A collection of comic books from the new series from Marvel Comics, Captain Marvel and Ms. Marvel.

The first is written by Kelly Sue DeConnick and details the adventures of superhero Carol Danvers, the former Ms. Marvel who in 2013 assumed the name, Captain Marvel. The second series is written by G. Willow Wilson and explores the story of young Kamala Khan, a Muslim American girl who acquires superpowers and adopts the name Ms. Marvel out of tribute to Danvers. Ms. Marvel, as a Pakistani-American, is the first Muslim superhero in an American comic book to have her own title.

The collection includes issues from the post-Secret Warscycle of stories concerning the two heroines.

Artists vary between individual issues of both series.

This collection contains sets of galley proofs from several issues, dating from 1965, of the important, groundbreaking British science fiction magazine New Worlds. During this period of the magazine's publication, it was edited by famous and influential science fiction author Michael Moorcock.

The proof sets for April and August 1965 are complete, while there are only partial sets for January-March 1965. There are also several additional fragments from unknown issues.

This collection contains fanzines and some scattered other materials relating to the television series Star Trek: The Original Series[TOS] (1966-1969). The driving force behind most of the stories in the collection - as reflecting the cultural interests of collection donor Holly Brown - is the close friendship between the characters Captain James T. Kirk and Mr. Spock. However, stories in the collection do involve many different characters and situations.

The majority of the contents in this collection consist of fan fiction. Fan fiction is the name given to literary or artistic productions created by fans about the collection is identified as "slash”. "Slash" refers to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks. Holly Brown is herself a slash writer, and much of her collecting was driven by her interest in slash.

Another substantial portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships. "Gen" stories are those that, speaking broadly, involve the more standard sorts of adventures one might encounter in the television series or other original source material, or that do not involve sexual content as a focus of the story.

Gen and het items are identified as such on the item folder. If an item is not identified as gen or het, it is to be assumed that the item is slash.

A small portion of the collection involves media productions other than Star Trek[TOS]. These include the show's sequel series Star Trek: The Next Generation[TNG] as well as anthologies of multimedia fanfiction featuring stories from many different sources.

Other, smaller portions of the collection include copies of script drafts from various episodes of Star Trek[TOS] and Star Trek: The Animated Series[TAS], as well as program books and other materials from a number of science fiction conventions.

This collection consists of decades worth of science fiction and fantasy fanzines, collected by Canadian fanzine writer and editor Mike Hall, and by book collector and author Chester Cuthbert. Chronologically, the fanzines date from some of the earliest years of organized SciFi fandom through the 21st century.

This collection consists of AAUW publications, the president's records spanning the organization's forty-year history, and information regarding the branch's involvement in supporting the Bryan Day Care Center, as well as four scrapbooks.

Association publications include the newsletter from the local branch, as well as journals, newspapers, and bulletins published by the national and international parent organizations. Included in the president's records are branch reports, rosters, financial information, and correspondence. Also present are minutes and other records pertaining to the Bryan Day Care Center and the AAUW's contributions to it. In addition, one file in the collection contains a brief history of the local organization, beginning with its inception in 1948 and reviewing important milestones of each year up to 1980.

This collection includes correspondence, drafts, page proofs, and other materials regarding Sorenson's book Animal Reproduction: Principles & Practices. Also included are copies of articles, papers and other research materials used in writing the book.

This collection contains speeches from Ward during his time as Educational Director of the National Cottonseed Products Association.

This collection consists of the galley proofs of Helltracks.

This collection consists of a photocopy of the manuscript for Wilson's 1988 novel Memory Wire.

This collection includes correspondence to and from Clareson on his research, his science fiction journal editorship and related matters; manuscripts of some of Clareson's work, including a study of Robert Heinlein, as well as Understanding Contemporary American Science Fiction: The Formative Period (1990) and an unpublished biography of Charles Reade; research files for Clareson's study of John Wyndham; audio cassettes of interviews, panels and other appearances by Clareson; slides used by Clareson in his classroom work; and some miscellaneous materials. Also included are several awards that Clareson won for his professional work.

