This collection includes speeches, editorials, and articles written by Eugene Butler, dating from 1927 through 1987. These documents deal with a broad spectrum of issues of the day from Prohibition to bussing but focus primarily on agricultural topics.

Also contained in the collection are many Progressive Farmer articles and editorials, as well as correspondence. There are three complete issues of the magazine in the collection; one oversize and two in folders.

Other items in the collection include extensive material on the Progressive Farmer Company, cotton, and the Progressive Farmer Master Farm Family Award and individual winners.

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

These papers also contain an audit of the Stanley Warehouse. Photographs also include interior and exterior shots of Stanley Warehouse and additional photos of military personnel.

Of special note are photographs of a visit to inspect the facilities and visit troops by Mrs. Eleanor Roosevelt, wife of U.S. President Franklin D. Roosevelt. There are two photographs of Mrs. Roosevelt, accompanied by Colonel Dorris A. Hanes, speaking with African American soldiers.

A photographer identified as Ingledew in Liverpool, England, in 1942, took a majority of the photographs and many have a series of numbers written on the back. Many of the photographs identify individual soldiers by name and their hometowns. Hometowns include Chicago and Springfield, Illinois, Winthrop, Massachusetts, Passaic, New Jersey, New York City, Cuero and San Antonio, Texas, and West Virginia.

Note that although photographs of Eleanor Roosevelt have her name spelled incorrectly, the finding aid uses the correct spelling. Other names are spelled one way on the back of the photograph and differently in the front captions. Information about photos is typed on the back and handwritten on the front. Finding aid attempts to duplicate information as written including grammatical and punctuation errors. The exception is in the inconsistent and confusing use of primarily upper case letters. An attempt was made to make this more uniform in the finding aid by using both upper and lower case letters.

This collection contains the third part of William A. Owens' materials deposited in the Cushing Archives. Materials consist of personal correspondence, from 1964 through 1988, essays, manuscripts, photographs, research for books, and articles.

Included within the series are short stories and articles such as "This Stubborn Soil", "Wildcatter", "Look to the River", "Tell Me a Story", "Sing Me a Song", "Historic Texas", "Eye Deep in Hell", and work by other authors; Cleaver and Witherspoon family genealogy; letters of Roy Bedichek; "Three Friends"; videotapes of Owens's work; and photographs.

This collection consists of correspondence, speeches, articles, and books from Timothy M. Stinet from when he was an Official of the National Education Association and Professor of Education.

This collection is made up of over 250 projects contained in 24 boxes, as well as drawings and construction documents housed in flat files in one map case.  Stripling’s work consists of 327 legal size folders, each related to architecture projects, as well as 60 folders of information associated with the field of architecture and miscellaneous items. 

The folders in the collection hold articles such as: contract documents, architectural services billing, contractors’ requests for payment,  correspondence, brochures, pamphlets, newspaper articles, magazine articles, photographs, sketches, drawings, and miscellaneous notes.

This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.

While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.

The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.

This collection consists of the research collection McQueen built and used to write Black Churches in Texas. A Guide to Historic Congregations (Texas A&M University Press, 2000).

The contents consist mainly of "Texas County Historical Black Church" information sheets, each listed as an "inventory" in the finding guide, accompanied by related church history materials including church worship service programs, also called orders of worship; church homecoming and anniversary publications; handwritten and typed letters mostly regarding church history; newspaper clippings about historic congregations and members; notes about the history and location of churches and contact persons in congregations; business cards for contacts; published church histories; photocopies from published books about related counties, cities, and congregations; Texas county maps; color slides, photographic prints and negatives of church cornerstones, existing church buildings, Texas Historical Markers, and congregation members.

Also present are photocopies of newspaper clippings covering African American religious issues and manuscript drafts for McQueen's book, many of which are heavily annotated by McQueen.

The inventories and related church history materials were amassed by data collection teams organized by McQueen and also collected by McQueen himself. Norris Braly, a member of the Burleson County Historical Committee, documented the first church history in February 1988. McQueen documented the last congregation on August 24, 1997.

