The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

The bulk of the collection is a group of 171 watercolor illustrated letters by H. O. Kelly, written to his close friend and biographer, William Weber Johnson, his wife Elizabeth Ann Johnson, and their family, between 1948 and 1955. These letters formed the basis for William Weber Johnson's research for Kelly Blue, a biography of Kelly, first published by Doubleday in 1960, with a foreword by Western writer Tom Lea. Kelly Blue was later published in 1979 in a revised, illustrated edition by Texas A & M University Press. The illustrations for the second edition of Kelly Blue are reproductions of paintings from various private and public collections, including that of Texas A & M University, six of which were donated along with the letters to Texas A & M University in 1979, and are now on display in the J. Wayne Stark University Center Galleries.

A smaller group of fifteen letters by H. O. Kelly, and two in pencil by his wife Jessie Kelly, are addressed to another art collector and friend, Dallas lawyer, Rudolph Johnson. Seventeen additional letters by Rudolph Johnson, typewritten on yellow paper between 1955 and 1958 are included, adressed to H.O. Kelly, or, after the artist's death, to his wife, Jessie Kelly.

Of interest too is a letter to H. O. Kelly by Otto Kallir of the Galerie St. Etienne in New York City, requesting some of Kelly's works to be displayed in an exhibition of American primitive artists to be mounted at the Galerie early in 1952. Included is Kelly's letter to Mrs. Daniel Longwell asking permission to refer Kallir to her in order to view the painting she had just purchased from Elizabeth Ann McMurray, William Weber Johnson's wife. Also of note is letter written by John L. Paxton of Fort Worth, Tex., in reply to Rudolph Johnson soon after Kelly's death in 1955. Attached to Paxton's reply is a list of all the known owners of H.O. Kelly artworks at that time, whom Paxton has written to in the interest of collecting funds to aid in supporting the then destitute Jessie Kelly.

Also present are photocopies of the fifteen H. O. Kelly illustrated letters and two Jessie Kelly letters donated by Rudoph Johnson, accompanied by photocopies of transcripts of them made later under the auspices of Catherine A. Hastedt, Registrar/Curator of the Texas A & M University Office of University Art and Exhibitions. Two letters concern the transfer of H. O. Kelly letters and artwork to Texas A & M University collections. Four additional letters relate to: an art exhibit at the Memorial Student Center; a color slide of the painting "Penning Goats," and plans by Texas A & M University Press to publish an illustrated editon of Kelly Blue.

The tiny colored drawings found on H.O. Kelly's letters and cards to friends and family are a foreshadowing of the lovingly detailed scenes in his oil paintings. As a significant primitive artist, Kelly's paintings present a world of rolling, green pastures, tranquil blue skies, and solid farms and farming towns, also populated by a thick dusting of livestock, including wily goats, unpredictable donkeys, fine mules and lively horses. The robust folk are reminiscent of Kelly's mother's German ancestors in Ohio, similar to those living in Fredericksburg, Texas, a town Kelly often visited for inspiration. As these letters so vividly attest, when Kelly sold a painting, it was the buyer's initiation into a warm friendship with the raconteur artist, not a mere business transaction.

This collection consists of one box of material that includes heavily edited and complete manuscript pages from the Autobiography of Malcolm X, his writings on Mahalia Jackson, Wilma Rudolph, the story Queenie, a follow-up to Roots, and other writings. Also included are his notes regarding the re-run of the mini-series Roots. He mentions a meeting he had with Warren Beatty where they discussed Roots. The notes are titled "Re: Roots Re-Run for TV Guide. Between the Covers acquired the collection from a bookseller who bought it directly from the estate of Virginia Hannon. A group of early letters from Alex Haley it's seven letters sent between 1949-1954 (one from 1967) to close family friend, Virginia Hannon. The letters present Haley, then a journalist in the Coast Guard, trying to get his writing career started and relating thoughts about his working habits, carious siblings, and plans for the future. All letters are written light, optimistic, and sometimes flirtatious style. Accompanying them are several related photographs, including one of Hannon in uniform, and a copy of Haley's posthumous novel Queen inscribed to her by his brother, George.

The July 2015 addendum includes an archive of seven Typed Letters Signed from Alex Haley sent between 1949-1954 (with one from 1967) to a close family friend, along with related photographs and the first edition of Queen Inscribed by his brother George Haley. The letters are overall near fine with typical folds from being mailing and light toning, with their original mailing envelopes that show wear including are nick, tears, and chip, but all are present; the photos are fine. The book is fine in a fine dustwrapper.

The letters, which are signed both as "Alex" and "Palmer," his middle name, were written to Virginia Hannon, a woman who taught Alex Haley French at Alcorn College before he left to join the Coast Guard. The letters begin after he's become a journalist writing for Coast Guard Magazine, and it seems, after an absence from Hannon. The letters are very familiar and playful with references to her French class, updates on his brothers George and Julius, and although married, some flirtatious comments about her breasts, "they were not as you say, spinsterly," and his faraway demeanor in class, "believe me, love, I was not, when you observed me, thinking about any damned touchdowns." There is also lots of talk about Haley's writing career. The early letters from 1949 included his thoughts on his drive to be a writer: "I'm trying pretty hard and have thus far had some minor successes," as well as his bad habits: "I'm essentially lazy, but I love to write once I get started." It's during an extended hospital stay for the treatment of a pilonidal cyst in 1953 that he seems to really make headway: "I never had so much time on end to write in my life. I have to stand up to type, to be sure, but - boy, am I turning out the words! Things I've wanted to work on for ages." In a letter the next year he excitedly describes what was his first big career break: "The prime accomplishment to date, a milestone in my life, I guess, was the sale two weeks ago, of 'The Harlem that Nobody Knows,' a 4,000-word piece, to Reader's Digest ... As a result, I, last week, got taken in the stable of Ruth Aley, probably one of the top 5 literary agents in the country. I am working like a bastard, to put it bluntly." The job led to a series of articles in the magazine and an assignment with Playboy interviewing many of the most important African-Americans of the day. The final letter from 1967 takes the form of two short but sweet holograph notes to Hannon written on the margins of a form letter and a photocopied travel article. They show a busy, successful writer still trying to keep in touch with an old friend.

