- US TxAM-C 1179
This collection contains a transcript from the student strike in 1908.
This collection contains a transcript from the student strike in 1908.
This collection contains items related to a hazing problem among undergraduate students at Texas A&M College in 1913. Records include accusation accounts from former students, parents, faculty, and staff. The Texas A&M College Hazing February 1913 Special Committee found twenty-two A&M undergraduate students guilty of hazing be dismissed from Texas A&M.
This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).
The collection contains various publications about Mebane's cotton, including pamphlets, and newspaper and magazine articles. There are many correspondences to A. D. Mebane complimenting and ordering his cottonseed. Because of the involvement with the Texas Cotton Breeders Association, the collection includes speeches given at the Association meetings.
Mebane, A. D.
Alfred Edgar Coppard (4 January 1878 – 13 January 1957) was an English author, noted for his poetry and short stories. His collection of papers, the A.E. Coppard Manuscript Collection, contains consists of handwritten and typed transcriptions of correspondence primarily between Coppard and Don Suddaby from 1927 to 1952, miscellaneous correspondence between Coppard and David Posner, and a typed and edited manuscript of Coppard’s work Chinfeathers.
This collection contains 124 handwritten letters to Coppard's friend and fellow author Don Suddaby discussing such topics as books, plays, authors, and religion. Included are 11 pages of the manuscript "Chinfeathers", handwritten and heavily corrected.
This collection contains fifteen portrait photographs of Texas A&M College students. The photographs were given to A. H. Neighbors by other classmates also graduating in the Class of 1911, and one portrait from a member of the Class of 1913. Only one of the photographs has yet to be identified. Also included is the letter accompanying the photographs when mailed to the Ex-student Association from A. H. Neighbors, Jr. in 1976.
This collection contains speeches from Ward during his time as Educational Director of the National Cottonseed Products Association.
Graphite drawing by C. Studley.
Valdez, Abelardo Lopez
This collection contains about 337 letters from Mr. Abnashi Ram, who came to the USA in 1920 and was the first Indian student from India to graduate from Texas A&M in 1923 and established a successful export/import/gift shop in Hollywood, California. The letters also reflect correspondence with other fellow immigrants and many famous Americans. These letters reflect their gut emotions while living as lonely immigrants who could not bring their families to the USA on account of the draconian immigration laws that were finally eliminated in 1967. The collection also includes 75 letters from Mr. Mumtaz Kitchlew of Chicago. Dr. Sharma and his wife have lived in Richardson, TX for over 42 years. Sharma taught at SMU for over ten years. In 2009 he authored a book, Saving Immigrant's Daughter a story about Mr. Abnashi Ram and his daughter who he met at UCLA and ultimately married. Much of this collection has been digitized and is available on the South Asian American Digital Archive (SAADA) website.
The collection contains over 100 rare letters, autograph quotations, and photographs from 50 major figures in the American antislavery struggle, including several rare autographs from key British abolitionists. Many of the individuals noted provided selfless support, financially, morally, and wrote on behalf of the abolishment of the 'peculiar' institution of slavery. Some of the well-known abolitionists include Henry Ward Beecher, Blanche K. Bruce, William Channing, William Lloyd Garrison, Joshua R. Giddings, the Grimke sisters, Gerrit Smith, Thaddeus Stevens, Charles Sumner, and Lewis Tappan, one of the leading financial supporters of the Amistad Africans.
The collection contains photographs and newspaper clippings of these 50 prominent abolitionists.
This collection consists of two large leather account books from the old store owned and operated by David Verplank Ackerman and James McMiller that was at Washington-on-the-Brazos, Texas. The account book labeled "ledger" [box 1] dates from 1855 to 1865 and lists the accounts of individuals while the other one labeled "journal" [box 2] records the chronological expenses beginning in April 1854 and ending in January 1861.
This collection contains materials from the literary and musical (both traditional and filksong) career of Dr. Ada Palmer. Materials include manuscripts from Palmer's science fiction and fantasy novels (published and unpublished), as well as papers, graphics, and other files relating to Palmer's singing activities, most notably as the director of the noted filksong group Sassafras.