Most of the church worship service programs are laser printed. However, there are a few earlier documents that are photocopies of mimeographed sheets, and a few that were professionally printed. When the word "typed" is used to describe a church history, it means that the history was not professionally printed.

Variant congregation names exist within the documents (for example, Macedonia First Baptist Church and Macedonia Baptist Church). For the purpose of this finding guide, we have chosen to use the form of the congregation name given in Black Churches in Texas. Files exist within the collection for congregations that do not appear in Black Churches in Texas because exact organization dates could not be determined at the time of publication. Conversely, not every church listed in McQueen's book has a folder in the collection (for example Colored Methodist Episcopal Church of Sweeny in Brazoria County).

McQueen used different versions of the inventory form to document the churches. Though the information requested is the same, the format may differ. McQueen also copyrighted many of his slides, and so most of them bear handwritten copyright information.

This collection contains the personal papers of Kate Adele Hill during her time as an employee of the Texas Agricultural Extension Service. Included are correspondence, speeches, clippings, articles, photos about extension work, pioneer women in Texas, demonstration work, and agriculture.

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

The collection contains a wide variety of material related to Star Trek, including books, records, calendars and realia such as pins, playing cards, music boxes, pictures, magazines covering Star Trek, apparel, cups, and glasses, models, ornaments, and other collectibles.

Approximately 102 books have been integrated into the Science Fiction and Fantasy Research Collection. Each book added has a note "Sharon Faye Wilbur Star Trek Collection."

An additional series contains reference material relating to the author Andre Norton, with whom Wilbur was acquainted. Works by Norton that Wilbur owned have been integrated into the Science Fiction and Fantasy Research Collection.

The Samuel Erson Asbury Papers consist of research materials, correspondence, mainly original contemporary letters and copies of the older historical correspondence, Asbury's writings and copies of state and national documents, held in eight boxes and one map case drawer occupying approximately twelve linear feet of shelf space. Asbury's broad range of interests is reflected in the variety of topics contained in these papers. Foremost among them are the files of correspondence, historical documents, articles and research notes concerning various aspects of Texas history.

Also included in the Asbury papers are articles, short stories, essays, plays, poetry, and a Texas Revolution opera written by Asbury; research notes and correspondence on the cultivation of roses and the growing of plants without soil; articles written about Asbury; correspondence with family members; general correspondence; and photographs of Asbury, his family and friends, and North Carolina A & M College.

This collection consists of numerous manuscripts and related materials - including outlines, notes, and proofs - of works by noted science fiction author Robert Silverberg.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.

The General Alvord Van Patten Anderson Papers, 1886-1976, contain many letters from Alvord Anderson to his father, John R. Anderson, and his wife, Cora Anderson. The nineteenth century letters are handwritten, while the twentieth century letters are typed, with the exception of the World War I letters.

Throughout the collection, some letters are annotated in pencil with dates, page numbers, and names of recipients. This added information is contradicted by information in the letters themselves in one or two cases. A few undated or incompletely dated letters have been arranged according to the approximate date.

Letters in Series 1. are sometimes accompanied by other materials, such as military papers, reports, citations of awards, newsletters, black and white photographic prints, newspaper clippings, a poem, an essay, and a map.Series 2 consists of a scrapbook of photographic prints and postcards, and Series 3. Published monographs collected by Anderson, 1905-1966, icludes 8 monographs which are cataloged and housed seperately in the repository's stacks.

• “Partially processed. Might not be available to patrons. Please contact the Cushing Library’s Reading Room for more information.”

This collection contains correspondence from Gustav Wehrs to David Chapman and Dr. Robert H. Carpenter, regarding the donation of his life's memories as part of the Military collection to Cushing Memorial Library at Texas A&M. Included is a translated account of his experiences during the Battle of the Aegean in 1943, and an account of the early years of his life he had typed in his native German language.

