- US TxAM-C 298
This collection contains over 100 items, primarily books that are cataloged and available via the Libcat system. The manuscript and drawings are also cataloged and available via the Libcat system.
Baraka, Amiri, 1934-2014
This collection contains over 100 items, primarily books that are cataloged and available via the Libcat system. The manuscript and drawings are also cataloged and available via the Libcat system.
Baraka, Amiri, 1934-2014
This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.
The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.
The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.
The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.
This collection consists of the manuscript for Harrison's one-act play The Day After the End of the World, written in 1980. The manuscript is 15 leaves typed with handwritten edits.
Harrison, Harry, 1925
Harriette Andreadis Women's Studies Research Collection and Personal Archive
This collection includes Dr. Andreadis' research files, library, journals, writings, correspondence, and manuscript materials which were collected during her 40 years as a member of the faculty of Texas A&M. Dr. Harriette Andreadis retired in the Spring of 2014 donating her materials well as several personal items to Cushing Memorial Library & Archives.
Guy Lillian Southern Fandom Press Alliance Collection
The Southern Fandom Press Alliance (SFPA) is a regional amateur press association (APA) generally based in the Southern United States, but with notable membership from other regions. SFPA was formed in 1961, with Bill Jennings serving as the first Official Editor. The first mailing was in September 1961, consisting of 76 pages of contributions. The APA grew in both members and page count, with a record 100th mailing that contained over 1400 pages. Guy Lillian served the APA as the Official Editor for a number of years. (C000009)
The collection also includes various mailings from the Los Angeles Science Fantasy Society (LASFS) APA, which first began publication in 1976 and was still being published as of 2013.
Finally, there are some additional fanzines in the collection, published independently of SFPA or LASFS.
This collection consists of photocopies of the 49 page typed manuscript for the novelette, Shall We Take a Little Walk, published in Destinies, the winter of 1981.
Benford, Gregory, 1941
This collection contains three published editions (First English, Second English & Second American) of The Little Disturbances of Man (1960-1969), Plaey's first book. A published and a uncorrected proof copy of Enormous Changes (1975), two published editions of Leaning Forward (1985), two proof copies of Later the Same Day (1985), all books by Grace Paley, several autographed.
Also included are several political leaflets and fliers (1967-1982) autographed and annotated by Paley, as well as three limited edition posters (1982, 1985), typescripts and manuscripts of early drafts, a speech (1970) and an article (1972), several of which are autographed or annotated -- all by Paley, plus a copy of What did you learn in school today... a 1977 Peace Calendar - with a forward by Paley (Paley's personal copy).
Paley, Grace, 1922
This collection consists of the manuscript for Eklund's 1973 story "The Stuff of Time", which was published in the September 1973 issue of Fantastic Stories.
This collection consists of the typed manuscript with handwritten edits of Cook's 1973 short story "The Night of Dreadful Silence". Also included is one blurb with the cover format.
This collection consists of the personal papers, manuscripts, memorabilia, and other associational material of science fiction and fantasy author George R.R. Martin.
Martin, George R.R.
George Alec Effinger Collection
This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.
Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."
Effinger, George Alec
This collection consists of two sets of galleys and the setting copy for Wolfe's 1981 anthology Gene Wolfe's Book of Days, as well as the original manuscript for Wolfe's 1985 story "The Boy Who Hooked The Sun" (inscribed by Wolfe in August 1988).
The Book of Days materials are housed in two slipcases.
This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.
Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.
Leiber, Fritz, 1910
This collection represents 68 years of materials authored or collected by Turner. Series 1. through Series 4. include highway engineering reports written for the Bureau of Public Roads, Clay Committee papers dating from the 1950s hearings on the development of a national interstate highway program, and speeches, publications, correspondence, and research notes generated by his career as a federal highway official. The aforementioned inscribed copy of A More Beautiful America by Lyndon Baines Johnson is is included in this material.
Upon his retirement, Turner became a transportation consultant, advising local, national, and international agencies, associations, and companies on transportation issues. The bulk of these post-retirement and consulting materials are found in Series 5 through Series 9. These materials include maps, photographs, research notes and manuscript drafts for a three-year study he and Harmer E. Davis conducted for the International Road Federation. The study, published in 1977 and titled A Comparative Analysis of Urban Transportation Requirements, compares transportation needs in urban areas in fourteen countries, including the United States.