The letters are accompanied by a black and white photograph of a young Hannon in a military uniform (possibly Red Cross), along with two later color photos of George with Wynelle [Hannon's sister] and George with President Bill Clinton. Plus, there is a copy of Haley's book Queen, published posthumously, and warmly Inscribed by George: "To my dear sister, Virginia Rose Hannon With love, respect and appreciation Your brother George Haley - and all the rest of the Haley Family 12 June 1993." An interesting and intimate collection of early correspondence from one of the most influential African-American writers of the 20th Century.

This collection consists of materials relating to the 1956 A. E. Van Vogt novel Empire of the Atom, including the original typescript, galleys, and correspondence related to the book's publication and review.

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.

This collection includes newspaper clippings, articles, magazines, and brochures about Texas courthouses; pictures and slides of Texas courthouses; calendars; and a video cassette.

This collection contains correspondence to Dave Mellor from the Lewis and Clark Heritage Foundation, an organization whose members are dedicated scholars of the Corps of Discovery's expedition to map the Louisiana Purchase. Other items also originating from that organization are copies of their member's only journal "We Proceeded On", foundation notes from meetings, and plans for the annual gathering of all the members (usually at a location pertinent to the Lewis and Clark expedition in some way), newsletters informing members of upcoming activities.

Aside from the material from the Heritage Foundation, there are also pamphlets from various tourist sites located on the trail; some are actual locations the Corps of Discovery passed by (Pompey's Pillar, the Lolo Trail, Fort Clatsop), whereas others are cities and towns located near these historic locations. Others are simply named for the explorers (Lewis and Clark Lake), and others relate to the Native Americans the Corps of Discovery encountered on their journey (Big Hole Battlefield, a site sacred to the Nez Perce). A number of magazine articles on the expedition are included, topics cover such as the environmental impact on some of the historic sites, Meriwether Lewis's death, Sacagawea's biography, and later, her gold dollar coin, Thomas Jefferson, both about his shrewdness in making the Louisiana Purchase and the controversy surrounding his relationship with his slave Sally Hemings, descendants of Lewis, Clark, and other members of the Corps of Discovery meeting together to travel the Expedition trail on the 200th Anniversary of the Expedition, and the plight of the Columbia River. Most of the remaining material is a re-hash of all of these topics, save for a couple of unique articles (including a biographical account of Sacagawea's son, Jean-Baptiste Charbonneau).

This collection comprises twenty-seven autograph letters from various family members, three autograph documents written by Joel Crawford, additional unsigned correspondence, fout vintage photographs, five black and white photograph reprints, thirteen mailing envelopes, and a number of other address panels on the letters, some with quite scarce postal stamps from small towns in Georgia and Florida. Short excerpts of some letters are included in the description listing.

The collection also includes biographical information on the Crawford family, a photocopy of a marriage certificate for Charles P. Crawford's marriage to Anna Ripley Orme, and a page from the estate of Joel P. Crawford, signed by his executors James Buchanan and Charles P. Crawford admitting it into the record.

Postal history envelopes contained throughout the correspondence: cancellation stamps from La Grange, Fort Gaines (1855), Bainbridge (1855), Blakely (1855), and Macon (1858), Georgia, Orange Mills (1858), Florida, and Richmond (1862), Virginia. There are also five additional undated envelopes from members of the Crawford family.

This collection includes an assortment of manuscripts and correspondence of Isaac Asimov, including short stories, novels, non-fiction, and correspondence with publishers. The segment on the submission of "Stay, Oh Fleeting Moment," a nonfiction piece on time and the subsequent correspondence, internal documentation of Playboy editors and readers, and the rejection of the article providing an informative look at the working of a major magazine.

This collection consists of manuscripts for several works of fiction by Utley, including the novella Custer's Last Jump (1976, with Howard Waldrop) and the short-story anthology Ghost Seas and Other Vistas (1997).

The collection consists of personal correspondence and documents of J. F. Cavitt and other documents of significant importance. Included is the correspondence of and articles about Ann Cavitt Armstrong, that sheds a light on the early settlement period of Texas. Financial documents also shed a light on the early history of Texas, including court documents and receipts of slave purchases.

The Mercurio Martinez Papers (1797-1963 (bulk: 1910-1963)) include correspondence, copies of legal documents such as wills, deeds, affidavits and courtroom briefs, maps, a few photographs, field notes for land surveys, genealogical charts, accounts of family and regional history by Mercurio Martinez, and historical accounts from other sources, principally newspapers. There are also financial records of various kinds including tax records, bills and receipts, books of check stubs and account sheets.

The vast majority of the papers relate to families, places and events in Zapata County. Webb County is also well represented, as is the region surrounding the town of Guerrero, Tamaulipas located on the south bank of the Rio Grande opposite Zapata County, Texas. A few papers deal with families, places and events in Starr County and further south in the Rio Grande Valley and a few files deal with Mexican, United States and world affairs. Unless otherwise noted in the inventory, files deal with Zapata or Webb County matters.