This collection contains 54 original handwritten letters by Arnold, one page of poetry, one page of prose, and two pieces of paper with his signature. Each letter includes a typed transcription within its folder.

The collection documents the life of Reverend William M. Taylor and his pursuit of education in various cities in Texas. A biography provides details about his education, religious vocation, and family life in Texas that provide a glimpse into the trials and tribulations Blacks faced in attaining any type of progress. This small collection is also rich in the history of the Guadalupe Baptist Association, Guadalupe College, and the community life for African Americans in Texas.

The collection covers the personal, academic, and professional life of Jeff Stumpo and his founding of the Java Shock slam poetry event held initially in College Station, but now based in Bryan, TX.

This collection consists of term papers, course handouts, folklore fieldnotes, news clippings, a report, a document, maps, photographs, materials about folksingers, pamphlets on wildlife, materials about vaudeville and North Carolina, the information given to Dr. Anderson on Texas, correspondence, and information on The Texas Folklore Society and The John A. Lomax Folklore Society.

The majority of the material is from Dr. John Q. Anderson's students at Texas A&M. Dr. Anderson assigned his students to write term papers on folklore from many locales, including Texas. Because Dr. Anderson felt that some of these student papers were so exceptional, he collected, edited, and had them published in a book he titled, Texas Lore: A Collection of Student Papers on Texas Folklore. As additional information on some of the term papers, some of the students gave Dr. Anderson information on North Carolina, and Billy Arlington and Co. Dr. Anderson also requested that his students collect information on folklore by interviewing people and recording this information in fieldnotes. The information was gathered and is represented in the collection on topics including folk medicine, games, children's lore, folk beliefs, folk sayings, proverbs, rhymes, riddles, tree and plant lore, and Aggie lore.

Along with interviews and fieldnotes contributed by the students, many news clippings were collected, mostly relating to Texas and pertaining to people, places, folk medicine, folk singers, folk games, folklore book reviews, anthropology, superstitions, magic, and etymology. Also present is one document on folk medicine, an article on folksinger Joan Baez, a few articles on certain Texas counties, and special editions of some Texas newspapers.

Other materials include correspondence between Dr. John Q. Anderson and the Texas Folklore Society or the John A. Lomax Society, and with people interested in folklore. There is also information about meetings and conferences to be held by the Texas Folklore Society, including a program that Dr. Anderson sponsored at Texas A&M for the John A. Lomax Society.

This collection consists of 1200 slides of Texas courthouses located throughout the state. This collection also contains newspaper clippings, personal notes, and issues of the periodical Texas County Progress (incomplete issues from 1984-1999 and incomplete issues from 2002-2003) on the subject of Texas courthouses. This collection also includes magazines and brochures about Texas courthouses; pictures and slides of Texas courthouses; calendars; and a video cassette.

The Dr. Yolanda Broyles- González & Francisco González Archive is a rich borderland Mexican-American collection with a focus on performance arts, theater, and music.  Dr. Broyles-González studied and lived in Germany for twelve years, in Berlin, Freiburg, and Hamburg. She published the first translations of Chicano literature into German and she was instrumental in bringing Chicano/a literature and history to European readerships and consciousness. 

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection contains mostly correspondence dating from 1927to 1984; personal office calendars; speeches; criminal justice materials; Huntsville First National Bank materials; and clippings, especially concerning the escape attempt of Fred Carrasco, Alcoholics Anonymous, and the Ruiz v. Estelle court case.

Also present are reports, publications, reprints, and photographs relating to the several prison systems with which W. J. Estelle was associated during his career in corrections, some video cassettes, audiotapes, and souvenirs, including buttons, pins, and badges.