Another large portion of the papers found in Series 7. contains papers related to Turner's membership in various associations. Throughout his lifetime Turner remained devoted to groups such as the Highway Users Federation and the American Association of State Highway Officials. Correspondence, speeches, and conference notes related to these associations reflect his continued involvement in the transportation field almost until the year of his death.
The collection also includes correspondence, transcripts, and drafts of several reports recording the history of the interstate highway, a subject for which Turner was a popular informant. The most extensive project is a study by the Public Works Historical Society, commissioned by the American Public Works Association and the American Association of State Highway Transportation Officials.
Turner, Francis, 1908-1999
Ellen Schulz Quillin Manuscripts
This collection contains two manuscripts written by Ellen D. Schulz Quillin. The first, "Texas Wild Flowers. a Popular Account of the Common Wild Flowers of Texas.", was published in 1928 by Laidlaw Brothers (Chicago, IL), and the second, "Texas Cacti: A Popular and Scientific Account of the Cacti Native to Texas", was published in 1930 by the Texas Academy of Science and written with Robert Runyon.
The manuscript for "Texas Wild Flowers. a Popular Account of the Common Wild Flowers of Texas." consists of two bound volumes, typed with handwritten edits and notes, and both contain a title page handwritten in graphite, dated and initialed by Ellen (December 23, 1955). The inscription in Part I reads, "Original Texas Wild Flowers manuscript. Of no value to anyone else. Kept for reference to revision, if I should get to it". and in Part II, the inscription slightly changes with the last sentence reading "Kept for reference in case of revision".
The first volume, Part I (pages 1-337), has a second note by Ellen handwritten in ink, dated October 20, 1963, in which she talks about the book being published, the revisions she wanted to make after it becoming know the book was out of bring in 1959 [Part 2 state 1939], and never got around to due to her work in writing "History of the Museum" in 5 volumes and resigning in 1960.
The second volume, Part II (pages 338-640), also has a handwritten ink note from October 20, 1963, however, the inscription reads "Presented to Peggy C. Owens, College Station, Texas to use in any way she can as Texas Wildflowers has not been replaced since it became out of print in 1939 [Part I states 1959] - used copies are generally not available - and the last used copy I saw advertised in a California catalogue was $27.50 - a prohibitive price".
The second manuscript in this collection, "Texas Cacti: A Popular and Scientific Account of the Cacti Native to Texas", is held within a Weston Paper box with an address label for Mrs. Peggy C. Owens affixed to the outside. The manuscript itself is bound, typed with handwritten edits and notes, and original photographs (95 pages total). Also found within are a few publications that were used for reference.
Contained within the front cover are four documents, two are keys for illustrations, one for illustrations from "Succulents" by van Laren from paintings made in Amsterdam by Messrs. C. Rol, J. Voerman and H. Rol, and the second unidentified. The third is an announcement for the release of "Texas Wild Flowers: A Popular Account of the Common Wild Flowers of Texas by Ellen D. Schulz Quillin, M. S." with an overall description of the book, an excerpt from the book on the origin of Texas bluebonnets and two reprints from Texas newspapers of articles announcing Ellen's new book in June and July of 1928. The fourth document is a note handwritten in ink, originally paper clipped to the front cover, dated April 21, 1964, reading "To Peggy Owens - One of my most Precious possessions. Ellen S. Quillin". Also noted in graphite below the original note is "send vols 1 & 2" by Ellen, May 12, 1964. On the first page in the top right corner is another handwritten note in ink by Ellen dating April 21, 1964, "To Peggy Owens - Compliments of the author".
Quillin, Ellen Schulz, 1892-1970
The collection consists primarily of manuscript material and publication proofs, with the bulk of the material dating circa 1995-2005.
This collection dating from 1846 to 1906 (bulk: 1846-1847) consists chiefly of handwritten letters, journal entries, a memoir, a proof copy of a report from the U. S. Secretary of War on Army operations in Texas and on the Rio Grande during the Mexican War (1846-1848), as well as plans, maps and nine hand-colored copies of lithographic engravings drawn by Everett, which vividly chronicle southwest Texas cultural as well as military history during the late1840s.