Several additional boxes contain research materials used by Clareson in the writing of his work The Heritage of Heinlein: A Critical Reading of the Fiction. Clareson died before he could complete the work, and it was ultimately finished and published by Joe Sanders in 2014. The materials include the manuscript for the book, as well as some original correspondence from Robert A. Heinlein, and copies of some of Heinlein's novels with notes by Clareson.

The correspondence contains letters from Lois McMaster Bujold, Harry Harrison, and James Tiptree, Jr.

Financial records 1977-1980.

This collection consists of manuscripts for several of Stiner's short stories, as well as one for his 1990 short novel Slam.

This small collection includes 11 letters from Maurice Bailey, 6 photos from Stanley C. Jordan, and 18 photos of other African Americans serving in the armed forces during World War 2 in two theatres Naples and Marseille France.

The collection is of a black soldier from Chemung County, New York, named Maurice M Bailey (1906-?). There are 11 letters he wrote to his sister Beatrice Craig, who lives in Harlem. Enlisting at the age of approximately 36 on May 27, 1942, Maurice M Bailey was a Private in the Branch Immaterial or General Officers branch of the Selectees during World War II. At the time of enlistment, Maurice M Bailey was single, with dependents, stood 70 inches tall, weighed 179 pounds, and had an education level of 2 years of college. He landed in Oran in April 1943 as part of the 99th Quartermaster Company RHD and was a baker. Before the war, he was an electrician. His service number was 32344461. He refers to Mussolini as "their famous spaghetti boy Mussi". He describes his stay in Naples, where high-ranking fascists stayed. He describes being on guard duty in Oran during an axis air raid. He cares for his sister deeply, who is not well, and he talks about his plans when he gets back and the things he misses. Noteworthy is his generosity towards his sister, and when he sees how pricey everything is in Naples he prefers to give his money to her.

All the letters are from his service overseas during the war. His pay was only $5.30. He comments "Time heals all wounds. Even war.". He goes on "I must mention how a colored USO show here brought the house down when the girl from Brooklyn sang "Not now baby I'll tell you when". She really was a scream. Why even I fell for the jive and I am not a hip cat". These are just samples of what he has written. Interesting content on both war and reflections of his home by an African-American serving in North Africa, Italy, and France.

Also included are 6 photos from a black soldier named Stanley C Jordan (1921-?) who was a trombone player with the 1333 Eng. Regiment band in World war 2. The photos show Jordan participating in the victory day parade in Marseille France on May 9, 1945. Jordan enlisted when he was 21 on December 21, 1942. At the time of enlistment, he was single, with dependents, stood 70 inches tall, weighed 139 pounds, and had an education level of 4 years of high school. He came from Baltimore, Maryland. His service ID was 33390589.

Also included are 18 photos of African Americans serving in the armed forces during World War 2, in both theatres. Photos from Camp Ellis in Illinois, some photos have descriptions on the reverse.

This collection consists of materials from various science fiction and fantasy conventions, assembled over the years by Russ Ault. Materials include program guides, program books, and pocket programs.

This collection consists almost entirely of correspondence between legendary Texas writer Bill Crider and author and professor Robert E. Skinner, of Xavier University in New Orleans. Over several years, the two became regular correspondents in exchanges involving numerous subjects, including writers, writing, films, books, and their personal lives.

The two did not cease corresponding after 1998 (the date of last correspondence in the collection), but once Crider and Skinner started using email as their major medium of choice, Skinner ceased collecting the exchanges.

This collection contains a copy of the Charter, by-laws, financial reports, correspondence, photographs, and news clippings from Community House, Inc. which was an organization in College Station, Texas for the promotion of community welfare and support of benevolent, charitable, and educational undertakings.

This collection contains papers documenting Owens' teaching and writing career from 1928 to 1979. Items of special interest in the collection include lyrics to many folksongs and recordings made by Owens in the 1930s and 1940s of folksingers as well as recorded readings of Robert Frost, interviews of early oil pioneers of Texas, legal papers for Owens vs. Fawcett Publications, Inc. and David Holland concerning True magazine's plagiarism of Slave Mutiny, and letters of Roy Bedichek, J. Frank Dobie, Walter Prescott Webb, and Mody C. Boatright.