The oldest original papers date from the latter part of the nineteenth century and include such documents as Mercurio Martinez's Texas Teachers Certificate, 1898 (Series 1-3/4); a General Land Office map of Zapata County, 1885, (Series 3-14/25); and a certificate appointing Proceso Martinez, Sr., Mercurio's father, to the Zapata County Board of Appeals, 1870, (Series 3-25/23). There are also copies and translations of nineteenth-century documents including partition deeds, deeds of sale, birth records, and maps. Accounts of family and local history written by Martinez in the 1950s and early 1960s deal with events dating back to the Spanish settlements along the lower Rio Grande in the 1750s. Genealogies are generally traced back to the first colonists to arrive in the region. Family records, therefore, cover a time span of more than 200 years, from the settlers who arrived on the banks of the Rio Grande in about 1750 to their descendants in the early 1960s. Each decade from 1900 onward is represented in the papers. There are more files from the 1950s than any other single decade.

Among the most important files in the collection are those on the relocation of the town of Zapata due to the construction of Falcon Dam on the Rio Grande in the early 1950s, the salvation of the community of San Ygnacio from destruction during this period, the accounts of family history and genealogy from Zapata County, and the papers related to the division of lands between descendants of original holders of Spanish grants and sales of family lands. Maps, genealogies, and legal documents provide a clear picture of the rapidity with which even extensive landholdings can be reduced to tracts hardly adequate to support the families of the grandchildren and great-grandchildren of the original owners. Reconsolidation of holdings through the purchase of interest from siblings and through cousin marriage are also documented. It is also possible to trace shifts in settlement and land-use patterns. For example, the original grantees of porciones along the Rio Grande held land in long narrow blocks extending inland from the river. Over the generations, these blocks were subdivided among heirs and parts of them were sold outside the families. Through separate inheritance from parents, through marriage, and through purchase, individuals came to own small pieces of land located in widely separated tracts. This pattern of dispersed holdings, each of economically inefficient size and too far apart to be worked as units, has been noted for many peasant societies. These papers clearly reveal the processes whereby such a land-holding pattern developed out of the more economically efficient block holdings within a few generations. The most completely documented tract of land is the vast Jose Vasquez Borrego Grant made in 1750. It was later divided into the Dolores, Corralitos, and San Ygnacio Subdivisions. The first settlement was made at the Hacienda de Dolores on August 22, 1750. This settlement was abandoned, apparently during Indian troubles in the early 19th century. A settlement or Rancho of Dolores was founded nearby in the Dolores subdivision of the Borrego Grant by Cosme Martinez in 1859. Meanwhile, the town of San Ygnacio had been founded in the San Ygnacio subdivision in 1830. Until the early 20th century, an hacienda in the Corralitos subdivision was occupied by members of the Vidaurri family, who were descendants of the original grantee's daughter, Alejandra Vasquez Borrego de Vidaurri.

Also of interest are the Corridos, or ballads, composed by Mercurio Martinez and dealing with dramatic events in Zapata County history such as an escape from prison, a contested election and the destruction of Zapata by the rising waters of Falcon Reservoir.

This collection is comprised of 12 scrapbooks (compiler unknown) that contain magazine and newspaper clippings, maps, and other printed ephemera chronicling the Spanish-American War (April-August 1898) in Cuba, and the Boxer Rebellion (1899-1901) in China. No commentary or other original text has been provided by the compiler. The volumes differ slightly, but all are bound in either dark green or dark brown cloth, with maroon quarter calf. Most of the spine covers are damaged or missing. The scrapbooks measure from 20-25 cm. high and from 24-29 cm. wide.

• Volume 1, Spanish-American War Scrapbook, circa April - August 1898
  • A copy of the war-revenue law of 1898, with index [approved June 13, 1898] is pasted onto the inside back cover
• Volume 2, Spanish-American War Scrapbook, circa April - August 1898
• Volume 3, Spanish-American War Scrapbook, circa April - August 1898
• Volume 4, Spanish-American War Scrapbook, circa April - August 1898
• Volume 5, Spanish-American War Scrapbook, circa April - August 1898
• Volume 6, Spanish-American War Scrapbook, circa April - August 1898
• Volume 7, Spanish-American War Scrapbook, circa April - August 1898
• Volume 8, Spanish-American War Scrapbook, circa April - August 1898
• Volume 9, Spanish-American War Scrapbook, circa April - August 1898
• Volume 10, Spanish-American War Scrapbook, circa April - August 1898
• Volume 11, Spanish-American War Scrapbook, circa April - August 1898
• Volume 12, Boxer Rebellion Scrapbook, circa June 29 - July 15, 1900 (A few loose clippings are included inside the front cover)

The diary begins at an entry for 19 May 1915 with the driver's departure from Paris, to report to the Bureau, or main Section office of the service, at Pont-á-Mousson, which he often abbreviates to Pont. in diary entries. The diary's driver is often under fire, either while driving the roads among convoys, or in the towns being shelled, and, on a least one occasion, even at his billet, called a caserne. He is also clearly interested in becoming an aviator and visits a French aviation field with a friend from the American Field Service during his time off.

