This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.

This collection contains a 286-page unproofed typed copy of Foster's 1977 novel The End of the Matter.

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

This collection contains materials relating to Golden Gryphon Press and its publication of Howard Waldrop's 2003 novelette "A Better World's In Birth!". Materials in the collection include Waldrop's hand-typed manuscript, editor Marty Halpern's edited draft of the story, a final typescript, a copy of the chapbook and a cover flat, and electronic copies of the final typescript.

The novelette tells the story of an alternate central Europe, in which a Communist revolution occurred in the middle of the 19th century, led by Karl Marx, Friederich Engels, and Richard Wagner. In 1876, rumors fly that the ghosts of these three revolutionary martyrs have begun appearing in the city of Dresden. The story examines how these specters may be tied into a larger political conspiracy.

This collection consists of materials from various science fiction and fantasy conventions, assembled over the years by Russ Ault. Materials include program guides, program books, and pocket programs.

This collection consists of the diaries and journals kept by Andre Norton between 1930 and 2004, a few months before her death. The diaries record Norton's life experiences, thoughts, and notes on her writing and writing process.

This collection consists of fanworks produced and gathered by fans of the Klingon culture from the Star Trek franchise. Materials include fanzines, art, club newsletters, and other objects of creative expression.

Klingons represent an active subset of the larger Star Trek fan community, and have been so for several decades. Klingon fans are particularly visible because of their frequent involvement in often-elaborate cosplay (that is, the use of costumes and accessories to represent specific characters, often personae created by the participants themselves).

The Klingons are an aggressive race of humanoid warriors, first seen in the Star Trek: The Original Series episode "Errand of Mercy" (1967). The Klingons started out as major adversaries of the U.S.S. Enterprise crew, Starfleet and the United Federation of Planets. However, as the Star Trek franchise began expanding in 1987 with the debut of Star Trek: The Next Generation, Klingons evolved from enemies into uneasy allies, and numerous episodes of TNG and later Star Trek series were devoted to exploring aspects of Klingon culture. They continue to occupy a major position in the overall Star Trek universe.

Klingon fandom is most notable for its adoption of the Klingon language. Klingon is a real (albeit artificially constructed) language with its own system of grammar, structure and rules of pronunciation. It was originally created by linguist Marc Okrund in the mid-1980s for the Star Trek films and was adopted into later iterations of the television franchise. Klingon has been expanded on by interested fans and language hobbyists to the point where a number of literary works have been translated from English to Klingon. Many Klingon-related fan creations are written at least partially in the Klingon language, and it is not uncommon for dedicated fans to speak it amongst themselves.

This collection consists of several apazines to which Prentiss Riddle contributed individual zines. The APAs represented are Argos and Myriad, which take as their subject science fiction, and Lingua (later titled Linguica), which involves explorations of language and languages. The collection contains a few additional materials, including individual zines.

Fanlore.org defines an "apa" (or "amateur press association") as "a kind of fan publication in which all the materials, generally letters, would be sent to a central person, who would simply copy the entire packet in the cheapest possible way (e.g. mimeograph, spirit duplicating, xerography, offset printing; APAs far predate the photocopy machine.) Sometimes each of the contributors sends as many copies of their submission as there are subscribers to the central mailer of the zine, who then collates and mails these, and does not have to take care of the printing.

APAs were, and are, important media for fannish conversation, discussion, and interaction: sort of a fannish mailing list or LiveJournal in print sent by snail mail. "

Apa members were expected to make regular or at least periodic contributions to the mailings (called "minac", or MINimum Activity). The role of the Central Mailer, sometimes called an Official Editor or Central Editor, often rotates between members of the apa. In addition, apa participants often change the title and/or format of their apazines from time period to time period. For example, Prentiss Riddle changed the title of his contributions almost monthly between issues of the apas of which he was a member.

This collection consists of documents relating to the publication by the science fiction and fantasy small press Underwood-Miller, Inc., of a number of works by or relating to the noted science fiction author Philip K. Dick. The works Underwood-Miller published that are documented here include Dick's In Pursuit of VALIS: Selections from the Exegesis (1991), and the series The Selected Letters of Philip K. Dick.

Materials in the collection include correspondence, production documentation, galleys, typescripts, and photocopies of much of Dick's correspondence used in assembling the Selected Letters. Also included are a few media publications related to Dick and his work.

This collection contains sets of galley proofs from several issues, dating from 1965, of the important, groundbreaking British science fiction magazine New Worlds. During this period of the magazine's publication, it was edited by famous and influential science fiction author Michael Moorcock.

The proof sets for April and August 1965 are complete, while there are only partial sets for January-March 1965. There are also several additional fragments from unknown issues.