The correspondence is further separated into three areas: personal correspondence; correspondence with Owens' literary agent, Maurice Crain; and correspondence regarding Owens' books. Some overlapping exists between these areas. In the personal correspondence section, letters discussing Owens' books are largely from friends and fans and are nontechnical in nature. The correspondence with Maurice Crain concerns the publication procedures and business aspect of his writings while the boxes of letters specifically concerning the books deal primarily with the writing and development of the books.

The personal correspondence is arranged chronologically from 1932 to 1975. The letters are concerned with associations and societies to which Owens belonged; speaking engagements by Owens; programs in which he was involved; awards presented to Owens; and Owens' teaching career which includes letters to Owens as Director of Folk Festivals at the University of Texas, as an instructor at Texas A&M University, and as Professor and Dean of Summer Sessions at Columbia University. Other letters concern Owens' service as an Intelligence Officer in World War II and his early work with folksongs. In addition to correspondence from Owens' family and friends, there are letters congratulating Owens on his publications and requesting his literary advice. Of special interest are letters from famous persons such as Grant Wood, Eleanor Roosevelt, Harry Truman, and Nelson Rockefeller.

Correspondence with Maurice Crain contains letters from 1950 to 1959. The letters discuss publication and promotional plans for Owens' books and short stories. Other subject areas include foreign and domestic contracts for publication, royalty statements, and motion picture plans for several books.

The correspondence concerning books is arranged in chronological order based on the year of the book's publication. Included are letters regarding contracts with publishers, royalty statements, motion picture rights, and lectures on the books. Numerous letters discuss Owens' research and recordings of folksongs for Texas Folk Songs. Additional correspondence with Mrs. Walter B. Sharp, Dudley Sharp, and other oil pioneers refers to the Oral History of Texas Oil Pioneers.

Material concerning Owens' books includes background material, book reviews, typescripts, drafts, and in most cases galley proofs and page proofs. The boxes are arranged chronologically according to the publication date from the earliest to the last. However, the revised edition of Texas Folk Songs which was published in 1976 is included with the papers of the 1950 edition. Labels that Owens used on the papers, such as the numbers of a draft, have been retained, and where there was no designation of a draft number, the typescript is merely labeled typescript, early draft, or manuscript. The papers include both photocopies and ribbon copies and duplicates of typescripts. Typescript and manuscript are used interchangeably as labels.

The evolution of each of Owens' books can be seen through the background material and copies of drafts. In the first folders are Owens' research material and notes, book reviews, advertisements, and other information pertaining to the book in subject matter. Copies of typescripts, from the earliest to the final edited manuscript are next with the last folders containing galley proofs and page proofs. Through the revisions and changes made by Owens in each subsequent draft, the progressive development of notes and a rough outline into a complete and polished publication is revealed. Papers of major interest include a copy of Owens' doctoral dissertation on folksongs for the State University of Iowa (June 1941) with Texas Folk Songs material, the legal papers from the Owens vs. Fawcett Publications, Inc. and David Holland concerning Slave Mutiny, interviews of oil pioneers of Texas with material for Oral History of Texas Oil Pioneers and Walter B. Sharp biography, and the correspondence of Dobie, Bedichek, and Webb revealing their ideas about many varied subjects included with Three Friends material.

Other writings by Owens comprise the next section of the collection. Articles and short stories are filed alphabetically. Book reviews are grouped together in one folder. Speeches are filed last and are labeled with the title or meeting at which they were given and the date if known. Typescripts exist of most of the articles and short stories, and duplicate copies are retained. Some of these writings occur in their published version and are labeled with the title and date of the magazine in which they were printed. The dates of the other stories and articles are unknown. The subjects of Owens' stories and articles cover a wide range of subjects and span the entirety of his writing career. Published excerpts from his books such as This Stubborn Soil and Tales From the Derrick Floor are included in this group as well.

The personal data concerning Owens contains biographical information such as vitae, resumes, publications concerning programs and lectures in which he participated, and material relating to his teaching career. Additional material documents his years at Columbia University and awards presented to him. Newspaper articles and photographs from 1940 to 1974 concern Owens' many interests and involvement in programs as well as his books and teaching career.

