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Howard Waldrop Collection

  • TxAM-CRS C000271
  • Collection
  • 1965-1994; Undated

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

Waldrop, Howard

Isaac Asimov Collection

  • TxAM-CRS C000272
  • Collection
  • 1957-1992

This collection includes an assortment of manuscripts and correspondence of Isaac Asimov, including short stories, novels, non-fiction, and correspondence with publishers. The segment on the submission of "Stay, Oh Fleeting Moment," a nonfiction piece on time and the subsequent correspondence, internal documentation of Playboy editors and readers, and the rejection of the article providing an informative look at the working of a major magazine.

Asimov, Isaac, 1920-1992

Neal Barrett Jr. Slightly Off Center Manuscript

  • US TxAM-C C000268
  • Collection
  • 1992

This collection contains the manuscript Slightly Off Center by Neal Barrett, Jr. with an introduction by Joe R. Lansdale. Advance Proof Copy, perfect bound. Austin, TX: Swan Press, 1992. 155 p.

Barrett, Neal, Jr., 1929-2014

Ava Johnson Cox Collection

  • TxAM-CRS 1509
  • Collection
  • 1973-1992

This collection consists of various correspondence, photographs, short handwritten manuscripts, and oral history communications with transcripts describing Ava Johnson's life, and work as a women cattle ranger in Texas.

The collection was compiled by Cynthia Ott, who interviewed Ava Johnson Cox with the intent of publishing a history of early 20th-century life in what is known as the Hill Country of Texas (highlighting Blanco, Gillespie, and Hays counties).

Cox, Ava Johnson

William F. Nolan Collection

  • TxAM-CRS C000142
  • Collection
  • 1991

This collection consists of the galley proofs of Helltracks.

Nolan, William F., 1991

Alex Haley Collection

  • US TxAM-C C000012
  • Collection
  • 1949-1965, 1967, 1991

This collection consists of one box of material that includes heavily edited and complete manuscript pages from the Autobiography of Malcolm X, his writings on Mahalia Jackson, Wilma Rudolph, the story Queenie, a follow-up to Roots, and other writings. Also included are his notes regarding the re-run of the mini-series Roots. He mentions a meeting he had with Warren Beatty where they discussed Roots. The notes are titled "Re: Roots Re-Run for TV Guide. Between the Covers acquired the collection from a bookseller who bought it directly from the estate of Virginia Hannon. A group of early letters from Alex Haley it's seven letters sent between 1949-1954 (one from 1967) to close family friend, Virginia Hannon. The letters present Haley, then a journalist in the Coast Guard, trying to get his writing career started and relating thoughts about his working habits, carious siblings, and plans for the future. All letters are written light, optimistic, and sometimes flirtatious style. Accompanying them are several related photographs, including one of Hannon in uniform, and a copy of Haley's posthumous novel Queen inscribed to her by his brother, George.

The July 2015 addendum includes an archive of seven Typed Letters Signed from Alex Haley sent between 1949-1954 (with one from 1967) to a close family friend, along with related photographs and the first edition of Queen Inscribed by his brother George Haley. The letters are overall near fine with typical folds from being mailing and light toning, with their original mailing envelopes that show wear including are nick, tears, and chip, but all are present; the photos are fine. The book is fine in a fine dustwrapper.