Series 1, Letters (1847-1863), mainly handwritten in ink by Edward Everett to his brother, Samuel W. Everett, from 1846-1847, while Everett was serving in San Antonio de Bexar with the U. S. Army during the Mexican War. A few letters from other correspondents pertain to Everett's disability and eventual official discharge from the Army. Three letters written in the period 1852-1863 are about business or from family members.
Series 2, Journal and Memoir (1846-1899) contains three sets of journal entries for Sept. 1846-Jan. 1847. All are handwritten in ink on loose sheets of paper. The memoir, also handwritten in ink, on machine-ruled paper measuring about 8 x 5 inches, covers the years 1846-1848, with additional material added and dated, on at least one page, with 1899. This memoir is edited in pencil by Everett, evidently for publication, since one note suggests that the memoir was donated in 1899 to the Quincy Historical Society, later known as The Illinois Historical Society. The memoir was actually published, at least part, or possibly all of it, under the title "Military Experience," in Transactions of the Illinois Historical Society for 1905.
Series 3, Engravings, Maps, and Plans (ca. 1846-1849) includes nine copies of lithographed illustrations drawn by Edward Everett and engraved by C. B Graham Lithographers in Washington, D.C. The engravings were to be published in a report on U.S. Army operations in Texas during the Mexican War. A proof copy of this 67-page report, titled Report of the Secretary of War, communicating ... the Operations of the Army of the United States in Texas and the Adjacent Mexican states on the Rio Grande (31st Congress, 1st Session, Senate. Executive Document 32), published in 1850, is annotated throughout by Everett in pencil. For this publication Everett was at least responsible for eight illustrations: seven engravings of the San Antonio de Bexar area, including the Alamo church, as well as locations in Mexico; a plan of the ruined Alamo as it was in 1846, before being renovated according to Everett's direction, as a U. S. Army supply depot and workshops.
Engravings include nine copies of the lithographed prints. Notations made in ink on the separate prints, and on p.  of the proof copy of the published government report, indicate that: illustrations numbered for publication 2, 3-6 were engraved from original drawings made by Everett; those numbered 1, 7-8 were engraved from drawings made by Everett based on pencil sketches by other individuals, particularly no. 1 titled "Watch Tower Near Monclova," which was drawn by Everett from a sketch by Lieutenant McDowell of the U.S. Army.
Everett's proofs of the lithographic prints have all been exquisitely hand-tinted, in contrast to the severe black-and-white reproductions in the printed report. Of the nine hand-colored prints, two are duplicates of two illustrations, one titled "Church Near Monclova," and the other "Watch Tower Near Monclova." These identical prints are each hand-colored in two versions, apparently to represent the depicted buildings' appearances during the daytime, as well as at dusk or sunset.
Maps include one copy of a published map, possibly also by Everett, though it has been attributed to Josiah Gregg, which also appeared in the 1850 Army Operations report, titled "Map Showing the Route of the Arkansas Regiment from Shreveport La. to San Antonio de Bexar Texas," which is annotated with a penciled in route drawn from San Antonio to Austin, and a town location labeled "New Braunsfels." Also included are two manuscript versions of a map by Edward Everett, one copy titled "Plan of the Vicinity of Austin and San Antonio, Texas."
Plans are represented by two copies of an illustration drawn by Everett for the 1849 Army operations report showing plans of the Alamo before the renovation, titled "Plans of the Ruins of the Alamo near San Antonio De Bexar, 1846." Also present is one manuscript plan, titled "Plan of San Antonio de Bexar, Texas, 1848," which is labeled as "Drawn from recollection by E. E." The legend states that locations number 1-5 on the plan show, for instance, the spot near the Plaza in town where Everett received his disabling gunshot wound in the leg, the Hospital where he convalesced, and the Quartermaster's Office, to which he was assigned to work after being declared disabled from active service in the field.
A handwritten loose-leaf page kept with the proof copy of the report is titled "Index to Col. Hughes Report," and lists subject divisions and page numbers, though these divisions are not present in the published report by Hughes.
