Identity area
Type of entity
Person
Authorized form of name
Baraka, Amiri, 1934-2014
Parallel form(s) of name
Standardized form(s) of name according to other rules
Other form(s) of name
- Baraka, Imamu Amiri, 1934-2014
- Jones, LeRoi, 1934-2014
- Baraka, Ameer, 1934-2014
- Barakah, Amīr, 1934-2014
- Imamu Amiri Baraka, 1934-2014
- Jones, Everett LeRoi, 1934-2014
- Jones, Leroy, 1934-2014
- Jones, Le Roi, 1934-2014
- Jones, Everett Leroy, 1934-2014
- Baraka, Imamu Ameer, 1934-2014
Identifiers for corporate bodies
Description area
Dates of existence
1934-2014
History
Everett Leroy Jones was born in Newark, NJ on October 7, 1934. His father, Coyette, was a postal supervisor and his mother, the former Anna Russ, was a social worker. Growing up took piano, drum, and trumpet lessons (a background that would inform his later work as a jazz writer) and also studied drawing and painting.
Baraka changed his name when he became aware of the African revolution and his African roots. He was named by the man who buried Malcolm X, Hesham Jabbar. Baraka was a leading force in the Black Arts Movement of the 1960s and 1970s. In 1963 he published "Blues People: Negro Music in White America," known as the first major history of black music to be written by an African American. A year later he published a collection of poetry titled "The Dead Lecturer" and won an Obie Award for his play, "Dutchman." After the assassination of Malcolm X in 1965, he moved to Harlem and founded the Black Arts Repertory Theatre. In the late 1960s, Baraka moved back to his hometown of Newark and began focusing more on political organizing, prompting the FBI to identify him as "the person who will probably emerge as the leader of the Pan-African movement in the United States." Baraka continued writing and performing poetry up until his hospitalization late last year, leaving behind a body of work that greatly influenced a younger generation of hip-hop artists and slam poets. From DemocracyNow! program (January 10, 2014)