from John Fuller to the Symons, from Roy Fuller to Jack Clark, and from Roy Fuller to Sebastian Barker. The folder list contains a brief description of each individual letter and its focus, often with a list of Subjects. Especially lyrical and poetic are Roy Fuller's war letters starting when he was stationed in Africa (Kenya and Nairobi) and Ariel through the office of the Admiralty (folders 1000-1370).
In Series 2, there are 64 letters from Roy Fuller with three annotations from Jack Clark and five from Kate Fuller, one letter from Jack Clark, one from Kate Fuller, six from John Fuller, Roy Fuller's son, and several others from miscellaneous individuals. The letters from Roy Fuller date from 1958 to 1990 and are primarily handwritten postcards to Jack Clark, Co-founder of the Poem-of-the-Month Club. Many of these letters are regarding or, at least, in reference to Fuller's position as advisory to the Poem-of-the-Month Club. However, Fuller and Clark were also close friends, and Fuller feels free, in these letters, to discuss everything from his failing health to how he met his wife, along with many other personal remarks. Most of the letters from John Fuller and the one from Kate Fuller were written after Roy Fuller's death. The few other items in this series include poems, obituaries, newspaper clippings, and pamphlets pertaining to Roy Fuller's life and/or subjects exchanged between Fuller and Clark.
List of Abbreviations Used:
Alfred Edgar Coppard (4 January 1878 – 13 January 1957) was an English author, noted for his poetry and short stories. His collection of papers, the A.E. Coppard Manuscript Collection, contains consists of handwritten and typed transcriptions of correspondence primarily between Coppard and Don Suddaby from 1927 to 1952, miscellaneous correspondence between Coppard and David Posner, and a typed and edited manuscript of Coppard’s work Chinfeathers.
This collection contains 124 handwritten letters to Coppard's friend and fellow author Don Suddaby discussing such topics as books, plays, authors, and religion. Included are 11 pages of the manuscript "Chinfeathers", handwritten and heavily corrected.
This collection includes copies of administrative orders, field orders, and weekly reports compiled by the staff of the Sixth Army and sent to General Krueger, as well as copies of operation reports sent from General Krueger to the Adjutant General in Washington, D. C. Also included are after-action operation reports concerning the 6th Army.
The administrative orders primarily contain data or amendments to accompany Field Orders and are concerned with supply, evacuation, traffic, service troops, personnel, prisoners of war, and miscellaneous items. Also included are instructions and annexes dealing with captured enemy equipment, individual clothing and equipment, supply, burials and cemeteries, native labor, sanitation, prisoners of war and enemy dead, captured material trophies, air supply circulars, and plans of operation. Maps and sketches are also found among the administrative orders.
The field orders contain data and instructions relating to hostile dispositions and support of operations, task forces, command posts, supplies, and communications. Also included are annexes concerned with staging, loading and embarkation plans, intelligence, artillery and antiaircraft artillery, communications, and engineering. Maps, sketches, and code names are also included in the field orders.
The weekly reports contain intelligence information on enemy activities, terrain, counterintelligence, material and equipment, captured documents and POW interrogations, reclassification of documents, enemy tactics, psychological warfare, and code names and numbers. Also included are photographic coverage reports, sketches, and maps.
The operation reports provide the history of the operation, including organization and operating instructions, plans and preparations, background and terrain, reconnaissance, communication, operations, enemy reaction, engineer activities, captured materials, relations with natives, the recapitulation of casualties, commendations, awards, and decorations, conclusions, credit for success, and lessons learned.
Krueger, Walter, 1881-1967
This collection contains correspondence to Dave Mellor from the Lewis and Clark Heritage Foundation, an organization whose members are dedicated scholars of the Corps of Discovery's expedition to map the Louisiana Purchase. Other items also originating from that organization are copies of their member's only journal "We Proceeded On", foundation notes from meetings, and plans for the annual gathering of all the members (usually at a location pertinent to the Lewis and Clark expedition in some way), newsletters informing members of upcoming activities.