Thus Everett's accounts of frontline actions in the Mexican War mainly rely on reports from occasional volunteer soldiers or scouts, or Mexican nationals, returning back to Texas from the front lines of battle in Mexico. As much as he is able, however, Everett produces very detailed accounts of the various battles and skirmishes in and around the Texas-Mexico border, including battles at Monterrey, Saltillo, San Luis, Camargo, Buena Vista, Vera Cruz, and Tampico, recording a large number of casualties on both sides.
Of particular interest is Everett's extensive first-hand description of the ruins of the Alamo, and how it was converted for U.S. Army use as a military headquarters, according to plans drawn up by Everett. He deplores the vandalism already wreaked by relic seekers and stressed the respect shown to the mission church by the U. S. Army restorers, who refused to plunder it for building stone but instead merely cleaned away the debris. In the process, skeletons were uncovered, which Everett assumes to be from the time of the siege and Battle of the Alamo in 1836. Everett's accounts of frontier life in the rather rambunctious confines of San Antonio, complete with ambushes, shootouts, rough and ready court trials, and various local characters are often riveting.
Everett also pictures the moods and attitudes of the soldiers toward a variety of issues. Everett describes their arduous marches, unsavory living conditions, often dire medical care, and the cruel climate tormenting them. Having been left behind in San Antonio with all the stores rejected by the army, which had proceeded on into Mexico, Everett's men were faced with nursing broken down mules and horses back to usefulness, salvaging wagon parts from several damaged ones to make a serviceable one, and generally, trying to make do with what could be had in the vicinity, or easily transported from the Quartermaster at New Orleans.
According to Everett, communications on the Texas frontier often proceeded through "solitary express riders." He describes Mexican culture co-existing with "the Indians" and their horse-stealing. He also gives an excellent but pejorative account of the Texas Rangers and their activities, calling them desperados. Everett describes Mexican Generals Santa Anna, Torrejón, and Woll, the exceedingly unpopular U. S. Army Colonel Churchill, officers George W. Hughes, 1st Lieutenant W. B. Franklin, 2nd Lieutenant F. T. Bryan, General Zachary Taylor ("Old Rough and Ready"), General Winfield Scott, and General James Morgan, Captain J. H. Prentiss, Brigadier General John E. Wool, Major General Worth, Captain James Harvey Ralston, Captain L. Sitgreaves, as well as Edward Everett's own two brothers Charles Everett and Samuel W. Everett (Sam).
Full of absorbing narrative and elusive details often lost in larger historical works, the content of Everett's narratives and letters may be summed up in his own words from the handwritten memoir: "Mine is not a tale of battles, or of the movements of great armies, but the details will show some of the hardships and vicissitudes of a soldier's life, the exposure to which causes a greater sacrifice of life than that ensuing from wounds of death received from the enemy."
This collection consists of personal correspondence, manuscripts by Long and others, articles, booklets, essays, clippings, photocopies, research notes, maps, brochures, and photographs. The papers reflect Long's successful career as a Civil War historian and are in very good condition for the most part.
While most of the materials in this collection are dated in the twentieth century, there are several original Civil War documents of the nineteenth century. Of further interest are the drafts of Allan Nevins's Ordeal of the Union, which were edited by E. B. Long, and the nine long index boxes of Long's research notes on the Civil War.
The papers have been divided into the following categories: personal correspondence, manuscripts by Long, manuscripts by others, general files covering a wide range of subjects, drafts of Allan Nevins' Ordeal of the Union, research notes on the Civil War, index card files of articles, and miscellaneous volumes of clippings. The correspondence is arranged both chronologically for general correspondence and alphabetically for correspondence with specific individuals, resulting in some overlapping of dates. Correspondents include Bruce Catton, the Civil War Round Table, Doubleday and Company, Allan Nevins, Lowell Reedinbaugh, and John Y. Simon. Other materials in the collection are arranged either chronologically or alphabetically depending on the nature of the information.
Long, E.B., 1919-1981
This collection consists of the typescript for Bunch's short story, "Moment of Truth in Suburb Junction", which was published in Fantastic, in September 1973. The 10-page typescript has handwritten edits and includes a note from Fantastic editor Ted White and a one-leaf blurb.