There are descriptions of German prisoners in the town square, serious casualties called couchés, episodes of shelling, the hazards of evacuating casualties under fire, as well as the daily life of an American soldier serving in World War I before the official entrance of the United States, is terse and vivid. The narrative presents an interesting contrast of intense activity and intermittent loafing in the French towns and countryside, including a tour of such battle areas as Bois-le-Prêtre, the site of the First Battle of the Marne.

The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there. Ambulance drivers who served first as volunteers in France seem to have transferred to other branches of the service, in several cases the Air Service, after serving in the American Field Service for possibly only a few months.

The entries end abruptly on June 9, 1915.

The shiny dark brown paper-covered diary measures 17 x 10 cm., with 26 of its 40 blue-ruled pages filled with entries handwritten in ink. Although found inserted into an issue of the Kelly Field eagle published between April 1918 and January 1919 and donated to the repository by General George Stratemeyer, the diary is neither labeled, nor signed, and the entries are dated [May] 19 - June 9, 1915.

A newspaper clipping is slipped into the diary, dated 1873 by hand in ink, probably from a British newspaper, which contains a poem, "To Loch Skene", on which corrections to the text have been made in ink.

It may be noted that George Stratemeyer, probably did not write the diary since he served with the 7th and 34th Infantry divisions in Texas and Arizona until September 1916, immediately after his graduation from the U.S. Military Academy in June 1915. He subsequently became commanding officer of the Air Service Flying and Technical Schools at Kelly Field, Texas in May 1917. The diary may have come into Stratemeyer's possession at Kelly Field from an aviator being trained or otherwise based there.

The 25-page paper transcript was made in February 2002 by Aletha Andrew, who processed the collection in the repository.

This collection dating from 1846 to 1906 (bulk: 1846-1847) consists chiefly of handwritten letters, journal entries, a memoir, a proof copy of a report from the U. S. Secretary of War on Army operations in Texas and on the Rio Grande during the Mexican War (1846-1848), as well as plans, maps and nine hand-colored copies of lithographic engravings drawn by Everett, which vividly chronicle southwest Texas cultural as well as military history during the late1840s.

Series 1, Letters (1847-1863), mainly handwritten in ink by Edward Everett to his brother, Samuel W. Everett, from 1846-1847, while Everett was serving in San Antonio de Bexar with the U. S. Army during the Mexican War. A few letters from other correspondents pertain to Everett's disability and eventual official discharge from the Army. Three letters written in the period 1852-1863 are about business or from family members.

Series 2, Journal and Memoir (1846-1899) contains three sets of journal entries for Sept. 1846-Jan. 1847. All are handwritten in ink on loose sheets of paper. The memoir, also handwritten in ink, on machine-ruled paper measuring about 8 x 5 inches, covers the years 1846-1848, with additional material added and dated, on at least one page, with 1899. This memoir is edited in pencil by Everett, evidently for publication, since one note suggests that the memoir was donated in 1899 to the Quincy Historical Society, later known as The Illinois Historical Society. The memoir was actually published, at least part, or possibly all of it, under the title "Military Experience," in Transactions of the Illinois Historical Society for 1905.

Series 3, Engravings, Maps, and Plans (ca. 1846-1849) includes nine copies of lithographed illustrations drawn by Edward Everett and engraved by C. B Graham Lithographers in Washington, D.C. The engravings were to be published in a report on U.S. Army operations in Texas during the Mexican War. A proof copy of this 67-page report, titled Report of the Secretary of War, communicating ... the Operations of the Army of the United States in Texas and the Adjacent Mexican states on the Rio Grande (31st Congress, 1st Session, Senate. Executive Document 32), published in 1850, is annotated throughout by Everett in pencil. For this publication Everett was at least responsible for eight illustrations: seven engravings of the San Antonio de Bexar area, including the Alamo church, as well as locations in Mexico; a plan of the ruined Alamo as it was in 1846, before being renovated according to Everett's direction, as a U. S. Army supply depot and workshops.

Engravings include nine copies of the lithographed prints. Notations made in ink on the separate prints, and on p. [4] of the proof copy of the published government report, indicate that: illustrations numbered for publication 2, 3-6 were engraved from original drawings made by Everett; those numbered 1, 7-8 were engraved from drawings made by Everett based on pencil sketches by other individuals, particularly no. 1 titled "Watch Tower Near Monclova," which was drawn by Everett from a sketch by Lieutenant McDowell of the U.S. Army.

Everett's proofs of the lithographic prints have all been exquisitely hand-tinted, in contrast to the severe black-and-white reproductions in the printed report. Of the nine hand-colored prints, two are duplicates of two illustrations, one titled "Church Near Monclova," and the other "Watch Tower Near Monclova." These identical prints are each hand-colored in two versions, apparently to represent the depicted buildings' appearances during the daytime, as well as at dusk or sunset.

Maps include one copy of a published map, possibly also by Everett, though it has been attributed to Josiah Gregg, which also appeared in the 1850 Army Operations report, titled "Map Showing the Route of the Arkansas Regiment from Shreveport La. to San Antonio de Bexar Texas," which is annotated with a penciled in route drawn from San Antonio to Austin, and a town location labeled "New Braunsfels." Also included are two manuscript versions of a map by Edward Everett, one copy titled "Plan of the Vicinity of Austin and San Antonio, Texas."

Plans are represented by two copies of an illustration drawn by Everett for the 1849 Army operations report showing plans of the Alamo before the renovation, titled "Plans of the Ruins of the Alamo near San Antonio De Bexar, 1846." Also present is one manuscript plan, titled "Plan of San Antonio de Bexar, Texas, 1848," which is labeled as "Drawn from recollection by E. E." The legend states that locations number 1-5 on the plan show, for instance, the spot near the Plaza in town where Everett received his disabling gunshot wound in the leg, the Hospital where he convalesced, and the Quartermaster's Office, to which he was assigned to work after being declared disabled from active service in the field.