The letters, which are signed both as "Alex" and "Palmer," his middle name, were written to Virginia Hannon, a woman who taught Alex Haley French at Alcorn College before he left to join the Coast Guard. The letters begin after he's become a journalist writing for Coast Guard Magazine, and it seems, after an absence from Hannon. The letters are very familiar and playful with references to her French class, updates on his brothers George and Julius, and although married, some flirtatious comments about her breasts, "they were not as you say, spinsterly," and his faraway demeanor in class, "believe me, love, I was not, when you observed me, thinking about any damned touchdowns." There is also lots of talk about Haley's writing career. The early letters from 1949 included his thoughts on his drive to be a writer: "I'm trying pretty hard and have thus far had some minor successes," as well as his bad habits: "I'm essentially lazy, but I love to write once I get started." It's during an extended hospital stay for the treatment of a pilonidal cyst in 1953 that he seems to really make headway: "I never had so much time on end to write in my life. I have to stand up to type, to be sure, but - boy, am I turning out the words! Things I've wanted to work on for ages." In a letter the next year he excitedly describes what was his first big career break: "The prime accomplishment to date, a milestone in my life, I guess, was the sale two weeks ago, of 'The Harlem that Nobody Knows,' a 4,000-word piece, to Reader's Digest ... As a result, I, last week, got taken in the stable of Ruth Aley, probably one of the top 5 literary agents in the country. I am working like a bastard, to put it bluntly." The job led to a series of articles in the magazine and an assignment with Playboy interviewing many of the most important African-Americans of the day. The final letter from 1967 takes the form of two short but sweet holograph notes to Hannon written on the margins of a form letter and a photocopied travel article. They show a busy, successful writer still trying to keep in touch with an old friend.

The letters are accompanied by a black and white photograph of a young Hannon in a military uniform (possibly Red Cross), along with two later color photos of George with Wynelle [Hannon's sister] and George with President Bill Clinton. Plus, there is a copy of Haley's book Queen, published posthumously, and warmly Inscribed by George: "To my dear sister, Virginia Rose Hannon With love, respect and appreciation Your brother George Haley - and all the rest of the Haley Family 12 June 1993." An interesting and intimate collection of early correspondence from one of the most influential African-American writers of the 20th Century.

Haley, Alex

Simon McCaffery Collection

  • US TxAM-C C000249
  • Collection
  • 1990

This collection consists of the typescript for McCaffery's 1990 short story "Night of the Living Dead Bingo Women".

McCaffery, Simon, 1963-

K. W. Jeter Collection

  • TxAM-CRS C000259
  • Collection
  • 1989

This collection consists of the typescript for K. W. Jeter's 1989 horror novel In The Land of the Dead. The cover page has been inscribed by Jeter.

Jeter, K. W.

Ursula K. LeGuin Collection

  • TxAM-CRS C000244
  • Collection
  • 1988; 1989

This collection contains the original manuscript, with extensive author/editor edits, of Le Guin's 1989 nonfiction collection Dancing at the Edge of the World: Thoughts on Words, Women, Places.

LeGuin, Ursula

Walter Jon Williams Collection

  • US TxAM-C C000172
  • Collection
  • 1988

This collection consists of the 93 page manuscript for Williams' story "No Spot of Ground", later published in Isaac Asimov's Science Fiction Magazine.

Williams, Walter Jon

Lewis Shiner Collection

  • TxAM-CRS C000206
  • Collection
  • 1988

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

Shiner, Lewis

Gene Wolfe Collection

  • TxAM-CRS C000169
  • Collection
  • 1981-1988

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.

Wolfe, Gene

William A. Owens Papers, Part Three

  • TxAM-CRS 26
  • Collection
  • 1964-1988

This collection contains the third part of William A. Owens' materials deposited in the Cushing Archives. Materials consist of personal correspondence, from 1964 through 1988, essays, manuscripts, photographs, research for books, and articles.

Included within the series are short stories and articles such as "This Stubborn Soil", "Wildcatter", "Look to the River", "Tell Me a Story", "Sing Me a Song", "Historic Texas", "Eye Deep in Hell", and work by other authors; Cleaver and Witherspoon family genealogy; letters of Roy Bedichek; "Three Friends"; videotapes of Owens's work; and photographs.

Owens, William A., 1905-1990

Robert P. Jasinski Collection

  • US TxAM-C C000251
  • Collection
  • 1988

This collection consists of the typed manuscript (11 leaves) for Jasinski's 1988 study Science Fiction in East Germany: 1949-1982. Included are pictures, text and a map from magazines pasted onto the leaves.