This collection includes the major focus of RWS's research in the 1950s and early 1960s, while Mr. Smith's publication projects span the early 1970s to 2000. His writings as John F. Gibley are thought to be a composite of his friends Jon Bluming and Donn F. Draeger. There are several boxes of papers, notes, manuscripts, books, photographs, historic 16 mm movie film, videotapes, and personal correspondence (covering six decades). Some of the prominent correspondence, writings, and photographs include noted science fiction author Ray Bradbury, martial artist Jon Bluming, Donn F. Draeger, writer Kay Boyle, British novelist and literary critic Sir Victor Sawdon Pritchett (VS Pritchett), writer and critic John Sanford (aka Julian Shapiro) and many more. He also offered a critical eye on American culture that is reflected in his reviews, articles, and papers he wrote and collected. Researchers will find substantial scientific articles on how the brain, mind and body work.

This collection supplements Part One of William A. Owens, in that it emphasizes the years from 1972 to 1980, yet also contains correspondence written prior to 1972. Therefore, it adds much to the first collection.

The collection is divided into seven categories. These are: Personal correspondence 1940-1980 (Series. 1-3), which also includes some printed reviews of Owens' books; Transcripts of the tapes containing the "Oral History of Texas Oil Pioneers" (Series. 4); Research materials, manuscripts and drafts for unpublished books written by Owens (Series. 5-8); Shorter works by Owens (Series. 9); Works written by other authors (Series. 10), and; Miscellaneous materials and drafts collected by Owens (Series. 11-13). Of special interest in this collection is correspondence concerned with Owens' books, letters from World War II, and the various drafts of books by Owens which have not been published.

Owens' personal correspondence files are further divided into three more specific categories. The first covers primarily the period 1972-1980 but also includes papers dating from prior to this period. This correspondence is broken down alphabetically according to a key word in the subject, name, company, or book. Within the letter grouping the papers are filed chronologically. The undated material follows the last dated papers. The compilers of the collection attempted as much as possible to keep the material grouped as Owens himself had had it arranged. This material contains correspondence with friends and fans on the writing and publication of his books, with organizations Owens participated in, on awards won by Owens, about folk songs, on the writing of other authors, and other various topics. To be especially noted about the dramatizations of This Stubborn Soil.

The second division of personal correspondence primarily covers 1940-1965. These letters are broken down by their subject matter and then arranged chronologically. The subjects covered are Owens war letters and letters with Annie Laurie Williams, who was Owens' literary agent.

The third division of the correspondence files covers Owens' tour with the National Humanities Series in 1972 and 1973. The production was entitled "Frontiers: Settling a Nation," and consisted of Owens and a folksinger. The papers include correspondence concerning the itineraries, reviews, and other matters of the tour. The first nine boxes hold this personal correspondence.

Also included in the correspondence files are the printed reviews of books authored by Owens. They are predominantly newspaper reviews although some were printed in journals and magazines. The reviews are broken down by title and arranged chronologically.

Filling the next seven boxes are the transcripts of the "Oral History of Texas Oil Pioneers" tapes. These are filed by the number of the tape. There are transcripts from 218 tapes.

The manuscripts of books written by Owens since 1975 compose the next category of the collection. The five titles of the books are Caves of Arayat, Running in Place, Japanese Soldiers in World War II, Not So Far Away, Not So Long Ago, Special Agent 2142, and the second edition of Texas Folk Songs. Of these books, only Texas Folk Songs, 2nd edition, has been published (1976). The first three works concern World War II, and the fourth is the third volume of Owens' autobiography. There are many drafts of each book, some having different titles. The drafts are filed from earliest to latest. Some of the drafts were not identified and have been filed as accurately as possible. The labels of the drafts include the number of the draft, whether it is typescript or a copy, and whether or not it contains written notes. The labels "manuscript" and "typescript" were used interchangeably.

One may find it interesting to examine the various drafts and trace the development of the books. Not So Far Away, Not So Long Ago, for example, has thirteen drafts and four different titles. The drafts are in good condition and are usually complete.

There are also numerous shorter works written by Owens. These are predominantly articles, essays, and short stories. Most of them appear in printed form, but some were never published. Of interest in an essay written for a Bicentennial essay contest which Owens subsequently used for a lecture.