Aside from the material from the Heritage Foundation, there are also pamphlets from various tourist sites located on the trail; some are actual locations the Corps of Discovery passed by (Pompey's Pillar, the Lolo Trail, Fort Clatsop), whereas others are cities and towns located near these historic locations. Others are simply named for the explorers (Lewis and Clark Lake), and others relate to the Native Americans the Corps of Discovery encountered on their journey (Big Hole Battlefield, a site sacred to the Nez Perce). A number of magazine articles on the expedition are included, topics cover such as the environmental impact on some of the historic sites, Meriwether Lewis's death, Sacagawea's biography, and later, her gold dollar coin, Thomas Jefferson, both about his shrewdness in making the Louisiana Purchase and the controversy surrounding his relationship with his slave Sally Hemings, descendants of Lewis, Clark, and other members of the Corps of Discovery meeting together to travel the Expedition trail on the 200th Anniversary of the Expedition, and the plight of the Columbia River. Most of the remaining material is a re-hash of all of these topics, save for a couple of unique articles (including a biographical account of Sacagawea's son, Jean-Baptiste Charbonneau).
This collection contains biographical data, publications, and data on the Biology Department at Texas A&M in which Sewell was a faculty member, as well as reports and other papers relating to oyster mortality research carried out through the Texas A&M Research Foundation Research Project 9 (February 1, 1947 - May 31, 1950).
The research project 9 was funded by six major oil companies and led by two Texas A & M University Professors, Sewell H. Hopkins (Head) and John G. Mackin (Associate Head).
Prompted by several lawsuits filed by Louisiana oystermen against major oil companies claiming damages to oyster fields as a result of drilling in the Gulf Of Mexico region, Project 9 was conducted under the auspices of the Texas A & M Research Foundation. Project 9 allowed researchers to design and implement field and laboratory studies seeking to determine the effects of oil production activities on oyster production. Eventually, a then as-yet-unknown parasite was discovered which preyed upon the oyster crop after they had begun to reach maturity.
Two other large research groups investigating the same allegations against oil production in the Gulf headed by H. Malcome Owen (Louisiana Wildlife and Fisheries Commission) and Albert W. Collier (Gulf Oil Company) compared notes with the Heads of Project 9, coming to the same conclusion. As a result of this collaboration, a description of this newly discovered parasite called Dermocystidium marinum was published in 1950. The lawsuits were subsequently dropped or settled out of court.
More importantly for the history of the Texas A & M University System, however, is the fact that Research Project 9 led ultimately to the creation and expansion of a Marine Sciences program, represented by the newly established (1949) Department of Oceanography at Texas A & M University in College Station. On 1 June 1950, after the termination of Research Project 9, Research Project 23 was begun to continue studies on oyster disease and maintain a Marine Laboratory at Grand Isle, La. The Texas A & M Marine Laboratory was established (1952) at the University of Texas Medical Branch in Galveston, Tex. In 1968 Texas A & M University was named a Sea Grant College. The Marine Laboratory and the Texas Maritime Academy were merged in 1971, which is now known as Texas A & M University at Galveston.
These papers, therefore, form a picture of the ground-breaking research in oyster mortality conducted by Sewell H. Hopkins as head of Project 9, which led to increased sensitivity of the interplay of industry and the ecosystem, and to the formalized study at the university level of marine biology in the Gulf area.
Other researchers whose work is represented in the papers include Jay Donald Andrews, A. D. Bajkov, Harry J. Bennet, James L. Boswell, Clair Brown, Sidney O. Brown, M.D. Burkenroad, Fred Caulthron, C. Ray Elsey, I. I. Gardescu, Gordon Gunter, C. K. Hancock, Harold W. Harry, Joel W. Hedgpeth, Willis G. Hewatt, A. A. Jakkula, Fred W. Jensen, P. Korringa, Louis Lambert, Hugh B. Lofland, Elmer J. Lund, G. Robert Lunz, Jr., John C. Aull, Alvin F. Dodds, Shirley Alfred Lynch, John G. Mackin, Wiley G. Lastrapes, H. A. Marmer, R. Winston Menzel, Thurlow C. Nelson, Joseph F. Prokop, W. C. Rasmussen, Sammy M. Ray, J. H. Roberts, Fred W. Sieling, John J. Sperry, Victor Sprague, and Claude E. ZoBell.