This collection contains fanzines and some scattered other materials relating to the television series Star Trek: The Original Series[TOS] (1966-1969). The driving force behind most of the stories in the collection - as reflecting the cultural interests of collection donor Holly Brown - is the close friendship between the characters Captain James T. Kirk and Mr. Spock. However, stories in the collection do involve many different characters and situations.

The majority of the contents in this collection consist of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks. Holly Brown is herself a slash writer, and much of her collecting was driven by her interest in slash.

Another substantial portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships. "Gen" stories are those that, speaking broadly, involve the more standard sorts of adventures one might encounter in the television series or other original source material, or that do not involve sexual content as a focus of the story.

Gen and het items are identified as such on the item folder. If an item is not identified as gen or het, it is to be assumed that the item is slash.

A small portion of the collection involves media productions other than Star Trek[TOS]. These include the show's sequel series Star Trek: The Next Generation[TNG] as well as anthologies of multimedia fanfiction featuring stories from many different sources.

Other, smaller portions of the collection include copies of script drafts from various episodes of Star Trek[TOS] and Star Trek: The Animated Series[TAS], as well as program books and other materials from a number of science fiction conventions.

This collection contains a large collection of reference materials relating to science fiction and fantasy author Andre Norton, assembled by Norton researcher Joseph Goldin. Materials include book reviews (both of Norton's work and those written by Norton herself in her capacity as a librarian at the Cleveland Public Library), essays, interviews, and other articles. They are drawn from newspapers, fanzines, secondary reference works, and prozines, among others.

With one or two exceptions, all of the materials in the collection are photocopies of the originals.

A collection of comic books from the new series from Marvel Comics, Captain Marvel and Ms. Marvel.

The first is written by Kelly Sue DeConnick and details the adventures of superhero Carol Danvers, the former Ms. Marvel who in 2013 assumed the name, Captain Marvel. The second series is written by G. Willow Wilson and explores the story of young Kamala Khan, a Muslim American girl who acquires superpowers and adopts the name Ms. Marvel out of tribute to Danvers. Ms. Marvel, as a Pakistani-American, is the first Muslim superhero in an American comic book to have her own title.

The collection includes issues from the post-Secret Warscycle of stories concerning the two heroines.

Artists vary between individual issues of both series.

This collection consists of correspondence to and from legendary author Frederick Pohl, mostly regarding editorial matters and other items of authorial business.

Most of the letters, dated from 1948-1952, are to or from Shasta Publishing founder Erle Melvin Korshak or editor Ted Dikty. There is also some correspondence between Pohl and Playboy Magazine dated between 1962-1978.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

This collections of materials documenting the life and literary career of Gwen Faith Hunter, who writes thrillers under the name of 'Gwen Hunter' and, under the name 'Faith Hunter', the Jane Yellowrock, Soulwood, and _Rogue Mage_urban fantasy series. Materials in the collection consists of manuscripts, notes, page proofs, correspondence, publicity materials, awards, and documentation relating to Hunter's childhood and early attempts at writing.

The Lisa Tuttle Collection consists of books, manuscripts, galley proofs, and magazines tracing the storied career of science fiction, horror and fantasy writer Tuttle.  The collection is a work-in-progress, with additions from the author as they become available.

This collection contains short story entries made by Texas A&M students in the Annual Science Fiction and Fantasy Creative Writing Contest, co-sponsored since 2017 by the Department of English and Cushing Memorial Library & Archives.

Entries include Winners, Honorable Mentions, and all other entries.

This collection contains materials from and about fantasy writer Britain, who is most well-known for her epic Green Rider fantasy novel cycle. Materials in the collection include manuscripts for several of the novels in the series; examples of Britain's other writings (including several information brochures she wrote for the National Park Service); correspondence to and from Britain, including items from authors Nevada Barr and Anne McCaffrey; a reference file containing copies of magazines with articles or other references relating to Britain; and assorted other materials.

This collection consists of a variety of media fanzines, mostly from the British television show The Professionals, but also including smaller numbers of fanzines from The Man From U.N.C.L.E., The Sentinel, Star Trek: Deep Space Nine, and several other media properties.

The majority of the content is fanfiction. Almost all the fanworks in this collection are identified as "slash,” referring to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash (s) or het (h), the item is slash. (g) indicates gen material. (h) indicates het material.

The collection also includes substantial numbers of fanvids (songvids). "Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

Finally, the collection includes a number of CDs containing images and stories from the yaoi genre of animated Japanese media. Yaoi, like slash, focuses on sexual or romantic relationships between male characters, as well as several examples of fan art from the television show Supernatural.

This collection consists of manuscript drafts, copyedited manuscripts, and galley proofs of all of Martha Wells' novels, as well as a number of other materials that include program books from many science fiction and fantasy conventions.