Jasinski, Richard

George Alec Effinger Collection

  • TxAM-CRS C000214
  • Collection
  • 1973-1987

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

Effinger, George Alec

Margaret Lips van Bavel Papers on Boonville

  • US TxAM-C 1286
  • Collection
  • 1937-1987

This collection contains the Boone and Bryan family history in a compilation of biographies, clippings, and photocopies from books and newspapers, and other topics on the history of Boonville, TX. Also included are land acre maps of the town of Boonville and several genealogies including the genealogy of the Harvey Mitchell family.

van Bavel, Margaretha H. M.

Bill Crider Collection

  • TxAM-CRS C000212
  • Collection
  • 1987

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

Crider, Bill

Keith Laumer Collection

  • US TxAM-C C000226
  • Collection
  • 1986

This collection consists of the first page, handwritten, with title and two lines of dialogue, of Laumer's 1986 novella “The Pan-Galactic Pageant of Pulchritude: A Retief Story”.

Laumer, Keith

John Sladek Collection

  • TxAM-CRS C000273
  • Collection
  • 1966-1984

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

Sladek, John Thomas

Poul Anderson Collection

  • US TxAM-C C000277
  • Collection
  • 1951-1954; 1980-1983

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

Anderson, Poul, 1926-2001

Rudyard Kipling Collection

  • TxAM-CRS 161
  • Collection
  • 1882-1982

This collection, compiled by Professor A. W. Yeats, contains numerous letters handwritten by Kipling, copies of Kipling letters, letters written by his sister Alice Fleming discussing her childhood with Kipling, and correspondence from Kipling's wife Caroline and daughter Elsie.

Included in the collection are many original newspaper clippings, poems, short stories, photos, drawings, . articles, a publishing contract, lists of various Kipling collections, material regarding the Kipling Society and the Last Will and Testaments of Rudyard Kipling, his wife Caroline and his sister Alice Fleming.

The collection, through a large display of original and reproduced letters, gives a peek at the kind of everyday tasks that Rudyard, as a famous author, and his wife Caroline had to contend with. Through its many newspaper clippings and articles written about him, the collection shows how eminent Rudyard Kipling was as a writer both in the 19th and the 20th centuries. It also serves as an introduction to the Kipling Society, its founding and difficulties therein, as well as the struggles legal and otherwise that surrounded Kipling's work during his life, continuing many years after his death. The collection contains interesting facts about the Kipling family, including some light genealogy, the places they lived and visited, and the people they knew.

There are some thirty-six Rudyard Kipling autograph pieces, all of which are letters excluding a few poems and miscellaneous items. The collection contains many original letters of Alice Fleming, Caroline Kipling, Elsie (Kipling) Bambridge, J.H.C. Brooking, A. W. Yeats and various others as well as many copies of letters from other Kipling collections throughout the country. In addition to any personal correspondence, there are many letters and notes, several minutes, member lists and other paraphernalia of the Kipling Society founded by J.H.C. Brooking in 1926 [?]. There is an assortment of page-proofs, galleys, original drafts, and copies of Kipling's poems, short stories, and manuscripts, along with a wide range of newspaper clippings dealing with all aspects of Kipling's life and influences on society. In addition, the collection has several original and copied catalogs from bookseller's and auction houses holding Kipling material.

Along with the letters, clippings, and many books in the Rudyard Kipling Collection at Texas A&M University, the collection contains items such as an autograph copy of "The Foreloper" framed with an illustration by an unidentified artist, the manuscript for "The Maltese Cat," and the ledger book of Mr. T.E. Elwell, an early member of the Kipling Society, who made many notes and collected numerous clippings towards a Kipling bibliography.

Kipling, Rudyard

E. B. Long Papers

  • TxAM-CRS 157
  • Collection
  • 1949-1981

This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.

While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.

The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.

Long, E.B., 1919-1981

Gregory Benford Collection

  • US TxAM-C C000205
  • Collection
  • 1981

This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.