* Ray, Sammy M. "Historical Perspective on Perkinsus Marinus Disease of Oysters in the Gulf of Mexico." Journal of Shellfish Research. Vol. 15, No. 1:9-11.
* Ray, Sammy M. "Texas A & M University's Contributions to Gulf of Mexico Ecosystem Research." [Viewed 2002-10-10 at: ]
Hopkins, Sewell Hepburn, 1906-1984
This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.
Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.
This collection consists of 7 small bronze sculptures and 1 plasterite sculpture created by various artists and cast as various bronze works.
This collection contains 171 watercolor illustrated letters by H.O. Kelly, written to his close friend and biographer, William "Bill" Weber Johnson, his wife Elizabeth Ann (McMurray) Johnson, Mary Longwell (Lady), and their family between 1948 and 1955. These letters formed the basis for William Weber Johnson's research for Kelly Blue, a biography of Kelly, first published by Doubleday in 1960, with a foreword by Western writer Tom Lea.
A smaller group of fifteen letters by H.O. Kelly, and two in pencil by his wife Jessie (Bowers) Kelly, are addressed to another art collector and friend, Dallas lawyer, Rudolph Johnson. Seventeen additional letters by Rudolph Johnson, typewritten on yellow paper between 1955 and 1958 are included, addressed to Kelly, or, after the artist's death, to his wife, Jess.
Of interest too is a letter to Kelly by Otto Kallir of the Galerie St. Etienne in New York City, requesting some of Kelly's works to be displayed in an exhibition of American primitive artists to be mounted at the Galerie early in 1952. Included is Kelly's letter to Mrs. Daniel Longwell (Lady) asking permission to refer Kallir to her to view the painting she had just purchased from Elizabeth Ann McMurray. Also of note is a letter written by John L. Paxton of Fort Worth, Texas, in reply to Rudolph Johnson soon after Kelly's death in December 1955. Attached to Paxton's reply is a list of all the known owners of Kelly's artwork at that time, whom Paxton has written to in the interest of collecting funds to aid in supporting the then-destitute Jess Kelly.
In Series 2 copies of correspondence between Elizabeth Johnson, J. Wayne Stark, Irene Hoadley, and others relates to the bulk of the letters in this collection, an art exhibit at the Texas A&M University Memorial Student Center, a color slide of the painting "Penning Goats". and plans by Texas A&M University Press to publish an illustrated edition of Kelly Blue.
The tiny colored drawings found on Kelly's letters and cards to friends and family are a foreshadowing of the lovingly detailed scenes in his oil paintings. As a significant primitive artist, Kelly's paintings present a world of rolling, green pastures, tranquil blue skies, and solid farms and farming towns, also populated by a thick dusting of livestock, including wily goats, unpredictable donkeys, fine mules, and lively horses. The robust folk is reminiscent of Kelly's mother's German ancestors in Ohio, similar to those living in Fredericksburg, Texas, a town Kelly often visited for inspiration. As these letters so vividly attest, when Kelly sold a painting, it was the buyer's initiation into a warm friendship with the raconteur artist, not a mere business transaction.
Kelly, H.O., 1884-1955
This collection contains letters, magazine and newspaper articles, magazines, prints, and other materials documenting the work of artist Edward Muegge "Buck" Schiwetz, as both a commercial and fine artist.
His sketches and watercolors are featured in a vast majority of the print material in the collection, from Christmas cards to sketchbooks to fine prints.
Rather than focusing on Schiwetz's life and his time at Texas A&M, the collection pays most attention to his art career and people's opinion of Schiwetz as an artist in the traditional sense of the definition.
This collection was part of a gift given to the library by the Anthropology Department. The collection documents the work and writings of Professor Dolores Richter. The collection includes photographs, negatives, writings, and news clippings related to Prof. Richter’s research in the Ivory Coast, West Africa, and Oceania and the publication of her book “Arts, Economics and Change: the Kulebele of Northern Ivory Coast” published in 1980.
