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Descripción archivística
Texas
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Ackerman and McMiller General Store Account Books

  • US TxAM-C 1031
  • Colección
  • 1854-1856

This collection consists of two large leather account books from the old store owned and operated by David Verplank Ackerman and James McMiller that was at Washington-on-the-Brazos, Texas. The account book labeled "ledger" [box 1] dates from 1855 to 1865 and lists the accounts of individuals while the other one labeled "journal" [box 2] records the chronological expenses beginning in April 1854 and ending in January 1861.

Rigsby L. Barclay Papers

  • US TxAM-C 15235
  • Colección
  • 1895-1936

This collections includes a brief biography of Barclay composed by his daughter, Louzelle Barclay, seven photographs concerning A&M College of Texas (Texas A&M University) including one image taken of several alumni by the R. Sullivan Ross statue on the A&M campus and a shot of B. Sbisa, Alumni letters spanning 20 years (1916-1936), and engineering notes taken by Barclay while attending A&M College of Texas.

Sin título

John and Deborah Powers: Early Texas Art and Artists Research Collection

  • TxAM-CRS 804
  • Colección
  • 1910-1999

This collection is comprised of correspondence, publications, writings, listings, directories, manuscripts, photographs, and research material for the Powers publication on Texas art and artists, titled, "Texas Painters, Sculptors & Graphic Artists: A Biographical Dictionary of Artists in Texas Before 1942", Austin, TX: Woodmont Books, 2000. The collection is primarily photocopies and writings of the Powers with some published materials.

The original order has been maintained as much as possible. Correspondence is dispersed throughout the collection with most concentrated in box 1. Those artists with significant information have been given a single file. The artists' information files are arranged in alphabetical order by artist's last name and are inclusive of all artists within the alphabetical listing. Each of these files begins with one artist and ends with the last artist information in the file. Artists' information can consist of one news item to several pages of information. To find an artist's name not listed on the file, please look at the file where his name would be in the alphabet.

Sin título

Ku Klux Klan Collection

  • US TxAM-C C000321
  • Colección
  • 1868-1870, 1916-1970, undated

This collection consists of historical materials relating to the early 20th-century history of the white supremacist group the Ku Klux Klan. Although it began existence after the Civil War and ebbed away with the end of Reconstruction, the Klan re-emerged following World War I and gained a great deal of political and social influence across the United States into the early 1920s. The materials in this collection are drawn from that period when the Klan came out into the semi-public eye as a formal organization. A few items date from later in the 20th century.

In addition, the collection contains a number of issues of the American and Commercial Advertiser newspaper from 1868-1870, documenting the campaign of violence initiated by the first iteration of the Klan, from immediately after the Civil War.

Materials in the collection include newspaper and magazine articles on the Klan, Klan-sympathetic and Klan-run newspapers and other publications, photographs, organizational materials, and assorted examples of Klan literature and propaganda. They reflect the deep reserves of hate, xenophobia, anti-Semitism, anti-Catholicism, ignorance, and nonsensical beliefs of the Klan and its members, as well as the comically risible vocabulary that was a part of Klan culture and practice.

Materials come from various Klan "klaverns" in Texas, Louisiana, and Georgia, with additional materials from Maine, Minnesota, and other locations.

Larry Taylor Collection

  • TxAM-CRS C000526
  • Colección
  • 1958-2008

This collection contains materials to the business and fannish career of Houston-area fan and con organizer Larry Taylor. Included in the collection are numerous fanzines, most of them from fans and fan associations in Texas in general and the Houston area in particular; program books, flyers, advertisements, and other documentation relating to genre conventions, including Collegecon '80 and Collegecon 2, cons at the University of Houston that Taylor helped run as a UH student; materials relating to Taylor's media company; and miscellaneous other materials.

Sin título