A handwritten loose-leaf page kept with the proof copy of the report is titled "Index to Col. Hughes Report," and lists subject divisions and page numbers, though these divisions are not present in the published report by Hughes.

Thus Everett's accounts of frontline actions in the Mexican War mainly rely on reports from occasional volunteer soldiers or scouts, or Mexican nationals, returning back to Texas from the front lines of battle in Mexico. As much as he is able, however, Everett produces very detailed accounts of the various battles and skirmishes in and around the Texas-Mexico border, including battles at Monterrey, Saltillo, San Luis, Camargo, Buena Vista, Vera Cruz, and Tampico, recording a large number of casualties on both sides.

Of particular interest is Everett's extensive first-hand description of the ruins of the Alamo, and how it was converted for U.S. Army use as a military headquarters, according to plans drawn up by Everett. He deplores the vandalism already wreaked by relic seekers and stressed the respect shown to the mission church by the U. S. Army restorers, who refused to plunder it for building stone but instead merely cleaned away the debris. In the process, skeletons were uncovered, which Everett assumes to be from the time of the siege and Battle of the Alamo in 1836. Everett's accounts of frontier life in the rather rambunctious confines of San Antonio, complete with ambushes, shootouts, rough and ready court trials, and various local characters are often riveting.

Everett also pictures the moods and attitudes of the soldiers toward a variety of issues. Everett describes their arduous marches, unsavory living conditions, often dire medical care, and the cruel climate tormenting them. Having been left behind in San Antonio with all the stores rejected by the army, which had proceeded on into Mexico, Everett's men were faced with nursing broken down mules and horses back to usefulness, salvaging wagon parts from several damaged ones to make a serviceable one, and generally, trying to make do with what could be had in the vicinity, or easily transported from the Quartermaster at New Orleans.

According to Everett, communications on the Texas frontier often proceeded through "solitary express riders." He describes Mexican culture co-existing with "the Indians" and their horse-stealing. He also gives an excellent but pejorative account of the Texas Rangers and their activities, calling them desperados. Everett describes Mexican Generals Santa Anna, Torrejón, and Woll, the exceedingly unpopular U. S. Army Colonel Churchill, officers George W. Hughes, 1st Lieutenant W. B. Franklin, 2nd Lieutenant F. T. Bryan, General Zachary Taylor ("Old Rough and Ready"), General Winfield Scott, and General James Morgan, Captain J. H. Prentiss, Brigadier General John E. Wool, Major General Worth, Captain James Harvey Ralston, Captain L. Sitgreaves, as well as Edward Everett's own two brothers Charles Everett and Samuel W. Everett (Sam).

Full of absorbing narrative and elusive details often lost in larger historical works, the content of Everett's narratives and letters may be summed up in his own words from the handwritten memoir: "Mine is not a tale of battles, or of the movements of great armies, but the details will show some of the hardships and vicissitudes of a soldier's life, the exposure to which causes a greater sacrifice of life than that ensuing from wounds of death received from the enemy."

These papers also contain an audit of the Stanley Warehouse. Photographs also include interior and exterior shots of Stanley Warehouse and additional photos of military personnel.

Of special note are photographs of a visit to inspect the facilities and visit troops by Mrs. Eleanor Roosevelt, wife of U.S. President Franklin D. Roosevelt. There are two photographs of Mrs. Roosevelt, accompanied by Colonel Dorris A. Hanes, speaking with African American soldiers.

A photographer identified as Ingledew in Liverpool, England, in 1942, took a majority of the photographs and many have a series of numbers written on the back. Many of the photographs identify individual soldiers by name and their hometowns. Hometowns include Chicago and Springfield, Illinois, Winthrop, Massachusetts, Passaic, New Jersey, New York City, Cuero and San Antonio, Texas, and West Virginia.

Note that although photographs of Eleanor Roosevelt have her name spelled incorrectly, the finding aid uses the correct spelling. Other names are spelled one way on the back of the photograph and differently in the front captions. Information about photos is typed on the back and handwritten on the front. Finding aid attempts to duplicate information as written including grammatical and punctuation errors. The exception is in the inconsistent and confusing use of primarily upper case letters. An attempt was made to make this more uniform in the finding aid by using both upper and lower case letters.

This collection covers A&M Gay Student Services (GSS), Gayline, GSS Roommate Locator Service, and campus attitudes toward homosexuality and the LGBT community at the university before and after A&M officially recognized GSS as a campus organization.

Some material dates back to 1976, while other documents go as late as 1990. The bulk of the contents are from 1983-1986, being the period when the GSS lawsuit for recognition was ongoing to when litigation ended in July 1985, giving GSS official recognition. Media coverage over the issue of gay and lesbian students at A&M heated up in the fall of 1984 as GSS awaited a new court ruling. Most of the collection is local, given its subject, but also included are regional LGBT news and national entertainment news regarding LGBT persons.

This collection contains 54 original handwritten letters by Arnold, one page of poetry, one page of prose, and two pieces of paper with his signature. Each letter includes a typed transcription within its folder.

The Sam Moskowitz collection consists of his research files, correspondence, manuscripts, many of his books, and working documents related to his study of the history of science fiction and fantasy.  Drafts of two unpublished books are included.