A significant portion of the collection includes materials such as con badges, program books, etc., from a number of science fiction and anime conventions at which Palmer has been an attendee, a panelist, a guest performer, and/or an administrator (i.e, Cosplay Coordinator at Anime Boston).
This collection contains the genealogical history of the Affleck family, compiled by Thomas Dunbar Affleck (son of I.D. and Mary Hunt Affleck). Four members of the Affleck family are highlighted in detail.
Beginning with Thomas Affleck, covering 1824 to approximately 1872 and consists of typed copies of his personal and business correspondence, horticultural information, photographs, recipes, information on his plantation Glenblythe, articles, and various published materials such as Southern Rural Almanac.
Next is his son, Isaac Dunbar (I.D.) Affleck, a Civil War veteran who served. with Terry's Texas Rangers. This set contains the original letters sent to his parents while serving in the War, photos, and bits and pieces of information collected regarding Texas History [these are in poor -condition].
Mary Hunt Affleck's (married to Isaac) collection consists of many poems, keepsakes, and memorabilia regarding her tenure as Poet Laureate of Texas and member of the Daughters of the Confederacy.
Included is a short, but important collection of Anna Marie Affleck, daughter to I.D. and Mary Hunt Affleck. At the age of 12 [circa 1898] Anna Marie made a pressed-flower book that catalogs 203 different flowers from Washington County.
The last section of this collection is comprised of short histories of various other family members (notably, Jane Long); there is also historical information of United States history regarding pre-Civil War, the Civil War, and post-Civil War; and two handwritten manuscripts by Thomas D. Affleck regarding Jack Hays and the Hays' Texas Rangers.
This collection consists of an illustrated mailer postmarked New Orleans, and hand-addressed to Toledo OH, containing 18 accordion-folded 6in x 4in color photos purporting to show (stereotypical happy variety) black life in the south, with two songs, "Dixie Land" and "Dixieland for M" printed on the inside of the mailer with a cypress tree on one side of the fold and a photo of a black man and woman next to the address label.
These were reproduced from hand-tinted black and white originals. Postcard-size images, but double-sided without space for messages.
This collection includes the organization's development materials, bylaws, minutes, correspondence, programs, newsletters, and 1st Friday programs in print and digital formats.
Created in 1991, this African American organization has as its mission to serve as a vehicle through which African Americans are fully recognized as contributing members of Texas A&M University, its local system components, and the community-at-large.
The African American Professional Organization's goals are to:
African American Professional Organization
This collection consists of a photo scrapbook with six small charcoal images that depict African-American life in the rural south with an unrelated pictorial on-lay on the upper cover, all tied together with string.
Newspapers from Zambia in south-central Africa.
This collection was developed for Africana Studies scholars interested in research on the continent of Africa. The materials consist of African publications between circa 1959-1965 from countries that include Zambia and parts of East Africa.
This collection encompasses a number of resources obtained with the support of A&M's Africana Studies Program.
Box 1, Teaching Aids, consists of chromo card albums that were published in continental Europe by various companies to garner support for the continuation of the control over colonies across Africa and Asia. Also, many of these albums intend to educate on the natural resources of the colonies and their indigenous inhabitants.
Box 2, Cards and Chromo Albums, consists of cards produced by various European companies that depict the African lifestyle and diaspora. Some cards also depict many stereotypes widely held by mainland European society. Also included are albums that may have been intended to educate the collector on topics such as the fauna of Africa, and the practice of hunting.
Box 3, Oversize Items, consists of more Chromo trade albums, teaching aids, ballots, and posters.
Original black students' association charter. Authored by Ken Lewallen and Antwine Jefferson in Fall 1967-68.
This collection includes 4 packages containing materials from an "Aggie Joke Teller" collection, created by CELCO Company Richardson, TX, in 1980.
This collection includes a T-shirt and a watch bracelet from the Aggies United event held on December 6, 2016.
Twelve Wedgwood plates with a cadet on back, not a collector's edition.
This collection consists of Texas A&M College's yell books from 1904 to 1932.