The next boxes in the collection contain miscellaneous material kept by Owens. Many oil history photographs and newspapers articles relating to subjects in which Owens was interested are included. Articles by other authors, some signed by the author and some written by friends of Owens, along with magazines and publications collected by Owens are filed in this section. The miscellaneous publications are divided into three categories: literary publications, college publications, and remaining miscellaneous publications. These deal with a wide variety of subjects in which Owens was apparently interested.

The remaining three boxes contain aluminum discs of recordings made by Owens of various folksingers and country people of the South. Note cards listing titles numbered to correspond with the records are filed with the discs. Owens also made recordings of readings by Robert Frost in 1939, and these provide a valuable addition to the collection.

Copies of Owens' books are shelved with the boxed papers. Oversize items including an advertisement for Three Friends: Bedichek, Dobie, Webb, color prints of the Apollo 11 Lunar Mission, and maps and genealogies for A Fair and Happy Land are housed separately in oversize flat storage.

Materials include photographs dating from the 1980s to 2003, a 1997 self-survey, and self-accreditation from 1978.

This collection is UNPROCESSED.

The archives consist of photographs, publications, correspondence, and reports on the early history of RESI under the directions of its first two directors, Dr. Gail E. Thomas (1991-98) and Dr. Mitchell F. Rice (1999-2004). The institute was founded in 1991 and established to highlight Texas A&M University's strengths and academic leadership in research relating to the study of race and ethnicity and their various dimensions (e.g., intersections with class, gender, and sexuality; past, present, and future relevance to issues of education, immigration, politics, culture, and health).

This collection covers predominantly the 1990s to the early 2000s. Most publications are from the Brazos Valley or Texas area, including some national.

This collection contains letters and greeting cards to and from A. R. (Albert Richard) Moses during his time in the military. Most of the greeting cards are from the Christmas/New Year season or for his birthday.

This collection contains manuscripts, field notes, photographs, and audio recordings of Dr. Thomas’s work as an anthropologist in Mexico.

This collection consists of documents, daybooks, and photographs pertaining to the life of Jay Martin Poole, whose dedication to academic libraries brought him to Sterling C. Evans Library at Texas A&M University for many years, working as both library administration and a librarian consultant. The majority of the collection are letters written and received by Poole, both personal and professional. Another large portion of the collection contains daybooks and agendas, in which Poole kept an extensive log of his daily activities from 1963 to 1993. Jay's librarian background has given us an incredibly informative record of his life, his personality, and his experiences. A few significant topics and references represented in the collection are the GLBT community, collection and bibliographic services, CHOICE Magazine, academic librarian work, Texas A&M University, Sterling C. Evans Library, the University of Texas at Austin, The College of Santa Fe, Univerisity of California at Irvine, and genealogical records.

This collection contains biographical data, publications, and data on the Biology Department at Texas A&M in which Sewell was a faculty member, as well as reports and other papers relating to oyster mortality research carried out through the Texas A&M Research Foundation Research Project 9 (February 1, 1947 - May 31, 1950).

The research project 9 was funded by six major oil companies and led by two Texas A & M University Professors, Sewell H. Hopkins (Head) and John G. Mackin (Associate Head).

Prompted by several lawsuits filed by Louisiana oystermen against major oil companies claiming damages to oyster fields as a result of drilling in the Gulf Of Mexico region, Project 9 was conducted under the auspices of the Texas A & M Research Foundation. Project 9 allowed researchers to design and implement field and laboratory studies seeking to determine the effects of oil production activities on oyster production. Eventually, a then as-yet-unknown parasite was discovered which preyed upon the oyster crop after they had begun to reach maturity.

Two other large research groups investigating the same allegations against oil production in the Gulf headed by H. Malcome Owen (Louisiana Wildlife and Fisheries Commission) and Albert W. Collier (Gulf Oil Company) compared notes with the Heads of Project 9, coming to the same conclusion. As a result of this collaboration, a description of this newly discovered parasite called Dermocystidium marinum was published in 1950. The lawsuits were subsequently dropped or settled out of court.