Bunch, David R.
Charles Levy Civil Rights Collection
This collection contains nearly 1000 items related to the civil rights movement from 1955-1975. The early part of this collection (1955-67) formed the basic research for Levy's book Voluntary Servitude, Whites in the Negro Movement, (New York: Appleton-Century, 1968). The collection includes hundreds of pages of writings, publications, bulletins, internal memos, broadsides, hand-printed magazines, etc. Prominent figures of the civil rights and revolutionary movements, organizations, and committees are covered in the collection. The collection also includes two photographs of President Lyndon B. Johnson signing the 1964 Civil Rights Act with Rev. Martin L. King, Jr. and other luminaries of the civil rights movement.
Charles Criner Papers and Art Collection
This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh.
A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.
This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.
Oliver, Chad, 1928-1993
The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.
This collection contains manuscript material from author Beth Cato, including materials from her first novel, the steampunk fantasy The Clockwork Dagger, which was published in 2014.
This collection consists of a domestic version of the export script dated January 17, 1963, for the British science fiction movie The Day of the Triffids (1962), written by Gordon and based on the famous 1951 novel by John Wyndham.
This collection consists of various correspondence, photographs, short handwritten manuscripts, and oral history communications with transcripts describing Ava Johnson's life, and work as a women cattle ranger in Texas.
The collection was compiled by Cynthia Ott, who interviewed Ava Johnson Cox with the intent of publishing a history of early 20th-century life in what is known as the Hill Country of Texas (highlighting Blanco, Gillespie, and Hays counties).
Cox, Ava Johnson
Association of Former Students (AFS) Proclamations
This collection contains proclamations issued by The Association of Former Students in recognition of the outstanding contributions of Texas A&M former students.
The Association of Former Students
Arthur C. Clarke - Playboy Collection
This collection consists of materials related to Arthur C. Clarke's sales of stories and other pieces to Playboy Magazine. The collection includes a group of 27 typed letters and 7 autograph letters, mainly between Clarke and editor A. G. Spectorksy, internal Playboy memoranda, and correspondence from Playboy. Also included are typescripts (marked as setting copy) for 4 short works of fiction and 8 nonfiction pieces by Clarke.
Clarke, Arthur C. (Arthur Charles), 1917-2008
Arthur C. Clarke - "Jupiter Five" Collection
This collection consists of the original typescript of Arthur C. Clarke's short story, "Jupiter Five", written in 1951 and first published in the May 1953 issue of the magazine IF: Worlds of Science Fiction. This typescript is the setting copy for the magazine publication and has been copy-edited by editor Larry T. Shaw and the author. It also includes two layout sheets with design notes and paste-in illustrations.
Clarke, Arthur C. (Arthur Charles), 1917-2008
Arkham House Collection (August Derleth)
The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.
In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.
This collection includes manuscripts, papers, and publications from throughout Mayhar's career, but the bulk of the material dates from the late 1980s to the present.
The Burgess Collection consists of the first draft of the unpublished novel Puma, written in 1976 as a film treatment that was never made into a film. The novel is accompanied by a letter of explanation from Brian Kirby to Jim O'Roark, February 7, 1979.
Portions of the novel, which was pitched as an update of the classic film When Worlds Collide and which would have told the story of a planet [named "Puma"] hurtling towards Earth, was later adapted by Burgess into his 1982 novel The End of the World News.
Burgess, Anthony, 1917-1993
This collection consists of the original manuscript for McCaffrey's novella The Partnered Ship (1969), which was included as the concluding chapter in her famed 1969 novel The Ship Who Sang. The manuscript (typed 70 leaves) is signed by McCaffrey and has multiple handwritten edits.
This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.
Alyx Dellamonica and Kelly Robson Collection
This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.
Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.
Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.
Dellamonica, A. M.
Alfred Elton Van Vogt Collection
This collection consists of materials relating to the 1956 A. E. Van Vogt novel Empire of the Atom, including the original typescript, galleys, and correspondence related to the book's publication and review.
Van Vogt, A. E. (Alfred Elton), 1912-2000