These yell books from A&M College's early history was the start of the school's tradition of having yell leaders, who led yells at football games. Some books feature yells that are no longer in use, and older versions of A&M yells used today.
The books were created in Bryan-College Station, Texas for the sole purpose of being used by A&M College students at football games. Their layout and designs changed throughout the decades along with the advertisements from local establishments.
Most of this collection was owned by former students, so you may see names, doodles, and in some cases homemade yells.
This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.
Foster, Alan D.
This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.
Foster, Alan D.
This collection contains letters and greeting cards to and from A. R. (Albert Richard) Moses during his time in the military. Most of the greeting cards are from the Christmas/New Year season or for his birthday.
This collection contains an assortment of newspaper clippings, photographs, letters, and a typed 'saga' of Albert S. Brient.
Included are photographs from the 1923 Texas A&M Varsity Basketball team, biographic information on Brient, correspondence concerning his efforts to be declared a member of the "T" Association 44 years after his college days, as well as newspaper articles both about Brient and about his finally being awarded a "T".
Brient, Albert S.
This collection consists of one box of material that includes heavily edited and complete manuscript pages from the Autobiography of Malcolm X, his writings on Mahalia Jackson, Wilma Rudolph, the story Queenie, a follow-up to Roots, and other writings. Also included are his notes regarding the re-run of the mini-series Roots. He mentions a meeting he had with Warren Beatty where they discussed Roots. The notes are titled "Re: Roots Re-Run for TV Guide. Between the Covers acquired the collection from a bookseller who bought it directly from the estate of Virginia Hannon. A group of early letters from Alex Haley it's seven letters sent between 1949-1954 (one from 1967) to close family friend, Virginia Hannon. The letters present Haley, then a journalist in the Coast Guard, trying to get his writing career started and relating thoughts about his working habits, carious siblings, and plans for the future. All letters are written light, optimistic, and sometimes flirtatious style. Accompanying them are several related photographs, including one of Hannon in uniform, and a copy of Haley's posthumous novel Queen inscribed to her by his brother, George.
The July 2015 addendum includes an archive of seven Typed Letters Signed from Alex Haley sent between 1949-1954 (with one from 1967) to a close family friend, along with related photographs and the first edition of Queen Inscribed by his brother George Haley. The letters are overall near fine with typical folds from being mailing and light toning, with their original mailing envelopes that show wear including are nick, tears, and chip, but all are present; the photos are fine. The book is fine in a fine dustwrapper.
The letters, which are signed both as "Alex" and "Palmer," his middle name, were written to Virginia Hannon, a woman who taught Alex Haley French at Alcorn College before he left to join the Coast Guard. The letters begin after he's become a journalist writing for Coast Guard Magazine, and it seems, after an absence from Hannon. The letters are very familiar and playful with references to her French class, updates on his brothers George and Julius, and although married, some flirtatious comments about her breasts, "they were not as you say, spinsterly," and his faraway demeanor in class, "believe me, love, I was not, when you observed me, thinking about any damned touchdowns." There is also lots of talk about Haley's writing career. The early letters from 1949 included his thoughts on his drive to be a writer: "I'm trying pretty hard and have thus far had some minor successes," as well as his bad habits: "I'm essentially lazy, but I love to write once I get started." It's during an extended hospital stay for the treatment of a pilonidal cyst in 1953 that he seems to really make headway: "I never had so much time on end to write in my life. I have to stand up to type, to be sure, but - boy, am I turning out the words! Things I've wanted to work on for ages." In a letter the next year he excitedly describes what was his first big career break: "The prime accomplishment to date, a milestone in my life, I guess, was the sale two weeks ago, of 'The Harlem that Nobody Knows,' a 4,000-word piece, to Reader's Digest ... As a result, I, last week, got taken in the stable of Ruth Aley, probably one of the top 5 literary agents in the country. I am working like a bastard, to put it bluntly." The job led to a series of articles in the magazine and an assignment with Playboy interviewing many of the most important African-Americans of the day. The final letter from 1967 takes the form of two short but sweet holograph notes to Hannon written on the margins of a form letter and a photocopied travel article. They show a busy, successful writer still trying to keep in touch with an old friend.
