This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of 81 leaves of uncorrected galley proofs for Williamson's 1975 collection The Early Williamson.

This collection contains "The Fantasy of Love in the Works of Cordwainer Smith", an academic paper by Scott A. Cupp. 10 p., 1975.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

This collection contains materials relating to the printing of John Brunner's 1980 novel The Infinitive of Go. Included is the setting copy of the text as approved by Brunner with edits along with a letter from Ballantine Books.

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

This collection consists of a photocopy of the 83-page typescript for Varley's 1981 story "Blue Champagne".

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

This collection consists of the first page, handwritten, with title and two lines of dialogue, of Laumer's 1986 novella “The Pan-Galactic Pageant of Pulchritude: A Retief Story”.

This collection consists of 12 pieces of correspondence, almost entirely letters written by legendary science fiction author Clarke to Baird Searles, owner of the well-known Science Fiction Bookshop in New York City, NY. Clarke, who lived in Sri Lanka, frequently ordered books from Searles.

There is also one letter from Clarke to Martin Last, Searles' writing collaborator and domestic partner.

This collection consists almost entirely of correspondence from Ray Bradbury regarding submissions and publishing during Bradbury's early career, 1939-1950s. Most of the letters were written to Erle Korshak, founder of Shasta Publishers, but some of the correspondence is both to and from Ted Dikty, Shasta's managing editor and a well-known SF anthologist.

There are a few later pieces of correspondence, dating from the 1980s.

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

This collection consists of the 93 page manuscript for Williams' story "No Spot of Ground", later published in Isaac Asimov's Science Fiction Magazine.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

This collection consists of the corrected (with handwritten edits by Roberson) typescript for Roberson's 1988 fantasy novel Sword-Singer, the second volume in her Tiger and Del series (1986-present). This is the draft version, dated July 3, 1988, of the novel that immediately precedes the final submitted version.

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

This collection consists of the typescript for K. W. Jeter's 1989 horror novel In The Land of the Dead. The cover page has been inscribed by Jeter.

This collection contains the original manuscript, with extensive author/editor edits, of Le Guin's 1989 nonfiction collection Dancing at the Edge of the World: Thoughts on Words, Women, Places.

This collection consists of the galleys for A Dirge for Sabis (Book 1 of The Sword of Knowledge), by Cherryh and Leslie Fish, the first book in the Cherryh-created "Sword of Knowledge" shared world series. Also included is an original book cover for the paperback edition, and a "Dear Reviewer" letter from Baen Books.

This collection contains several manuscripts and related material (such as story notes) from works by Joe Lansdale early in his career.

Works include the 1989 World Fantasy Award-nominated horror novel The Drive-In (1988); the short story Night They Missed The Horror Show (1988), which won the Bram Stoker Award for Superior Achievement in Short Fiction; On The Far Side of the Cadillac Desert With Dead Folks (1989), which won both the 1989 Stoker Award for Superior Achievement in Long Fiction and the 1989 British Fantasy Award for Best Short Fiction; and two short stories involving Batman, "Subway Jack" (1989) and "Belly Laugh, or The Joker's Trick or Treat" (1990).

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

The Fern Marder & Carol Walske Fanzine Collection consists primarily of a large number of science fiction media fanzines (primarily fanfiction), mostly relating to Star Trek: The Original Series (TOS). Additional fanzines relate to other media, notably including Star Wars.

Also included in the collection are a large number of scripts (final versions and drafts) and storylines from various science fiction media, including episodes (several of them unproduced) of Star Trek (TOS); Star Wars (in its evolving incarnations); The Adventures of Buckaroo Banzai; Blade Runner, and others. Some of this material consists of photocopies, while others are original production copies obtained by Marder or Walske at various intervals.

There are also some additional materials, including program books from various Star Trek conventions, as well as oversized materials that include issues of The Monster Times and foldout maps and blueprints from the Star Trek universe. The maps of the Trek universe are considered part of the Maps Of Imaginary Places Collection.

The majority of the contents in this collection consists of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the characters, settings and events of the media universe in which they are interested. A small portion of the fanworks in the Marder and Walske Collection is identified as "slash” or as "het". "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

Slash and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is "gen" (containing no sexual or romantic content. Both slash and het items have been specifically identified because of their importance as highly visible fan fiction subcultures.

This collection consists of original materials that were published by the small Cheap Street Press between 1983-1990. Materials include typescripts and galley proofs of works written for Cheap Street by Elizabeth Lynn, Tanith Lee, Andre Norton, and John Sladek.