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

This collection predominantly dates from 1958 to 1961 and includes correspondence to and from members of the Citizens' Fellowship, notes, minutes from meetings, and newspaper clippings. There are items regarding the integration of public schools, including the A&M Consolidated Independent School District. The collection contains information regarding the issue of African American employment and community programs sponsored by the Citizens' Fellowship.

This collection consists of the research collection McQueen built and used to write Black Churches in Texas. A Guide to Historic Congregations (Texas A&M University Press, 2000).

The contents consist mainly of "Texas County Historical Black Church" information sheets, each listed as an "inventory" in the finding guide, accompanied by related church history materials including church worship service programs, also called orders of worship; church homecoming and anniversary publications; handwritten and typed letters mostly regarding church history; newspaper clippings about historic congregations and members; notes about the history and location of churches and contact persons in congregations; business cards for contacts; published church histories; photocopies from published books about related counties, cities, and congregations; Texas county maps; color slides, photographic prints and negatives of church cornerstones, existing church buildings, Texas Historical Markers, and congregation members.

Also present are photocopies of newspaper clippings covering African American religious issues and manuscript drafts for McQueen's book, many of which are heavily annotated by McQueen.

The inventories and related church history materials were amassed by data collection teams organized by McQueen and also collected by McQueen himself. Norris Braly, a member of the Burleson County Historical Committee, documented the first church history in February 1988. McQueen documented the last congregation on August 24, 1997.

Most of the church worship service programs are laser printed. However, there are a few earlier documents that are photocopies of mimeographed sheets, and a few that were professionally printed. When the word "typed" is used to describe a church history, it means that the history was not professionally printed.

Variant congregation names exist within the documents (for example, Macedonia First Baptist Church and Macedonia Baptist Church). For the purpose of this finding guide, we have chosen to use the form of the congregation name given in Black Churches in Texas. Files exist within the collection for congregations that do not appear in Black Churches in Texas because exact organization dates could not be determined at the time of publication. Conversely, not every church listed in McQueen's book has a folder in the collection (for example Colored Methodist Episcopal Church of Sweeny in Brazoria County).

McQueen used different versions of the inventory form to document the churches. Though the information requested is the same, the format may differ. McQueen also copyrighted many of his slides, and so most of them bear handwritten copyright information.

This collection was part of a gift given to the library by the Anthropology Department.  The collection documents the work and writings of Professor Dolores Richter. The collection includes photographs, negatives, writings, and news clippings related to Prof. Richter’s research in the Ivory Coast, West Africa, and Oceania and the publication of her book “Arts, Economics and Change: the Kulebele of Northern Ivory Coast” published in 1980.

This collection consists of volumes of correspondence (bulk 2005-2014), video and audiotapes of Dr. Fortune's classical music performances, writings, business ventures, and research material for her published books.

The collection documents the life of Reverend William M. Taylor and his pursuit of education in various cities in Texas. A biography provides details about his education, religious vocation, and family life in Texas that provide a glimpse into the trials and tribulations Blacks faced in attaining any type of progress. This small collection is also rich in the history of the Guadalupe Baptist Association, Guadalupe College, and the community life for African Americans in Texas.

This collection contains correspondence from Gustav Wehrs to David Chapman and Dr. Robert H. Carpenter, regarding the donation of his life's memories as part of the Military collection to Cushing Memorial Library at Texas A&M. Included is a translated account of his experiences during the Battle of the Aegean in 1943, and an account of the early years of his life he had typed in his native German language.

This collection contains clippings, news articles, and photographs of J. R. Cole, Sr., as well as the resources that he used to write his autobiography (included). Also included is correspondence from J. R. Cole, Jr. and correspondence between the archives and donors.

This collection contains an assortment of newspaper clippings, photographs, letters, and a typed 'saga' of Albert S. Brient.

Included are photographs from the 1923 Texas A&M Varsity Basketball team, biographic information on Brient, correspondence concerning his efforts to be declared a member of the "T" Association 44 years after his college days, as well as newspaper articles both about Brient and about his finally being awarded a "T".

This collection consists of letters between Robert H. Kokernot and his first wife, Edith May Babcock (Edith Kokernot Grinnell) during and after World War II from 1943-1946.

The majority of letters collected by Edith are from Robert with the exception of one folder of correspondence from Edith to Robert in March and April 1944, one folder of letters written to Edith's parents from Robert, and two folders of letters written by friends addressed to Robert and Edith.

The corresponding postmarked envelopes were not with their accompanying letter when the collection was processed. These are held in separate folders at the end of the collection.

This diary serves as John Henry Bliler's account of the Civil War. It was kept in the Bliler family, in some form since the Civil War, up until it was acquired by the repository.

It looks that Bliler copied over his original diary several times himself, and this last copy occupies all but a few leaves of the five exercise tablets. As noted in the description of Series 1, these first five exercise books could not possibly have contained a copy made any earlier than 1890. The only exception seems to be a portion of the last tablet, which is filled by entries copied over in pencil in 1944 by one of Bliler's descendants, Ardath Bliler Kelly, reportedly since the family copy had become quite damaged by then.

Thus, according to p. 56 of the typewritten transcript of the diary entries in the five exercise books, "[John Henry] Bliler copied his account of the Civil War three times during his lifetime. The last copy was made shortly before his death in 1924." On page number 116 in pencil in the fifth exercise book, an entry from March 31, 1944, made in different handwriting reads "The following copied from by [sic.] originally by Ardath Bliler Kelly, granddaughter of the narrator [sic.]. The original is ragged and yellowed and crumbling." Entries which are thus copied on p. 116-123 of this last exercise book are out of order, dated June 24, [1865] - June 29, 1865, followed by a note in Ardath Bliler Kelly's hand, "A portion of the original omitted in the copy," then the dates January 24 - January 31, 1865.