Benford, Gregory, 1941

John Varley Manuscript

  • US TxAM-C C000223
  • Collection
  • 1981

This collection consists of a photocopy of the 83-page typescript for Varley's 1981 story "Blue Champagne".

Varley, John

William A. Owens Papers, Part Two

  • TxAM-CRS 24
  • Collection
  • 1940-1980

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

Owens, William A., 1905-1990

Harry Harrison Manuscript

  • US TxAM-C C000192
  • Collection
  • 1980

This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.

Harrison, Harry

William A. Owens Papers, Part One

  • TxAM-CRS 23
  • Collection
  • 1922-1979

This collection contains papers documenting Owens' teaching and writing career from 1928 to 1979. Items of special interest in the collection include lyrics to many folksongs and recordings made by Owens in the 1930s and 1940s of folksingers as well as recorded readings of Robert Frost, interviews of early oil pioneers of Texas, legal papers for Owens vs. Fawcett Publications, Inc. and David Holland concerning True magazine's plagiarism of Slave Mutiny, and letters of Roy Bedichek, J. Frank Dobie, Walter Prescott Webb, and Mody C. Boatright.

The correspondence is further separated into three areas: personal correspondence; correspondence with Owens' literary agent, Maurice Crain; and correspondence regarding Owens' books. Some overlapping exists between these areas. In the personal correspondence section, letters discussing Owens' books are largely from friends and fans and are nontechnical in nature. The correspondence with Maurice Crain concerns the publication procedures and business aspect of his writings while the boxes of letters specifically concerning the books deal primarily with the writing and development of the books.

The personal correspondence is arranged chronologically from 1932 to 1975. The letters are concerned with associations and societies to which Owens belonged; speaking engagements by Owens; programs in which he was involved; awards presented to Owens; and Owens' teaching career which includes letters to Owens as Director of Folk Festivals at the University of Texas, as an instructor at Texas A&M University, and as Professor and Dean of Summer Sessions at Columbia University. Other letters concern Owens' service as an Intelligence Officer in World War II and his early work with folksongs. In addition to correspondence from Owens' family and friends, there are letters congratulating Owens on his publications and requesting his literary advice. Of special interest are letters from famous persons such as Grant Wood, Eleanor Roosevelt, Harry Truman, and Nelson Rockefeller.

Correspondence with Maurice Crain contains letters from 1950 to 1959. The letters discuss publication and promotional plans for Owens' books and short stories. Other subject areas include foreign and domestic contracts for publication, royalty statements, and motion picture plans for several books.

The correspondence concerning books is arranged in chronological order based on the year of the book's publication. Included are letters regarding contracts with publishers, royalty statements, motion picture rights, and lectures on the books. Numerous letters discuss Owens' research and recordings of folksongs for Texas Folk Songs. Additional correspondence with Mrs. Walter B. Sharp, Dudley Sharp, and other oil pioneers refers to the Oral History of Texas Oil Pioneers.

Material concerning Owens' books includes background material, book reviews, typescripts, drafts, and in most cases galley proofs and page proofs. The boxes are arranged chronologically according to the publication date from the earliest to the last. However, the revised edition of Texas Folk Songs which was published in 1976 is included with the papers of the 1950 edition. Labels that Owens used on the papers, such as the numbers of a draft, have been retained, and where there was no designation of a draft number, the typescript is merely labeled typescript, early draft, or manuscript. The papers include both photocopies and ribbon copies and duplicates of typescripts. Typescript and manuscript are used interchangeably as labels.

The evolution of each of Owens' books can be seen through the background material and copies of drafts. In the first folders are Owens' research material and notes, book reviews, advertisements, and other information pertaining to the book in subject matter. Copies of typescripts, from the earliest to the final edited manuscript are next with the last folders containing galley proofs and page proofs. Through the revisions and changes made by Owens in each subsequent draft, the progressive development of notes and a rough outline into a complete and polished publication is revealed. Papers of major interest include a copy of Owens' doctoral dissertation on folksongs for the State University of Iowa (June 1941) with Texas Folk Songs material, the legal papers from the Owens vs. Fawcett Publications, Inc. and David Holland concerning Slave Mutiny, interviews of oil pioneers of Texas with material for Oral History of Texas Oil Pioneers and Walter B. Sharp biography, and the correspondence of Dobie, Bedichek, and Webb revealing their ideas about many varied subjects included with Three Friends material.

