The Arkham House Collection consists of correspondence from August Derleth to Howard Wandrei. Derleth, a writer, founded Arkham House to publish and keep in print the work of Howard Phillips Lovecraft, a friend and fellow writer. Lovecraft died in 1937; for the next two years Derleth tried unsuccessfully to find a publisher for Lovecraft's writings. Using money from prepaid orders and the personal investment of Donald Wandrei (brother of Howard Wandrei), Derleth founded Arkham House in 1939. Arkham House published science fiction works by Lovecraft and other writers such as Algernon Blair, Clark Ashton Smith and Henry S. Whitehead.

In his letters to fellow science-fiction writer Howard Wandrei, August Derleth writes about his publishing efforts at Arkham House, his own writing career and the details of his personal life. His letters also mention other authors and publishing houses. The letters date from 1930-1953; most letters are accompanied by the original stamped envelopes.

This collection contains the original manuscript, with author's revisions, of Leiber's 1979 story "The Button Molder", and includes as well as a copy of the first hardbound appearance of the story: Whispers (October 1979), which is signed by Leiber, the work's artist, and the work's editor. "The Button Molder" won the British Fantasy Award for Best Short Fiction in 1980.

Also included, the manuscript, with edits, of Leiber's 1973 review of the anthology Hauntings, intended for the "Fantasy Books" section of the magazine Fantastic Stories of Imagination.

This collection consists of typescripts of several of Binder's novels with most including the author's corrections and accompanying carbons, and a number of short stories with most corrected including carbons and in some cases tearsheets from the magazines in which the stories initially appeared, corrected and with continuation sheets for expansion into full-length books.

In addition, there are close to 300 business and personal letters, photographs, postcards, and other files including broadcasting projects, non-fiction articles, letters and critiques from literary agents and publishers, materials on Space World, and several folders of unfinished manuscripts. Unusual "picture cards" featuring text and photographs on postcards are included.

Excluding duplicate carbons, letters, etc., there are approximately 2,300 pages (mostly 11 x 8.5-inches) of typescript with a total of about 575,000 words. Many of Binder's letters are on letters received or on the backs of manuscript or script fragments.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

This collection contains manuscripts, correspondence, books, magazines, and other material related to Lansdale's writing career, circa 1989-2003.

The collection spans Bill Crider's entire career. A near-complete run of manuscripts traces his writing career, supplemented by a correspondence file, miscellaneous material, and books and magazines. A long run of "DAPA-EM," the organ of a mystery writer's amateur press association completes the collection.

This collection consists of manuscripts for several works by Effinger, including the copyedited manuscript for Effinger's 1987 novel When Gravity Falls, the edited manuscript for the novella "The Exile Kiss (Preview)" (1990), and the bound manuscript for his 1981 novel The Wolves of Memory.

Also included is the manuscript for the 1973 story "Dem Bones", which Effinger published under the name "John K. Diomede."

This collection consists of the typescript for Bunch's short story, "Moment of Truth in Suburb Junction", which was published in Fantastic, in September 1973. The 10-page typescript has handwritten edits and includes a note from Fantastic editor Ted White and a one-leaf blurb.

This collection consists of a photocopy of the manuscript for Wilson's 1988 novel Memory Wire.

This collection consists of numerous manuscripts and related materials - including outlines, notes, and proofs - of works by noted science fiction author Robert Silverberg.

This collection consists of galleys of uncorrected proofs for Del Rey's 1975 short story collection The Early Del Rey.

This collection consists of manuscripts and literary materials from Mexican-Canadian fantasy and horror novelist, editor, and short-story writer Silvia Moreno-Garcia. Materials include versions and drafts (in paper and digital form) of her novels Signal to Noise (2015), Certain Dark Things (2016), and The Beautiful Ones (2017), among others.

This collection consists of the uncorrected proofs (44 sheets) for McKay's 1976 novel Skean.

This collection consists of assorted manuscripts of novels and short stories by noted science fiction author Laura J. Mixon, including early versions of several of her works.

This collection contains the original manuscript, with extensive author/editor edits, of Le Guin's 1989 nonfiction collection Dancing at the Edge of the World: Thoughts on Words, Women, Places.

This collection consists of materials from the lives and careers of Canadian science fiction and fantasy writers Alyx (A.M.) Dellamonica and Kelly Robson.

Materials include manuscripts, story notes and proofs for their published work as well as for unpublished 'trunk' stories and novels; correspondence, diaries, and various other items relating to their lives and their literary work.

Some of the materials are born digital and not, therefore, physically housed with the rest of the collection.

This collection consists of numerous typewritten manuscripts of short stories and novels from science fiction author K.D. (Kathy Diane) Wentworth. Among other works, included is the manuscript for Wentworth's 1994 novel Moonspeaker, the first in her "House of Moons Chronicles" fantasy series.

This collection consists of the original typescript of Arthur C. Clarke's short story, "Jupiter Five", written in 1951 and first published in the May 1953 issue of the magazine IF: Worlds of Science Fiction. This typescript is the setting copy for the magazine publication and has been copy-edited by editor Larry T. Shaw and the author. It also includes two layout sheets with design notes and paste-in illustrations.

This collection consists of the typescript for K. W. Jeter's 1989 horror novel In The Land of the Dead. The cover page has been inscribed by Jeter.

This collection includes manuscripts, papers, and publications from throughout Mayhar's career, but the bulk of the material dates from the late 1980s to the present.