The typed transcript and index were probably made by Roy K. Bliler later than 1944, and not too long previous to when it was received by the repository. This transcript preserves the original order of John Henry Bliler's diary entries.

This collection contains the original diary handwritten as a fair copy by John W. Anderson in 1867, in a notebook made by A. Drury, measuring approximately 24 x 19 cm. The notebook is bound in cardboard, covered in paper, with quarter leather corners and backstrap. Pages are machine ruled in blue, almost all filled with entries handwritten in ink. An albumen photographic print of Richmond before the Civil War is included as a full-page size frontispiece.

An extremely ornate calligraphic title page drawn by Anderson dedicates the diary "To His Beloved Sister, Minnie (Mrs. M. L. Hopkins) ... By John W. Anderson, M.D. 1867." The entries, dated 1861-1866, were copied over in 1867 after the end of the Civil War (1861-1865), from various other journals Anderson kept during the war, as a commemorative record of historical events, including his personal experiences and observations. Sections are enhanced with decorative initial letters and given titles such as "First Year of the War. 1861," with the last section, dated 1866, entitled "Reconstruction."

In the manner of a scrapbook, the journal is profusely illustrated with: pasted in photographs of military and political figures, as well as Anderson family members; pasted in Confederate money and stamps; pen and ink, mostly humorous sketches by John W. Anderson, some hand-colored; hand drawn and colored rebuses, with pasted on, or pen and ink drawn sections; as well as two hand-drawn maps, one showing the First Battle of Bull Run, annotated in red ink with the location of Alabama companies, and of the deathsites for those soldiers well known to Anderson, the other a map in a circular format, showing, at the center, Richmond, Virginia, with roads, railroads and fortifications radiating from or surrounding it. The photographs of family members are particularly interesting as they are included to accompany sketches of the "dramatis personae" of Anderson's narrative.

The original diary pages were numbered 2-300 in pencil on the upper outer corners of each page by Mrs. Robert W. Barnett, whose husband's great-great-grandfather, John W. Anderson had written the diary in 1967, as a fair copy compilation of journals he kept throughout the war and its immediate aftermath.

The original diary is very fragile and housed in a phase box under Restricted access. Permission must be requested from the Cushing Memorial Library Director and an appointment made to view the original diary.

Anderson's reporting skill is evident in the pithy, often vivid diary entries, evidently written by a quite well-educated and informed individual. As a member of the more privileged Southern classes, he is adamantly opposed to what he views as Northern tyranny and does not criticize the institution of slavery. While under siege in Richmond, Va., Anderson and his family, and particularly his fellow soldiers, face hardship in obtaining adequate shelter and food. Although often lighthearted, the entries betray an increasing awareness of the grimness of a drawn-out war and siege on Richmond.

Comments on battles include disparagement of Beauregard's failure to pursue the Federal forces at the battle of Shiloh, as well as mixed evaluations of General John Bell Hood and his Texas Brigade. On a more personal note, during one of Anderson's trips outside of Richmond on business to Alabama, Florida, North Carolina, or Maryland, Anderson's beloved daughter dies. In contrast, there is a charming account of his little boy's birthday party, complete with a pen and ink sketch of the child tearing into a rare treat of a meat pie. The death of a friend, wounded and without the comfort of family, is told without the usual light touch, but full of sympathy.

Events described expressing public opinion on the part of the Southern citizens under besiegement in Richmond include a "bread riot," illustrated with a sketch of women stealing bacon, with one shooting a policeman. Currency values are often mentioned. The flogging of Missouri Representative George Graham Vest by Mrs. Dowell in the House of Representatives is recorded, as is the 1865 New Year's feast prepared by Richmond citizens for the soldiers. After the war, the decision to institute cleaning of the Confederate graves and place flowers on them every 31 May foreshadows the official designation of Memorial Day to commemorate all U. S. soldiers killed in battle.

Also included with the original diary as Item 2. is a black and white photographic copy of the diary pages made by the repository in 1988. This photographic copy includes a few colored enlargements of illustrations in the diary.

Each 8 by 10-inch photograph of a page in the original diary is numbered on the back in pencil. The photographs are inserted in photograph sleeves, two photographs inserted back to back in each sleeve, and bound in three three-ring clamshell box albums holding approximately 50 photograph sleeves each. The black and white photographs of the diary pages are thus divided between the three clamshell box albums, with the colored photographs of selected illustrations added as a group in the back of the third clamshell album box (Item 2. Box 4/album 3). All photograph sleeves clearly bear in print marking pen the Collection ID number and the appropriate page number from the back of the print on the margin of the sleeve.

Negatives for the photographic copy of the diary are included in Box 5, folder 1. As with the photographic prints of the pages, the negatives are also inserted in sleeves and labeled with the Collection ID number and page numbers. The pages were obviously photographed in groups of all "Even" and "Odd," corresponding to recto and verso pages; therefore, the sleeves are labeled with the page numbers and either "Even" or "Odd." It is preferred that this copy of the diary be used as a surrogate copy.

Item 3. of the Diary is a photocopy made on archival quality paper in 2002 of the photographic prints of the original diary. This copy is also suitable for a surrogate copy.