More importantly for the history of the Texas A & M University System, however, is the fact that Research Project 9 led ultimately to the creation and expansion of a Marine Sciences program, represented by the newly established (1949) Department of Oceanography at Texas A & M University in College Station. On 1 June 1950, after the termination of Research Project 9, Research Project 23 was begun to continue studies on oyster disease and maintain a Marine Laboratory at Grand Isle, La. The Texas A & M Marine Laboratory was established (1952) at the University of Texas Medical Branch in Galveston, Tex. In 1968 Texas A & M University was named a Sea Grant College. The Marine Laboratory and the Texas Maritime Academy were merged in 1971, which is now known as Texas A & M University at Galveston.

These papers, therefore, form a picture of the ground-breaking research in oyster mortality conducted by Sewell H. Hopkins as head of Project 9, which led to increased sensitivity of the interplay of industry and the ecosystem, and to the formalized study at the university level of marine biology in the Gulf area.

Other researchers whose work is represented in the papers include Jay Donald Andrews, A. D. Bajkov, Harry J. Bennet, James L. Boswell, Clair Brown, Sidney O. Brown, M.D. Burkenroad, Fred Caulthron, C. Ray Elsey, I. I. Gardescu, Gordon Gunter, C. K. Hancock, Harold W. Harry, Joel W. Hedgpeth, Willis G. Hewatt, A. A. Jakkula, Fred W. Jensen, P. Korringa, Louis Lambert, Hugh B. Lofland, Elmer J. Lund, G. Robert Lunz, Jr., John C. Aull, Alvin F. Dodds, Shirley Alfred Lynch, John G. Mackin, Wiley G. Lastrapes, H. A. Marmer, R. Winston Menzel, Thurlow C. Nelson, Joseph F. Prokop, W. C. Rasmussen, Sammy M. Ray, J. H. Roberts, Fred W. Sieling, John J. Sperry, Victor Sprague, and Claude E. ZoBell.

    * Bibliography

    * Ray, Sammy M. "Historical Perspective on Perkinsus Marinus Disease of Oysters in the Gulf of Mexico." Journal of Shellfish Research. Vol. 15, No. 1:9-11.

    * Ray, Sammy M. "Texas A & M University's Contributions to Gulf of Mexico Ecosystem Research." [Viewed 2002-10-10 at: ]

This collection consists of a variety of media fanzines, mostly from the British television show The Professionals, but also including smaller numbers of fanzines from The Man From U.N.C.L.E., The Sentinel, Star Trek: Deep Space Nine, and several other media properties.

The majority of the content is fanfiction. Almost all the fanworks in this collection are identified as "slash,” referring to fanworks that feature same-sex relationships and are sometimes (though not always) sexually explicit. In slash, sexual identity, sexuality and/or romance are often the centers of the story, rather than the conventional adventures featured in more traditional fanworks.

A small portion of the collection consists of "het" material. "Het", like slash, refers to fanworks featuring sexual or romantic content, but with opposite-sex relationships.

"Gen" (more standard stories containing no sexual content) and het items are identified as such on the item folder. If an item is not identified as slash (s) or het (h), the item is slash. (g) indicates gen material. (h) indicates het material.

The collection also includes substantial numbers of fanvids (songvids). "Vidding" refers to the fannish activity of creating a music video (a 'fanvid') consisting of clips from various movies or TV shows set to particular pieces of music. Some vids utilize a single media universe, others involve multiple ones. The music that accompanies the clips is selected by the vidder in order to drive a particular narrative or to make a point about the characters or story being shown. Often these points are subversive of the accepted canon (for example, a vidder might use judiciously selected clips to suggest that two or more characters have a romantic relationship, whereas in "real life" no such relationship is stated or implied).

Finally, the collection includes a number of CDs containing images and stories from the yaoi genre of animated Japanese media. Yaoi, like slash, focuses on sexual or romantic relationships between male characters, as well as several examples of fan art from the television show Supernatural.

This collection consists of publications from the Texas Real Estate Research Center with the following box titles and contents:

• Issues in Real Estate, (1985)
• Miscellaneous Publications (September 1973 - March 1991)
• Executive Newsletter, (1988-1999)
• Publications List, (1976-1984)
• Reprints and Brochures
• Teachers Instructional Packet (TIP), (1984-1986)
• The Educator, (1974-1981)