This collection contains manuscripts, printed material, correspondence, legal documents, financial documents, idea books, photographic material, and books created and/or maintained by Howard Waldrop which give a glimpse of his personal life as well as document his professional life as one of the prolific and best-known science fiction writers from Texas.

The first category consists of Howard Waldrop's works both published and unpublished arranged alphabetically by title. Some manuscript files in this category may contain correspondence, notes, research material, contracts, royalty statements, proofs, etc. Thus, information about a specific story can be found in the collection by title.

The second category consists of materials related to Waldrop personally and/or professionally. This category is arranged alphabetically by general topical heading. His idea for some of his stories can be found in his Idea Books file from 1968 to 1988. Information about him personally or professionally can be found in the newspaper clippings, correspondence, and his work diaries files. His movements for any given year from the 1970s to 1994 could be reconstructed from his science fiction convention, conferences, programs, etc. file. But the most important file in this category is his story logs file 1970-1989. The file shows: when and where a story was written, how long it is; who bought it or did not; when and where it was published (or supposed to be published); and any subsequent reprints or foreign editions, royalties, etc.

The last category of the collection is works by or materials related to other science fiction writers. It includes manuscripts of other writers' works that happened to be in his possession or other writers' manuscripts in which he is a collaborator. Some biographical sketches of other writers can be found in the Con Bios-writers file. Information about Waldrop written by other writers can also be found in this category of the collection.

This collection includes an assortment of manuscripts and correspondence of Isaac Asimov, including short stories, novels, non-fiction, and correspondence with publishers. The segment on the submission of "Stay, Oh Fleeting Moment," a nonfiction piece on time and the subsequent correspondence, internal documentation of Playboy editors and readers, and the rejection of the article providing an informative look at the working of a major magazine.

This collection contains a number of manuscripts from noted science fiction author John Sladek (1937-2000). The materials, which include typed manuscripts, galleys, and notes, range through most of Sladek's career and contan many of his most notable works. Works represented in the collection include Roderick, or The Education of A Young Machine(1980) and its sequel Roderick at Random(1983); Tik-Tok(1983), and The Muller-Fokker Effect(1970).

Also included are manuscripts for a number of works Sladek wrote under various pseudonyms. These pseudonyms include Cassanda Knye, Richard A. Tilms, and James Vogh.

This collection consists of a small assemblage of Andre Norton's later manuscripts, her review compilations, her portrait, science fiction artworks, and related material.

This collection contains materials relating to the lives and literary careers of horror writers Steve Rasnic Tem and Melanie Tem. Materials in the collection include manuscripts of novels, short stories, and other works by the Tems, whether written as individuals or together as co-writers; associated literary materials; correspondence; and other materials. Also included are recorded podcast interviews of Steve Rasnic Tem and readings of works by the Tems.

Also included are several literary awards won by the Tems individually and jointly.

This collection consists of materials relating to the life and career of science fiction and fantasy author Stephen Leigh. Materials include typescripts...

This collection consists of a number of manuscripts and manuscript materials from the work of urban fantasy and vampire fiction writer P.N. Elrod.

This collection contains manuscript materials from Melinda M. Snodgrass, including typescript, story outline, and notes for the Wild Cards novel Three Kings (co-written and edited by Snodgrass).

This collection contains manuscripts and other materials relating to the literary career of science fiction, fantasy, paranormal romance, and erotica writer Victoria McManus, who writes under the names "Victoria Janssen" and "Elspeth Potter". Materials in this collection include manuscripts and drafts of McManus' published and unpublished work, correspondence, contracts and financial documentation, and convention materials.

Also included are large numbers of fanzines, particularly for the British show *Blake's 7", for which McManus wrote a number of stories.
Some of the fanzines is identified as "slash” (s) or "het" (h). "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks. "Het" refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships. "Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash or het, it is to be assumed that the item is slash..

This collection contains manuscripts and associated materials from John W. Campbell Award-nominated science fiction and fantasy author Stina Leicht. Also included are convention materials from various cons attended by Leicht, as well as correspondence, notebooks, and assorted other materials.

This collection consists of the manuscripts and associated materials, that document the life and career of award-nominated science fiction and fantasy writer Kay Kenyon. Materials in this collection include typescripts, drafts, notes, summaries, and correspondence.

This collection contains manuscripts and manuscript material from noted science fiction author and historical novelist (under the name Jon Williams) Walter Jon Williams. Included are drafts in various stages of evolution for a number of Williams' novels and stories.

The collection contains small amounts of other materials relating to Williams' life and career, including correspondence.

This collection contains materials relating to the literary career of acclaimed fantasy author Patrice Sarath. Materials include manuscripts for several of her novels, including Gordath Wood (2008) and its sequel Red Gold Bridge (2009), and the non-genre novel/Jane Austen pastiche The Unexpected Miss Bennet (2011).

This collection documents Criner's professional and personal life as an artist and educator. The collection includes correspondence, original works of art, prints, drawings, exhibition photos, postcards, writings, photographs, publicity, news clippings, interviews with Criner, and thank you letters and cards from students and visitors who have been taught the art of printmaking and provided tours of the Museum of Printing History in Houston by Criner. The collection includes a number of Criner's prints and copies of his art reproduced as advertisements, exhibits, and prints. Of particular note are the significant examples of Criner’s various cartoons, Johnny Jones, The Job Crowd, The Dogs, and a few others. These were all produced from his stint in the Army, his work with the Houston Post, Houston Chronicle, HUD, and his collaboration with William Henry Hygh. 

A listing of Criner’s artwork and cartoons is included at the end of the finding guide. The collection includes examples of each of these works either in print, photos, or exhibit material.