Other writings by Owens comprise the next section of the collection. Articles and short stories are filed alphabetically. Book reviews are grouped together in one folder. Speeches are filed last and are labeled with the title or meeting at which they were given and the date if known. Typescripts exist of most of the articles and short stories, and duplicate copies are retained. Some of these writings occur in their published version and are labeled with the title and date of the magazine in which they were printed. The dates of the other stories and articles are unknown. The subjects of Owens' stories and articles cover a wide range of subjects and span the entirety of his writing career. Published excerpts from his books such as This Stubborn Soil and Tales From the Derrick Floor are included in this group as well.

The personal data concerning Owens contains biographical information such as vitae, resumes, publications concerning programs and lectures in which he participated, and material relating to his teaching career. Additional material documents his years at Columbia University and awards presented to him. Newspaper articles and photographs from 1940 to 1974 concern Owens' many interests and involvement in programs as well as his books and teaching career.

The next boxes in the collection contain miscellaneous material kept by Owens. Many oil history photographs and newspapers articles relating to subjects in which Owens was interested are included. Articles by other authors, some signed by the author and some written by friends of Owens, along with magazines and publications collected by Owens are filed in this section. The miscellaneous publications are divided into three categories: literary publications, college publications, and remaining miscellaneous publications. These deal with a wide variety of subjects in which Owens was apparently interested.

The remaining three boxes contain aluminum discs of recordings made by Owens of various folksingers and country people of the South. Note cards listing titles numbered to correspond with the records are filed with the discs. Owens also made recordings of readings by Robert Frost in 1939, and these provide a valuable addition to the collection.

Copies of Owens' books are shelved with the boxed papers. Oversize items including an advertisement for Three Friends: Bedichek, Dobie, Webb, color prints of the Apollo 11 Lunar Mission, and maps and genealogies for A Fair and Happy Land are housed separately in oversize flat storage.

Owens, William A., 1905-1990

Samuel R. Delany Collection

  • US TxAM-C C000033
  • Collection
  • 1968-1979

This collection consists of materials relating to two of Samuel R. Delany's more famous novels. Materials include two typescripts of his 1973 novel Equinox (originally published as The Tides of Lust), and the corrected galley proofs of Triton (1976).

Also included is the typescript of Delany's 1979 memoir Heavenly Breakfast.

The manuscripts all contain holograph corrections and revisions by Delany.  There is also a note contextualizing the manuscript on the first page of each item.

Delany, Samuel

Anthony Burgess Collection

  • TxAM-CRS C000010
  • Collection
  • 1976-1979

The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.

Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.

Burgess, Anthony, 1917-1993

Fritz Leiber Collection

  • TxAM-CRS C000203
  • Collection
  • 1973-1979

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

Leiber, Fritz, 1910

Sheila Jazmann Collection

  • US TxAM-C C000241
  • Collection
  • 1978

This collection consists of a copy of the proofs for the 1978 novel Elvis, Come Back!, written by Sheila Jazmann and published by Chameleon Books. The novel tells the story of an attempt by scientists to bring Elvis Presley back to life after his death in August 1977.

Alan Dean Foster Collection

  • US TxAM-C C000193
  • Collection
  • 1977

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

Foster, Alan D.

A. A. "Al" Jackson Collection

  • TxAM-CRS C000154
  • Collection
  • 1956-1977

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

Jackson, A.A.

Alan Dean Foster Manuscript

  • TxAM-CRS C000193
  • Collection
  • 1977

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

Foster, Alan D.

Robert McKay Collection

  • TxAM-CRS C000240
  • Collection
  • 1976

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

McKay, Robert, 1921

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