This collection was part of a gift given to the library by the Anthropology Department.  The collection documents the work and writings of Professor Dolores Richter. The collection includes photographs, negatives, writings, and news clippings related to Prof. Richter’s research in the Ivory Coast, West Africa, and Oceania and the publication of her book “Arts, Economics and Change: the Kulebele of Northern Ivory Coast” published in 1980.

This collection contains correspondence to Dave Mellor from the Lewis and Clark Heritage Foundation, an organization whose members are dedicated scholars of the Corps of Discovery's expedition to map the Louisiana Purchase. Other items also originating from that organization are copies of their member's only journal "We Proceeded On", foundation notes from meetings, and plans for the annual gathering of all the members (usually at a location pertinent to the Lewis and Clark expedition in some way), newsletters informing members of upcoming activities.

Aside from the material from the Heritage Foundation, there are also pamphlets from various tourist sites located on the trail; some are actual locations the Corps of Discovery passed by (Pompey's Pillar, the Lolo Trail, Fort Clatsop), whereas others are cities and towns located near these historic locations. Others are simply named for the explorers (Lewis and Clark Lake), and others relate to the Native Americans the Corps of Discovery encountered on their journey (Big Hole Battlefield, a site sacred to the Nez Perce). A number of magazine articles on the expedition are included, topics cover such as the environmental impact on some of the historic sites, Meriwether Lewis's death, Sacagawea's biography, and later, her gold dollar coin, Thomas Jefferson, both about his shrewdness in making the Louisiana Purchase and the controversy surrounding his relationship with his slave Sally Hemings, descendants of Lewis, Clark, and other members of the Corps of Discovery meeting together to travel the Expedition trail on the 200th Anniversary of the Expedition, and the plight of the Columbia River. Most of the remaining material is a re-hash of all of these topics, save for a couple of unique articles (including a biographical account of Sacagawea's son, Jean-Baptiste Charbonneau).

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.

This collection consists of Oliver's manuscripts, notes, and correspondence, published books, magazine appearances, books collecting his stories, foreign-language editions, clippings, and other related material. Chronologically, the collection ranges from the mid-1950s through the mid-1990s.

The collection consists of the program books, documents, correspondence, and miscellaneous items collected by the Cepheid Variable Science Fiction Club from its inception in 1969 through 2005. The collection was assembled from deposits of the club, gifts from Bill Page, and other occasional donors.

The collection contains foil figures from the Texas A&M College Slide Rule Contest (1947). Figures included: 5 fish; 4 Texas-shaped molds; 1 figure with a circular shape with the name of the college written; and 1 wooden figure.

This collection includes a porcelain plate from 1962 in commemoration of the city of Bryan, TX. The plate contains an image of Lieutenant General John Bell Hood along with Texas Confederate emblems and Civil War images. (unprocessed)

These comics were created in countries that were ruled by colonial powers in Africa, namely Italy, France, Belgium, and Spain. The comics are both individual copies and bound volumes with numerous copies. They date from around 1926 to 1973.

This collection includes an exchange of letters between Berenice Napper and an official of Connecticut's Commission on Civil Rights, six items concerning Napper's membership in the National Council of Negro Women, eight printed ephemeral items including a photograph of Berenice Napper with three other individuals looking over a copy of Walter White's book How Far the Promised Land?, and a small group of newspaper clippings concerning her work as a field secretary for the National Association for the Advancement of Colored People (NAACP).

These six letters, dated December 12, 1862 - August 6, 1863, are from Benjamin M. Linsley to his friend Mrs. Lucy G. Palmer in Suffield, Conn. Each letter is written in ink on both sides of a single folded sheet, except for the first one, which is on two folded sheets, sewn together in the center with cloth thread at some point after they were composed. All are addressed by Linsley from the camp near Falmouth, Va., where his regiment, the 14th Infantry of the Army of the Potomac was based, except the last one, which is addressed from McKinnis Hospital in Baltimore, Md., where Linsley was sent to recover from typhoid fever.

In the letters, Linsley comments on the failure of the Union army to obtain substantial victories ever since the Union defeat at Fredericksburg; inflated prices for postage stamps and sutler's goods; the despair he feels at the poor treatment in general of the sick in military hospitals, not only by medical personnel but by fellow soldiers; strategies for obtaining better food and bedding for his brother while nursing him through a severe fever, probably typhoid; the need for statesmen of moral standing more like George Washington than the much clamoured for "little man" George MacClellan; the trials of long marches in either rain and mud to cross the Rappahannock and Rapidan rivers, only to retreat back over them after the battle of Chancellorsville, or the intense heat of marches toward Warrenton Junction, Va., from which Linsley was transported with the sick and wounded to recover from typhoid himself in McKinnis Hospital at Baltimore; the desperation of deserters being taken to their punishment; the immoral behaviour of men in camp; the need for more good chaplains like Clay Trumbull of Hartford, Conn., who served with his brother's regiment of Volunteers; and perhaps, more poignantly, the eerie sound of drums during funerals for the many soldiers who died in camp from sickness in their poor living conditions.

The letters are now each encased in a clear plastic sleeve. A one-page report from the National Archives and Records Administration is included with the first letter. This NARA report (2 July 2001) replies to a request made by Professor Dale Baum of Texas A & M University in April 2001 to locate and make a copy of Benjamin M. Linsley's pension documents packet, stating NARA staff could not locate the materials. Baum had listed Linsley as an enlistee of the U.S. Army in Company A, 1st Battalion, 14th U.S. Infantry.

This collection consists of materials related to Arthur C. Clarke's sales of stories and other pieces to Playboy Magazine. The collection includes a group of 27 typed letters and 7 autograph letters, mainly between Clarke and editor A. G. Spectorksy, internal Playboy memoranda, and correspondence from Playboy. Also included are typescripts (marked as setting copy) for 4 short works of fiction and 8 nonfiction pieces by Clarke.