This collection consists of miscellaneous files, alphabetical files on the authors, and a complete original folio of poems. Within the first miscellaneous file is background information on the club and correspondence with Bloomsbury Book Auctions. Other miscellaneous files consist of correspondence. the author files primarily consist of correspondence between poet and club directors, contracts with the club, and proofs of the broadsides. There are originals and carbon copies in the files. Many of the letters and proofs are annotated and contain original signatures. The complete folio contains signed broadsides as well as any other material sent with the poem, such as a brief biography or note from the author regarding his poem.
Poem of the Month Club
This collection includes an exchange of letters between Berenice Napper and an official of Connecticut's Commission on Civil Rights, six items concerning Napper's membership in the National Council of Negro Women, eight printed ephemeral items including a photograph of Berenice Napper with three other individuals looking over a copy of Walter White's book How Far the Promised Land?, and a small group of newspaper clippings concerning her work as a field secretary for the National Association for the Advancement of Colored People (NAACP).
The collection covers the personal, academic, and professional life of Jeff Stumpo and his founding of the Java Shock slam poetry event held initially in College Station, but now based in Bryan, TX.
This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.
While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.
The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.
Long, E.B., 1919-1981
This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.
Oliver, Chad, 1928-1993
This collection chronicles the day-to-day history of the Mariposa Ranch of Coahuila, Mexico which was owned by Australian brothers and managed by several generations of family friends originally from New Zealand.
The collection spans the years 1880-1955 and consists of three basic parts, personal correspondence, business correspondence, and miscellaneous business papers. Included are letters, diaries, minutes, proceedings, printed material, financial documents, legal documents, photographic and audio material, maps, charts, graphs, and lists that chronicle the history of La Hacienda de la Mariposa and document the hard work and political savvy of the McKellars as they tried to balance the economic and business necessities of running a ranch, with the political realities of the Mexican Revolution and land reform.
This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh.
A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.
This collection details some of Heinlein's interactions with Shasta Publishers and with Playboy Enterprises.
The Shasta Publishers' correspondence, primarily from 1945-1958, provides insights to the dealings of Heinlein with an early specialty publisher of science fiction, and to one of the first science-fiction specialty publishers. The Playboy correspondence covers some contractual issues and providing insight on the methodology of creating a "Playboy Interview," including the "caboose," a two-page typescript addendum to the 1969 Playboy interview. The letters reference Heinlein's trip to Chicago, and to the Playboy panel in 1984.
This collection is made up of over 250 projects contained in 24 boxes, as well as drawings and construction documents housed in flat files in one map case. Stripling’s work consists of 327 legal size folders, each related to architecture projects, as well as 60 folders of information associated with the field of architecture and miscellaneous items.
The folders in the collection hold articles such as: contract documents, architectural services billing, contractors’ requests for payment, correspondence, brochures, pamphlets, newspaper articles, magazine articles, photographs, sketches, drawings, and miscellaneous notes.
Stripling, Raiford L., 1910-1990
The collection consists of the program books, documents, correspondence, and miscellaneous items collected by the Cepheid Variable Science Fiction Club from its inception in 1969 through 2005. The collection was assembled from deposits of the club, gifts from Bill Page, and other occasional donors.
This collection consists of typescripts of several of Binder's novels with most including the author's corrections and accompanying carbons, and a number of short stories with most corrected including carbons and in some cases tearsheets from the magazines in which the stories initially appeared, corrected and with continuation sheets for expansion into full-length books.
In addition, there are close to 300 business and personal letters, photographs, postcards, and other files including broadcasting projects, non-fiction articles, letters and critiques from literary agents and publishers, materials on Space World, and several folders of unfinished manuscripts. Unusual "picture cards" featuring text and photographs on postcards are included.
Excluding duplicate carbons, letters, etc., there are approximately 2,300 pages (mostly 11 x 8.5-inches) of typescript with a total of about 575,000 words. Many of Binder's letters are on letters received or on the backs of manuscript or script fragments.
Binder, Otto O. (Otto Oscar), 1911-1975