This collection also contains three boxes of short works by other writers. These include histories of World War II operations in which Owens participated, articles on folklore and ethnic groups, and other topics which interested Owens. There are many works that were sent to Owens by students and friends for him to critique. Of special interest are two biographies of Owens and short stories by J. Frank Dobie.

The final category of the boxed papers contain miscellaneous material collected by Owens which includes magazines, pamphlets, and other material.

Separated from the collection is sixty books which Owens included in the collection. Most pertain to fields which Owens researched such as folksongs, ethnic groups in Texas, history of the oil industry, and others.

Also separated, are oversized materials such as Owens' Bachelor of Arts and Master of Arts diplomas from Southern Methodist University, two large prints of an oil gusher, four parts of a copy of an old map of Virginia, and a copy of an 1898 map of Jefferson County, Texas.

This collection consists mainly of correspondence, legal documents, a corporate minute book, and handwritten notes recording the litigation connected with ownership of a large tract of land (89,000 acres) in Hidalgo country known as the "Big Santa Rosa Pasture". Actual litigation took place from 1903-1910.

Individuals involved in the case were: Dillard Rucker Fant and his wife, Lucy Fant; Daniel J. Sullivan; J. C. Sullivan; James V. Upson; Wiliam R. Elliott; Conrad A. Goeth; James Webb; J. M. Chittim; Archie Parr; Kate V. Elliott; G. G. Clifford; A. E. Chavez; J. A. Galligher; W. M. Sanford; Fred Kelly; F. A. McGown; F. W. Church; H. R. Wood; F. Groos and his wife, Hulda Groos. Legal counsel involved in the proceedings were: James E. Webb and Conrad A. Goeth of Webb and Goeth, F. A. McGown of Denman, Franklin & McGown, and R. L. Ball, all based in San Antonio, Texas.

At the onset of the difficulties, D. R. Fant had leased the Big Santa Rosa Pasture to the cattle-raising partnership of Chittim and Parr. J. M. Chittim was a large rancher in South Texas and Archie Parr, was a State Senator popularly known as the Duke of Duval. Based on the large annual rent monies Fant had expected to collect from Chittim and Parr, he then also borrowed money from D. Sullivan of D. Sullivan and Company Bankers (founders and owners of the large South Texas Mariposa Ranch) and, using the same collateral, borrowed more money from the competing F. Groos and Company Bankers (later a founder of Wells Fargo Bank).

When it appears, that Chittim and Parr defaulted on their rent payment for the Big Santa Rosa Pasture to Fant, Fant was then forced to default on his own payments to both banking organizations from whom he had borrowed funds. The bankers, in return, sued and foreclosed on the Big Santa Rosa Pasture.

Through the Santa Rosa Ranch Papers extensive set of legal documents, attorneys' memoranda, telegrams, letters, and financial disclosures, the most absorbing story of Texas land politics unfolds.

Notable among the papers is the Santa Rosa Ranch Minute Book, a ledger volume with handwritten entries detailing the Articles of Incorporation, By-laws and minutes of the first stockholders' meeting of the Santa Rosa Ranch Company. Also present is a manuscript plat map in black and red ink on light blue linen, of the 1905 Maria Rodriguez survey, which has been encapsulated and is housed separately in a Map Case Drawer.

This collection contains over 125 original handwritten letters by Charles Goodnight to M. S. Garretson and others discussing buffalo, Indians, animal husbandry, the origin of and extinction of certain cattle breeds, the Goodnight Ranch, and many other topics.

This collection includes an exchange of letters between Berenice Napper and an official of Connecticut's Commission on Civil Rights, six items concerning Napper's membership in the National Council of Negro Women, eight printed ephemeral items including a photograph of Berenice Napper with three other individuals looking over a copy of Walter White's book How Far the Promised Land?, and a small group of newspaper clippings concerning her work as a field secretary for the National Association for the Advancement of Colored People (NAACP).