The March 2017 Addendum contains mostly media-related materials, particularly from the television show _Hercules: The Legendary Journeys_and the _Star Wars_films.

This collection consists of selected Sunday comic strips (12 in number) from the comic strip John Carter of Mars, based on the series of novels about Carter by Edgar Rice Burroughs. All are from 1942 and encapsulated and backed on board.

The strip was written and illustrated by Burroughs' son, John Coleman Burroughs, and ran from 1941-1943.

This collection consists of 12 pieces of correspondence, almost entirely letters written by legendary science fiction author Clarke to Baird Searles, owner of the well-known Science Fiction Bookshop in New York City, NY. Clarke, who lived in Sri Lanka, frequently ordered books from Searles.

There is also one letter from Clarke to Martin Last, Searles' writing collaborator and domestic partner.

This collection contains the manuscript of Pause for Reflection (Superradiance) in three copies (n.a. Pause for Reflection, by A. A. Jackson IV and Howard Waldrop).

This collection consists of scripts and storyboards for seven episodes of Star Trek: The Animated Series. The program, produced by Filmation, aired on NBC for two seasons from 1973-1974 and the episodes were later novelized by Alan Dean Foster.

This collection consists of manuscripts of short fiction, book reviews, and nonfiction pieces submitted to The Magazine of Fantasy & Science Fiction during the editorship of Kristine Kathryn Rusch from 1991-1997. (Several stories in the collection would be actually published in F&SF by Rusch's successor Gordon Van Gelder, who edited the magazine between 1997-2015.) With a few exceptions, all of the manuscripts were eventually published in the magazine.

Many of the manuscripts in the collection contain handwritten edits, most of which are grammatical or structural and made by copyeditors. A minority of edits, some of them more substantive textual alterations, appear to have been made by the authors themselves.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection consists of two versions of the manuscript for William Gibson's 2007 novel Spook Country, a science fiction technothriller that is the second in his acclaimed "Blue Ant" trilogy. (It follows Gibson's 2003 novel Pattern Recognitions and precedes 2010's Zero History). The trilogy has been defined by Gibson himself as "speculative novels of last Wednesday", that is, novels set in the contemporary world but viewed through a science fictional perspective, showing readers the present through a futuristic lens.

The Blue Ant trilogy centers on the character of Hubertus Bigend, an advertising executive and tech magnate who serves as the series' amoral antihero. Though Bigend dominates the trilogy as whole, Spook Country focuses on the intertwining stories of three characters in particular: Hollis Henry, a journalist hired by Bigend to write a story on the phenomenon of 'locative art'; Chinese-Cuban Tito, a member of a family of criminals who gets bound up in American secret intelligence operations; and Milgrim, a drug addict being held in captivity by a mysterious covert operative named Brown. The novel, set in the aftermath of the September 11 attacks, and explores the uses and misuses of locative technology, the eversion of cyberspace, and the changed political climate of the United States following the attacks. It was nominated for the 2008 Locus award for Best SF Novel, the 2009 Imaginaire Award, and the 2017 Prix Aurora for Best of the Decade.

Both versions are housed in clamshell boxes within the larger enclosure. The first box contains the autographed typescript of the novel, with heavy corrections and copyedits. The second box holds the autographed and corrected unbound proofs.

This collection contains materials relating to the life and career of Texas-based science fiction and fantasy writer Jessica Reisman. Materials include typescript drafts for many of her published and unpublished stories, as well as drafts and notes from stories written before her professional career began. Other items in the collection include spec scripts and screenplays written by Reisman, academic writing from her undergraduate days, and assorted other materials.

This collection consists of administrative and business files from Victor Gollancz, Ltd., one of the most important publishing companies in 20th-century Great Britain. Gollancz published the works of many science fiction authors, including, notably, Arthur C. Clarke.

The materials in this collection specifically document Gollancz' relationship with Clarke over a period of nearly 40 years, during which Gollancz published many of Clarke's most important novels - including The Hammer of God, Imperial Earth, and the three sequels to Rendezvous With Rama as well as many of Clarke's nonfiction works. Materials include correspondence (including from Clarke himself), contracts and agreements, administrative documentation, and dust jackets from numerous works of Clarke.

Overall the collection provides a window into the relationship between an author and his publisher, and the ways in which they interact to produce a finished literary product.

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

This collection consists of the original typescript of Arthur C. Clarke's short story, "Jupiter Five", written in 1951 and first published in the May 1953 issue of the magazine IF: Worlds of Science Fiction. This typescript is the setting copy for the magazine publication and has been copy-edited by editor Larry T. Shaw and the author. It also includes two layout sheets with design notes and paste-in illustrations.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).

The Book of Days materials are housed in two slipcases.