The letters are accompanied by a black and white photograph of a young Hannon in a military uniform (possibly Red Cross), along with two later color photos of George with Wynelle [Hannon's sister] and George with President Bill Clinton. Plus, there is a copy of Haley's book Queen, published posthumously, and warmly Inscribed by George: "To my dear sister, Virginia Rose Hannon With love, respect and appreciation Your brother George Haley - and all the rest of the Haley Family 12 June 1993." An interesting and intimate collection of early correspondence from one of the most influential African-American writers of the 20th Century.
The Alexander Thomson letter is dated August 5, 1832, from Texas, Austin's Colony. Addressed to "Mr. Wm. D. Thomson, Giles County, Tennessee, Cornerville P.O.," with the salutation "My dear son," and signed "your Aff. Father, Alexs. Thomson."
The text of the letter recounts recent events in Austin's colony which, in retrospect, have a direct bearing on the brewing struggle for independence of the colony from Mexico. Most noteworthy is the account of the early revolt of Anglo-Texas colonists against the Mexican government's steady encroachment on the freedom of colonists to conduct free trade or encourage further immigration into Texas from the United States.
In the letter, Thomson details the build-up of hostilities between Colonel Juan Davis Bradburn, born in Virginia, but in service to Mexico, who was made commander of Fort Anahuac.
Noteworthy also in the letter are the expressions of loyalty and admiration shown toward General Antonio López de Santa Anna by the colonists, who saw him as championing their rights in the condemnation of Bradburn, who was known to be a supporter of the hated General Anastacio Bustamante. Bustamante, who had been the dictator of Mexico since January 1830, was now involved with Santa Anna and his allies in a fierce civil war. (see general note)
As the Thomson letter records vividly, the Texas colonists threw their support to Santa Anna, believing him to favor their freedom to enforce their own laws and maintain their own system of trade and civil courts. The letter records Stephen Austin's whole-hearted support of Santa Anna and Thomson's encomium on Santa Anna as "a true republican ... determined not to lay down his arms until republicanism prevails," rings ironically optimistic in the face of events only a few years later, culminating in the bitter defeat of the colonists by Santa Anna at the Alamo, and the equally bitter final defeat of Santa Anna at San Jacinto, assuring Texas's independence from Mexico.
Accompanying the letter are three other items.
A sepia-toned picture apparently reproduced from an oil painting. The picture is pasted inside a dark brown oval paper matting on a piece of cardboard measuring about 20 cm by 15 cm. The image measures about 13 cm by 7 cm. Though the original painting is as yet unidentified, "Alexander Thomson" is written on the back of the cardboard in pencil.
A sheet of letterhead stationery for the "St. Louis Southwestern Railway Lines, St. Louis 2, Mo.," with the logo for the "Cotton Belt Route," and below that "F. W. Green, President." On this much-folded piece of letterhead is an undated and unsigned biography of Alexander Thomson handwritten in pencil.
A photocopy (circa 1980) of a booklet originally prepared by Ralston P. Haun in Coleman, Tex. around 1936, which includes a transcription of the August 5, 1832 letter, as well as other family letters and papers. According to the copy of an explanatory note appended to the booklet, dated May 1, 1980, and signed Jim Glass of Houston, Tex., one of the three copies made by Haun was given to Ana Gardner Thomson and passed down to her granddaughter Ana Haun Frómen, thence apparently to Gardner Osborn. The booklet includes transcriptions of five other family letters and two memoirs. Though speculated upon in the Glass note, the current disposition of the other letters and papers is still unverified.
Thomson, Alexander, 1785-1863
This collection consists of several manuscripts of Panshin's work, including his 1968 novel The Thurb Revolution and his serialized novel The Son of Black Morca (1973, photocopies). Also included is a set of galleys for Panshin's Masque World (1969).
This collection contains nine handwritten letters from Alfred Tennyson and one handwritten letter from Emily Tennyson. Also included is the poem "A Welcome", the lower half of a letter with Tennyson's signature, and the dated and signed portion of a document that Tennyson signed as a witness on August 1, 1862.