This collection contains correspondence regarding Anderson’s writing and travel plans, 1951-1954, and manuscripts and galley proofs of "Ivory, and Apes, and Peacocks", The Devil’s Game, and Orion Shall Rise (1980-1983).

This collection contains a diary (December 9, 1919 - November 25, 1920), signed by hand in ink on recto of the first leaf "Willmund Reaux Glaeser", held on top and bound with three-hole-punched loose-leaf ring binder memo book, with imitation brown leather covers, measuring about 14 x 9 cm. Filler paper (120 leaves) is narrow-ruled in blue, with most entries closely handwritten in ink, a very few in pencil, on both sides of the leaves, with only 21 leaves left completely blank. Some leaves preceding the diary entries are filled with names and addresses of friends and family, lists of traveler's cheques and numbers, as well as other miscellaneous lists. Unused index divider sheets labeled A-Z are included in a group at the back of the main body of diary entries. Diary entries begin on leaves just after the group of index dividers, continue for only two leaves, then begin again starting from the other end of the diary. Typed transcript on 39 pages of 8.5 x 11-inch white bond paper is undated, untitled and the author is unknown.

Entries in the diary are fairly evenly divided between Glaeser's service on the tramp steamer Sag Harbor, and on the New York-based excursion ships, the S.S. Chester W. Chapin and S.S. Richard Peck.

As a wireless operator aboard the "tramp freighter" S.S. Sag Harbor, Glaeser sailed the coast of South America to the port of Antofagasta, Chile, to take on a cargo of "nitrates and saltpetes." Glaeser describes hordes of migrating birds, ducks, whales, sea lion, sharks, and pelicans. With great gusto Glaeser includes much detail on life aboard ship, including a crew of mixed nationalities, contending with furious storms at sea and drunken brawls ashore, often ending in arrests and wounds. One steward, in particular, addicted to both "booze and cocaine," proves especially disturbing, since ships stores of food are being sold off to fund the man's habit. The S.S. Sag Harbor puts into port at Malon, Panama, then Balboa and Panama City, passing through the canal on January 22, 1920, with orders to proceed to Baltimore. Storms are reported disabling and sinking several ships off the coast of Georgia (January 30, 1920 - February 3, 1920), but the S.S. Sag Harbor reaches Baltimore safely on February 9, 1920, proceeding on to Washington, DC. With a new captain and much better steward, hence better meals, the S.S. Sag Harbor takes on a cargo of coal bound for Havana, Cuba, where a long longshoreman's strike holds up both delivery of cargo and taking on new cargo, from early February to mid-March 1920. Finally free to take their new cargo of phosphates to Wilmington, NC the S.S. Sag Harbor continues on its journey, finally arriving on May 8, 1920, in New York City.

In New York City, Glaeser stays at the YMCA intermittently as he is transferred May 28, 1920, to the S.S. Chester W. Chapin, an excursion steamer based in New London, Conn., and later (June 5, 1920) to another excursion boat, the S.S. Richard Peck. While in New York, Glaeser has quite a social life, visiting restaurants, theatres, and the shore on dates, but also looking for an office job. He buys stock in the Century Adding Machine Co. and is offered a job starting a sales agency for the company in Texas, but Glaeser declines that offer, later taking a position as an accountant with the A. H. Bull Steamship Co. in New York.

Glaeser includes vivid descriptions of life in the ports of Havana, Cuba, Miami, and Tampa Bay, FL, Charleston, SC, Wilmington, NC, as well as the cities of Baltimore and New York in 1920. He is attuned to the unrest of longshoremen in Cuba, observes the unsteady nature of trading on the stock exchange, and aware that, although life on a tramp steamer is romantic to a young man fresh out of the Army in World War I, it is eventually not that attractive a life considering the storms, brawls, and other natural vicissitudes of peacetime seafaring life. Glaeser's sense of adventure and humor are both keen, so he manages to infuse the diary with both in equal measure.

This collection consists of term papers, course handouts, folklore fieldnotes, news clippings, a report, a document, maps, photographs, materials about folksingers, pamphlets on wildlife, materials about vaudeville and North Carolina, the information given to Dr. Anderson on Texas, correspondence, and information on The Texas Folklore Society and The John A. Lomax Folklore Society.

The majority of the material is from Dr. John Q. Anderson's students at Texas A&M. Dr. Anderson assigned his students to write term papers on folklore from many locales, including Texas. Because Dr. Anderson felt that some of these student papers were so exceptional, he collected, edited, and had them published in a book he titled, Texas Lore: A Collection of Student Papers on Texas Folklore. As additional information on some of the term papers, some of the students gave Dr. Anderson information on North Carolina, and Billy Arlington and Co. Dr. Anderson also requested that his students collect information on folklore by interviewing people and recording this information in fieldnotes. The information was gathered and is represented in the collection on topics including folk medicine, games, children's lore, folk beliefs, folk sayings, proverbs, rhymes, riddles, tree and plant lore, and Aggie lore.

Along with interviews and fieldnotes contributed by the students, many news clippings were collected, mostly relating to Texas and pertaining to people, places, folk medicine, folk singers, folk games, folklore book reviews, anthropology, superstitions, magic, and etymology. Also present is one document on folk medicine, an article on folksinger Joan Baez, a few articles on certain Texas counties, and special editions of some Texas newspapers.

Other materials include correspondence between Dr. John Q. Anderson and the Texas Folklore Society or the John A. Lomax Society, and with people interested in folklore. There is also information about meetings and conferences to be held by the Texas Folklore Society, including a program that Dr. Anderson sponsored at Texas A&M for the John A. Lomax Society.